Difference between revisions of "Dinkteater"
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| − | + | [[Dinkteater]] was a Pretoria based and highly regarded experimental theatre group founded by [[Danie Burger]] and [[Pieter Brand]] in 1974. | |
| − | + | Though mostly working in Afrikaans, the company was often referred to as [[Think Theatre]] in English reviews and so on. | |
| − | + | Inspired by the recently opened [[Space Theatre]] in Cape Town, and based on the principles of pioneered by [[Peter Brook]] and Jerzy Grotowsky, the group sought to do ''avant garde'' theatre work in [[Afrikaans]]. The cast was a mix of former drama students and amateurs, all performing without remuneration, but seeking to conform to professional standards in rehearsal and performance. | |
| − | In | + | Among their productions were a number of [[Afrikaans]] versions of Elizabethan and Jacobean plays (e.g. ''[[The Duchess of Malfi]]'' by Webster, ''[[Exit the King]]'' by Ionesco), as well as more contemporary works by various writers. |
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| + | A number of original new [[Afrikaans]] plays were also produced, including ''[[Bloedlyn]]'' (1974) and ''[[Wie is Leopold?]]'' (197*), both by [[Temple Hauptfleisch]], ''[[Die Duiwel, sy handlanger en die drie ligtekooie]]'' by [[Marlene van Niekerk]] (all three the foregoing directed by Burger), ''[[Ballade van Rama en Mara|Die Ballade van Rama en Mara]]'' by [[Benoni de Haeck]] (197*) and **** by [[Johan Visser]] (197*), the latter two directed by Brand. | ||
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| + | In 1979 they produced ''[[Papawerwyn]]'' by [[Hennie Aucamp]]. | ||
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| + | The company utilized a converted warehouse loft in Potgieter street for many years, calling it [[Dinkteater/Think Theatre]]. | ||
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| + | In the early 1980s it briefly became a theatre club, utilizing various established venues in Pretoria, but then closed as both partners went on to other careers. | ||
Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]] | Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]] | ||
Latest revision as of 05:55, 30 May 2023
Dinkteater was a Pretoria based and highly regarded experimental theatre group founded by Danie Burger and Pieter Brand in 1974.
Though mostly working in Afrikaans, the company was often referred to as Think Theatre in English reviews and so on.
Inspired by the recently opened Space Theatre in Cape Town, and based on the principles of pioneered by Peter Brook and Jerzy Grotowsky, the group sought to do avant garde theatre work in Afrikaans. The cast was a mix of former drama students and amateurs, all performing without remuneration, but seeking to conform to professional standards in rehearsal and performance.
Among their productions were a number of Afrikaans versions of Elizabethan and Jacobean plays (e.g. The Duchess of Malfi by Webster, Exit the King by Ionesco), as well as more contemporary works by various writers.
A number of original new Afrikaans plays were also produced, including Bloedlyn (1974) and Wie is Leopold? (197*), both by Temple Hauptfleisch, Die Duiwel, sy handlanger en die drie ligtekooie by Marlene van Niekerk (all three the foregoing directed by Burger), Die Ballade van Rama en Mara by Benoni de Haeck (197*) and **** by Johan Visser (197*), the latter two directed by Brand.
In 1979 they produced Papawerwyn by Hennie Aucamp.
The company utilized a converted warehouse loft in Potgieter street for many years, calling it Dinkteater/Think Theatre.
In the early 1980s it briefly became a theatre club, utilizing various established venues in Pretoria, but then closed as both partners went on to other careers.
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