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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
  
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==The list==
  
  
Du Randt, A. 1960a. Creative drama – a tool of learning. Transvaal educational news, 56(6): 16-18.
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[[A. du Randt|Du Randt, A.]] 1960a. Creative drama – a tool of learning. ''Transvaal Educational News'', 56(6):16-18.
  
Du Randt, A. 1960b. An introduction to creative drama. Transvaal educational news, 56(4): 7-8.
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[[A. du Randt|Du Randt, A.]] 1960b. An introduction to creative drama. ''Transvaal Educational News'', 56(4):7-8.
  
Du Randt, W.S.H. 1985. Twee karakters op soek na ‘n tema : ‘n kort bespreking van die tema van Henriette Grové se dramatiese werk : Ontmoeting by Dwaaldrif. Klasgids, 20(1) : 18-20.
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[[W.S.H. du Randt|Du Randt, W.S.H.]] 1985. Twee karakters op soek na ‘n tema : ‘n kort bespreking van die tema van [[Henriëtte Grové]] se dramatiese werk : ''[[Ontmoeting by Dwaaldrif]]''. ''Klasgids'', 20(1):18-20.
  
Du Randt, W.S.H. 1989. Die daad in Dias as kern van die handeling. Tydskrif vir geesteswetenskappe, 29(3) : 193-203.
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[[W.S.H. du Randt|Du Randt, W.S.H.]] 1989. Die daad in ''[[Dias]]'' as kern van die handeling. ''[[Tydskrif vir Geesteswetenskappe]]'', 29(3):193-203.
  
Durbach, Errol 1984. Sophocles in South Africa: Athol Fugard’s The Island. Comparative drama, 18(3): 252-264.
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[[Errol Durbach|Durbach, Errol]] 1984. Sophocles in South Africa: [[Athol Fugard]]’s ''[[The Island]]''. ''Comparative Drama'', 18(3):252-264.
  
Durbach, Errol 1987. Master Harold… and the boys: Athol Fugard and the psychopathology of apartheid. Modern drama, 30(4): 505-513.
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[[Errol Durbach|Durbach, Errol]] 1987. ''[[Master Harold… and the boys]]'': [[Athol Fugard]] and the psychopathology of apartheid. ''Modern Drama'', 30(4):505-513.
  
Durbach, Errol 1993. Sophocles in South Africa: Athol Fugard’s The island. In: Davidson, Clifford & Johnson, Rand (eds.) Drama and the classical heritage. New York: AMS. p. 241-253.
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[[Errol Durbach|Durbach, Errol]] 1993. Sophocles in South Africa: [[Athol Fugard]]’s ''[[The Island]]'', in [[Clifford Davidson|Davidson, Clifford]] & [[Rand Johnson|Johnson, Rand]] (eds.). ''Drama and The Classical Heritage''. New York: AMS. 241-253.
  
Durbach, Errol 1999. ‘No time for apartheid’: dancing free of the system in Athol Fugard’s Boesman and Lena. In Blumberg, Marcia & Walder, Dennis (eds). South African theatre as/and intervention. Amsterdam: Rodopi. p. 61-74.
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[[Errol Durbach|Durbach, Errol]] 1999. ‘No time for apartheid’: dancing free of the system in [[Athol Fugard]]’s ''[[Boesman and Lena]]'', in [[Marcia Blumberg|Blumberg, Marcia]] & [[Dennis Walder|Walder, Dennis]] (eds.). ''South African Theatre as/and Intervention''. Amsterdam: Rodopi. 61-74.
  
Durban Playhouse : back on the green. 1986. Financial mail, 100(3) : 77. April 18.  
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[[Playhouse|Durban Playhouse]] : back on the green. 1986. ''Financial Mail'', 100(3):77. April 18.  
  
Durbanse passiespel. 1984. Taalgenoot, 53(5): 6.
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Durbanse passiespel. 1984. ''[[die Taalgenoot]]'', 53(5):6.
  
Durden, E. & Nduhura, D. 2007. Use of participatory forum theatre to explore HIV/AIDS issues in the workplace. Communicare, 26(2): 56-70.  
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[[E. Durden|Durden, E.]] & [[D. Nduhura|Nduhura, D.]] 2007. Use of participatory forum theatre to explore HIV/AIDS issues in the workplace. ''Communicare'', 26(2):56-70.  
  
Du Toit, Cornelia Elizabeth 1978. Opvallende verskyningsvorme van satire in die Afrikaanse drama. Pretoria: University of South Africa. (M.A. thesis).
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[[Cornelia Elizabeth du Toit|Du Toit, Cornelia Elizabeth]] 1978. Opvallende verskyningsvorme van satire in die Afrikaanse drama. Unpublished master’s thesis. Pretoria: University of South Africa.
  
Du Toit, Jan H.V. 1985. Die SA Instituut vir Teatertegnologie (SAITT) ["SA Institute for Theatre Technology"). In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 122.
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[[Jan H.V. du Toit|Du Toit, Jan H.V.]] 1985. Die SA Instituut vir Teatertegnologie ([[SAITT]]) ["SA Institute for Theatre Technology"), in [[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[P.P.B. Breytenbach]]''. Johannesburg: The Limelight press. 122.
  
Du Toit, Jonelle 1999.  'n Ondersoek na die gebruiksmoontlikhede van die toneelpop. Stellenbosch: Universiteit van Stellenbosch. (M.Dram. thesis).
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[[Jonelle du Toit|Du Toit, Jonelle]] 1999.  '' 'n Ondersoek na die gebruiksmoontlikhede van die toneelpop''. Unpublished master’s thesis. Stellenbosch: [[University of Stellenbosch]].
  
Du Toit, Petrus Jacobus 1978. Die geskiedenis van die toonaangewende amateurtoneelverenigings in Pretoria, Johannesburg en Krugersdorp, 1927-1947.  Pretoria: Universiteit van Pretoria. (M.A. (Geskiedenis) thesis).
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[[Petrus Jacobus du Toit|Du Toit, Petrus Jacobus]] 1978. Die geskiedenis van die toonaangewende amateurtoneelverenigings in Pretoria, Johannesburg en Krugersdorp, 1927-1947.  Unpublished master’s thesis. Pretoria: University of Pretoria.
  
Du Toit, Petrus Jacobus 1985. Die Krugersdorpse Munisipale Vereniging vir Drama en Opera (1928-1949). In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 55-60.
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[[Petrus Jacobus du Toit|Du Toit, Petrus Jacobus]] 1985. Die [[Krugersdorpse Munisipale Vereniging vir Drama en Opera]] (1928-1949) , in [[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[P.P.B. Breytenbach]]''. Johannesburg: The Limelight press. 55-60.
  
Du Toit, Petrus Jacobus 1987. Amateurtoneel in Suid-Afrika. Pretoria: Universiteit van Pretoria. (D.Phil. (Drama) thesis).
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[[Petrus Jacobus du Toit|Du Toit, Petrus Jacobus]] 1987. ''Amateurtoneel in Suid-Afrika''. Unpublished doctoral dissertation. Pretoria: [[University of Pretoria]].
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[[Petrus Jacobus du Toit|Du Toit, Petrus Jacobus]] 1988. ''Amateurtoneel in Suid-Afrika''. Pretoria: [[Academica]].
  
Du Toit, Petrus Jacobus 1988. Amateurtoneel in Suid-Afrika. Pretoria: Academica
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Du Toit, Wilna 1987a. Edith se Passiespel "fees met Christus": elke dag 'n Christen. (Interview with Edith Mulder) ''Die Kerkbode'', 139(12):
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Du Toit, Wilna 1987b. [[W.A. de Klerk]], skrywer met 'radikale' benadering : elke dag 'n Christen. ''Kerkbode'', 139(18):16. May 13.
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[[Charles du Val|Du Val, Charles]]. 1882. ''With a Show Through Southern Africa. And Personal Reminiscences of the Transvaal War'' (Volume 1) London : Tinsley Brothers.(Facsimile version, [[HathiTrust Digital Library]])[https://babel.hathitrust.org/cgi/pt?id=nyp.33433061811000;view=1up;seq=7]
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 +
[[Charles du Val|Du Val, Charles]]. 1882. ''With a Show Through Southern Africa. And Personal Reminiscences of the Transvaal War'' (Volume 2) London : Tinsley Brothers. (Facsimile version, [[HathiTrust Digital Library]])[[https://babel.hathitrust.org/cgi/pt?id=nyp.33433061811018;view=1up;seq=11]
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 +
[[P. Duvenage|Duvenage, P.]] 1998. ''[[Boklied]]'' en die denke van ons tyd.  ''Fragmente : Tydskrif vir Filosofie en Kultuurkritiek'', (2):144-147.
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[[C.W. Dyers|Dyers, C.W.]] 1995. Drama training for language teachers: a necessity, not an option. ''Journal for Language Teaching'', 29(2):149-154.
  
Du Val, Charles 1882. With a show through Southern Africa Vol. 1. London: Tinsley Bros.
 
  
Duvenage, P. 1998. Boklied en die denke van ons tyd.  Fragmente : tydskrif vir filosofie en kultuurkritiek, (2):144-147.
 
  
Dyers, C.W. 1995. Drama training for language teachers: a necessity, not an option. Journal for language teaching, 29(2): 149-154.
 
  
  

Latest revision as of 16:19, 27 February 2024

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The list

Du Randt, A. 1960a. Creative drama – a tool of learning. Transvaal Educational News, 56(6):16-18.

Du Randt, A. 1960b. An introduction to creative drama. Transvaal Educational News, 56(4):7-8.

Du Randt, W.S.H. 1985. Twee karakters op soek na ‘n tema : ‘n kort bespreking van die tema van Henriëtte Grové se dramatiese werk : Ontmoeting by Dwaaldrif. Klasgids, 20(1):18-20.

Du Randt, W.S.H. 1989. Die daad in Dias as kern van die handeling. Tydskrif vir Geesteswetenskappe, 29(3):193-203.

Durbach, Errol 1984. Sophocles in South Africa: Athol Fugard’s The Island. Comparative Drama, 18(3):252-264.

Durbach, Errol 1987. Master Harold… and the boys: Athol Fugard and the psychopathology of apartheid. Modern Drama, 30(4):505-513.

Durbach, Errol 1993. Sophocles in South Africa: Athol Fugard’s The Island, in Davidson, Clifford & Johnson, Rand (eds.). Drama and The Classical Heritage. New York: AMS. 241-253.

Durbach, Errol 1999. ‘No time for apartheid’: dancing free of the system in Athol Fugard’s Boesman and Lena, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre as/and Intervention. Amsterdam: Rodopi. 61-74.

Durban Playhouse : back on the green. 1986. Financial Mail, 100(3):77. April 18.

Durbanse passiespel. 1984. die Taalgenoot, 53(5):6.

Durden, E. & Nduhura, D. 2007. Use of participatory forum theatre to explore HIV/AIDS issues in the workplace. Communicare, 26(2):56-70.

Du Toit, Cornelia Elizabeth 1978. Opvallende verskyningsvorme van satire in die Afrikaanse drama. Unpublished master’s thesis. Pretoria: University of South Africa.

Du Toit, Jan H.V. 1985. Die SA Instituut vir Teatertegnologie (SAITT) ["SA Institute for Theatre Technology"), in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 122.

Du Toit, Jonelle 1999. 'n Ondersoek na die gebruiksmoontlikhede van die toneelpop. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.

Du Toit, Petrus Jacobus 1978. Die geskiedenis van die toonaangewende amateurtoneelverenigings in Pretoria, Johannesburg en Krugersdorp, 1927-1947. Unpublished master’s thesis. Pretoria: University of Pretoria.

Du Toit, Petrus Jacobus 1985. Die Krugersdorpse Munisipale Vereniging vir Drama en Opera (1928-1949) , in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 55-60.

Du Toit, Petrus Jacobus 1987. Amateurtoneel in Suid-Afrika. Unpublished doctoral dissertation. Pretoria: University of Pretoria.

Du Toit, Petrus Jacobus 1988. Amateurtoneel in Suid-Afrika. Pretoria: Academica.

Du Toit, Wilna 1987a. Edith se Passiespel "fees met Christus": elke dag 'n Christen. (Interview with Edith Mulder) Die Kerkbode, 139(12):

Du Toit, Wilna 1987b. W.A. de Klerk, skrywer met 'radikale' benadering : elke dag 'n Christen. Kerkbode, 139(18):16. May 13.

Du Val, Charles. 1882. With a Show Through Southern Africa. And Personal Reminiscences of the Transvaal War (Volume 1) London : Tinsley Brothers.(Facsimile version, HathiTrust Digital Library)[1]

Du Val, Charles. 1882. With a Show Through Southern Africa. And Personal Reminiscences of the Transvaal War (Volume 2) London : Tinsley Brothers. (Facsimile version, HathiTrust Digital Library)[[2]

Duvenage, P. 1998. Boklied en die denke van ons tyd. Fragmente : Tydskrif vir Filosofie en Kultuurkritiek, (2):144-147.

Dyers, C.W. 1995. Drama training for language teachers: a necessity, not an option. Journal for Language Teaching, 29(2):149-154.



Click on the appropriate letters of the alphabet in the sub-list below.

Da-Daz Dea-Deu Dev-Dir Dis-Doz Dr-Dup Dur-Dz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance