Difference between revisions of "ESAT Bibliography Mpa-Mz"
| (2 intermediate revisions by the same user not shown) | |||
| Line 11: | Line 11: | ||
==The list== | ==The list== | ||
| − | [[P. Mpe|Mpe, P.]] 1999. [[Solomon Tshekiso Plaatje|Sol Plaatje]], orality and the politics of cultural representation. ''Current Writing'', 11(2):75-91. | + | [[P. Mpe|Mpe, P.]] 1999. [[Solomon Tshekiso Plaatje|Sol Plaatje]], orality and the politics of cultural representation. ''[[Current Writing]]'', 11(2):75-91. |
[[Lupenga Mphande|Mphande, Lupenga]] 2004. "Heroic and praise poetry in South Africa." ''The Cambridge History of African and Caribbean Literature''. Eds. F. Abiola Irele and Simon Gikandi. Cambridge: Cambridge University Press [Cambridge Histories Online. Cambridge University Press. 07 September 2010 DOI:10.1017/CHOL9780521832755.006] | [[Lupenga Mphande|Mphande, Lupenga]] 2004. "Heroic and praise poetry in South Africa." ''The Cambridge History of African and Caribbean Literature''. Eds. F. Abiola Irele and Simon Gikandi. Cambridge: Cambridge University Press [Cambridge Histories Online. Cambridge University Press. 07 September 2010 DOI:10.1017/CHOL9780521832755.006] | ||
| Line 17: | Line 17: | ||
[[Mbulelo Grootboom|Mpumelelo Paul Grootboom]]: drama 2005. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 166-167. | [[Mbulelo Grootboom|Mpumelelo Paul Grootboom]]: drama 2005. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 166-167. | ||
| − | [[Sipho Goodenough Mseleku|Mseleku, Sipho Goodenough]] 1996. Tragic insight in [[L.L.J. Mncwango]]'s plays. | + | [[Sipho Goodenough Mseleku|Mseleku, Sipho Goodenough]] 1996. Tragic insight in [[L.L.J. Mncwango]]'s plays. Unpublished master’s thesis. [[Vista University]]. |
| − | Unpublished master’s thesis. Vista University. | ||
[[Mshengu]] 1976. South Africa: where Mvelinqangi (Zulu deity) still limps: the experimental theatre of [[Workshop '71]]. ''Yale/Theatre'', 8(1):38-48, | [[Mshengu]] 1976. South Africa: where Mvelinqangi (Zulu deity) still limps: the experimental theatre of [[Workshop '71]]. ''Yale/Theatre'', 8(1):38-48, | ||
| − | [[P. Mtuze|Mtuze, P.]] 1990. [[B.B. Mdledle|Mdledle]]’s Xhosa translation of Julius Caesar. ''Shakespeare in Southern Africa'', 4(1):65-72. | + | [[P. Mtuze|Mtuze, P.]] 1990. "[[B.B. Mdledle|Mdledle]]’s [[Xhosa]] translation of ''Julius Caesar'' ". ''[[Shakespeare in Southern Africa]]'', 4(1):65-72. |
[[V. Mudimbe|Mudimbe, V.]] 1988. ''The Invention of Africa: Gnosis, Philosophy, and the Order of Knowledge''. Bloomington and Indianapolis: Indiana University Press. | [[V. Mudimbe|Mudimbe, V.]] 1988. ''The Invention of Africa: Gnosis, Philosophy, and the Order of Knowledge''. Bloomington and Indianapolis: Indiana University Press. | ||
| Line 28: | Line 27: | ||
[[Ampie Muller|Muller, Ampie]] and [[Beverley Roos-Muller|Roos-Muller, Beverley]]. (eds). 2020. ''Vuur In Sy Vingers – Die Verreikende Invloed Van NP Van Wyk Louw'', [[Hemel & See Boeke]]. | [[Ampie Muller|Muller, Ampie]] and [[Beverley Roos-Muller|Roos-Muller, Beverley]]. (eds). 2020. ''Vuur In Sy Vingers – Die Verreikende Invloed Van NP Van Wyk Louw'', [[Hemel & See Boeke]]. | ||
| − | [[Braam Muller|Muller, Braam]] 1997. Vrugte in die Vrystaat. ''Insig'', 08/97: 17. | + | [[Braam Muller|Muller, Braam]] 1997. Vrugte in die Vrystaat. ''[[Insig]]'', 08/97: 17. |
| − | [[Carol Muller|Muller, Carol]] 1994. Nazirite women, ritual performance, and the construction of cultural truth and power. ''Current | + | [[Carol Muller|Muller, Carol]] 1994. Nazirite women, ritual performance, and the construction of cultural truth and power. ''[[Current Writing]]'', 6(2):127-138. |
| − | [[H. Muller|Muller, H.]] 2007. Daaling, my tee’s bitter: Huisgenoot-joernalis neem roerend afskeid van [[Taliep Petersen]]: huldeblyk. ''Huisgenoot'', 33(499):20-21. January 4. | + | [[H. Muller|Muller, H.]] 2007. Daaling, my tee’s bitter: Huisgenoot-joernalis neem roerend afskeid van [[Taliep Petersen]]: huldeblyk. ''[[Huisgenoot]]'', 33(499):20-21. January 4. |
| − | [[H. Muller|Muller, H.]] 2009. Talent op ‘n kruispad. (''[[Kruispad]]'') ''Huisgenoot'', (654):118-119. December 24. | + | [[H. Muller|Muller, H.]] 2009. Talent op ‘n kruispad. (''[[Kruispad]]'') ''[[Huisgenoot]]'', (654):118-119. December 24. |
[[Heiner Müller|Müller, Heiner]] 1987. The wounded Woyzeck. ''Performing Arts Journal'', 10(3):73-75. | [[Heiner Müller|Müller, Heiner]] 1987. The wounded Woyzeck. ''Performing Arts Journal'', 10(3):73-75. | ||
| − | [[M. Muller|Muller, M.]] 1987. ''[[Germanicus]]''. ''Klasgids'', 22(1):43-57. February. | + | [[M. Muller|Muller, M.]] 1987. ''[[Germanicus]]''. ''[[Klasgids]]'', 22(1):43-57. February. |
[[Martie Muller|Muller, Martie]] 1987. ''[[Die Keiser]]'', deur [[Bartho Smit]]. ''[[Tydskrif vir Letterkunde]]'', 25(2):141-147. | [[Martie Muller|Muller, Martie]] 1987. ''[[Die Keiser]]'', deur [[Bartho Smit]]. ''[[Tydskrif vir Letterkunde]]'', 25(2):141-147. | ||
| Line 44: | Line 43: | ||
[[Martie Muller|Muller, Martie]] 1990. [[Uys Krige]] se ''[[Die Ryk Weduwee|Ryk Weduwee]]''. ''[[Tydskrif vir Letterkunde]]'', 28(4): 118-137. | [[Martie Muller|Muller, Martie]] 1990. [[Uys Krige]] se ''[[Die Ryk Weduwee|Ryk Weduwee]]''. ''[[Tydskrif vir Letterkunde]]'', 28(4): 118-137. | ||
| − | [[R.P. Muller|Muller, R.P.]] 1981. Improvisasie tot opvoering : 'n beskouing met spesiale verwysing na die kind. Unpublished master’s thesis. Pretoria: University of Pretoria. | + | [[R.P. Muller|Muller, R.P.]] 1981. Improvisasie tot opvoering : 'n beskouing met spesiale verwysing na die kind. Unpublished master’s thesis. Pretoria: [[University of Pretoria]]. |
| − | [[R.P. Muller|Muller, R.P.]] & [[D.M. de Kock|De Kock, D.M.]] 1997. Moving forward looking back: discovering the hidden potential of drama in education. ''South African Journal of Higher Education'', 11(2):28-34. | + | [[R.P. Muller|Muller, R.P.]] & [[D.M. de Kock|De Kock, D.M.]] 1997. Moving forward looking back: discovering the hidden potential of drama in education. ''[[South African Journal of Higher Education]]'', 11(2):28-34. |
[[R.P. Muller|Muller, R.P.]] & [[D.M. de Kock|De Kock, D.M.]] 2001. Educating facilitators of an authentic learning approach. ''South African Journal of Higher Education'', 15(1):205-216. | [[R.P. Muller|Muller, R.P.]] & [[D.M. de Kock|De Kock, D.M.]] 2001. Educating facilitators of an authentic learning approach. ''South African Journal of Higher Education'', 15(1):205-216. | ||
| − | [[Teresa Muller|Muller, Teresa]] 2010. The attainment of personal catharsis through the realisation of the dislocation between the internal and external expressive forms of the self. Unpublished master's thesis. Stellenbsoch: University of Stellenbosch. | + | [[Teresa Muller|Muller, Teresa]] 2010. The attainment of personal catharsis through the realisation of the dislocation between the internal and external expressive forms of the self. Unpublished master's thesis. Stellenbsoch: [[University of Stellenbosch]]. |
| + | |||
| + | [[Wayne Muller|Muller, Wayne]]. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis. | ||
Müller-Schöll, Nikolaus 2004. ''Post-Imperial Brecht: Politics and Performance, East and South'', by [[Loren Kruger]]. Reviewed in: ''Theatre Research International'', 31(1):101. | Müller-Schöll, Nikolaus 2004. ''Post-Imperial Brecht: Politics and Performance, East and South'', by [[Loren Kruger]]. Reviewed in: ''Theatre Research International'', 31(1):101. | ||
| Line 58: | Line 59: | ||
[[Allan Munro|Munro, Allan John]] 1998. Ambiguity and deception in the covert texts of South African theatre, 1976-1996. Unpublished doctoral dissertation. Ohio State University. | [[Allan Munro|Munro, Allan John]] 1998. Ambiguity and deception in the covert texts of South African theatre, 1976-1996. Unpublished doctoral dissertation. Ohio State University. | ||
| − | [[M. Munro|Munro, M.]] 1982. Some aspects of visual codes in [[Athol Fugard|Fugard]]. ''English in Africa'', 9(2):13-25. | + | [[M. Munro|Munro, M.]] 1982. Some aspects of visual codes in [[Athol Fugard|Fugard]]. ''[[English in Africa]]'', 9(2):13-25. |
[[Marth Munro|Munro, Marth]] 2001. Towards demystifying voice-building in the next millennium. ''[[South African Theatre Journal]]'', 15:107-118. | [[Marth Munro|Munro, Marth]] 2001. Towards demystifying voice-building in the next millennium. ''[[South African Theatre Journal]]'', 15:107-118. | ||
| Line 72: | Line 73: | ||
[[Muriel Alexander]]. 1933-1934. In: W.H.K. ''The Arts in South Africa''. Durban: Knox. 202-203. | [[Muriel Alexander]]. 1933-1934. In: W.H.K. ''The Arts in South Africa''. Durban: Knox. 202-203. | ||
| − | Muronda, Elfigio F. 1983. Drama in the political struggle in South Africa. ''Ufahamu'', 12(ii), 78-92. | + | Muronda, Elfigio F. 1983. Drama in the political struggle in South Africa. ''[[Ufahamu]]'', 12(ii), 78-92. |
| − | [[M.I. Murray|Murray, M.I.]] 1962. Poppeteater: ses poppespele met inleiding. Kaapstad: HAUM. | + | [[M.I. Murray|Murray, M.I.]] 1962. Poppeteater: ses poppespele met inleiding. Kaapstad: [[HAUM]]. |
[[R.W. Murray|Murray, R.W.]]. 1894.''South African Reminiscences'', Cape Town. | [[R.W. Murray|Murray, R.W.]]. 1894.''South African Reminiscences'', Cape Town. | ||
| Line 82: | Line 83: | ||
Musho! Festival. 2007. ''Rootz Africa'', 23:108-110. | Musho! Festival. 2007. ''Rootz Africa'', 23:108-110. | ||
| − | [[Reuben Musiker|Musiker, Reuben]] & [[Naomi Musiker|Musiker, Naomi]] 2006. [[Percy Baneshik]]: doyen of theatre journalists and broadcasters. ''Jewish Affairs'', 61(4):79-80. | + | [[Reuben Musiker|Musiker, Reuben]] & [[Naomi Musiker|Musiker, Naomi]] 2006. [[Percy Baneshik]]: doyen of theatre journalists and broadcasters. ''[[Jewish Affairs]]'', 61(4):79-80. |
| − | [[Mothobi Mutlaotse|Mutlaotse, Mothobi]] 1981. Reconstruction: 90 Years of Black Historical Literature. Johannesburg: Ravan Press. | + | [[Mothobi Mutlaotse|Mutlaotse, Mothobi]] 1981. Reconstruction: 90 Years of Black Historical Literature. Johannesburg: [[Ravan Press]]. |
[[Credo V. Mutwa|Mutwa, Credo]] 1974/5. ''[[Umlinganiso]]'': the living imitation. ''S’ketsh'', 30-32. | [[Credo V. Mutwa|Mutwa, Credo]] 1974/5. ''[[Umlinganiso]]'': the living imitation. ''S’ketsh'', 30-32. | ||
| Line 90: | Line 91: | ||
[[Credo V. Mutwa|Mutwa, Credo V.]] 1981. ''[[uNosilimela]]'', in [[Robert Mshengu Kavanagh|Kavanagh, Robert Mshengu]] (ed.) 1981. ''South African People's Plays''. London: Heinemann. 2-4. | [[Credo V. Mutwa|Mutwa, Credo V.]] 1981. ''[[uNosilimela]]'', in [[Robert Mshengu Kavanagh|Kavanagh, Robert Mshengu]] (ed.) 1981. ''South African People's Plays''. London: Heinemann. 2-4. | ||
| − | [[Enoch Timpunza Mvula|Mvula, Enoch Timpunza]] 1991. Strategy in Nguni women's oral poetry. ''Critical Arts'', 5(3):1-37. | + | [[Enoch Timpunza Mvula|Mvula, Enoch Timpunza]] 1991. Strategy in Nguni women's oral poetry. ''[[Critical Arts]]'', 5(3):1-37. |
| − | My ‘miracle’ stage role ([[Fiona Fraser]]). 1961. ''Personality'', 37-41. May 4. | + | My ‘miracle’ stage role ([[Fiona Fraser]]). 1961. ''[[Personality]]'', 37-41. May 4. |
| − | [[Siegfried Mynhardt|Mynhardt, Siegfried]] 1945. Dekadensie van ons Afrikaanse toneel. ''Filma'', 2(3):12-13. | + | [[Siegfried Mynhardt|Mynhardt, Siegfried]] 1945. Dekadensie van ons Afrikaanse toneel. ''[[Filma]]'', 2(3):12-13. |
| − | [[Siegfried Mynhardt|Mynhardt, Siegfried]] 1951. Kontak met die gehoor. ''Huisgenoot'', 36(1541):19. October 5. | + | [[Siegfried Mynhardt|Mynhardt, Siegfried]] 1951. Kontak met die gehoor. ''[[Huisgenoot]]'', 36(1541):19. October 5. |
| − | [[Siegfried Mynhardt|Mynhardt, Siegfried]] 1958. Geloofsbelydenis van ‘n toneelspeler. ''Tydskrif vir Wetenskap en Kuns'', 18(1): 14-16. | + | [[Siegfried Mynhardt|Mynhardt, Siegfried]] 1958. Geloofsbelydenis van ‘n toneelspeler. ''[[Tydskrif vir Wetenskap en Kuns]]'', 18(1): 14-16. |
Click on the appropriate letters of the alphabet in the sub-list below. | Click on the appropriate letters of the alphabet in the sub-list below. | ||
Latest revision as of 05:31, 24 July 2024
Click on the appropriate letters of the alphabet in the sub-list below.
Maa-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
The list
Mpe, P. 1999. Sol Plaatje, orality and the politics of cultural representation. Current Writing, 11(2):75-91.
Mphande, Lupenga 2004. "Heroic and praise poetry in South Africa." The Cambridge History of African and Caribbean Literature. Eds. F. Abiola Irele and Simon Gikandi. Cambridge: Cambridge University Press [Cambridge Histories Online. Cambridge University Press. 07 September 2010 DOI:10.1017/CHOL9780521832755.006]
Mpumelelo Paul Grootboom: drama 2005. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 166-167.
Mseleku, Sipho Goodenough 1996. Tragic insight in L.L.J. Mncwango's plays. Unpublished master’s thesis. Vista University.
Mshengu 1976. South Africa: where Mvelinqangi (Zulu deity) still limps: the experimental theatre of Workshop '71. Yale/Theatre, 8(1):38-48,
Mtuze, P. 1990. "Mdledle’s Xhosa translation of Julius Caesar ". Shakespeare in Southern Africa, 4(1):65-72.
Mudimbe, V. 1988. The Invention of Africa: Gnosis, Philosophy, and the Order of Knowledge. Bloomington and Indianapolis: Indiana University Press.
Muller, Ampie and Roos-Muller, Beverley. (eds). 2020. Vuur In Sy Vingers – Die Verreikende Invloed Van NP Van Wyk Louw, Hemel & See Boeke.
Muller, Braam 1997. Vrugte in die Vrystaat. Insig, 08/97: 17.
Muller, Carol 1994. Nazirite women, ritual performance, and the construction of cultural truth and power. Current Writing, 6(2):127-138.
Muller, H. 2007. Daaling, my tee’s bitter: Huisgenoot-joernalis neem roerend afskeid van Taliep Petersen: huldeblyk. Huisgenoot, 33(499):20-21. January 4.
Muller, H. 2009. Talent op ‘n kruispad. (Kruispad) Huisgenoot, (654):118-119. December 24.
Müller, Heiner 1987. The wounded Woyzeck. Performing Arts Journal, 10(3):73-75.
Muller, M. 1987. Germanicus. Klasgids, 22(1):43-57. February.
Muller, Martie 1987. Die Keiser, deur Bartho Smit. Tydskrif vir Letterkunde, 25(2):141-147.
Muller, Martie 1990. Uys Krige se Ryk Weduwee. Tydskrif vir Letterkunde, 28(4): 118-137.
Muller, R.P. 1981. Improvisasie tot opvoering : 'n beskouing met spesiale verwysing na die kind. Unpublished master’s thesis. Pretoria: University of Pretoria.
Muller, R.P. & De Kock, D.M. 1997. Moving forward looking back: discovering the hidden potential of drama in education. South African Journal of Higher Education, 11(2):28-34.
Muller, R.P. & De Kock, D.M. 2001. Educating facilitators of an authentic learning approach. South African Journal of Higher Education, 15(1):205-216.
Muller, Teresa 2010. The attainment of personal catharsis through the realisation of the dislocation between the internal and external expressive forms of the self. Unpublished master's thesis. Stellenbsoch: University of Stellenbosch.
Muller, Wayne. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis.
Müller-Schöll, Nikolaus 2004. Post-Imperial Brecht: Politics and Performance, East and South, by Loren Kruger. Reviewed in: Theatre Research International, 31(1):101.
Munro, Allan 1984. Semiotics : a methodology of drama and theatre analysis, or, The whole world’s a semiotic stage. Teaterforum, 5(2):8-32.
Munro, Allan John 1998. Ambiguity and deception in the covert texts of South African theatre, 1976-1996. Unpublished doctoral dissertation. Ohio State University.
Munro, M. 1982. Some aspects of visual codes in Fugard. English in Africa, 9(2):13-25.
Munro, Marth 2001. Towards demystifying voice-building in the next millennium. South African Theatre Journal, 15:107-118.
Munro, Marth & Coetzee, Marié-Heleen 2007. Mind the gap: beyond whole-brain learning. South African Theatre Journal, 21:92-108.
Munro, Marth, Pretorius, Mariana & Munro, Allan 2008. Creativity, emotional intelligence and emotional creativity in student actors: a pilot study. South African Theatre Journal, 22:44-61.
Munro, Martha Maria Susanna 1993. 'n Inleiding tot stemproduksie in die teater: die wetenskap van projeksie. Unpublished master’s thesis. Potchefstroom: Potchefstroom University of Christian Higher Education.
Munro, Nan 1946. Theatre and education for leisure. Transvaal Education News. 42(4):20-21.
Muriel Alexander. 1933-1934. In: W.H.K. The Arts in South Africa. Durban: Knox. 202-203.
Muronda, Elfigio F. 1983. Drama in the political struggle in South Africa. Ufahamu, 12(ii), 78-92.
Murray, M.I. 1962. Poppeteater: ses poppespele met inleiding. Kaapstad: HAUM.
Murray, R.W.. 1894.South African Reminiscences, Cape Town.
Murray and Stewart’s brilliant management coup. 1971. Business South Africa, 6(3):35-37. March.
Musho! Festival. 2007. Rootz Africa, 23:108-110.
Musiker, Reuben & Musiker, Naomi 2006. Percy Baneshik: doyen of theatre journalists and broadcasters. Jewish Affairs, 61(4):79-80.
Mutlaotse, Mothobi 1981. Reconstruction: 90 Years of Black Historical Literature. Johannesburg: Ravan Press.
Mutwa, Credo 1974/5. Umlinganiso: the living imitation. S’ketsh, 30-32.
Mutwa, Credo V. 1981. uNosilimela, in Kavanagh, Robert Mshengu (ed.) 1981. South African People's Plays. London: Heinemann. 2-4.
Mvula, Enoch Timpunza 1991. Strategy in Nguni women's oral poetry. Critical Arts, 5(3):1-37.
My ‘miracle’ stage role (Fiona Fraser). 1961. Personality, 37-41. May 4.
Mynhardt, Siegfried 1945. Dekadensie van ons Afrikaanse toneel. Filma, 2(3):12-13.
Mynhardt, Siegfried 1951. Kontak met die gehoor. Huisgenoot, 36(1541):19. October 5.
Mynhardt, Siegfried 1958. Geloofsbelydenis van ‘n toneelspeler. Tydskrif vir Wetenskap en Kuns, 18(1): 14-16.
Click on the appropriate letters of the alphabet in the sub-list below.
Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
