Difference between revisions of "ESAT Bibliography Haw-Her"

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Click on the appropriate letters of the alphabet in the sub-list below.  
 
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[[ESAT Bibliography H-Hat|H-Hat]] [[ESAT Bibliography Hau|Hau]] [[ESAT Bibliography Haw-Her|Haw-Her]] [[ESAT Bibliography Hes-Hol|Hes-Hol]] [[ESAT Bibliography Hom-How|Hom-How]] [[ESAT Bibliography Hua-Hun|Hua-Hun]] [[ESAT Bibliography Hut|Hut]] [[ESAT Bibliography Hy-Hz|Hy-Hz]]
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[[ESAT Bibliography H-Hat|H-Hat]] [[ESAT Bibliography Hau|Hau]] [[ESAT Bibliography Haw-Her|Haw-Her]] [[ESAT Bibliography Hes-Hol|Hes-Hol]] [[ESAT Bibliography Hom-How|Hom-How]] [[ESAT Bibliography Hua-Hun|Hua-Hun]] [[ESAT Bibliography Huo-Huz|Huo-Huz]] [[ESAT Bibliography Hy-Hz|Hy-Hz]]
  
 
To return to any other letter, click on the list below
 
To return to any other letter, click on the list below
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
  
 
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==The list==
  
 
[[Barry Hawkins|Hawkins, Barry]] 1998.  ''Hedda Gabler'':  Eavesdropping on real events. ''[[South African Theatre Journal]]'', 12(1&2):109-136.
 
[[Barry Hawkins|Hawkins, Barry]] 1998.  ''Hedda Gabler'':  Eavesdropping on real events. ''[[South African Theatre Journal]]'', 12(1&2):109-136.
  
 
[[C. Haworth-Booth|Haworth-Booth, C.]] 1966. Puppets on my hands. ''Femina'', November 3-November 17.
 
[[C. Haworth-Booth|Haworth-Booth, C.]] 1966. Puppets on my hands. ''Femina'', November 3-November 17.
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[[Nigel Hawthorne|Hawthorne, Nigel]] 2002. ''Straight Face. The Autobiography''. London: Hodder and Stoughton.
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[[Don Hay-Whitton|Hay-Whitton, Don]] (ed.) 1979. Theatre - the fun house and its management ; a report of the proceedings at the international symposium of the [[South African Institute of Theatre Technology]] held at the [[Nico Malan Theatre Centre]], Cape Town, from 30 July to 3 August 1979.
  
 
[[David John Haynes|Haynes, David John]] 1986.  ''Fear No More the Heat o’ the Sun: Developing Drama in Southern Africa''.  Cape Town: University of Cape Town.
 
[[David John Haynes|Haynes, David John]] 1986.  ''Fear No More the Heat o’ the Sun: Developing Drama in Southern Africa''.  Cape Town: University of Cape Town.
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[[Edwin Hees|Hees, Edwin]] 2002b. ''Who Wrote That?  A Dictionary of Writers and Their Works'', by M. Cox. Reviewed in: ''[[South African Theatre Journal]]'', 16:248-250.
 
[[Edwin Hees|Hees, Edwin]] 2002b. ''Who Wrote That?  A Dictionary of Writers and Their Works'', by M. Cox. Reviewed in: ''[[South African Theatre Journal]]'', 16:248-250.
  
[[Edwin Hees|Hees, Edwin]] 2011. Global Ibsen. Performing multiple modernities, edited by Erika Fischer-Lichte, Barbara Gronau and Christine Weil. Reviewed in ''[[South African Theatre Journal]]'', 25(3):245-257.
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[[Edwin Hees|Hees, Edwin]] 2011. ''Global Ibsen. Performing multiple modernities'', edited by Erika Fischer-Lichte, Barbara Gronau and Christine Weil. Reviewed in ''[[South African Theatre Journal]]'', 25(3):245-257.
  
 
[[Helen Bourne]] – a profile. 1978. ''[[Scenaria]]'', February/March:39-40.
 
[[Helen Bourne]] – a profile. 1978. ''[[Scenaria]]'', February/March:39-40.
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[[R.H. Henman|Henman, R.H.]] & [[G.T. van Niekerk|Van Niekerk, G.T.]] 1967. Ecce homo! [passion play]. ''South African Panorama'', 12(4): 8-9. April.
 
[[R.H. Henman|Henman, R.H.]] & [[G.T. van Niekerk|Van Niekerk, G.T.]] 1967. Ecce homo! [passion play]. ''South African Panorama'', 12(4): 8-9. April.
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[[C.G. Henning|Henning, C.G.]] 1975. ''Graaff-Reinet - A Cultural History 1786-1886''. Cape Town: T.V. Bulpin
  
 
[[E. Henning|Henning, E.]] 1991. Drama-making in E.S.L. [English Second Language] teaching: the need for classroom-bsed research. ''Journal for Language Teaching'', 25(1):28-35.
 
[[E. Henning|Henning, E.]] 1991. Drama-making in E.S.L. [English Second Language] teaching: the need for classroom-bsed research. ''Journal for Language Teaching'', 25(1):28-35.
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[[Willemien Hening|Henning, Willemien]] & [[C. Henning|Henning, C.]] 1968. Twee doodgewone sestigers. ([[Cobus Rossouw|Cobus]] en [[Sandra Kotzé|Sandra Rossouw]]). ''Sarie Marais'', 20(6): 146-148. September 25.
 
[[Willemien Hening|Henning, Willemien]] & [[C. Henning|Henning, C.]] 1968. Twee doodgewone sestigers. ([[Cobus Rossouw|Cobus]] en [[Sandra Kotzé|Sandra Rossouw]]). ''Sarie Marais'', 20(6): 146-148. September 25.
  
Henry, William A III. 1994. Home is where the Art is: South African dissident [[Athol Fugard]] happily loses his great theme and sets his sights on a post-apartheid world. ''TIME Magazine'', March 21, 1994:20.
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Henry, William A III[https://en.wikipedia.org/wiki/William_A._Henry_III]. 1994. Home is where the Art is: South African dissident [[Athol Fugard]] happily loses his great theme and sets his sights on a post-apartheid world. ''TIME Magazine'', March 21, 1994:20.
  
 
[[Kristie Herbst|Herbst, Kristie]] 1990. Dramatiseringsmoontlikhede by [[Boerneef]] as digter. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education.
 
[[Kristie Herbst|Herbst, Kristie]] 1990. Dramatiseringsmoontlikhede by [[Boerneef]] as digter. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education.
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[[Sandra Herrington|Herrington, Sandra]] 1985. Some aspects of the methodology involved in adapting the novel for stage and radio. Unpublished master’s thesis.  Durban: University of Natal.  
 
[[Sandra Herrington|Herrington, Sandra]] 1985. Some aspects of the methodology involved in adapting the novel for stage and radio. Unpublished master’s thesis.  Durban: University of Natal.  
  
[[Sandra Herrington|Herrington, Sandra]] 1988. Performance polemics in a plural society : South African theatre in transition. Unpublished doctoral dissertation. Durban: University of Natal.  
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[[Sandra Herrington|Herrington, Sandra]] 1988. Performance polemics in a plural society : South African theatre in transition. Unpublished doctoral dissertation. Durban: [[University of Natal]].  
  
 
[[Lily Herzberg|Herzberg, L.]] 1966. Mothercare: puppets for poppets. ''Fair Lady'', 2(8):  
 
[[Lily Herzberg|Herzberg, L.]] 1966. Mothercare: puppets for poppets. ''Fair Lady'', 2(8):  
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Click on the appropriate letters of the alphabet in the sub-list below.  
 
Click on the appropriate letters of the alphabet in the sub-list below.  
  
[[ESAT Bibliography H-Hat|H-Hat]] [[ESAT Bibliography Hau|Hau]] [[ESAT Bibliography Haw-Her|Haw-Her]] [[ESAT Bibliography Hes-Hol|Hes-Hol]] [[ESAT Bibliography Hom-How|Hom-How]] [[ESAT Bibliography Hua-Hun|Hua-Hun]] [[ESAT Bibliography Hut|Hut]] [[ESAT Bibliography Hy-Hz|Hy-Hz]]
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[[ESAT Bibliography H-Hat|H-Hat]] [[ESAT Bibliography Hau|Hau]] [[ESAT Bibliography Haw-Her|Haw-Her]] [[ESAT Bibliography Hes-Hol|Hes-Hol]] [[ESAT Bibliography Hom-How|Hom-How]] [[ESAT Bibliography Hua-Hun|Hua-Hun]] [[ESAT Bibliography Huo-Huz|Huo-Huz]] [[ESAT Bibliography Hy-Hz|Hy-Hz]]
  
 
To return to any other letter, click on the list below
 
To return to any other letter, click on the list below

Latest revision as of 06:07, 29 October 2023

Click on the appropriate letters of the alphabet in the sub-list below.

H-Hat Hau Haw-Her Hes-Hol Hom-How Hua-Hun Huo-Huz Hy-Hz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

The list

Hawkins, Barry 1998. Hedda Gabler: Eavesdropping on real events. South African Theatre Journal, 12(1&2):109-136.

Haworth-Booth, C. 1966. Puppets on my hands. Femina, November 3-November 17.

Hawthorne, Nigel 2002. Straight Face. The Autobiography. London: Hodder and Stoughton.

Hay-Whitton, Don (ed.) 1979. Theatre - the fun house and its management ; a report of the proceedings at the international symposium of the South African Institute of Theatre Technology held at the Nico Malan Theatre Centre, Cape Town, from 30 July to 3 August 1979.

Haynes, David John 1986. Fear No More the Heat o’ the Sun: Developing Drama in Southern Africa. Cape Town: University of Cape Town.

Heaney, Bobby 1994. Bringing page to stage, in Slabolepszy, Paul Mooi Street and Other Moves. Johannesburg: University of Witwatersrand Press. xix.

Heaney, Bobby 2006. Cross-pollinating skills: directing for theatre, television and film. South African Theatre Journal, 20:221-232.

Heathcote, Dorothy 1988. Role protection and controls in drama teaching. Education Bulletin, 3:49-51.

Hees, Edwin 1990. The Best of Company – The Story of Johannesburg’s Market Theatre, by Pat Schwartz. Reviewed in: South African Theatre Journal, 4(1):167-171.

Hees, Edwin 1995a. Mooi Street and Other Moves, by Paul Slabolepszy. Reviewed in: South African Theatre Journal, 9(1):113-118.

Hees, Edwin 1995b. The Story of South African Theatre 1780 – 1930, by Jill Fletcher. Reviewed in: South African Theatre Journal, 9(1):113-118.

Hees, Edwin 1997a. The Play: A Manual, by Marisa Keuris. Reviewed in: South African Theatre Journal, 11(1&2):305-308.

Hees, Edwin 1997b. Woza Shakespeare! Titus Andronicus in South Africa, by Antony Sher & Gregory Doran. Reviewed in: South African Theatre Journal, 11(1&2):298-304.

Hees, Edwin 1998. Church and Stage in Victorian England, by Richard Foulkes. Reviewed in: South African Theatre Journal, 12(1&2):230-236.

Hees, Edwin 1999. Post-Colonial Shakespeare, edited by Ania Loomba & Martin Orkin. Reviewed in: South African Theatre Journal, 13(1&2):202-205.

Hees, Edwin 2001. The Drama of South Africa. Plays, Pageants and Publics Since 1910, by Loren Kruger. Reviewed in: South African Theatre Journal, 15:192-194.

Hees, Edwin 2002a. The Oxford Companion to Shakespeare, by M. Dobson & S. Wells. Reviewed in: South African Theatre Journal, 16:248-250.

Hees, Edwin 2002b. Who Wrote That? A Dictionary of Writers and Their Works, by M. Cox. Reviewed in: South African Theatre Journal, 16:248-250.

Hees, Edwin 2011. Global Ibsen. Performing multiple modernities, edited by Erika Fischer-Lichte, Barbara Gronau and Christine Weil. Reviewed in South African Theatre Journal, 25(3):245-257.

Helen Bourne – a profile. 1978. Scenaria, February/March:39-40.

Hendriks, Frank S. 1978. ‘n Sinchronies-diachroniese studie van taalgebruik in Kanna, hy kô Hystoe van Adam Small. Unpublished master’s thesis. Bellville: University of the Western Cape.

Henman, R.H. & Van Niekerk, G.T. 1967. Ecce homo! [passion play]. South African Panorama, 12(4): 8-9. April.

Henning, C.G. 1975. Graaff-Reinet - A Cultural History 1786-1886. Cape Town: T.V. Bulpin

Henning, E. 1991. Drama-making in E.S.L. [English Second Language] teaching: the need for classroom-bsed research. Journal for Language Teaching, 25(1):28-35.

Henning, Elizabeth 1980. Dramatiese spel in senior primêre onderrig. Unpublished master’s thesis. Pretoria: University of Pretoria.

Henning, Elbie 1988. Teater vir die voorskoolse kind. Kleuterklanke, 13(1):25-26. June.

Henning, Willemien & Henning, C. 1968. Twee doodgewone sestigers. (Cobus en Sandra Rossouw). Sarie Marais, 20(6): 146-148. September 25.

Henry, William A III[1]. 1994. Home is where the Art is: South African dissident Athol Fugard happily loses his great theme and sets his sights on a post-apartheid world. TIME Magazine, March 21, 1994:20.

Herbst, Kristie 1990. Dramatiseringsmoontlikhede by Boerneef as digter. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education.

Herbstein, Denis 1978. White Man, We Want To Talk To You. Harmondsworth, Penguin.

Hermer, Manfred 1952a. Bou van toneelsale in Suid-Afrika. Helikon, 1(4):24-30. April.

Hermer, Manfred 1952b. Teater vir Aartjiesdaal. Helikon, 2(7):71-76. October.

Hermer, Manfred 1953a. Johannesburg Repertory Theatre. South African Architectural Record, 38(1):20-27.

Hermer, Manfred 1953b. Teaterbou. Helikon, 2(12):103-112. August.

Hermer, Manfred 1958. Bloemfontein’s Civic Theatre. Public Works of South Africa, 18(171):20-23. February.

Hermer, Manfred 1961. Johannesburg’s new theatre has been tailored–to-fit. Construction in Southen Africa, 6(4):25-27.

Hermer, Manfred 1962. Civic Theatre, Johannesburg. South African Architectural Record, 47(11):18-21.

Hermer, Manfred 1963. Civic Theatre, Johannesburg. Architect and Builder, 13(1):2-9.

Herrick, Dean 1942. Develop South Africa’s gold-mines of talent. Outspan, 32(808):35. August 21.

Herrington, Sandra 1985. Some aspects of the methodology involved in adapting the novel for stage and radio. Unpublished master’s thesis. Durban: University of Natal.

Herrington, Sandra 1988. Performance polemics in a plural society : South African theatre in transition. Unpublished doctoral dissertation. Durban: University of Natal.

Herzberg, L. 1966. Mothercare: puppets for poppets. Fair Lady, 2(8): 115. June 15.

Herzberg, L. 1976. Puppet as therapist, psychologist, and doctor. Artlook, 9(4):19. August-September.

Herzberg, Lily 1991. The moving dolls. Animations, 14(5):87-88.

Herzberg, Lily 1992. A Bushman legend in shadows. Animations, 15(2):39-40.




Click on the appropriate letters of the alphabet in the sub-list below.

H-Hat Hau Haw-Her Hes-Hol Hom-How Hua-Hun Huo-Huz Hy-Hz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance