Difference between revisions of "La Dame aux Camélias"
| Line 28: | Line 28: | ||
1902: Produced in the [[Good Hope Theatre]] by the [[Wheeler Theatre Company]] during February, once more with [[Nance O'Neill]] as ''[[Camille]]''. | 1902: Produced in the [[Good Hope Theatre]] by the [[Wheeler Theatre Company]] during February, once more with [[Nance O'Neill]] as ''[[Camille]]''. | ||
| − | 1907: Performed in the [[Opera House]], Cape Town, by [[Cora Brown-Potter]] and company, under the auspices of by the [[Wheeler Theatre Company]] , using the Heron version again. A disappointment as the male lead was taken by an "inexperienced youth" (according to D.C. Boonzaier, 1923). | + | 1907: Performed in the [[Opera House]], Cape Town, by [[Cora Brown-Potter]] and company, under the auspices of by the [[Wheeler Theatre Company]] , using the Heron version again. A disappointment as the male lead was taken by an "inexperienced youth" (according to [[D.C. Boonzaier]], 1923). |
Revision as of 18:45, 26 May 2018
La Dame aux Camélias ("The lady with the camellias") is a play in five acts entitled by Alexandre Dumas, fils[1] (1824-1895).
Contents
The original text
Based on an incident from his own life, it was originally written and published as a novel by Dumas in 1848, and was adapted for the stage by the author and presented at the Théâtre du Vaudeville in Paris, France on 2 February, 1852.
The play famously formed the basis for La Traviata by Giuseppe Verdi (1853), and this is the version most often performed.
Translations and adaptations
Numerous English translations have been made , and in the English-speaking world, it was initially translated as The Lady of the Camellias, but soon also became known simply as Camille. For the various versions see the Hathi Trust Digital Library website[2]
Freely adapted from the French of Dumas by an unnamed author as The Lady of the Camellias, a tragic drama in four acts. The English version published in London by T.H. Lacy [1852?], but the date of first production given is that of the French version.
Translated from the French as Camille by the actress Matilda Heron (1830-1877)[3], and performed in St Louis, opening at Bateman's Theatre, with Heron in the leading role; then went on to Cincinnati and New Orleans before opening on January 1857 at Wallack's Theatre, New York. First published in 1856 by Wrightson & Co. and also Samuel French (initially without attribution, but this is later corrected).
An Afrikaans translation entitled Die Dame met die Kamelias was done by Wilhelmien van Zyl, and used for a 1966 production. However, according to Grütter (1987), the director - René Clermont - and three of the performers (Nerina Ferreira, Laurie van der Merwe and Berdine Grünewald) also did a lot of work on the final script.
Performance history in South Africa
While there have been a number of productions of La Traviata, and many ballet versions have been produced in the country, performances of the stage play are less plentiful. In addition, the actual version of the text used is seldom given. For productions of La Traviata, see sources on South African opera.
1892: Performed in the Exhibition Theatre, Cape Town, by the Potter-Bellew Company under the auspices of Luscombe Searelle, using the Heron version and starring Cora Brown-Potter and Kyrle Bellew. A great success with the public apparently.
1901: Produced as Camille in the Good Hope Theatre, Cape Town, during September by the Wheeler Theatre Company with American actress Nance O'Neill in the leading role. Most probably using the Heron version.
1902: Produced in the Good Hope Theatre by the Wheeler Theatre Company during February, once more with Nance O'Neill as Camille.
1907: Performed in the Opera House, Cape Town, by Cora Brown-Potter and company, under the auspices of by the Wheeler Theatre Company , using the Heron version again. A disappointment as the male lead was taken by an "inexperienced youth" (according to D.C. Boonzaier, 1923).
1966: Produced in the Afrikaans version by CAPAB at the Hofmeyr Theatre as part of the fifth Republic Festival. Directed by the French director René Clermont with Berdine Grünewald, Johann Nell and André Walters in the leading roles. The rest of the cast were Fanie Bekker, Nerina Ferreira, Salomi Louw, Rieta Burgers, Fitz Morley, Martin Crous, Gertie Smith-Visser, Limpie Basson, Jannie Gildenhuys, Ernst Eloff, Johan Nell, Wilhelm de la Querra, Johan van Jaarsveld, Antoinette Terblanche, Gillian Garlick, Ken Leach, Lynette Marais, Danie Marais. The production also visited Stellenbosch, Worcester, Hopefield, George, Oudtshoorn, Goodwood and Bellville. Designs were by Michael Clarke.
1966: Another Afrikaans production was directed by Fitz Morley in East London.
Sources
World Drama by Allardyce Nicoll, 1949
https://en.wikipedia.org/wiki/Matilda_Heron
Facsimile version of the anonymous 4 act adaptation, 1st edition by T.H. Lacy, 1852. Hathi Trust Digital Library[4]
Facsimile version of the 5 act Heron translation, 1st edition by Wrightson & Co., 1856. Hathi Trust Digital Library[5]
D.C. Boonzaier. 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1923. (Reprinted in Bosman 1980: pp. 374-439.)
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp. 394, 410, 427
Grütter, Wilhelm, CAPAB 25 Years, 1987. Unpublished research. p 43 and 418.
Die Dame met die Kamelias theatre programme, 1966.
https://en.wikipedia.org/wiki/The_Lady_of_the_Camellias
https://fr.wikipedia.org/wiki/La_Dame_aux_cam%C3%A9lias
https://en.wikipedia.org/wiki/Alexandre_Dumas,_fils
Notes on the History of South African theatre, posted by Heather MacAlister on Rootsweb[6]
Go to the ESAT Bibliography
Return to
Return to C in Plays II Foreign Plays
Return to D in Plays I Original SA Plays
Return to D in Plays II Foreign Plays
Return to South_African_Theatre/Plays
Return to The ESAT Entries
Return to Main Page
