Difference between revisions of "Marat/Sade"
| Line 1: | Line 1: | ||
'''''Marat/Sade''''' [https://en.wikipedia.org/wiki/Marat/Sade] is the shortened title of a 1963 musical play by German writer Peter Weiss (1916-1982) [https://en.wikipedia.org/wiki/Peter_Weiss], offering a complex, challenging and disturbing look at revolution. It was first produced on 29 April, 1964 in the Schillertheater, West Berlin, Germany. | '''''Marat/Sade''''' [https://en.wikipedia.org/wiki/Marat/Sade] is the shortened title of a 1963 musical play by German writer Peter Weiss (1916-1982) [https://en.wikipedia.org/wiki/Peter_Weiss], offering a complex, challenging and disturbing look at revolution. It was first produced on 29 April, 1964 in the Schillertheater, West Berlin, Germany. | ||
| − | The full German title is '''''Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade''''' (English: ''The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade''). | + | The full German title is '''''[[Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade]]''''' (English: ''[[The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade]]''). |
== The original text == | == The original text == | ||
==Translations and adaptations== | ==Translations and adaptations== | ||
| + | |||
Translated in 1964 into English by Geoffrey Skelton [https://en.wikipedia.org/wiki/Geoffrey_Skelton], with lyric adaptation by Adrian Mitchell [https://en.wikipedia.org/wiki/Adrian_Mitchell], under the title '''''The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade''''' (shortened to '''''Marat/Sade'''''). | Translated in 1964 into English by Geoffrey Skelton [https://en.wikipedia.org/wiki/Geoffrey_Skelton], with lyric adaptation by Adrian Mitchell [https://en.wikipedia.org/wiki/Adrian_Mitchell], under the title '''''The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade''''' (shortened to '''''Marat/Sade'''''). | ||
| Line 27: | Line 28: | ||
2014: Performed in the [[UJ Arts Centre Theatre]] in April as part o[[f UJ Arts and Culture]]’s [[RƎVO⅃UTION MMXIV programme]]. Directed by [[Alby Michaels]], with [[Motlatji Ditodi]] as co-director, [[Craig Morris]] as choreographer, [[Franco Prinsloo]] as musical director, [[Nic Mayer]] as set designer, [[Oliver Hauser]] as lighting designer and and [[Jo Gladwill]] in charge of costumes. Performers include [[Jacques Bessenger]], [[Mothusi Magano]], [[Jenna Dunster]] and an ensemble cast of emerging performers including UJ alumni and students. | 2014: Performed in the [[UJ Arts Centre Theatre]] in April as part o[[f UJ Arts and Culture]]’s [[RƎVO⅃UTION MMXIV programme]]. Directed by [[Alby Michaels]], with [[Motlatji Ditodi]] as co-director, [[Craig Morris]] as choreographer, [[Franco Prinsloo]] as musical director, [[Nic Mayer]] as set designer, [[Oliver Hauser]] as lighting designer and and [[Jo Gladwill]] in charge of costumes. Performers include [[Jacques Bessenger]], [[Mothusi Magano]], [[Jenna Dunster]] and an ensemble cast of emerging performers including UJ alumni and students. | ||
| + | |||
| + | 2017: Performed in the [[Baxter Flipside]] at the [[Baxter Theatre Centre]] from 23 February to 25 March, directed by [[Jaco Bouwer] with [[Mncedisi Shabangu]], [[Charlton George]], [[Tinarie van Wyk Loots]], [[Bongile Mantsai]], [[Zoleka Helesi]], [[Richard September]], [[Andrew Laubscher]], [[Marty Kintu]], [[Tankiso Mamabolo]], [[Christelle Dreyer]], [[Llandi Beeslaar]], [[Sjaka Septembir]], [[Siphenathi Mayekiso]], [[Faith Kinniar]], [[Grant van Ster]] and [[Luvuyo Mabuto]]. Original music for the production is composed by [[Pierre-Henri Wicomb]], costume design by [[Birrie le Roux]], lighting design by [[Patrick Curtis]] and choreography by [[Grant van Ster]]. | ||
| + | |||
The play has been a popular training vehicle for training institutions all over the world ever since its first production, and has been used many times by Drama Departments in South Africa since the appearance of the film and its first appearance on stage in the country in the 1970s. | The play has been a popular training vehicle for training institutions all over the world ever since its first production, and has been used many times by Drama Departments in South Africa since the appearance of the film and its first appearance on stage in the country in the 1970s. | ||
== Sources == | == Sources == | ||
| + | |||
''Wikipedia'' [http://en.wikipedia.org/wiki/Marat/Sade] | ''Wikipedia'' [http://en.wikipedia.org/wiki/Marat/Sade] | ||
| Line 38: | Line 43: | ||
Tour programme (Dryden Society) held by [[NELM]]: [Collection: KORT, Maurice]: 2012. 379. 2. 26. | Tour programme (Dryden Society) held by [[NELM]]: [Collection: KORT, Maurice]: 2012. 379. 2. 26. | ||
| + | |||
| + | Powerful Marat/Sade comes to the Baxter - 23/02/2017 - [[Artslink]].co.za News | ||
[[ESAT Bibliography Tra-Tz|Tucker]], 1997. | [[ESAT Bibliography Tra-Tz|Tucker]], 1997. | ||
Revision as of 09:39, 17 February 2017
Marat/Sade [1] is the shortened title of a 1963 musical play by German writer Peter Weiss (1916-1982) [2], offering a complex, challenging and disturbing look at revolution. It was first produced on 29 April, 1964 in the Schillertheater, West Berlin, Germany.
The full German title is Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade (English: The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade).
Contents
The original text
Translations and adaptations
Translated in 1964 into English by Geoffrey Skelton [3], with lyric adaptation by Adrian Mitchell [4], under the title The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade (shortened to Marat/Sade).
The English translation was first staged by the Royal Shakespeare Company in 1964, directed by Peter Brook.
The English translation was filmed [5] in 1967, again directed by Peter Brook.
Performance history in South Africa
Staged in English translation
1969: Presented by the Dryden Society [6] on a tour of Lesotho and South Africa from 27 July - 20 September 1969.
1972: The first South African production of this landmark play was in 1972 by Barney Simon.
1973: In March 1973 (the Simon production?*) was chosen as the central production of MDALI’s Black Arts Festival.
1976: On October 19th Barney Simon did another version of the play with The Company as opening production in the Market Theatre main theatre. Kenneth Hendel played the Marquis de Sade, Marat was played by Wilson Dunster and Charlotte Corday by Sandra Prinsloo. Hazel Feldman was the publicist.
1980: Staged from 2 to 5 July as A Little Theatre Presentation in the Concert Hall at the Baxter Theatre Centre in Cape Town, directed by Mavis Taylor, with Kiki Sevadjian (Marquis de Sade), Neil McCarthy (Jean-Paul Marat), Jennie Reznek (Simonne Evrard), Bryony Mortimer (Charlotte Corday), Robin Sanders (Duperret), Alan Murchison (Jacques Roux), Dumile Magodla (Kokol), Dawid Minnaar (Polpoch), Alida Theron (Rossignol), Robin Lake (Herald), Aubrey Shelton (M. Coulmier), Penelope Lorimer (Mme. Coulmier), Margaretha Fischer (Mlle. Coulmier) and others. Assistant director: Tjaart Potgieter, voice coach: Gay Morris.
2014: Performed in the UJ Arts Centre Theatre in April as part of UJ Arts and Culture’s RƎVO⅃UTION MMXIV programme. Directed by Alby Michaels, with Motlatji Ditodi as co-director, Craig Morris as choreographer, Franco Prinsloo as musical director, Nic Mayer as set designer, Oliver Hauser as lighting designer and and Jo Gladwill in charge of costumes. Performers include Jacques Bessenger, Mothusi Magano, Jenna Dunster and an ensemble cast of emerging performers including UJ alumni and students.
2017: Performed in the Baxter Flipside at the Baxter Theatre Centre from 23 February to 25 March, directed by [[Jaco Bouwer] with Mncedisi Shabangu, Charlton George, Tinarie van Wyk Loots, Bongile Mantsai, Zoleka Helesi, Richard September, Andrew Laubscher, Marty Kintu, Tankiso Mamabolo, Christelle Dreyer, Llandi Beeslaar, Sjaka Septembir, Siphenathi Mayekiso, Faith Kinniar, Grant van Ster and Luvuyo Mabuto. Original music for the production is composed by Pierre-Henri Wicomb, costume design by Birrie le Roux, lighting design by Patrick Curtis and choreography by Grant van Ster.
The play has been a popular training vehicle for training institutions all over the world ever since its first production, and has been used many times by Drama Departments in South Africa since the appearance of the film and its first appearance on stage in the country in the 1970s.
Sources
Wikipedia [7]
University of Johannesburg [8]
Little Theatre programme, 1980.
Tour programme (Dryden Society) held by NELM: [Collection: KORT, Maurice]: 2012. 379. 2. 26.
Powerful Marat/Sade comes to the Baxter - 23/02/2017 - Artslink.co.za News
Tucker, 1997.
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page
