ESAT Bibliography Ken-Kez
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Kent, et al. 1971. Cape Town’s Opera House. Architect and Builder, 21(6): 2-9. June.
Kent, et al. 1972a. Nico Malan Theatre centre. Plan, 57(8): 13-21. August.
Kent, et al. 1972b. Space Theatre. Plan, 57(8): 41. August.
Kente, Gibson 1981. Too Late, in Kavanagh, Robert Mshengu (ed.). South African People's Plays. London: Heinemann. 85-88.
Kentridge, M. 1982. Tandem Theatre of King Edward school – a polite view. Teaterforum, 3(1):11-17.
Kentridge, Catherine 1988. Sophiatown: breaking the silence of oppression. Theatre Week, 1(49):26-32. July 18.
Kerr, David 1995. African Popular Theatre. From Pre-Colonial Times to the Present Day. Portsmouth: Heinemann.
Kerr, David 1996a. African theories of African theatre. South African Theatre Journal, 10(1):3-23.
Kerr, David 1996b. Giving voice to the silent war: An essay review of Simuka Zimbabwe! by Zambuko/Izibuko. South African Theatre Journal, 10(1):107-112.
Kerr, David 2004. ‘Put me on the stage’ Interview with Nomhle Nkonyeni. Winchester 20 July 2001, in Banham, Martin, Gibbs, James & Osofisan, Femi (eds). African theatre: Southern Africa. Oxford :James Currey. 79-91.
Kerr, David 2007. Space and Southern African community theatre - real, mediated and symbolic. South African Theatre Journal, 21:31-45.
Kerr, David 2009. Ethics of applied theatre. South African Theatre Journal, 23:177-187.
Kesselberg, H.J.W. & Knight, G. 1970. Stage mechanical equipment: Nico Malan Theatre centre. South African Engineer, 61(623):39-49. April.
Keuris, Marisa 1996. Drama. Tydskrif vir Lliteratuurwetenskap, 12(4):365-511.
Keuris, Marisa 2004 Found in translation: Chekhov revisited by Reza de Wet and Janet Suzman. Journal of Literary Studies, 20(1):148-164.
Keuris, Marisa 2006. Tshepang - universal effect and resonance : book review. Literator, 27(1):235-237.
Click on the appropriate letters of the alphabet in the sub-list below.
K-Kem Ken-Kez Kh-Kl Kn-Kro Kru-Kz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance