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Drama. 1966. Stellenbosse Student, 23-24.

Drama-based intervention promotes HIV testing in South Africa. 2007. Reproductive Health Matters May:216.

Dramafees van die Federasie van Amateur Toneelverenigings van Suid-Afrika: uittreksels uit Mnr Gideon Roos se beoordelaarsverslag. 1944. Filma, 2(1):23-24.

Dramatic academy. 1941. Forum, 4(12):19. June 21.

Dramatic performance by the students of Miss Edythe McCurdie. Footlights, 1(4):13.

Dramatically speaking, apartheid was better. 1995. Economist Financial Report, 336(7924):79-80. July 22-28.

Dramaturg en dialek: enkele gedagtes oor dramatiese dialoog. 1985. Teaterforum, 6(1):46-72.

Dramawedstryd van die ATKV 1944. Huisgenoot, 29(1185):3. December 8.

Drew, H.E. 1975. History and development of stage lighting. Vector, 24-25. August.

Drukman, Steven 2001. 99 percent perspiration. (Walter Kefuoe Chakela’s play Sweat (isiThukuthuku)). American theatre, 18(2):80.

Drummond, F.C. 1939. Art is greater than the individual {FATSSA}. The South African Theatre, Music and Dance 1(1), 14, 67.

Dry, Ann 1989. Through the shattered looking-glass of the S.A. committed playwright : a semiotic study of two plays of the 80's. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education.

Dry, M. 1982. Stage projection – the science of tomorrow. Scenaria, (34):43-45.

Du Val, Charles. 1882. With a Show Through Southern Africa. And Personal Reminiscences of the Transvaal War (Volume 1) London : Tinsley Brothers.(Facsimile version, HathiTrust Digital Library)[1]

Du Val, Charles. 1882. With a Show Through Southern Africa. And Personal Reminiscences of the Transvaal War (Volume 2) London : Tinsley Brothers. (Facsimile version, HathiTrust Digital Library)[[2]

Duck, Caroline Margaret 2001. An investigation into the imbalance of gender awareness in playwriting in the contemporary South African context, offering up the idea of a women's theatre festival as a solution to this imbalance. Unpublished master’s thesis. Durban: University of Natal.

Dufett, P.S. 1939. Herdenking van die aankoms van die Hugenote. Unie, 34(11):350-351.

Duggan, Carolyn 1997. Gabbling like a thing most brutish: the post-colonial writer and language, with reference to the earlier plays of Zakes Mda. South African Theatre Journal, 11(1&2):109-132.

Duggan, Carolyn 1999. Strategies in staging: theatre technique in the plays of Zakes Mda, in Banham Martin, Gibbs, James, & Osofisan, Femi (eds.). African Theatre in Development. Oxford: James Curry. 1-12.

Dunstan, J. 1979. South African dramatist’s critical look at Calvinism: Adam Small’s The Orange Earth. Journal of Theology for Southern Africa, 27:20-25. June.

Dunton, Chris 1999. South African theatre/theatre studies. English in Africa, 26(1):119.

Du Plessis, C. 1978. Marié du Toit hou van uitdagings. Rooi Rose, 35(9):40-43. November 22.

Du Plessis, Elize 1979. Aspekte en toepassing van spraakonderrig. Unpublished master’s thesis. Pretoria: University of Pretoria.

Du Plessis, J.N.S. 1975. 'n Benaderingswyse tot Dagboek van 'n Soldaat - N.P. van Wyk Louw. Unie, 72(4):

Du Plessis, J.N.S. 1975. Elementêre literatuurkundige bespreking van die drama. (Literary criticism, Dirk G. Richard). Unie, 71:373-377. March.

Du Plessis, J.N.S. 1978. 'n Blootlegging van die basiese struktuur in Periandros van Korinthe. Unie, 74(1):

Du Plessis, J.N.S. 1985. D.J. Opperman – ‘n huldeblyk. Unie, 82:162-163.

Du Plessis, J.N.S. 1987. ‘n Aanloop tot Die Keiser van Bartho Smit. Unie, 83(11):303-308.

Du Plessis, P.G. 1984. Oor messe en gode [TV en teater in SA]. Tydskrif vir Letterkunde, 22(4):22-29.

Du Plessis, Philippus Lodewicus 1980. Skoolopvoering. Unie, 76:196-200.

Du Plessis, Philippus Lodewicus 1979. ‘n Ondersoek na die vorm wat ‘n opvoering in die primêre skool kan aanneem, met spesiale verwysing na geselekteerde primêre skole in die Westelike Provinsie. Unpublished master’s thesis. Grahamstown: Rhodes University.

Du Plessis, R. 1980. ERUK gaan van krag tot krag. Alpha, 18(3):13.

Du Plessis, S. 1988. Kontekstuele vrae oor Dias van N.P. van Wyk Louw. Klasgids, 23(2): 74-83.

Du Plooy, A.D. 1959. Wonder van Afrikaans: ‘n geleentheidstuk vir die taalfees van 1959. Brandwag, 23(13):25. March 8.

Du Preez, A. 1977. Baxter Theatre: the dream becomes a reality. Lantern, 26(4):18-27. August.

Du Preez, Esmé 1985. Varieties of dramatic dialogue in selected plays by Athol Fugard and Fatima Dike. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education.

Du Preez, Petrus 2002. Moving centers and margins in culture and development. South African Theatre Journal, 16:223 – 226.

Du Preez, Petrus 2003. Die slagveld van teks en betekenis: enkele aspekte in die dramatiek van Breyten Breytenbach. Unpublished master’s thesis. Stellenbsoch, Universiteit van Stellenbosch.

Du Preez, Petrus & Hauptfleisch, Temple 2003. Try for White—an Introduction. South African Theatre Journal, 17(1):280-283.

Du Preez, Petrus 2004. Babel en Breytenbach: kwessies rondom die ‘verstaanbare’ in die Afrikaanse dramas van Breyten Breytenbach. South African Theatre Journal, 18:184-220.

Du Preez, Petrus 2006a. The ABSA-Klein Karoo Nasionale Kunstefees : theatrical journalism and journalism on theatre. South African Theatre Journal, 20:255-262.

Du Preez, Petrus 2006b. Shaping the metaphor : Marthinus Basson as artist/director. South African Theatre Journal, 20:79-101.

Du Preez, Petrus 2007. Ikoon en Medium: die toneelpop, masker en akteurmanipuleerder in Afrika-performances. Unpublished doctoral dissertation. Stellenbosch : University of Stellenbosch.

Du Preez, Petrus 2011. The tall tale of Tall Horse: the illusion (or manifestation) of African cultural and traditional aesthetics in hybrid performances, in Igweonu, Kene (ed.). Trends in Twenty-First Century African Theatre and Performance. Amsterdam, Rodopi. 139-170.



Click on the appropriate letters of the alphabet in the sub-list below.

Da-Daz Dea-Deu Dev-Dir Dis-Doz Dr-Dup Dur-Dz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance