ESAT Bibliography Hom-How
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Homann, Greg 2009. Landscape and body. South African Theatre Journal, 23:49-176.
Honegger, Gitta; Patipatpaopong, Rassami; Schechter, Joel 1984. An interview with Athol Fugard. Theater Magazine, 16(11):32-39.
Hookham, John 1991. We the rhino: Ethnographic aggies and the representation of the Bushmen. South African Theatre Journal, 5(1):24-34.
Hoosain, Mohamed Faruk 1992. Alternative cultural practices in drama studies : an exploratory study. Unpublished master’s thesis. Durban: University of Natal.
Hope, Kim 2005. ‘I love you—you're my woman!’. Research in Drama Education, 10(2):241-245.
Hopkinson, Henry Thomas 1959. Birth of King Kong. The Reporter, 21:25-26. December 10.
Horn, Andrew 1985. Ideology and the melodramatic vision : popular theatre in Black South Africa and nineteenth-century America. English in Africa, 12(1):1-9.
Horn, Andrew 1986a. South African theatre; ideology and rebellion. Research in African Literatures, 17(2):211-233.
Horn, Andrew 1986b. South African theatre; ideology and rebellion, in Barber, K. (ed.). Readings in African Popular Culture. Bloomington, Ind: Indiana University Press. 73-80.
Horn, Andrew 1990. Introduction to The Plays of Zakes Mda by Zakes Mda. Johannesburg: Ravan Press.
Horn, M. 1988. Theater as a weapon. U.S. News & World Report, 105(1):50-54.
Horn, Peter 1996. What is a tribal dress? The ‘imbongi’ (praise-singer) and the ‘people’s poet’. Reactivation of a tradition in the liberation struggle, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 115-131.
Horne, H. 2008. Kaburu: ‘n Drama vir die Verhoog, by Deon Opperman. Reviewed in: South African Journal of Cultural History, 22(2):155-156.
Horne, Hannes 1978. Van dramateks tot toneelopvoering. Scenaria, June/July: 63-64.
Horne, Hannes 1985. Die Suidwes-Afrikaanse Raad vir die Uitvoerende Kunste (SWARUK: 1966-1983). [The Performing Arts Council of South West Africa] , in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 101-105.
Horne, Jacobus Johannes 1970. Anna Neethling-Pohl se bydrae tot die Afrikaanse verhoogkuns. Unpublished master’s thesis. Pretoria: Universiteit van Pretoria.
Horne, J.J. 1987. Anna Neethling-Pohl. Lantern, 36(1):3-13.
Horner, David 1967. Speech and drama. Fiat Lux, 2:297-300.
Horner, David 1972. Theatre in the hills. Fiat Lux, 7(1):27. February.
Horner, David 1976. All the world’s a stage – so pity the poor player. Journal of the University of Durban-Westville, 2(4):33-42.
Hough, Barry 1981. Interview with Athol Fugard – Port Elizabeth, 30 November 1977. Theoria, 55:37-48.
Hough, Barry 1979. Fugard’s Boesman and Lena in perspective. Crux, 13(1):29-36.
Hough, Barry 1985. Exit the king (Dawie Malan). De Kat, 1(2):95-98. August.
Hough, Barry 1995. Fugard staan poedelnakend. Insig, 09/95:43.
Houliston, Victor 1989. Shakespeare not our contemporary: classical rhetoric and the teaching of Shakespeare. Shakespeare in Southern Africa, 3:67-77.
House, Melanie J. 2010. Their place on the South African stage : The Peninsula Dramatic Society and the Trafalgar Players. Columbus, Ohio : Ohio State University. Unpublished doctoral dissertation.
Howard, George F. 1935a.
Howard, George F. 1935b.
Howard, George F. 1935c.
Howard, George F. 1936a.
Howard, George F. 1936b.
Howard, George F. 1936c.
Howard, George F. 1936d.
Howells, Stefan A. 1990. Cultural practice and powerful meanings: a study of black urban theatre in South Africa. Unpublished bachelor’s thesis. Harvard University.
Howlett, Leslie 2002. A Midsummer Night’s Dream directed by Fred Abrahamse for the Maynardville Open Air Theatre, 11 January to 23 February 2002. Shakespeare in Southern Africa, 14:50-51.
Click on the appropriate letters of the alphabet in the sub-list below.
H-Hat Hau Haw-Her Hes-Hol Hom-How Hua-Hun Hut Hy-Hz
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