ESAT Bibliography Maa-Mal

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Maclennan, Don 1974. Author’s notes for The Voyage of the Santiago. Contrast, 9(2):26-29. August.

Maclennan, Don 1981. Palimpsest: some observations on the plays of Athol Fugard. Bloody Horse, 3:59-70.

Maclennan, Don 1982. Athol Fugard and Don Mclennan: a conversation. English in Africa, 9(2):1-11.

Madadzhe, Richard Nndwayamato 1985. N.A. Milubi's drama : a critical appraisal of dramatic criteria. Unpublished master’s thesis. Pietersburg: University of the North.

Madelaine, R. 2007. ‘Sharper than a serpent’s tooth’: audiences’ ingratitude and Oscar Ashe’s tour of Australia, New Zealand and South Africa, 1912-1913. Shakespeare in Southern Africa, 19(7):1-8.

Madondo, Bongani 1996. On a road to somewhere. Mayibuye, January, 31, 1996:20.

Magalasi, Mufunanji Willard Moffati 1999. Politics, performance and narrative in the plays of Dukuza ka Macu. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.

Magubane Zine 2002. Mines, minstrels, and masculinity: race, class, gender, and the formation of the South African working class, 1870-1900. Journal of Men's Studies: A Scholarly Journal about Men and Masculinities, 10(3):271-289.

Magubane Zine 2004. The revolution betrayed? The South Atlantic Quarterly, 103.4:669.

Maine, Abbey 1970. An African theater in South Africa. African Arts, 3(4):42-44.

Maingard, Jacqueline 1997. Imag(in)ing the South African nation: representations of identity in the Rugby World Cup 1995. Theatre Journal, 49(1):15-28.

Makgamatha, M.P. 1989. System of binary oppositions in the North Sotho nonwane of masilo le masilwane. South African Journal of African Languages, 9(3):105-111.

Makhene, Motsumi M. 1996. The morning after Uhuru: music, rhythm and the performing arts, in Steyn, Melissa E. & Motshabi, Khanya B. Cultural Synergy in South Africa: Weaving Strands of Africa and Europe. Randburg: Knowledge Resources. 147-160.

Makutoane, Tshokolo Johannes 2003. A functionalist translation of the morality play Everyman into Southern Sotho. Unpublished master’s thesis. Bloemfontein: University of the Free State.

Malan, A. 1967. Helen Braithwaite: grand old lady of the South African stage. Personality, 40-42. May 25.

Malan, Beverley 1988. Drama as education: using modern stage directions as a teaching module. Crux, 22(4):24-30. October.

Malan, Charles 1984a. Bartho Smit se dramatiese kosmologie, veral in Christine en Putsonderwater, in Malan, Charles (ed.). Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater. Johannesburg: Perskor. 64-82.

Malan, Charles (ed.). 1984b. Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater. Johannesburg: Perskor.

Malan, Charles & Smit Bartho 1985. Skrywer en Gemeenskap: Tien Jaar Afrikaanse Skrywersgilde. Pretoria: HAUM-Literêr.

Malan, Charles 1985. Tydskrif vir Geesteswetenskappe en die drama. Tydskrif vir Geesteswetenskappe, 25:14-18.

Malan, Eunice & Pretorius, Herman 1990a. Amateurtoneel in Suid-Afrika, deur P. J. du Toit. Reviewed in: South African Theatre Journal, 4(1):172-177.

Malan, Eunice 1990b. Theatre and the environment. South African Theatre Journal, 4(2):80-86.

Malan, R. 1969. Ernest Oppenheimer-Teater. Teater SA, 1(4):22-24. December.

Malan, R. 1974. Tie in the PACT, or theatre-in-education in the Performing Arts Council of the Transvaal. Crux, 8(2):28-31. May.

Malan, R. 1979. Germanicus (N.P. van Wyk Louw). Tydskrif vir Letterkunde, 17(3):169-181. August

Malange, Nise 1989. Women workers and the struggle for cultural transformations. Staffrider, 8(3/4):76-80.

Malins, S. 1973. Best known South African in Britain. (Stratford Johns). Personality, 134-137. May 18.

Click on the appropriate letters of the alphabet in the sub-list below.

Maa-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz

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