Difference between revisions of "ESAT Bibliography Com-Cop"
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | ||
| + | ==The list== | ||
| + | [[Annette L. Combrink|Combrink, Annette L.]] 1981. ''[[Betrayal]]'' (Harold Pinter). ''[[Teaterforum]]'', 2(1):17-27. | ||
[[Annette L. Combrink|Combrink, Annette L.]] 1985. Sociocultural and political values in selected plays by South African playwrights. ''Koers'', 50(3):233-247. | [[Annette L. Combrink|Combrink, Annette L.]] 1985. Sociocultural and political values in selected plays by South African playwrights. ''Koers'', 50(3):233-247. | ||
| − | [[Annette L. Combrink|Combrink, Annette L.]] 1986. 'A man's scenery is other men ...' : [[ | + | [[Annette L. Combrink|Combrink, Annette L.]] 1986. 'A man's scenery is other men ...' : [[Athol Fugard]]'s latest plays. ''Literator'', 7(1):58-68. |
| − | [[Annette L. Combrink|Combrink, Annette L.]] 1987. Shakespeare made easy, by Allan Durband. Reviewed in: ''South African Theatre Journal'', 1(1):125-129. | + | [[Annette L. Combrink|Combrink, Annette L.]] 1987. Shakespeare made easy, by Allan Durband. Reviewed in: ''[[South African Theatre Journal]]'', 1(1):125-129. |
| − | [[Annette L. Combrink|Combrink, Annette L.]] 1986. The Power and Precision of a skillfully crafted Miniature: [[ | + | [[Annette L. Combrink|Combrink, Annette L.]] 1986. The Power and Precision of a skillfully crafted Miniature: [[Geraldine Aron]]’s playwrighting. Durban: Unpublished paper delivered at the AUETSA conference. |
| − | [[Annette L. Combrink|Combrink, Annette L.]] 1987. ''Seven Plays and Four Monologues'', by [[ | + | [[Annette L. Combrink|Combrink, Annette L.]] 1987. ''Seven Plays and Four Monologues'', by [[Geraldine Aron]]. Reviewed in: ''[[South African Theatre Journal]]'', 1(1):130-132. |
| − | [[Annette L. Combrink|Combrink, Annette L.]] 1999. “The arts festival as healing force” (Athol Fugard): the role of the two major arts festivals and a possible resurgence in South African drama, in [[Marcia Blumberg|Blumberg, Marcia]] & [[Dennis | + | [[Annette L. Combrink|Combrink, Annette L.]] 1999. “The arts festival as healing force” ([[Athol Fugard]]): the role of the two major arts festivals and a possible resurgence in South African drama, in [[Marcia Blumberg|Blumberg, Marcia]] & [[Dennis Walder|Walder, Dennis]] (eds.). ''South African Theatre as/and Intervention''. Amsterdam: Rodopi. 195-205. |
[[Salomé Combrink|Combrink, Salomé]] 1978. Verskillende fasette van hoop in enkele moderne dramas. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education. | [[Salomé Combrink|Combrink, Salomé]] 1978. Verskillende fasette van hoop in enkele moderne dramas. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education. | ||
| Line 31: | Line 33: | ||
Computer controls live theatre lighting. 1970. ''South African Electrical Review'', 61(629):32. October. | Computer controls live theatre lighting. 1970. ''South African Electrical Review'', 61(629):32. October. | ||
| − | [[ | + | [[Elizabeth Conradie|Conradie, Elizabeth]]. 1934. ''Hollandse skrywers uit Suid-Afrika. Deel 1 (1652-1875) 'n Kultuur-historische studie''. Pretoria, [[J.H. de Bussy]] and Cape Town [[H.A.U.M.]].[http://www.dbnl.org/tekst/conr002holl01_01/index.php] |
| − | [[P.J. Conradie|Conradie, P.J.]] 1969. Afrikaanse dramaturge. ''Teater | + | [[Elizabeth Conradie|Conradie, Elizabeth]], 1949. ''Hollandse skrywers uit Suid-Afrika. Deel 2 (1875-1905) 'n Kultuur-historische studie''. Pretoria, [[J.H. de Bussy]] and Cape Town [[H.A.U.M.]].[http://www.dbnl.org/tekst/conr002holl02_01/index.php] |
| + | |||
| + | [[P. Conradie|Conradie, P.]] 1992. Die ek-in-die-ander : 'n ondersoek na die totstandkoming van identiteit in enkele Suid-Afrikaanse dramas. ''Stilet'', 4(1):81-89. | ||
| + | |||
| + | [[P.J. Conradie|Conradie, P.J.]] 1961a. Die gebruik van antieke bronne in [[N.P. van Wyk Louw|Van Wyk Louw]] se ''[[Germanicus]]''. ''[[Standpunte]]'',15(1):25-48. | ||
| + | |||
| + | [[P.J. Conradie|Conradie, P.J.]] 1961b. Die mite van Oidipoes by Sophokles en Jean Cocteau. ''[[Acta Classica]]'' Vol IV:29-38. | ||
| + | |||
| + | [[P.J. Conradie|Conradie, P.J.]] 1962. Noodlot in die dramas van [[C. Louis Leipoldt|Leipoldt]] – ’n verdere poging. ''[[Tydskrif vir Letterkunde]]'', 12(1):20-25. | ||
| + | |||
| + | [[P.J. Conradie|Conradie, P.J.]] 1969. Die Afrikaanse dramaturge. ''[[Teater SA]]'', 1(3):2-3. | ||
| + | |||
| + | [[P.J. Conradie|Conradie, P.J.]] 1973. New light on an ancient crime. ''[[Akroterion]]'', 18(2). | ||
[[P.J. Conradie|Conradie, P.J.]] 1974. ''Hoe Om ‘n Drama te Ontleed''. Pretoria: Academica. | [[P.J. Conradie|Conradie, P.J.]] 1974. ''Hoe Om ‘n Drama te Ontleed''. Pretoria: Academica. | ||
| + | |||
| + | [[P.J. Conradie|Conradie, P.J.]] 1977. Die held in die dramas van [[N.P. van Wyk Louw]]. ''[[Tydskrif vir Letterkunde]]'', New Series 15(4):33-44. | ||
[[P.J. Conradie|Conradie, P.J.]] 1978. Drama uit vaderlandse en Bybelse geskiedenis. [Literary criticism]. ''Standpunte'', 31(2):32-39. | [[P.J. Conradie|Conradie, P.J.]] 1978. Drama uit vaderlandse en Bybelse geskiedenis. [Literary criticism]. ''Standpunte'', 31(2):32-39. | ||
| − | [[P.J. Conradie|Conradie, P.J.]] | + | [[P.J. Conradie|Conradie, P.J.]] 1980a. Betrokkenheid in ‘n paar onlangse dramas. ''Standpunte'', 33(2):57-64. |
| + | |||
| + | [[P.J. Conradie|Conradie, P.J.]] 1980b. ''[[Oidipus by Kolonos]]'', by Sophocles, translated into Afrikaans by [[J.P.J. van Rensburg]]. Reviewed in: ''[[Tydskrif vir Geesteswetenskappe]]'' 20(2): | ||
[[P.J. Conradie|Conradie, P.J.]] 1982. Op die grense van die drama. ''Standpunte'', 35(2):67-75. | [[P.J. Conradie|Conradie, P.J.]] 1982. Op die grense van die drama. ''Standpunte'', 35(2):67-75. | ||
| − | [[P.J. Conradie|Conradie, P.J.]] 1982. | + | [[P.J. Conradie|Conradie, P.J.]] 1982. Die mag en onmag van die woord in die dramas van [[Henriëtte Grové]]. ''[[Tydskrif vir Letterkunde]]'', 20(4) :44-52. |
[[P.J. Conradie|Conradie, P.J.]] 1984a. Eenheid van handeling en tyd – klassieke en moderne benaderings, in [[Charles Malan|Malan, Charles]] (ed.) ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''. Johannesburg: Perskor. 7-22. | [[P.J. Conradie|Conradie, P.J.]] 1984a. Eenheid van handeling en tyd – klassieke en moderne benaderings, in [[Charles Malan|Malan, Charles]] (ed.) ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''. Johannesburg: Perskor. 7-22. | ||
| − | [[P.J. Conradie|Conradie, P.J.]] 1984b. | + | [[P.J. Conradie|Conradie, P.J.]] 1984b. Die literêre kritikus en die drama. ''Standpunte'', 37(3) : 22-33. |
| + | |||
| + | [[P.J. Conradie|Conradie, P.J.]] 1985a. Die literêre kritikus en die drama. ''[[Teaterforum]]'', 6(1) :73-90. | ||
| + | |||
| + | [[P.J. Conradie|Conradie, P.J.]] 1985b. Dr [[Theo Wassenaar]] en die klassieke. ''[[Tydskrif vir Geesteswetenskappe]], ''25(3): | ||
| − | [[P.J. Conradie|Conradie, P.J.]] | + | [[P.J. Conradie|Conradie, P.J.]] 1987a. ''Oog en Spel: opstelle oor die drama'', by Rena Pretorius. Reviewed in ''Journal of Literary Studies'', 3(4):104-106. |
| − | [[P.J. Conradie|Conradie, P.J.]] | + | [[P.J. Conradie|Conradie, P.J.]] 1987b. ''[[Skaak]]'' ([[M.C. Botha]]) - van kortverhaal tot drama. ''[[Tydskrif vir Letterkunde]]'', 25(4):33-37. |
| − | [[P.J. Conradie|Conradie, P.J.]] | + | [[P.J. Conradie|Conradie, P.J.]] 1990. Syncretism in Wole Soyinka’s play The Bacchae of Euripedes. ''[[South African Theatre Journal]]'', 4(1): 61-74. |
| − | [[P.J. Conradie|Conradie, P.J.]] | + | [[P.J. Conradie|Conradie, P.J.]] 1991. [[P.C. Schoonees]] en die Afrikaanse drama van die twintigerjare. ''[[Tydskrif vir Letterkunde]]'', 29(1):76-83. |
| − | [[P.J. Conradie|Conradie, P.J.]] | + | [[P.J. Conradie|Conradie, P.J.]] 1996. Debates surrounding an approach to African tragedy. ''[[South African Theatre Journal]]'', 10(1):25-34. |
| − | [[P.J. Conradie|Conradie, P.J.]] | + | [[P.J. Conradie|Conradie, P.J.]] 1998. Aristophanes en die tweede bedryf van [[Breyten Breytenbach]] se '[[Boklied]]' : 'n verkenning. ''Akroterion'', 16(43):15-22. |
| − | [[Piet Conradie|Conradie, Piet]] | + | [[P.J. Conradie|Conradie, P.J.]] 1999. Die resepsie van enkele Afrikaanse opvoerings van Griekse tragedies. ''Akroterion'', (44):14-23. |
| + | |||
| + | [[P.J. Conradie|Conradie, P.J.]] 2000 Tragic conflicts in three African plays. ''[[South African Theatre Journal]]'', 14:129- 45. | ||
| + | |||
| + | [[Piet Conradie|Conradie, Piet]] en [[Arnold Blumer|Blumer, Arnold]] 1985. Die literêre kritikus en die drama. ''Teaterforum'', 6(1):82. | ||
Constantly filled Space. 1972. ''Artlook'', 5(12): 22-24. December. | Constantly filled Space. 1972. ''Artlook'', 5(12): 22-24. December. | ||
| − | + | Conteh-Morgan, John and Olaniyan, Tejumola (eds.). 2004. ''African Drama and Performance''. Bloomington, Ind.: Indiana University Press. | |
| − | Conversations with giants: [[ | + | Conversations with [[Breyten Breytenbach|Breytenbach]]. 1978. ''[[Scenaria]]'', April/May:40-41. |
| + | |||
| + | Conversations with giants: [[Athol Fugard]]. ''Dramatists Guild Quarterly'', 27(4): 6, 15-24. | ||
[[Roy H. Cooke|Cooke, Roy H.]] 1946. How the scenic artist is coming into his own. ''Outspan''. 40(1035):49. December 27. | [[Roy H. Cooke|Cooke, Roy H.]] 1946. How the scenic artist is coming into his own. ''Outspan''. 40(1035):49. December 27. | ||
| − | [[ | + | [[Robert Cooper|Cooper, Robert]]. 2000. ''Around the World with Mark Twain''. Arcade Publishing |
| − | [[David B. | + | [[David B. Coplan|Coplan, David B.]] 1983. ''[[Poppie Nongena]]'' in New York. Reviewed in: ''[[Critical Arts]]'', 3(1):79-81. |
| − | [[David B. | + | [[David B. Coplan|Coplan, David B.]] 1986. Ideology and tradition in South African black popular theatre. ''Journal of American Folklore'', 99(392):151-176. |
| + | |||
| + | [[David B. Coplan|Coplan, David B.]] 1987. Dialectics of tradition in Southern African Black popular theatre. ''[[Critical Arts]]'', 4(3):5-27. | ||
| + | |||
| + | [[David B. Coplan|Coplan, David B.]] 1987 Retying ''[[The Blood Knot]]'': [[Athol Fugard|Fugard]] on Broadway. Reviewed in: ''[[South African Theatre Journal]]'', 1(1):114-117. | ||
| + | |||
| + | [[David B. Coplan|Coplan, David B.]] 1994. Politics and performance - theatre, poetry, and song in Southern Africa, edited by [[Liz Gunner|L. Gunner]]. Reviewed in: ''Social Dynamics'', 20(1):150-151. | ||
| − | [[David B. | + | [[David B. Coplan|Coplan, David B.]] 2008. ''In Township Tonight! :South Africa's Black City Music and Theatre''. 2nd ed. Chicago, IL : University of Chicago Press. |
| + | |||
| + | [[Athina Copteros|Copteros, Athina]] 2002. ''Workshop theatre in post-apartheid South Africa : a case study''. Unpublished master’s thesis. Grahamstown: [[Rhodes University]]. | ||
| + | |||
| − | |||
Latest revision as of 06:33, 22 November 2024
Click on the appropriate letters of the alphabet in the sub-list below.
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Return to A Bibliography of South African South African Theatre and Performance
The list
Combrink, Annette L. 1981. Betrayal (Harold Pinter). Teaterforum, 2(1):17-27.
Combrink, Annette L. 1985. Sociocultural and political values in selected plays by South African playwrights. Koers, 50(3):233-247.
Combrink, Annette L. 1986. 'A man's scenery is other men ...' : Athol Fugard's latest plays. Literator, 7(1):58-68.
Combrink, Annette L. 1987. Shakespeare made easy, by Allan Durband. Reviewed in: South African Theatre Journal, 1(1):125-129.
Combrink, Annette L. 1986. The Power and Precision of a skillfully crafted Miniature: Geraldine Aron’s playwrighting. Durban: Unpublished paper delivered at the AUETSA conference.
Combrink, Annette L. 1987. Seven Plays and Four Monologues, by Geraldine Aron. Reviewed in: South African Theatre Journal, 1(1):130-132.
Combrink, Annette L. 1999. “The arts festival as healing force” (Athol Fugard): the role of the two major arts festivals and a possible resurgence in South African drama, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre as/and Intervention. Amsterdam: Rodopi. 195-205.
Combrink, Salomé 1978. Verskillende fasette van hoop in enkele moderne dramas. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education.
Combrink, Salomé 1986. Drama : registreerder van laat twintigste-eeuse stadsproblematiek. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education.
Combrink, Salomé 1988. Drama as registreerder van laat twintigste-eeuse stadsproblematiek. Fasette, 7(2):42-45. December.
Computer controls live theatre lighting. 1970. South African Electrical Review, 61(629):32. October.
Conradie, Elizabeth. 1934. Hollandse skrywers uit Suid-Afrika. Deel 1 (1652-1875) 'n Kultuur-historische studie. Pretoria, J.H. de Bussy and Cape Town H.A.U.M..[1]
Conradie, Elizabeth, 1949. Hollandse skrywers uit Suid-Afrika. Deel 2 (1875-1905) 'n Kultuur-historische studie. Pretoria, J.H. de Bussy and Cape Town H.A.U.M..[2]
Conradie, P. 1992. Die ek-in-die-ander : 'n ondersoek na die totstandkoming van identiteit in enkele Suid-Afrikaanse dramas. Stilet, 4(1):81-89.
Conradie, P.J. 1961a. Die gebruik van antieke bronne in Van Wyk Louw se Germanicus. Standpunte,15(1):25-48.
Conradie, P.J. 1961b. Die mite van Oidipoes by Sophokles en Jean Cocteau. Acta Classica Vol IV:29-38.
Conradie, P.J. 1962. Noodlot in die dramas van Leipoldt – ’n verdere poging. Tydskrif vir Letterkunde, 12(1):20-25.
Conradie, P.J. 1969. Die Afrikaanse dramaturge. Teater SA, 1(3):2-3.
Conradie, P.J. 1973. New light on an ancient crime. Akroterion, 18(2).
Conradie, P.J. 1974. Hoe Om ‘n Drama te Ontleed. Pretoria: Academica.
Conradie, P.J. 1977. Die held in die dramas van N.P. van Wyk Louw. Tydskrif vir Letterkunde, New Series 15(4):33-44.
Conradie, P.J. 1978. Drama uit vaderlandse en Bybelse geskiedenis. [Literary criticism]. Standpunte, 31(2):32-39.
Conradie, P.J. 1980a. Betrokkenheid in ‘n paar onlangse dramas. Standpunte, 33(2):57-64.
Conradie, P.J. 1980b. Oidipus by Kolonos, by Sophocles, translated into Afrikaans by J.P.J. van Rensburg. Reviewed in: Tydskrif vir Geesteswetenskappe 20(2):
Conradie, P.J. 1982. Op die grense van die drama. Standpunte, 35(2):67-75.
Conradie, P.J. 1982. Die mag en onmag van die woord in die dramas van Henriëtte Grové. Tydskrif vir Letterkunde, 20(4) :44-52.
Conradie, P.J. 1984a. Eenheid van handeling en tyd – klassieke en moderne benaderings, in Malan, Charles (ed.) Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater. Johannesburg: Perskor. 7-22.
Conradie, P.J. 1984b. Die literêre kritikus en die drama. Standpunte, 37(3) : 22-33.
Conradie, P.J. 1985a. Die literêre kritikus en die drama. Teaterforum, 6(1) :73-90.
Conradie, P.J. 1985b. Dr Theo Wassenaar en die klassieke. Tydskrif vir Geesteswetenskappe, 25(3):
Conradie, P.J. 1987a. Oog en Spel: opstelle oor die drama, by Rena Pretorius. Reviewed in Journal of Literary Studies, 3(4):104-106.
Conradie, P.J. 1987b. Skaak (M.C. Botha) - van kortverhaal tot drama. Tydskrif vir Letterkunde, 25(4):33-37.
Conradie, P.J. 1990. Syncretism in Wole Soyinka’s play The Bacchae of Euripedes. South African Theatre Journal, 4(1): 61-74.
Conradie, P.J. 1991. P.C. Schoonees en die Afrikaanse drama van die twintigerjare. Tydskrif vir Letterkunde, 29(1):76-83.
Conradie, P.J. 1996. Debates surrounding an approach to African tragedy. South African Theatre Journal, 10(1):25-34.
Conradie, P.J. 1998. Aristophanes en die tweede bedryf van Breyten Breytenbach se 'Boklied' : 'n verkenning. Akroterion, 16(43):15-22.
Conradie, P.J. 1999. Die resepsie van enkele Afrikaanse opvoerings van Griekse tragedies. Akroterion, (44):14-23.
Conradie, P.J. 2000 Tragic conflicts in three African plays. South African Theatre Journal, 14:129- 45.
Conradie, Piet en Blumer, Arnold 1985. Die literêre kritikus en die drama. Teaterforum, 6(1):82.
Constantly filled Space. 1972. Artlook, 5(12): 22-24. December.
Conteh-Morgan, John and Olaniyan, Tejumola (eds.). 2004. African Drama and Performance. Bloomington, Ind.: Indiana University Press.
Conversations with Breytenbach. 1978. Scenaria, April/May:40-41.
Conversations with giants: Athol Fugard. Dramatists Guild Quarterly, 27(4): 6, 15-24.
Cooke, Roy H. 1946. How the scenic artist is coming into his own. Outspan. 40(1035):49. December 27.
Cooper, Robert. 2000. Around the World with Mark Twain. Arcade Publishing
Coplan, David B. 1983. Poppie Nongena in New York. Reviewed in: Critical Arts, 3(1):79-81.
Coplan, David B. 1986. Ideology and tradition in South African black popular theatre. Journal of American Folklore, 99(392):151-176.
Coplan, David B. 1987. Dialectics of tradition in Southern African Black popular theatre. Critical Arts, 4(3):5-27.
Coplan, David B. 1987 Retying The Blood Knot: Fugard on Broadway. Reviewed in: South African Theatre Journal, 1(1):114-117.
Coplan, David B. 1994. Politics and performance - theatre, poetry, and song in Southern Africa, edited by L. Gunner. Reviewed in: Social Dynamics, 20(1):150-151.
Coplan, David B. 2008. In Township Tonight! :South Africa's Black City Music and Theatre. 2nd ed. Chicago, IL : University of Chicago Press.
Copteros, Athina 2002. Workshop theatre in post-apartheid South Africa : a case study. Unpublished master’s thesis. Grahamstown: Rhodes University.
Click on the appropriate letters of the alphabet in the sub-list below.
Ca-Cha Che-Cl Coa-Col Com-Cop Cor-Cri Cro-Cz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
