Difference between revisions of "ESAT Bibliography Maa-Mal"
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| + | Mackay, E.A. 1989. Antigone and Orestes in the works of [[Athol Fugard]]. ''Theoria'', 15(74):31-43. | ||
| + | MacKay, G. 1990. Drama of dissent ([[Athol Fugard]]). ''Maclean’s'', 103:58+. June 18. | ||
| + | Craig MacKenzie|MacKenzie, Craig. 1993 Literary research in South Africa: the case of the [[National English Literary Museum]]. ''[[Research in African Literatures]]''. September 22, 1993 [http://www.accessmylibrary.com/article-1G1-14208692/literary-research-south-africa.html] | ||
[[Don Maclennan|Maclennan, Don]] 1974. Author’s notes for ''[[The Voyage of the Santiago]]''. ''Contrast'', 9(2):26-29. August. | [[Don Maclennan|Maclennan, Don]] 1974. Author’s notes for ''[[The Voyage of the Santiago]]''. ''Contrast'', 9(2):26-29. August. | ||
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[[Don Maclennan|Maclennan, Don]] 1982. [[Athol Fugard]] and Don Mclennan: a conversation. ''English in Africa'', 9(2):1-11. | [[Don Maclennan|Maclennan, Don]] 1982. [[Athol Fugard]] and Don Mclennan: a conversation. ''English in Africa'', 9(2):1-11. | ||
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| + | [[Don Maclennan|Maclennan, Don]] 1993. A tribute to [[Athol Fugard]] at sixty. ''Twentieth Century Literature'', 39(4):517-525. | ||
[[Richard Nndwayamato Madadzhe|Madadzhe, Richard Nndwayamato]] 1985. [[N.A. Milubi]]'s drama : a critical appraisal of dramatic criteria. Unpublished master’s thesis. Pietersburg: University of the North. | [[Richard Nndwayamato Madadzhe|Madadzhe, Richard Nndwayamato]] 1985. [[N.A. Milubi]]'s drama : a critical appraisal of dramatic criteria. Unpublished master’s thesis. Pietersburg: University of the North. | ||
| − | [[R. Madelaine|Madelaine, R.]] 2007. ‘Sharper than a serpent’s tooth’: audiences’ ingratitude and [[Oscar Ashe]]’s tour of Australia, New Zealand and South Africa, 1912-1913. ''Shakespeare in Southern Africa'', 19(7):1-8. | + | [[R. Madelaine|Madelaine, R.]] 2007. ‘Sharper than a serpent’s tooth’: audiences’ ingratitude and [[Oscar Ashe]]’s [https://en.wikipedia.org/wiki/Oscar_Asche] tour of Australia, New Zealand and South Africa, 1912-1913. ''Shakespeare in Southern Africa'', 19(7):1-8. |
[[Bongani Madondo|Madondo, Bongani]] 1996. On a road to somewhere. ''Mayibuye'', January, 31, 1996:20. | [[Bongani Madondo|Madondo, Bongani]] 1996. On a road to somewhere. ''Mayibuye'', January, 31, 1996:20. | ||
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| + | [[Pedzisai Maedza|Maedza, Pedzisai]]. 2017. ''Performing Asylum: Theatre of Testimony in South Africa''. African Studies Collection, vol. 66, African Studies Centre, University of Leiden. | ||
[[Mufunanji Willard Moffati Magalasi|Magalasi, Mufunanji Willard Moffati]] 1999. Politics, performance and narrative in the plays of [[Dukuza ka Macu]]. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand. | [[Mufunanji Willard Moffati Magalasi|Magalasi, Mufunanji Willard Moffati]] 1999. Politics, performance and narrative in the plays of [[Dukuza ka Macu]]. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand. | ||
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[[Zine Magubane|Magubane Zine]] 2004. The revolution betrayed? ''The South Atlantic Quarterly'', 103.4:669. | [[Zine Magubane|Magubane Zine]] 2004. The revolution betrayed? ''The South Atlantic Quarterly'', 103.4:669. | ||
| + | |||
| + | [[Alude Mahali|Mahali, Alude]] 2011. 'Piecing together a Girlhood': Using the 'Girlfriend Aesthetic' as a Practical Methodology in the Making and Performance of ''Katuntu (...and you too)'' in Igweonu, Kene (ed.). ''Trends in Twenty-First Century African Theatre and Performance''. Amsterdam, Rodopi. 419-441. | ||
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[[Abbey Maine|Maine, Abbey]] 1970. An African theater in South Africa. ''African Arts'', 3(4):42-44. | [[Abbey Maine|Maine, Abbey]] 1970. An African theater in South Africa. ''African Arts'', 3(4):42-44. | ||
[[Jacqueline Maingard|Maingard, Jacqueline]] 1997. Imag(in)ing the South African nation: representations of identity in the Rugby World Cup 1995. ''Theatre Journal'', 49(1):15-28. | [[Jacqueline Maingard|Maingard, Jacqueline]] 1997. Imag(in)ing the South African nation: representations of identity in the Rugby World Cup 1995. ''Theatre Journal'', 49(1):15-28. | ||
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| + | [[Isaiah Maishe Maponya|Maishe Maponya]]: drama 1985. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 30-31. | ||
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| + | Makaba, C.N. 1985. iDrama: black languages. ''Educamus'' 31(5): | ||
[[M.P. Makgamatha|Makgamatha, M.P.]] 1989. System of binary oppositions in the North Sotho nonwane of masilo le masilwane. ''South African Journal of African Languages'', 9(3):105-111. | [[M.P. Makgamatha|Makgamatha, M.P.]] 1989. System of binary oppositions in the North Sotho nonwane of masilo le masilwane. ''South African Journal of African Languages'', 9(3):105-111. | ||
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[[Motsumi M. Makhene|Makhene, Motsumi M.]] 1996. The morning after Uhuru: music, rhythm and the performing arts, in [[Melissa E. Steyn|Steyn, Melissa E.]] & [[Khanya B. Motshabi|Motshabi, Khanya B.]] ''Cultural Synergy in South Africa: Weaving Strands of Africa and Europe''. Randburg: Knowledge Resources. 147-160. | [[Motsumi M. Makhene|Makhene, Motsumi M.]] 1996. The morning after Uhuru: music, rhythm and the performing arts, in [[Melissa E. Steyn|Steyn, Melissa E.]] & [[Khanya B. Motshabi|Motshabi, Khanya B.]] ''Cultural Synergy in South Africa: Weaving Strands of Africa and Europe''. Randburg: Knowledge Resources. 147-160. | ||
| − | [[Tshokolo Johannes Makutoane|Makutoane, Tshokolo Johannes]] 2003. A functionalist translation of the morality play Everyman into Southern Sotho. Unpublished master’s thesis. Bloemfontein: University of the Free State. | + | Making [[Johannesburg Repertory Society|Rep]] history. 1943. ''Playtime'', (32):6-13,32. |
| + | |||
| + | [[Tshokolo Johannes Makutoane|Makutoane, Tshokolo Johannes]] 2003. A functionalist translation of the morality play ''[[Everyman]]'' into Southern Sotho. Unpublished master’s thesis. Bloemfontein: University of the Free State. | ||
[[A. Malan|Malan, A.]] 1967. [[Helen Braithwaite]]: grand old lady of the South African stage. ''Personality'', 40-42. May 25. | [[A. Malan|Malan, A.]] 1967. [[Helen Braithwaite]]: grand old lady of the South African stage. ''Personality'', 40-42. May 25. | ||
[[Beverley Malan|Malan, Beverley]] 1988. Drama as education: using modern stage directions as a teaching module. ''Crux'', 22(4):24-30. October. | [[Beverley Malan|Malan, Beverley]] 1988. Drama as education: using modern stage directions as a teaching module. ''Crux'', 22(4):24-30. October. | ||
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| + | [[Charles Malan|Malan, Charles]] 1981. ''[[Die Keiser]]'' - 'n Analise. Johannesburg: Perskor. | ||
[[Charles Malan|Malan, Charles]] 1984a. [[Bartho Smit]] se dramatiese kosmologie, veral in ''[[Christine]]'' en ''[[Putsonderwater]]'', in [[Charles Malan|Malan, Charles]] (ed.). ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''. Johannesburg: Perskor. 64-82. | [[Charles Malan|Malan, Charles]] 1984a. [[Bartho Smit]] se dramatiese kosmologie, veral in ''[[Christine]]'' en ''[[Putsonderwater]]'', in [[Charles Malan|Malan, Charles]] (ed.). ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''. Johannesburg: Perskor. 64-82. | ||
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| + | [[Charles Malan|Malan, Charles]]. 1984. "Inleiding tot Bartho Smit se Werk" In: ''Sestigers in Woord en Beeld: Bartho Smit''. Johannesburg: [[Perskor]]: pp.86-111. | ||
[[Charles Malan|Malan, Charles]] (ed.). 1984b. ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''. Johannesburg: Perskor. | [[Charles Malan|Malan, Charles]] (ed.). 1984b. ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''. Johannesburg: Perskor. | ||
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[[Charles Malan|Malan, Charles]] 1985. ''Tydskrif vir Geesteswetenskappe'' en die drama. ''[[Tydskrif vir Geesteswetenskappe]]'', 25:14-18. | [[Charles Malan|Malan, Charles]] 1985. ''Tydskrif vir Geesteswetenskappe'' en die drama. ''[[Tydskrif vir Geesteswetenskappe]]'', 25:14-18. | ||
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| + | Malan, D.J. 1986. [[Guy Butler]]: poet and dramatist. Unpublished master's thesis. Bloemfontein: University of the Orange Free State. | ||
[[Eunice Malan|Malan, Eunice]] & [[Herman Pretorius|Pretorius, Herman]] 1990a. ''Amateurtoneel in Suid-Afrika'', deur [[P. J. du Toit]]. Reviewed in: ''[[South African Theatre Journal]]'', 4(1):172-177. | [[Eunice Malan|Malan, Eunice]] & [[Herman Pretorius|Pretorius, Herman]] 1990a. ''Amateurtoneel in Suid-Afrika'', deur [[P. J. du Toit]]. Reviewed in: ''[[South African Theatre Journal]]'', 4(1):172-177. | ||
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[[Eunice Malan|Malan, Eunice]] 1990b. Theatre and the environment. ''[[South African Theatre Journal]]'', 4(2):80-86. | [[Eunice Malan|Malan, Eunice]] 1990b. Theatre and the environment. ''[[South African Theatre Journal]]'', 4(2):80-86. | ||
| − | [[ | + | [[Karin Malan|Malan, Karin]] 1983. [[Hennie Aucamp]]: ''[[Met Permissie Gesê|Met permissie gesê]]'': 'n speurtog. ''[[Tydskrif vir Letterkunde]]'', New Series 21(1):4-13. |
| − | [[ | + | [[Robin Malan|Malan, Robin]] 1969a. 'After a series of tragedies...'. ''[[Teater SA]]'', 1(3):4-5. |
| − | [[ | + | [[Robin Malan|Malan, Robin]] 1969b. [[Ernest Oppenheimer Theatre|Ernest Oppenheimer-Teater]]. ''[[Teater SA]]'', 1(4):22-24. December. |
| + | |||
| + | [[Robin Malan|Malan, Robin]] 1974. Tie in the [[PACT]], or theatre-in-education in the Performing Arts Council of the Transvaal. ''Crux'', 8(2):28-31. May. | ||
| + | |||
| + | [[Robin Malan|Malan, Robin]] 1979. ''[[Germanicus]]'' ([[N.P. van Wyk Louw]]). ''[[Tydskrif vir Letterkunde]]'', 17(3):169-181. August | ||
[[Nise Malange|Malange, Nise]] 1989. Women workers and the struggle for cultural transformations. ''Staffrider'', 8(3/4):76-80. | [[Nise Malange|Malange, Nise]] 1989. Women workers and the struggle for cultural transformations. ''Staffrider'', 8(3/4):76-80. | ||
[[S. Malins|Malins, S.]] 1973. Best known South African in Britain. ([[Stratford Johns]]). ''Personality'', 134-137. May 18. | [[S. Malins|Malins, S.]] 1973. Best known South African in Britain. ([[Stratford Johns]]). ''Personality'', 134-137. May 18. | ||
| + | |||
| + | [[E. Maluleke|Maluleke, E.]] & [[C. Pillay|Pillay, C.]] 2008. Tribute to two talents ([[John Matshikiza]]). ''Drum'', 73(835):148-149. September 25. | ||
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Latest revision as of 06:19, 20 November 2022
Click on the appropriate letters of the alphabet in the sub-list below.
Maa-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
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Mackay, E.A. 1989. Antigone and Orestes in the works of Athol Fugard. Theoria, 15(74):31-43.
MacKay, G. 1990. Drama of dissent (Athol Fugard). Maclean’s, 103:58+. June 18.
Craig MacKenzie|MacKenzie, Craig. 1993 Literary research in South Africa: the case of the National English Literary Museum. Research in African Literatures. September 22, 1993 [1]
Maclennan, Don 1974. Author’s notes for The Voyage of the Santiago. Contrast, 9(2):26-29. August.
Maclennan, Don 1981. Palimpsest: some observations on the plays of Athol Fugard. Bloody Horse, 3:59-70.
Maclennan, Don 1982. Athol Fugard and Don Mclennan: a conversation. English in Africa, 9(2):1-11.
Maclennan, Don 1993. A tribute to Athol Fugard at sixty. Twentieth Century Literature, 39(4):517-525.
Madadzhe, Richard Nndwayamato 1985. N.A. Milubi's drama : a critical appraisal of dramatic criteria. Unpublished master’s thesis. Pietersburg: University of the North.
Madelaine, R. 2007. ‘Sharper than a serpent’s tooth’: audiences’ ingratitude and Oscar Ashe’s [2] tour of Australia, New Zealand and South Africa, 1912-1913. Shakespeare in Southern Africa, 19(7):1-8.
Madondo, Bongani 1996. On a road to somewhere. Mayibuye, January, 31, 1996:20.
Maedza, Pedzisai. 2017. Performing Asylum: Theatre of Testimony in South Africa. African Studies Collection, vol. 66, African Studies Centre, University of Leiden.
Magalasi, Mufunanji Willard Moffati 1999. Politics, performance and narrative in the plays of Dukuza ka Macu. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.
Magubane Zine 2002. Mines, minstrels, and masculinity: race, class, gender, and the formation of the South African working class, 1870-1900. Journal of Men's Studies: A Scholarly Journal about Men and Masculinities, 10(3):271-289.
Magubane Zine 2004. The revolution betrayed? The South Atlantic Quarterly, 103.4:669.
Mahali, Alude 2011. 'Piecing together a Girlhood': Using the 'Girlfriend Aesthetic' as a Practical Methodology in the Making and Performance of Katuntu (...and you too) in Igweonu, Kene (ed.). Trends in Twenty-First Century African Theatre and Performance. Amsterdam, Rodopi. 419-441.
Maine, Abbey 1970. An African theater in South Africa. African Arts, 3(4):42-44.
Maingard, Jacqueline 1997. Imag(in)ing the South African nation: representations of identity in the Rugby World Cup 1995. Theatre Journal, 49(1):15-28.
Maishe Maponya: drama 1985. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 30-31.
Makaba, C.N. 1985. iDrama: black languages. Educamus 31(5):
Makgamatha, M.P. 1989. System of binary oppositions in the North Sotho nonwane of masilo le masilwane. South African Journal of African Languages, 9(3):105-111.
Makhene, Motsumi M. 1996. The morning after Uhuru: music, rhythm and the performing arts, in Steyn, Melissa E. & Motshabi, Khanya B. Cultural Synergy in South Africa: Weaving Strands of Africa and Europe. Randburg: Knowledge Resources. 147-160.
Making Rep history. 1943. Playtime, (32):6-13,32.
Makutoane, Tshokolo Johannes 2003. A functionalist translation of the morality play Everyman into Southern Sotho. Unpublished master’s thesis. Bloemfontein: University of the Free State.
Malan, A. 1967. Helen Braithwaite: grand old lady of the South African stage. Personality, 40-42. May 25.
Malan, Beverley 1988. Drama as education: using modern stage directions as a teaching module. Crux, 22(4):24-30. October.
Malan, Charles 1981. Die Keiser - 'n Analise. Johannesburg: Perskor.
Malan, Charles 1984a. Bartho Smit se dramatiese kosmologie, veral in Christine en Putsonderwater, in Malan, Charles (ed.). Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater. Johannesburg: Perskor. 64-82.
Malan, Charles. 1984. "Inleiding tot Bartho Smit se Werk" In: Sestigers in Woord en Beeld: Bartho Smit. Johannesburg: Perskor: pp.86-111.
Malan, Charles (ed.). 1984b. Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater. Johannesburg: Perskor.
Malan, Charles & Smit Bartho 1985. Skrywer en Gemeenskap: Tien Jaar Afrikaanse Skrywersgilde. Pretoria: HAUM-Literêr.
Malan, Charles 1985. Tydskrif vir Geesteswetenskappe en die drama. Tydskrif vir Geesteswetenskappe, 25:14-18.
Malan, D.J. 1986. Guy Butler: poet and dramatist. Unpublished master's thesis. Bloemfontein: University of the Orange Free State.
Malan, Eunice & Pretorius, Herman 1990a. Amateurtoneel in Suid-Afrika, deur P. J. du Toit. Reviewed in: South African Theatre Journal, 4(1):172-177.
Malan, Eunice 1990b. Theatre and the environment. South African Theatre Journal, 4(2):80-86.
Malan, Karin 1983. Hennie Aucamp: Met permissie gesê: 'n speurtog. Tydskrif vir Letterkunde, New Series 21(1):4-13.
Malan, Robin 1969a. 'After a series of tragedies...'. Teater SA, 1(3):4-5.
Malan, Robin 1969b. Ernest Oppenheimer-Teater. Teater SA, 1(4):22-24. December.
Malan, Robin 1974. Tie in the PACT, or theatre-in-education in the Performing Arts Council of the Transvaal. Crux, 8(2):28-31. May.
Malan, Robin 1979. Germanicus (N.P. van Wyk Louw). Tydskrif vir Letterkunde, 17(3):169-181. August
Malange, Nise 1989. Women workers and the struggle for cultural transformations. Staffrider, 8(3/4):76-80.
Malins, S. 1973. Best known South African in Britain. (Stratford Johns). Personality, 134-137. May 18.
Maluleke, E. & Pillay, C. 2008. Tribute to two talents (John Matshikiza). Drum, 73(835):148-149. September 25.
Click on the appropriate letters of the alphabet in the sub-list below.
Maa-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
