Difference between revisions of "Hello and Goodbye"
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1965: First produced by [[Phoenix Players]], directed by [[Barney Simon]] and featuring [[Molly Seftel]] and [[Athol Fugard|Fugard]], officially opening on 26 October in the [[Library Theatre]], Johannesburg after a few multi-racial performances elsewhere. | 1965: First produced by [[Phoenix Players]], directed by [[Barney Simon]] and featuring [[Molly Seftel]] and [[Athol Fugard|Fugard]], officially opening on 26 October in the [[Library Theatre]], Johannesburg after a few multi-racial performances elsewhere. | ||
− | 1973: Staged by [[PACOFS]], directed by Johan [[Bernard]] | + | 1973: Staged by [[PACOFS]], directed by Johan [[Bernard]], with himself as Johnnie and [[Trudi du Plessis]] as Hester. |
1974: Staged by [[The Company]] at the [[Blue Fox]] in Rosebank, Johannesburg, directed by [[Barney Simon]], with plans to take it to the black townships. | 1974: Staged by [[The Company]] at the [[Blue Fox]] in Rosebank, Johannesburg, directed by [[Barney Simon]], with plans to take it to the black townships. |
Revision as of 07:30, 17 July 2015
by Athol Fugard. A tightly wrought full-length play about the brother and sister Johnny and Hester, the “second-hand Smits of Valley Road, Port Elizabeth”, and their relationship with their mother and father.
Translations and adaptations
Hallo en Koebaai, the translation by Jacobsz, performed in collaboration with the Alternatiewe Toneelgeselskap on the National Arts Festival Fringe (1985), presented by KRUIK Toneel at the Nico Arena in September 1985 and at the Baxter Studio (opening 20 May 1986), directed by Esther van Ryswyk starring Shaleen Surtee-Richards and Royston Stoffels.
Another Afrikaans translation by Driaan Engelbrecht: Dagsê en Wederom. Full-length. Cast: mixed. Nas BIB. Published in/by Balkema; in Boesman en Lena and other plays by Oxford University Press; in South African Theatre by Haum.
Performance history in South Africa
1965: First produced by Phoenix Players, directed by Barney Simon and featuring Molly Seftel and Fugard, officially opening on 26 October in the Library Theatre, Johannesburg after a few multi-racial performances elsewhere.
1973: Staged by PACOFS, directed by Johan Bernard, with himself as Johnnie and Trudi du Plessis as Hester.
1974: Staged by The Company at the Blue Fox in Rosebank, Johannesburg, directed by Barney Simon, with plans to take it to the black townships.
1974: What must rank as the definitive production, featuring Yvonne Bryceland and Bill Flynn, was directed by Athol Fugard for the The Space (Cape Town) in 1974. This production later went on to tour Dublin, was invited as part of the opening season at London’s Riverside Studios and both of the actors were used in the SABC-TV and BBC TV productions of the play (197* and 197*, repsectively).
1976: Staged by PACOFS, directed by Johan Bernard with Marthinus Basson and Estelle de Waal.
A student production in the H.B. Thom Theatre in 1995 was directed by Mark Graham and Angerie van Wyk.
Directed by Ilse van Hemert for A Million Freds Productions, late 1990s, with Jan Ellis as Johnnie and Janine Ulfane as Hester. Design by Marthinus Basson, lighting by Kobus Rossouw.
Many productions followed, including Hello & Goodbye with Nazli George as Hester and Ralph Lawson directing in April 2000; Hello & Goodbye, Langley Kirkwood, Kunstekaap, 2001. Pedro Kruger & Ralph Lawson (Directors), Presented by Tripletake Productions at the Tesson Theatre and Baxter Theatre in 2008 and at the Market Theatre from 20 July to 22 August 2010.
Often done abroad, notably in *** by the Royal Shakespeare Company, directed by Janice Honeyman with Antony Sher and Estelle Kohler.
Text published in 196*, and many times subsequently.
Sources
PACOFS theatre programme, 1973.
Astbury 1979.
Barrow, Brian & Williams-Short, Yvonne (eds.). 1988. Theatre Alive! The Baxter Story 1977-1987.
National Arts Festival programme, 1985.
Go to ESAT Bibliography
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