Difference between revisions of "Eulenspiegel"
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A play based on the German folkloric character "Till Eulenspiegel"[https://en.wikipedia.org/wiki/Till_Eulenspiegel], it was apparently originally written by Von Kotzebue as a libretto for an opera by this name, with music by Ludwig Wilhelm Tepper von Ferguson[https://musopen.org/composer/ludwig-wilhelm-tepper-von-ferguson/], and produced by Von Kotzebue in the German Theatre in St Petersburg in 1801 (to no great success). | A play based on the German folkloric character "Till Eulenspiegel"[https://en.wikipedia.org/wiki/Till_Eulenspiegel], it was apparently originally written by Von Kotzebue as a libretto for an opera by this name, with music by Ludwig Wilhelm Tepper von Ferguson[https://musopen.org/composer/ludwig-wilhelm-tepper-von-ferguson/], and produced by Von Kotzebue in the German Theatre in St Petersburg in 1801 (to no great success). | ||
| − | Possibly reworked as a one-act farce, published in German in Berlin 1807, first performed in this form in the Königliches Schauspielhaus, Berlin in 1806. | + | Possibly reworked as a one-act farce, published in German in Berlin 1807, first performed in this form in the Königliches Schauspielhaus, Berlin in 1806. |
| + | |||
| + | Other writers who have produced or translated the tales include Max Jacob and L. Contryn. | ||
==Translations and adaptations== | ==Translations and adaptations== | ||
Revision as of 06:37, 28 February 2023
Eulenspiegel (lit. "Owl mirror") is a German dramatic farce in one act by August von Kotzebue (1761 – 1819)[1].
Contents
The character
The character "Till Eulenspiegel" (or "Tyl Eulenspiegel") is a trickster figure originating in Middle Low German folklore - appears in many cultures under a variety of names, in picaresque stories about his adventures in various regions. Known as "Owlglass" in English, "Till l'Espiègle" in French, "Uilenspiegel" in Dutch and "Uilspieël" in Afrikaans for example, and is often used to refer to as a jester, madcap or buffoon.
The original playtext
A play based on the German folkloric character "Till Eulenspiegel"[2], it was apparently originally written by Von Kotzebue as a libretto for an opera by this name, with music by Ludwig Wilhelm Tepper von Ferguson[3], and produced by Von Kotzebue in the German Theatre in St Petersburg in 1801 (to no great success).
Possibly reworked as a one-act farce, published in German in Berlin 1807, first performed in this form in the Königliches Schauspielhaus, Berlin in 1806.
Other writers who have produced or translated the tales include Max Jacob and L. Contryn.
Translations and adaptations
A stage version of the basic tale was translated into Dutch as Uilenspiegel by Jan Steven van Esveldt Holtrop, and published by J.S. van Esveldt Holtrop, Amsterdam, 1812. Anot
A number of South African versions of the tales have been written, including a number of plays, pantomimes amd puppet plays. Among them have been:
Tyl Uilspieël a roneod collection of five typed Afrikaans texts used by Matie Poppekas, found in the Stellenbosch Drama Department archives in 2022.
Performance history in South Africa
1819: Announced for performance by Tot Nut en Vermaak in Dutch as Uilenspiegel in the African Theatre, Cape Town on 5 June. However it was postponed, taking place 12 June 1819, as afterpiece to Menschenhaat en Berouw (Von Kotzebue).
1825: Performed in Dutch as Uilenspiegel by Tot Nut en Vermaak on 4 June in De Liefhebbery Toneel, as afterpiece to De Broeders Op Den Toets (Pelletier-Volméranges).
1838: Performed in Stellenbosch in Dutch as Uilenspiegel by Door Yver Vruchtbaar (combined with the Music Association) on 24 October, with Eleonora van Rosalba (Pujos and J. Dabaytua).
1845: Performed in Dutch as Uilenspiegel by the combined company, Het Privaat Hollandsch Tooneellievend Gezelschap playing under the combined motto Tot Nut en Vermaak en Door Yver Vruchtbaar, in the Hope Street Theatre, Cape Town on 3 December, as afterpiece to Loon der Waarheid (Von Kotzebue).
1847: Performed in Dutch as Uilenspiegel by the combined company, Het Privaat Hollandsch Tooneellievend Gezelschap playing under the combined motto Tot Nut en Vermaak en Door Yver Vruchtbaar, in the Hope Street Theatre, Cape Town on 2 November, as afterpiece to De Baron van Felsheim, of De Slag by Friedberg (Bernos).
1852: Performed in Dutch as Uilenspiegel by Door Yver Bloeit de Kunst in the Bree Street Theatre, Cape Town on 16 September, with De Onechte Dochter (J.P. Meijer).
1867: Produced in Dutch as Uilenspiegel by Door Yver Bloeit de Kunst at the Theatre Royal, Cape Town on 26 June, with Het Geheim (Fournier and Arnould, tr De Bruine).
1869: Produced in Dutch as Uilenspiegel at the Odd Fellows’ Hall on 3 February by Door Yver Bloeit de Kunst, with Adelaide van Beyeren (Tréogate).
1869: The programme of 3 February by Door Yver Bloeit de Kunst is repeated on 11 February.
Sources
https://en.wikipedia.org/wiki/Till_Eulenspiegel
http://en.wikipedia.org/wiki/August_von_Kotzebue
https://musopen.org/composer/ludwig-wilhelm-tepper-von-ferguson/
https://fr.wikipedia.org/wiki/Till_l'Espi%C3%A8gle
Opening Night! Opera & Oratorio Premieres, Stanford University Libraries[4]
Stanley Hochman 1984 McGraw-Hill Encyclopedia of World Drama, McGraw-Hill Encyclopedia of World Drama: An International Reference Work in 5 Volumes, Stanley Hochman, Volume 1: p. 182 [5]
http://books.google.co.za/books/about/Uilenspiegel.html?id=p3YMtwAACAAJ&redir_esc=y
F.C.L. Bosman. 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [6]: pp. 134, 236, 255, 450-1, 456-7,
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp.443, 445
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