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The play

Othello by William Shakespeare. Possibly written 1604.

Othello and South Africa

In the early 19th century this was the most popular Shakespeare play in Cape Town, at least 15 performances being done between 1800 and 1864. This includes one travesty and three productions by a Dutch amateur groups Door Yver Bloeit de Kunst and Vlyt en Kunst, in Dutch translation. However, most probably because of its racial overtones, the play was seldom performed in the later 19th and most of the 20th centuries, though the play was studied by University students. It resurfaced in the later part of the 20th century, influenced by the eventual release of the 1965 Laurence Olivier film in 197*. In 1975, an Afrikaans version of it (tr Anna Neethling-Pohl?*) was done by PACT in 1975, the latter featuring Louis van Niekerk in the lead role in black-face, Sandra Prinsloo as Desdemona and Marius Weyers as Iago. (The same translation was done by SWAPAC in Windhoek in 1977) The first black Othello in the country was played by John Kani in a landmark production directed for the Market Theatre by Janet Suzman in 1986, with designs by Johan Engels.

South African translations of the text

The play has been tranlated into * South African languages, namely Afrikaans (by Anna S. Pohl, Human & Rousseau, 1976), **

The South African productions

1818

A performance in the African Theatre, Cape Town (with The Poor Soldier as afterpiece) by the Gentlemen Amateurs in conjunction with Mr Cooke and his ladies, on 24 October, 1818; as a benefit for the Liverpool actress Miss Williams.

Though an African-American Shakespearen actor, **, also toured the country in the 18**'s and no doubt included excerpts from the play in his repertoire.

So did Sir ** Benson?* CHECK***] It resurfaced in the later part of the 20th century with a production by ** in 19**. Shortly after the showing of the Laurence Olivier film in 19**, was done by

1837

A performance in Dutch, called Othello, of De Moor van Venetien by Vlyt en Kunst in the Liefhebbery Toneel (Amateur Theatre) in Cape Town on 19 August 1837, directed by C.E. Boniface. The rest of the programme consisted of Dirk Menschenschrik by Holberg and some tricks by "een Groote Baviaan" as afterpiece.

1852

Performed in Cape Town by members of the Garrison Players, including Captain Hall and Lieutenant Johnson, helped by local English amateurs, on 24 March, 1852, with as afterpiece Charles the Second, or The Merry Monarch (Payne). The performance was "for the benefit of the unfortunate soldiers who persished in H.M.Steamer Birkenhead" (Bosman, 1928,401).

1946

Produced by Frank Hammerton for the Cape Town Repertory Theatre Society at the Little Theatre. With E. Clifford Jones, Dan Bosman, Hazel Casson, Pietro Nolte, Mary Dean, Rosa Lussman, Dan Bosman, Frank Hammerton.

1970

Directed by Leonard Schach at Maynardville starring Bernard Brown, Louis Burke, Cecilia Sonnenberg, Jeanne Wennberg. Decor by Pamela Lewis, costumes by Jennifer Craig.

1975

Shortly after the release of the 1965 Laurence Olivier film in South Africa in 197*, PACT produced an Afrikaans version, in a translation by Anna S. Pohl. Breytenbach Theatre and Alexander Theatre . The production featured Louis van Niekerk in the lead role in black-face, Sandra Prinsloo as Desdemona and Marius Weyers as Iago, Tobie Cronjé also included in the cast, and was directed by Francois Swart.

1977

The same Afrikaans translation was done by SWAPAC in Windhoek.

1982

Maynardville, CAPAB, director Roy Sargeant.

1986

The first black Othello in the country was played by John Kani in a landmark production directed for the Market Theatre by Janet Suzman in 1986, with designs by Johan Engels. Iago was superbly played by Richard Haines, while Joanna Weinberg played Desdemona. (A film of this production was shown on BBC television)

2010

Othello, directed by John Kani and Sarah Roberts and performed at the Wits Amphitheatre with an all-student cast at the University of the Witwatersrand, Johannesburg, during April, 2010

2013

The Playbill Theatre Company performed it in Johannesburg's Jo'burg Theatre, directed by Denel Honeyball, with Muntu Ngubane, Aimee Goldsmith, Craig Wainwright, Miles Petzer, Glen Biederman-Pam, Ryan Dittman, John Whitely, Liesel Retief and Nadia Woodward.

Adaptations

International

Ophelia Thinks Harder

In Jean Betts’s Ophelia Thinks Harder – which she credits as being written by both her and William Shakespeare – Ophelia is reborn as a modern and free-thinking everywoman, one that experiences an awakening spiritually, philosophically, and sexually. Like Heiner Müller in his work Hamletmachine, Betts is fighting against the conventions that trapped Ophelia in Shakespeare’s original play. (http://dramachicks.wordpress.com/2012/01/24/views-and-reviews-ophelia-thinks-harder-by-jean-betts-and-william-shakespeare/)

Presented by the University of Stellenbosch Drama Department in the H.B. Thom Theatre in 1995, directed by Shirley Johnston, assisted by Chris Vorster.

South African

1972 Othello Slegs Blankes

An interesting aside on this was the 1972 production of Othello Slegs Blankes ("Othello, For Whites Only") at The Space (Cape Town) Written and directed by Donald Howarth in 1972, it featured John Badenhorst, Limpie Basson, Peter Benedix, Mavourneen Bryceland, Yvonne Bryceland, Ben Dekker, Val Donald, Anthony Flesch, Keith Grenville, David Haynes, John Kennedy, Charles Kidd, Charles Kinsman, Icky Kurgan, Michael McGovern, Paul Slabolepszy, Michael Swinton and Harry Victor. Costumes by Aubrey Couling, lighting by Brian Astbury and stage management by Bee Berman. (Unpublished).

Sources

Astbury, 1979.

Bosman, 1928: pp ;338-9; 401; .

Inskip, 1977. p 127

Fletcher, 1994

Schwartz, 199*

http://www.artlink.co.za/news_article.htm?contentID=33538

Trek, 10(13):18, 1945.

Teaterwoordeboek, Vaktaalburo, 1977.

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Othello

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