Difference between revisions of "ESAT Bibliography Bry-By"

From ESAT
Jump to navigation Jump to search
 
(17 intermediate revisions by 2 users not shown)
Line 8: Line 8:
  
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 +
 +
Return to [[The ESAT Entries]]
  
  
Line 13: Line 15:
 
[[Margot Bryant|Bryant, Margot]] 1978. South Africa’s greatest theatrical partnership. ([[Leonard Rayne]] & [[Freda Godfrey]]). ''Mafeking Mail'', 1(5):6-8. May.
 
[[Margot Bryant|Bryant, Margot]] 1978. South Africa’s greatest theatrical partnership. ([[Leonard Rayne]] & [[Freda Godfrey]]). ''Mafeking Mail'', 1(5):6-8. May.
  
[[Margot Bryant|Bryant, Margot]] 1979. ''Born To Act: The Story of [[Freda Godfrey]]''. Johannesburg: Donker.
+
[[Margot Bryant|Bryant, Margot]] 1979. ''Born To Act: The Story of [[Freda Godfrey]]''. Johannesburg: [[Ad Donker]].
  
[[Yvonne Bryceland|Bryceland, Yvonne]] 1977. [Acting]. ''Speak'', 1(1):26-27. December.
+
[[Yvonne Bryceland|Bryceland, Yvonne]] 1977. [Acting]. ''[[Speak]]'', 1(1):26-27. December.
  
[[Devi Bughwan|Bughwan, Devi]] 1984. The designing of undergraduate courses in drama. ''Teaterforum'', 5(1):37-55. May.
+
[[Lois Bubb|Bubb, Lois]] 1949. The puppet theatre in South Africa. ''Musa'', Summer ed.:31-33.
 +
 
 +
[[Devi Bughwan|Bughwan, Devi]] 1984. The designing of undergraduate courses in drama. ''[[Teaterforum]]'', 5(1):37-55. May.
 +
 
 +
[[Devi Bughwan|Bughwan, Devi]] 1984. A comparison of the nature of ancient Greek and Sanskrit theatre and some problems of theatrical presentation. ''[[Teaterforum]]'', 5(2):49-71.
  
 
[[André Buitendag|Buitendag, André]] 1992. Educational direction: pedagogic considerations in youth theatre. Unpublished master’s thesis. Pretoria: University of Pretoria.  
 
[[André Buitendag|Buitendag, André]] 1992. Educational direction: pedagogic considerations in youth theatre. Unpublished master’s thesis. Pretoria: University of Pretoria.  
 +
 +
Bullough, Denis Hatfield 1946. Ah, wilderness! Some notes on South African theatre. ''Trek'', 11(3):12.
  
 
[[W.M. Bunguzana|Bunguzana, W.M.]] 1990. Space in Xhosa drama : a study of 2 texts. Unpublished honour’s thesis. Bloemfontein : University of the Orange Free State.
 
[[W.M. Bunguzana|Bunguzana, W.M.]] 1990. Space in Xhosa drama : a study of 2 texts. Unpublished honour’s thesis. Bloemfontein : University of the Orange Free State.
 +
 +
Buning, T. 1982. [[H.A. Fagan]] 1889-1963, in ''Perspektief en Profiel, 'n geskiedenis van die Afrikaanse letterkunde'', by G.S. Nienaber, Rob Antonissen and [[André P. Brink]]. 5th ed. 303-307.
 
   
 
   
 +
[[Mathilda Burden|Burden, Mathilda]] 1986. Tradisionele danse van die Afrikaner wat tot in die twintigste eeu bly voortbestaan het. ''Tydskrif vir Volkskunde en Volkstaal'', 42(1):32-40.
 +
 
[[Kobus Burger|Burger, Kobus]] 1999.  Feestyd! ''Insig'', 10/99:58.
 
[[Kobus Burger|Burger, Kobus]] 1999.  Feestyd! ''Insig'', 10/99:58.
 +
 +
[[M.P.O. Burgers|Burgers M. P. O.]] 1941. Die Afrikaanse drama, 1940-1941. ''Afrikaanse Skrywerskring. Jaarboek'', 6:187-194.
 +
 +
[[M.P.O. Burgers|Burgers M. P. O.]] 1957. ''[[Die Goue Kring]]'', by [[Uys Krige]]. Reviewed in ''Die Huisgenoot'', 40(1821):23 Feb 11 1957.
 +
 +
[[M.P.O. Burgers|Burgers M. P. O.]] 1982. [[J.F.W. Grosskopf]] 1885-1948, in ''Perspektief en Profiel, 'n geskiedenis van die Afrikaanse letterkunde'', by G.S. Nienaber, Rob Antonissen and [[André P. Brink]]. 5th ed. 309-315.
  
 
[[R. Burgers|Burgers, R.]] 1975. En toe wen [[Trix Pienaar]] die Oscar. ''Sarie Marais'', 27(10):24-27. November 5.
 
[[R. Burgers|Burgers, R.]] 1975. En toe wen [[Trix Pienaar]] die Oscar. ''Sarie Marais'', 27(10):24-27. November 5.
Line 45: Line 63:
 
[[Nefertiti Burton|Burton, Nefertiti]] 2001. Coastal reflections (social commentary in South African theater). ''American Theatre'', 18(6):78-81.
 
[[Nefertiti Burton|Burton, Nefertiti]] 2001. Coastal reflections (social commentary in South African theater). ''American Theatre'', 18(6):78-81.
  
[[Neil Butcher|Butcher, Neil]] 1992. [[Herbert Dhlomo]] in perspective. ''[[South African Theatre Journal]]'', 6(2):49-63.
+
[[Neil Butcher|Butcher, Neil]] 1992. [[H.I.E. Dhlomo|Herbert Dhlomo]] in perspective. ''[[South African Theatre Journal]]'', 6(2):49-63.
  
 
[[Mbongiseni Buthelezi|Buthelezi, Mbongiseni]] & [[Christopher Hurst|Hurst, Christopher]] 2003. A Brazilian theatre model meets Zulu performance conventions: Westville prison – the case in point. ''Current Writing'',15(1):123-134.
 
[[Mbongiseni Buthelezi|Buthelezi, Mbongiseni]] & [[Christopher Hurst|Hurst, Christopher]] 2003. A Brazilian theatre model meets Zulu performance conventions: Westville prison – the case in point. ''Current Writing'',15(1):123-134.
Line 51: Line 69:
 
[[Brendan Butler|Butler, Brendan]] 1984. Drama in education vs the theatricality of schooling. ''[[SAADYT Journal]]'', 5(2):4-15.   
 
[[Brendan Butler|Butler, Brendan]] 1984. Drama in education vs the theatricality of schooling. ''[[SAADYT Journal]]'', 5(2):4-15.   
  
[[Guy Butler|Butler, Guy]] 1984. A search for synthesis,in [[Margaret J. Daymand|Daymond, Margaret J.]], [[Johan Jacobs|Jacobs, Johan]] & [[Margaret Lenta|Lenta, Margaret]] 1984. ''Momentum: On Recent South African Writing''. Pietermaritzburg: University of Natal Press. 6-10.
+
[[Guy Butler|Butler, Guy]] 1984. A search for synthesis, in [[Margaret J. Daymand|Daymond, Margaret J.]], [[Johan Jacobs|Jacobs, Johan]] & [[Margaret Lenta|Lenta, Margaret]] 1984. ''Momentum: On Recent South African Writing''. Pietermaritzburg: University of Natal Press. 6-10.
  
[[Bywoners]] [theatrical company]: another milestone in Afrikaans theatre. 1981.  ''[[Scenaria]]'', (24):9-10.
 
  
  
Line 70: Line 87:
  
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 +
 +
Return to [[The ESAT Entries]]

Latest revision as of 12:31, 19 May 2016

Click on the appropriate letters of the alphabet in the sub-list below.

B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

Return to The ESAT Entries


Bryant, Margot 1978. South Africa’s greatest theatrical partnership. (Leonard Rayne & Freda Godfrey). Mafeking Mail, 1(5):6-8. May.

Bryant, Margot 1979. Born To Act: The Story of Freda Godfrey. Johannesburg: Ad Donker.

Bryceland, Yvonne 1977. [Acting]. Speak, 1(1):26-27. December.

Bubb, Lois 1949. The puppet theatre in South Africa. Musa, Summer ed.:31-33.

Bughwan, Devi 1984. The designing of undergraduate courses in drama. Teaterforum, 5(1):37-55. May.

Bughwan, Devi 1984. A comparison of the nature of ancient Greek and Sanskrit theatre and some problems of theatrical presentation. Teaterforum, 5(2):49-71.

Buitendag, André 1992. Educational direction: pedagogic considerations in youth theatre. Unpublished master’s thesis. Pretoria: University of Pretoria.

Bullough, Denis Hatfield 1946. Ah, wilderness! Some notes on South African theatre. Trek, 11(3):12.

Bunguzana, W.M. 1990. Space in Xhosa drama : a study of 2 texts. Unpublished honour’s thesis. Bloemfontein : University of the Orange Free State.

Buning, T. 1982. H.A. Fagan 1889-1963, in Perspektief en Profiel, 'n geskiedenis van die Afrikaanse letterkunde, by G.S. Nienaber, Rob Antonissen and André P. Brink. 5th ed. 303-307.

Burden, Mathilda 1986. Tradisionele danse van die Afrikaner wat tot in die twintigste eeu bly voortbestaan het. Tydskrif vir Volkskunde en Volkstaal, 42(1):32-40.

Burger, Kobus 1999. Feestyd! Insig, 10/99:58.

Burgers M. P. O. 1941. Die Afrikaanse drama, 1940-1941. Afrikaanse Skrywerskring. Jaarboek, 6:187-194.

Burgers M. P. O. 1957. Die Goue Kring, by Uys Krige. Reviewed in Die Huisgenoot, 40(1821):23 Feb 11 1957.

Burgers M. P. O. 1982. J.F.W. Grosskopf 1885-1948, in Perspektief en Profiel, 'n geskiedenis van die Afrikaanse letterkunde, by G.S. Nienaber, Rob Antonissen and André P. Brink. 5th ed. 309-315.

Burgers, R. 1975. En toe wen Trix Pienaar die Oscar. Sarie Marais, 27(10):24-27. November 5.

Burke, Michael 1984. Baxter’s first pantomine Alladin. Scenaria, (41):7.

Burke, Michael 1987a. PACOFS’s Hello Dolly. Scenaria, (75):39-41.

Burke, Michael 1987b. Pact’s Pirates and Student prince. Scenaria, (72):27-31.

Burke, Michael 1988. Pointers for pantomime. Scenaria, (95):33-35.

Burnett, Mary 1984. Ten years of cultural growth; the 1820 Foundation. Lantern, 33(2):68-77.

Burnett, S. 2007. Betting on bums on seats – the business of theatres. Financial Mail, 190(11):72-73. Mar 23.

Burns, Hilary 2002a. The long road home: Athol Fugard and his collaborators. New Theatre Quarterly, 18(3):234-242.

Burns, Hilary 2002b. The Market Theatre of Johannesburg in the New South Africa. New Theatre Quarterly, 18(4):359-374.

Burton, Nefertiti 2001. Coastal reflections (social commentary in South African theater). American Theatre, 18(6):78-81.

Butcher, Neil 1992. Herbert Dhlomo in perspective. South African Theatre Journal, 6(2):49-63.

Buthelezi, Mbongiseni & Hurst, Christopher 2003. A Brazilian theatre model meets Zulu performance conventions: Westville prison – the case in point. Current Writing,15(1):123-134.

Butler, Brendan 1984. Drama in education vs the theatricality of schooling. SAADYT Journal, 5(2):4-15.

Butler, Guy 1984. A search for synthesis, in Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret 1984. Momentum: On Recent South African Writing. Pietermaritzburg: University of Natal Press. 6-10.




Click on the appropriate letters of the alphabet in the sub-list below.

B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By


To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

Return to The ESAT Entries