North Lincolnshire Regiment of Foot

Also known by its full title of the Second Battalion of the Tenth of North Lincolnshire Regiment of Foot.

"The origin of the Tenth or North Lincolnshire Regiment of Foot was one of the Independent embodied immediately after the restoration, by Charles II.

"The company, under command of John, Earl of Bath, was stationed at Plymouth, and, on the 20th June 1685, eleven more companies were raised in Derbyshire and Nottinghamshire and added to it; the whole combining to form the Corps now known as the TENTH FOOT, but then called the EARL OF BATH'S REGIMENT.

"The uniform was blue coats lined with red, red waistcoats, breeches, and stockings, round hats with broad brims, the brims turned up on one side and ornamented with red ribbons; the regiment was armed with muskets and pikes, and the pikemen wore red worsted sashes. This was the only infantry corps clothed in blue. A few years after the revolution of 1688 their colour was changed to red.

"On the 1st July 1751 a royal warrant was issued in which the King's or First Colour of the Regiment was directed to be the Great Union; the Second Colour to be of bright yellow silk with the Union in the upper canton, and in the centre of the Colour the rank of the regiment, in gold Roman characters, within a wreath of roses and thistles on the same stalk. The costume of the Regiment at this period was three-cornered cocked hats bound with white lace: scarlet waistcoats and breeches: white linen gaiters reaching above the knee: white cravats: buff belts.

"In 1783, the regular regiments of infantry were authorised to assume "County Titles," in order to promote the recruiting service, and the Tenth - then stationed at Lincoln - were directed to bear the title of North Lincolnshire Regiment in addition to the numerical title.

"A second Battalion - raised at Maldon in Essex - was added to the Regiment on the 25th December 1804, and in January 1816 the two battalions were incorporated.

"The present Second Battalion was formed at Mullingar in Ireland in 1858 - the first gazette having been dated 8th January 1858."

Founding and early history

After the Childers Reforms of 1881, it became the Lincolnshire Regiment after the county where it had been recruiting since 1781.

After the Second World War, the regiment was honoured with the name Royal Lincolnshire Regiment, before being amalgamated in 1960 with the Northamptonshire Regiment to form the 2nd East Anglian Regiment (Duchess of Gloucester's Own Royal Lincolnshire and Northamptonshire).

This was later amalgamated with the 1st East Anglian Regiment (Royal Norfolk and Suffolk), 3rd East Anglian Regiment (16th/44th Foot) and the Royal Leicestershire Regiment to form the Royal Anglian Regiment.

'A' Company of the 2nd Battalion of the Royal Anglians continues the traditions of the Royal Lincolnshire Regiment.

Arrival in southern Africa

The first division of the 7, 8 and 9 companies with a portion of No 5 Company of the Second Battalion of the Tenth of North Lincolnshire Regiment of Foot left their camp at Curragh-Camp for duty on the Eastern Cape Frontier on December 8, 1859.

“The Head Quarters of the Regiment, under command of Colonel Fenwick, C. B. had sailed from Queenstown on the 12th January, in H. M. S. Urgent, and after an exceedingly calm and not unpleasant voyage, though the vessel was uncomfortably crowded, they bade farewell to the gallant ship and her agreeable officers at Algoa Bay on the 16th March.

“The left wing, under Lieut. Colonel Byrne, had sailed from Kingstown, in H. M. S. Vulcan, on the 11th of December, 1859, and reached their destination some three weeks before the arrival of the Head Quarters.

“The Head Quarters arrived at Grahamstown, - the Military Head Quarters of the Colony, - on the 30th March, and we were, within a few weeks, called upon to furnish nine detachments which scattered up pretty well over the face of the country: however a change has recently come over the arrangements, and the Second-Tenth can once more muster in respectable numbers at Head Quarters.”

On January 11, 1860, the remainder of the regiment consisting of the Colours, the Band and Drums, Nos 1, 2, 3, 6 and 10 Companies embarked onto H. M. S. Urgent at Hawlbowline bound for the Cape. On February 21, HMS Vulcan anchored in Algoa Bay and four days later Captain Coryton, two sergeants, one drummer and 47 rank and file left PE for Grahamstown where they arrived on March 3, 1860.

On March 10, 1860, HMS Urgent anchored in Algoa Bay. Three days later they left for Grahamstown and arrived at their destination on March 18, 1860.

By the beginning of May, men had been posted from Grahamstown to Fort Brown, Fort Jackson, Fort Peddie, Koonap, Trompetters, Tamacha, East London, and Line Drift.

Current status

'A' Company of the 2nd Battalion of the Royal Anglians continues the traditions of the Royal Lincolnshire Regiment.

Aims and function

Apart from the Officers and the Serjeants (sic) (also referred to as the Serjeants of the Regiment, Serjeants Dramatic Club, Sergeants of the Regiment or the Sergeants Dramatic Club) who provided the troops with theatrical entertainment, the regiment also had a drama club known as the Amateurs of the Band (also found as the Band Amateurs or the Band of Amateurs).

Impact on SA theatre, film, media and/or performance

It is assumed that the regiment made use of the Garrison Theatre in Grahamstown and the Garrison Theatre in Keiskama Hoek to stage their productions.

July 9 & 16, 1860: The Band Amateurs produced the celebrated legendary drama in three acts, The Corsican Brothers (Grangé and Montépin/Boucicault). Starring W. Dansie (Twin brothers), J. C. Wools (M. de Chaserd Rensud), M. Rafferty (M. Alfred Meynard), T. Brooker (Le Baron de Montgiron), J. Mann (Gaetano Orlando), T. Brooker (Marie Colonna), T. Patterson (Grifio), W. Allen (Boissee, a Wood cutter), T. Patterson (A Surgeon), J. F. Gay (Madame Sevillia dei Franchi), J. Grennan (Emilie de Lasparre), J. Durney (Marie, a domestic), A. Vogado (Estelle, lady of the ballet), W. Foster (Celestine, lady of the ballet).

W. Allen then played the violin in seven different positions after which J. M. M'Kechnie sang a comic song, "Solomon Lob".

The evening concluded with the staging of the farce The Wandering Minstrel (Mayhew). Starring J. M’Kechnie (Mr Crincum), W. Dansie (Herbert Carroll), W. Allan (Tweedle), T. Brooker (Jem Bags), M. Rafferty (Mrs Crincum), J. Grennan (Julia), J. Durney (Peggy).

July 21, 26 & 27, and August 3, 1860: The Serjeants (sic) performed Sir Edward Bulwer Lytton's beautiful five-act drama The Lady of Lyons, or Love and Pride . Cast: Serjeant Major T. H. Smith (Claude Melnotte), Color Serjeant W. Shaw (Colonel, afterwards General Damas, cousin to Madame Deschappelles and an Officer in the French Army), Serjeant J. Lydon (Monsieur Beauseant, a rich gentleman of Lyons, in love with, and refused by Pauline Deschappelles), Color serjeant G R Hungerford (Monsieur Glavis, Beauseant's friend, also a rejected suitor to Pauline), Serjeant P Fox (Monsieur Deschappelles, a Lyonnese merchant, father to Pauline), Color Sergeant B. Martins (Landlord of the Golden Lion), Drum Major A. Craig (Gasper), Serjeant J. Hanrahan (Servant), Serjeant M. Lyons (First Officer), Serjeant J. Hanrahan (Second Officer), Drum Major A. Craig (Third Officer), Lance Corporal J. Davies (Pauline Deschappelles), Lance Corporal J. Smith (Madame Deschappelles, Pauline's mother), Corporal G Brown (The Widow Melnotte, mother to Claude), Corporal G. Brown (Marian, maid to Pauline).

After the play, a solo was performed on the violin in seven different positions by W. Allen. Then a comic song "Solomon Lob" in character by J. M. M'Kechnie.

This was followed by The Wandering Minstrel (Mayhew), starring J. M. M'Kechnie (Mr Crincum), W. Dansie (Herbert Carol), W. Allen (Tweedle), T. Brooker (Jem Bags), M. Rafferty (Mrs Crincum), J. Grennan (Julia) and J. Durney (Peggy).

After which The Kiss in the Dark (Buckstone and Moore), starring Serjeant P. Fox (Mr Pettibone), Serjeant H. Charlesworth (Frank Fatlions), Corporal G. Brown (Mrs Pettibone), Lance Corporal J. Smith (Mary), was staged.

July 30 and August 1, 1860 saw The Review, or The Wags of Windsor (Colman) staged. Cast: M. Rafferty (Captain Beauguard), J. M'Kechnie (Mr Deputy Bull), W. Dansie (Looney Mactwolter), T. Brooker (John Lump), W. Allen (Caleb Quotem), J. Mann (Charles Williams), T. Patterson (Sergeant Higginbottom), F. Girton (Dubbs), F. J. Gay (Grace Gaylove), J. Durney (Lucy), A. Vogado (Martha) and J. Grennan (Phoebe Williams).

After the play there was dancing and comic singing by W. Lovett and J. M. M'Kechnie and the whole concluded with the farce of Richard Butler's The Irish Tutor, starring J. M'Kechnie (Mr Tillwell), F. Girton (Charles, his son), T. Booker (Dr Flail, a schoolmaster), W. Dansie (Terry o'Rourke and Dr O'Toole), J. Greenan (Rosa, his niece), and J. Durney (Mary, her maid).

August 20th and 22nd, 1860. The Band of Amateurs again appeared before the public in the three-act play The Iron Chest (Colman), set in the New Forest, Hampshire, and on its borders. Starring: W. Dansie (Sir Edward Mortimer), J. M. M'Kechnie (Fitzharding), J. F. Gay (Adam Winterton), T. Patterson (Gilbert Rawbold), T. Brooker (Samson Rawbold, his son), W. Allen (Peter), W. Allen (Armstrong), J. Mann (Orson), B. Sheeran (First Robber), T. Mannion (Third Robber) G. Daw (Robbers Boy), J. Grennan (Helen), J. Darney (Blanche), A. Vogado (Barbara Rawbold), M. Rafferty (Judith).

This was followed by The Irish Tutor, "cast as before".

"Respecting all these performances, we can say but a few words. On the whole they were more successful than could have been expected, when we take into consideration the many difficulties which perplexed and obstructed the Corps Dramatique. The selection of pieces might, certainly, have been more judicious; and had plays, more easy of performance, been chosen we should doubtless have been able to award a still higher meed of praise than that which we now offer to the managers." North Lincoln Sphinx,

September 20, 1860: "Among our various amusements, Theatricals seem to hold a favourite place, and we have to notice no less than five new pieces in our present number. On Monday, the 20th September, the BAND performed two plays, respectively entitled, Time Tries All, or The Bashful Lover and The Dead Shot (Buckstone). The former being a drama in two acts; and the latter, a farce in one act." Cast for Time Tries All: J. M. M'Kechnie (Mr Leeson), F Girton (Matthew Bates), W. Dansie (Hon. Augustus Collander Yawn), J. Mann (Charles Clinton), T. Patterson (John), J. Grennan (Laura Leeson), A. Vogado (Fanny Fact).

Cast for The Dead Shot: W. Dansie (Mr Hector Timid), W. Allen (Mr Wiseman), J. M. M'Kechnie (Captain Cannon), J. F. Gay (Frederick Thornton), T. Paterson (Williams, his friend), J. Mann (First Police Officer), T. Manion (Second police Officer), J. Davies (Louisa Lovetrick), J. Durney (Chatter, her maid).

"The performance was not so creditable as hitherto, in consequence of several of the actors having failed to learn their parts. M'Kechnie, Girton, and Grennan were awkwardly deficient; and their carelessness certainly deprived the play of the praise, which it would, in all probability, otherwise have won. The singing between the pieces was almost tiresome, from the large number of songs given, though we must confess that M'Kechnie elicited roars of laughter from the audience, by the inimitable manner in which he sang "Lord Lovell," and "Solomon Lob." The farce did much to make up for the lameness of the other piece, and it seemed to afford considerable amusement. All the characters were very fairly sustained."

October 8, 1860: The Officers made their first performance in Sheridan's five-act comedy The Rivals which was "put on stage with much care and taste. New scenery was painted for the occasion, and the costumes were appropriate, and, with one or two trifling exceptions, exceedingly well got up." Cast: Captain H. R. Vigors (Sir Anthony Absolute), Lieutenant C. P. Fitzgibbon (Sir Lucias O'Trigger), Captain G. E. Bulger (Faulkland), Captain G. C. Bartholomew (Captain Absolute), Lieutenant R. Annealy (Bob Acres), Lieutenant C. H. Newbatt (Fag), Lieutenant J. Craig (David), Lieutenant H. T. Snooke (Coachman), Lieutenant C. A. Armstrong (Mrs Malaprop), Ensign A. Fraser (Lydia Languish), Lance Corporal J. Davies (Julia Melville), Corporal G. Brown (Lucy), and Private J. Durney (Julia's maid). Stage Manager: Lieutenant J. Craig, Prompter: Sergeant-major T. H. Smith, Attendants: Drummers D. Egan and R. M. M'Sweeny (dressed as pages.)

"Every praise is due to the managers, not only for their selection of a piece so well adapted to amateurs, but for the excellent cast of characters. The performers were most thoroughly suited to their parts, which were well given throughout. The three leading characters - those of Mrs Malaprop, Bob Acres, and Sir Anthony Absolute, - on which the success of the play mainly depends, were most ably sustained by Mr Armstrong, Mr Annesley, and Captain Vigors; but were all equally good, it is needless to particularize. We may, however, just hint to Miss Lydia Languish, that a little more softening of her voice, and a trifle less show of stocking, would be "very becoming to a young woman." The scenery was, on the whole, very good; and although the drop-scene, painted by Captain Henderson, - might seem rather too bright to one unacquainted with tropical landscapes, yet to those who have witnessed the glorious colouring so common in Eastern scenery, it would not appear exaggerated. In conclusion, we can only express our hope that the future efforts of the Corps Dramatique will be crowned with as great, and as well-deserved success, as this, their first appearance on any stage."

After the Regimental Band had performed the overture to Rossini's opera of Guillaume Tells, the Sergeants staged Mark lemon's one-act farce, The Camp at Chobham. Special backdrops were painted for the play "Sunset on the Chenaub River near Wuzeerabad, Punjaub, India," from an original sketch by Captain H. Henderson "The Marine Parade" by Captain H. Henderson, "King's Mead Fields" by Captain J. E. Whaite, and "Mrs Malaprop's Lodging" by Private F. Beikempe. Cast: Sergeant-major T. H. Smith (Captain Damer), Corporal G. Brown (Captain Rossly), Sergeant J. Lydon (Mr Cadbury), Sergeant T. Coughlin (First Sapper), Sergeant J. Chester (Second Sapper), Sergeant J. Murray (Jones), Sergeant H. Davies (Rooster), and Lance Corporal J. Davies (Fanny).

October 12, 1860: There was a repeat performance of The Rivals and The Camp at Chobham with the same cast. The Regimental Band, however, played Auber's opera Masaniello before the play.

October 15, 1860: The Sergeants of the Regiment performed William Shakespeare's Tragedy of Macbeth. Cast: Sergeant T. Murnane (Duncan, King of Scotland), Corporal G. Brown (Malcolm, his son), Drummer J. Murray (Donaldbain, his son), Sergeant-major T. H. Smith (Macbeth, General in the King's Army), Private A. M'Laughlin (Banquo, General in the King's Army), Sergeant J. Lydon (Macduff), Sergeant F. Edwards (Lennox), Sergeant J. Chesters (Rosse), Sergeant J. Roberts (Monteith), Sergeant J. Murray (Caithness), Drummer J. Murray (Fleance, son to Banquo), Sergeant H. Davies (Siward, Earl of Northumberland, General of the English Forces), Lance Corporal J. Davies (Young Siward, his son), Sergeant T. Coughlin (Seyton, an officer attending on Macbeth), Corporal [T. [M'Kay]] (First Murderer), Sergeant J. Murray (Second Murderer), Sergeant J. Hanrahan (Doctor), Corporal T. M'Kay (Wounded Soldiers), Sergeant T. Coughlin (Porter), Lance Corporal J. Davies (Lady Macbeth), Sergeant J. Quinn (Gentlewoman attending on Lady Macbeth), Sergeant H. Davies (Hecate), Lance Corporal J. Davies (First Witch), Sergeant J. Quinn (Second Witch), Corporal G. Brown (Third Witch).

'We confess to an enthusiastic admiration for the grand and glorious dramas of the immortal Shakespeare, and therefore, we can sympathise with the feeling that prompted the energetic manager of the Sergeants Dramatic Club, to attempt the representation of this great tragedy: but, fond as we are of the unrivalled productions of our own peculiar Bard, we should prefer never hearing his majestic language, and never witnessing his histrionic masterpieces, to beholding the characters supported as they were, on the occasion of which we write. But there are several honourable exceptions to this sweeping denunciation, and the same justice, which calls forth the foregoing remarks upon the play in general, requires from us a more definite critique upon the efforts of individuals. The character of Macbeth was well sustained, and our severest criticism is compelled to treat it with a gentle hand. The part of Lady Macbeth was really played with a depth of feeling that we were unprepared for, and, whilst we congratulate the performer, we express ourselves much pleased, and, gratified: we would, however, observe, that the last three acts were not so successful as the others; doubtless if the character had been more carefully studied, the performance would have been equal throughout. Our inimitable "Mr Cadbury" is not suited to a tragic part: we cannot find fault with his performance, which did him credit, but his face, upon the stage, is decidedly comic, and when we behold him as Macduff, the conviction forced itself upon our mind, that it was only the "retired tallow-chandler" in disguise. With a little care, the Sergeant who personated Lennox, would play well: we recognised him, in his second appearance, as the apparition of a Bloody Child, in the pit of Acheron, and we award him our highest praise for his effective delivery of the prophetic advice o Macbeth. The wounded soldier, the robbers, and the porter, call for a modicum of praise; as also Donaldbain, but here we must stop, and consign the remainder to the tender mercies of the outraged shade of Shakespeare.

"And now, let us sum up the evidence, and close our remarks with the praise which is due to the performers for their trouble and energy, in getting up so heavy a play, and putting it on the boards so well. But with a cramped and diminutive stage, - a total absence of machinery, and every possible difficulty in their way, they accomplished their task with credit. While we condemn the acting, we do not do so with the intention or desire of hurting the feelings of any of those concerned; and we firmly believe that their failure was not caused by want of care or attention, - but simply, by the difficulties of the piece, which are, indeed, almost overwhelming. Most of those whose performance we find fault with, had never played before, and it was not within the range of probability that they could succeed in Macbeth."

June 5, 1861: The Amateurs of the Band produced the following three productions: The Spectre Bridegroom, or A Ghost in spite of Himself, a comedy in two acts, featuring F. Girton (Mr Nicodemus), J. M'Kechnie (Squire Aldwinkle), J. F. Gay (Dickery, his man), J. Mann (Captain Vanntington), W. Dansie (Paul), T. Paterson (Thomas, a servant), J. Davies (Georgiana Aldwinkle), J. Durney (Lavinia, her cousin).

This was followed by another production, Poses-De-Vaux starring J. M'Kechnie (M. Trimulus Tomkins), J. Davies (Miss Polly Hopkins), J. Durney (Sophia, her maid).

Afterwards, a third production, a farce in one act Slasher and Crasher, was performed. Starring: J. M'Kechnie (Benjamin Blowhard), W. Dansie (Mr Sampson Slasher), J. Davies (Mr Christopher Crasher), J. F. Gay (Lieutenant Brown), J. Grimley (Policeman), B. Sheetan (Policeman), T. Paterson (John, a servant), T. Smith (Miss Dinah Blowhard) and J. Durney (Miss Ross, her niece).

"The entire performance went off remarkably well, the short delays between the pieces being very much more agreeable than those lengthy, wearisome intervals, which have been generally characteristic of the arrangements at our theatre. M'Kechnie's acting throughout was capital, more particularly in the character of Squire Aldwinkle in The Spectre Bridegroom and Gay, Dansie and Davies maintained their reputation admirably. The latter disposes of female characters particularly well and really makes a very "bonnie lassie". He sang "Nelly Gray" with a good deal of feeling, but accompaniments and a respectable chorus were sadly wanting. To our mind the best piece of the evening was the Interlude, so far as the performance went, both Davis and M'Kechnie having sustained their parts to perfection." -The North Lincoln Sphinx regimental periodical.

May 28, 1862: The regiment staged their production in the little Keiskama Hoek Garrison Theatre.

The first was announced as Amoroso or King of Little Britain, "A Serio-comic, Bombastic, Operatic Interlude, in one act" by J.R. Planché. The performance starred J. Davies (Amoroso, King of Little Britain), J. F. Gay (Roastando, his cook), T. Paterson (Blusterbus, his cook), B. Sheean (1st Lord of the Bed-chamber), J. M'Kechnie (Aoqnetinda), and F. Girton (Mollidusta). After the performance, a comic song was sung by J. M'Kechnie.

This was followed by a farce in one act, The Omnibus or A Convenient Distance by R. J. Raymond, starring J. M'Kechnie (Mr. Ledger), F. Girton (Mr Dobbs), J. F. Gay (Master T Dobbs), W. Dansie (Pat Rooney), G. Daw (Farrier's Boy), J. Durney (Julia Ledger), J. Davies (Mrs. Dobbs), B. Buckley (Jemima Damper).

During the following interval J. M. M'Kechnie and J. Davies sang a comic duet.

This was then followed by Richard Butler's The Irish Tutor, starring J. M'Kechnie (Mr Tillwell), F. Girton (Charley, his son), J. F. Gay (Dr Flail, a schoolmaster), W. Dansie (Terry o'Rourke as Dr. O'Toole), T. Paterson (Beadle), B. Sheeran (A countryman), .J Davies (Rosa, in love with Charley), and J. Durney (Mary, her maid).

"The performance was, on the whole, very successful, and the actors had the satisfaction of playing to a full house, which was a novelty in their South African experiences. The little Garrison Theatre was crowded to excess by people from the village, and the officers and men of the Regiment, all of who appeared much pleased with the efforts made for their amusement. M'Kechnie's acting and singing was, as usual, excellent, and Gay's ludicrous personification of Master T. Dobbs in the second piece kept the house in a continued roar of laughter. Corporal Davies is too well known to our readers to require any notice at our hands. Dansie made a famous "Pat Rooney" in The Omnibus, and an equally good "Terry O'Rourke" in The Irish Tutor, and Daw disposed of his short part of the "Farrier's Boy" in The Omnibus so well, that we would suggest a higher position for him in the next cast of characters." -The North Lincoln Sphinx regimental periodical.

June 19, 1862: The Band Amateurs produced Charles Selby's Robert Macaire or The Two Murderers of Lyons. Starring T. Smith (Germeuil, a wealthy farmer), T. Paterson (Dument, an inn-keeper), W. Dansie (Robert Macaire, under the assumed name of Bertrand), J. M'Kechnie (Jacques Strop), F. Girton (Charles), J. F. Gay (Pierre, head waiter), J. Mann (Sergeant Loupy), J. Grimley (Louis), B. Sheeran (Francoise), J. Davies (Marie), J. Durney (Clementine).

This production was followed by George Wood's one-act farce, The Irish Doctor, or The Dumb Lady Cured from Moliere's Le Médecin malgré lui. Starring: J. M'Kechnie (Sir Ralph Credulous), J. F. Gay (Walter Lovewell), F. Girton (Dr Fiantie), W. Dansie (Denis Murphy, a broom-maker), T. Paterson (Squire Robert), B. Sheeran (Dick), F. Doherty (Simon, servant to Sir Ralph), T. Manion (Dick, servant to Sir Ralph), J. Davies (Laura Credulous), J. Durney (Peggy, her maid), T. Smith (Bridget, wife of Denis).

"Several of the actors were deficient in the remembrance of their parts on this occasion, and there appeared to be a superabundance of h3 (sic) on the move. Had it not been for the efforts of M'Kechnie, Davies, Gay and Dansie, both pieces would have been complete failures. The acting of all the others was decidedly lame. We recommend more rehearsals, a better cast, and a prohibition of all unnecessary h3 (sic)." -The North Lincoln Sphinx regimental periodical.