Will Jamieson

Will Jamieson (1915-1968) Scottish-born actor, designer and director.

Biography

Born in Forfar in Scotland 28 June, 1914 in Forfar, Angus, Scotland. The family came to Port Elizabeth when he was quite young (possibly 9 years old). His younger brother, Ean was born in Port Elizabeth in 1924.

At the outbreak of the Second World War, he toured as a professional and associated with many of the famous professionals of the day. He then served in the RAF during the war and was stationed in West Africa. After the war, he returned to South Africa as leading man to Nan Munro in the Munro-Inglis Company and was also associated with Gwen ffrangcon-Davies.

He was the producer for the first repertory season of the Brian Brooke Company in Cape Town and then joined the National Theatre Organisation as one of its leading players.

He returned to Port Elizabeth and married Hilda Chapman in St Columba’s Presbyterian Church in Port Elizabeth in 1946. He became a highly respected free-lance actor and producer; one who used to do many of the costume designs for his own productions.

He died in Cape Town in 1968 from a heart attack. Hilda died in 1998 in the UK.

Training

He completed his schooling at Grey High School and went on to train in theatre at Royal Academy of Dramatic Art (RADA) in London, having been awarded the Leverhulme Scholarship for the most promising student in his class. He won the bronze medal there in his final year during the RADA Annual Public Performance at the Aldwych Theatre.

Theatrical career in South Africa

In 1950 he produced Twelfth Night for Pemads, the first post-war Shakespearean production in Port Elizabeth. The play was staged in the City Hall from October 18 - 21. Although it received only lukewarm reviews it was looked back upon by those who participated as a wonderful milestone.

He was for many years very closely involved with PEMADS and the Little Theatre in Port Elizabeth, and the Port Elizabeth Shakespearian Festival; and later became one of the founding members of the Mannville Open Air Theatre in St George's Park in Port Elizabeth.

Also did work for many other companies in the country over the years, including productions by Maynardville, Gwen ffrangçon-Davies, Brian Brooke; the Munro-Inglis Company and NTO. He was involved with Brian Brooke around the late 1940’s / early 1950’s, before he established the Brooke Theatre in Johannesburg in 1955.

As an actor

In 1952 he acted the role of Creon during the Company of Four's production of Jean Anouilh's Antigone. As an actor he had roles in, inter alia, in Christopher Fry's The Lady's not for Burning (the Arena Theatre Company, Johannesburg, 1956). For Maynardville, he did a number of performances, including Much Ado About Nothing in 1962, the Merchant in The Merchant of Venice in 1963, and the King of Denmark in Hamlet in 1964, and the Earl of Kent in King Lear at Maynardville in January 1966 and also in Richard III in 1968. (See the Maynardville archives[1])

As a director and designer

circa 1943-1946: Will Jamieson staged Hay Fever in Grahamstown. Honor Edmonds was the lead player.

February 13, 1952. Will Jamieson directed Andre Huguenet's presentation of King Oedipus by Sophocles in Port Elizabeth. The cast included Andre Huguenet (Oedipus). William Turner (A Priest). Edward Mansfield (Creon). John Hamber (Tiresias). Rupert Bellairs (The Boy). Sally Carroll (Jocasta). Joan Parker and Hilda Jamieson (Attendants to Jacaste). Geoffrey Harrison (First Messenger). H Alyn Lane (Herdsman). Drasna Salters (Antigone). Rene Steenkamp (Ismene). Maurice Weightman (Chorus Leader). Robin Parker (Second Voice). Chorus of Theban Elders: Peter Millard, Hilton Pegg, Stephen Rein, Peter Brand, John Allen, Neil Zeeman, Jock Fisher, Peter Dixon, Wintan Ferreira, Keith Pegg, Cecil Steyn, Danie Vermaak, Melville Oosthuizen and Rex Finlay. Guards: Graham Elburg, Lawrence Shepstone, Walter Stotter and Nico Smith. Temple Maidens: Hazel Muller, Patricia Stow, Patience White, Peggy Tait, Dawn Robertson, Dorine Charles. The Guards: Benny Ossher’a Physical Culture Institute. Set designer: Roy Cook and built by African Consolidated Theatres Ltd. Costumes: Geoffrey Long. Lighting: H Alyn Lane. Stage Manager: Wolf Grunhuber. House manager: Harold Davidson. (by courtesy of PE Dramatic and Operatic Society). Coiffures: Pierre of Salon Charles. Programme Cover: Maurice Weightman. Personal Assistant to Mr Huguenet: Phyllis Davidson.

Also in 1952, he produced the Company of Four's presentation of Jean Anouilh's Antigone

Jamieson directed King Henry VIII, (June 1 - 6, 1953), which was presented under the auspices of the committee set up to organise the celebrations in connection with the coronation of Queen Elizabeth II. King Henry VIII was really a play-cum-pageant. The huge stage of the Feather Market Hall was converted into a magnificent set reminiscent of Wolsey's Hampton Court. There was music, dancing, choirs and processions, with Robert Selley in charge of the musical side. Rehearsals for this were indeed a matter of sweat, toil and tears, the actors often going home in the early hours, utterly exhausted after all-night stormy sessions with the despairing producer. Most memorable was Johann Nell's portrayal of Wolsey, while the ending was the prophetic culminating speech over the infant Princess Elizabeth, finely declaimed by John Hamber in his part as Archbishop Cranmer. All the leading actors of the city took part including Ronald Davis, Brocas Harris, Christine Hamilton-Cox, Maurice Weightman, Peggy English and Leicester Walton.

As director, Jamieson also did Twelfth Night, with John Hamber, in the Loubser Hall (Later the The Little Theatre), Port Elizabeth; and Our Town (1961) and The Merry Widow at the Masque Theatre in Muizenberg.

For the Port Elizabeth Shakespearean Festival he directed King Lear (starring André Huguenet) in 1960, The Lark by Jean Anouilh in 1961, Hamlet with Jim Shorrock in 1963, and The Taming of the Shrew in 1964. He also did several productions for PEMADS at the Little Theatre, and for the PE Gilbert and Sullivan Society, including Princess Ida (1958) and The Merry Widow (1959).

Radio career

While he also had a short career in the SABC, Jamieson found himself ideologically incompatible with the censorship laws, one which he held strong views. According to his daughter (Fiona Jamieson, 2013) he is reported to have said ”and that’s a load of bull****” at the end of a live newscast - whilst still on air - which meant that he was sent packing!

Sources

Saturday Post, April 19, 1947.

David Jamieson (personal correspondence)

Fiona Jamieson (personal correspondence)

Tucker, 1997.

Return to ESAT Personalities J

Return to South African Theatre Personalities

Return to Main Page