Difference between revisions of "ESAT Bibliography P-Pea"
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Click on the appropriate letters of the alphabet in the sub-list below. | Click on the appropriate letters of the alphabet in the sub-list below. | ||
| − | [[ESAT Bibliography P-Pea|P-Pea]] [[ESAT Bibliography Peb-Ph|Peb-Ph]] [[ESAT Bibliography Pia-Pie|Pia-Pie]] [[ESAT Bibliography Pif-Po|Pif-Po]] [[ESAT Bibliography | + | [[ESAT Bibliography P-Pea|P-Pea]] [[ESAT Bibliography Peb-Ph|Peb-Ph]] [[ESAT Bibliography Pia-Pie|Pia-Pie]] [[ESAT Bibliography Pif-Po|Pif-Po]] [[ESAT Bibliography Pra-Pz|Pra-Pz]] |
To return to any other letter, click on the list below | To return to any other letter, click on the list below | ||
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| − | [[ | + | [[P.G. du Plessis]]. 1985. ''[[Die Taalgenoot]]'''', 54(11):18. |
| − | [[PACOFS]]’s Black Theatre Company – the [[Kopano Group]]. 1988. ''Scenaria'', (88): 25-26. | + | [[Bett Pacey|Pacey, Bett]] 2011. The role of arts festivals in developing and promoting street theatre in South Africa. ''[[South African Theatre Journal]]'', 25(3):227-244. |
| + | |||
| + | [[Bett Pacey|Pacey, Bett]] 2011. ''Trends in Twenty-first Century African Theatre and Performance'', edited by Kene Igweonu. Reviewed in: ''[[South African Theatre Journal]]'', 25(3):248-251. | ||
| + | |||
| + | [[Bett Pacey|Pacey, Bett]] 2014. The emergence and recognition of ''moffies'' as popular entertainers in the Cape Minstrel Carnival. ''[[South African Theatre Journal]]'', 27(2):111-124. | ||
| + | |||
| + | [[PACOFS]]’s Black Theatre Company – the [[Kopano Group]]. 1988. ''[[Scenaria]]'', (88): 25-26. | ||
[[PACT]] 1972 ''Decade''. Pretoria: PACT | [[PACT]] 1972 ''Decade''. Pretoria: PACT | ||
| − | ''Die Paddas'' (The Frogs): a Greek comedy by Aristophanes. 1977. ''Scenaria'', August/September: 35. | + | ''[[The Frogs|Die Paddas]]'' (The Frogs): a Greek comedy by Aristophanes. 1977. ''[[Scenaria]]'', August/September: 35. |
| − | [[Gunther Pskendorff|Pakendorf, Gunther]] 1994. Dubbele siening; ''[[Trits]]'', deur [[ | + | [[Gunther Pskendorff|Pakendorf, Gunther]] 1994. Dubbele siening; ''[[Trits]]'', deur [[Reza de Wet]]. Reviewed in: ''New Contrast'', 22/4:109. |
[[Gunther Pskendorff|Pakendorf, Gunther]] 1997. [[Deon Opperman|Opperman]] se apokaliptiese geskiedenisstuk: ''[[Donkerland]]''. ''New Contrast'', 25(4):109. | [[Gunther Pskendorff|Pakendorf, Gunther]] 1997. [[Deon Opperman|Opperman]] se apokaliptiese geskiedenisstuk: ''[[Donkerland]]''. ''New Contrast'', 25(4):109. | ||
| − | Paller, Michael 1988. Visions of [[The Road | + | Paller, Michael 1988. Visions of [[The Road to Mecca|Mecca]]: [[Athol Fugard]]. ''Theater Week'', 1(38):8-13. May 2. |
[[Amy Abbott Pappageorge|Pappageorge, Amy Abbott]] 1991. South Africa in transform ation: a trigger script as an instrument for revolutionary change. Unpublished master’s thesis. Chapel Hill: University of North Carolina. | [[Amy Abbott Pappageorge|Pappageorge, Amy Abbott]] 1991. South Africa in transform ation: a trigger script as an instrument for revolutionary change. Unpublished master’s thesis. Chapel Hill: University of North Carolina. | ||
| + | |||
| + | [[Aida Parker|Parker, Aida]] & [[Pauline Linfield|Linfield, Pauline]] 1951. Arid plain they say - but rain is on the way. ([[Michael McNeile]], Durban) ''Outspan'', 49(1265):49,77. | ||
[[E. Parker|Parker, E.]] 1968. Gilt and velvet [Theatre in Port Elizabeth]. ''South African Panorama'', 13(12): 46-49. | [[E. Parker|Parker, E.]] 1968. Gilt and velvet [Theatre in Port Elizabeth]. ''South African Panorama'', 13(12): 46-49. | ||
| Line 32: | Line 40: | ||
[[Zoë Ann Parker|Parker, Zoë Ann]] 2001. Standing up for the nation : an investigation of stand-up comedy in South Africa post-1994, with specific reference to women, power and the body. Unpublished master’s thesis. Durban: University of Natal. | [[Zoë Ann Parker|Parker, Zoë Ann]] 2001. Standing up for the nation : an investigation of stand-up comedy in South Africa post-1994, with specific reference to women, power and the body. Unpublished master’s thesis. Durban: University of Natal. | ||
| − | [[Zoë Ann Parker|Parker, Zoë Ann]] 2002. Standing up for the nation: An inverstigation of stand-up comedy in South Africa post-1994 with specific reference to women’s power and the body. ''South African Theatre Journal'', 16:8-29. | + | [[Zoë Ann Parker|Parker, Zoë Ann]] 2002. Standing up for the nation: An inverstigation of stand-up comedy in South Africa post-1994 with specific reference to women’s power and the body. ''[[South African Theatre Journal]]'', 16:8-29. |
[[T. Parr|Parr, T.]] & [[C. Hahn|Hahn, C.]] 1977a. Some thoughts on a deadly theatre. ''Speak'', 1(1):22-25. December. | [[T. Parr|Parr, T.]] & [[C. Hahn|Hahn, C.]] 1977a. Some thoughts on a deadly theatre. ''Speak'', 1(1):22-25. December. | ||
| Line 38: | Line 46: | ||
[[T. Parr|Parr, T.]] & [[C. Hahn|Hahn, C.]] 1977b. Some thoughts on a deadly theatre. Discussion. ''Speak'', 1(3):18-20. May-June. | [[T. Parr|Parr, T.]] & [[C. Hahn|Hahn, C.]] 1977b. Some thoughts on a deadly theatre. Discussion. ''Speak'', 1(3):18-20. May-June. | ||
| − | + | Parsons, Coilin 2011. ''Wating for Godot'', by Samuel Beckett. Reviewed in: ''Theatre Journal'', 63(2):257-260. (The article reviews the play ''[[Waiting for Godot]]'', by Samuel Beckett and directed by [[Damon Galgut]] and [[Sean Mathias]], performed at The [[Little Theatre]] and The [[Fugard Theatre]] in Cape Town, South Africa on May 25, 2010 and July 29, 2010). | |
| − | [[ | + | Parsons, Neil 1999. "Clicko": [[Franz Taaibosch]], South African Bushman entertainer in England, France, Cuba, and the United States, 1908-1940, in Lindfors, Bernth (ed.). ''Africans on stage : studies in ethnological show business''. Bloomington, Ind.: Indiana University Press. 203=227. |
| − | Pascal, Julia et al. 1984. Black dog. [collection of newspaper reviews for [[ | + | [[Neil Parsons|Parsons, Neil]] 2009. ''Clicko: The Wild Dancing Bushman'' (a biography of [[Franz Taibosh]], better known as [[Clicko the Clown]]). Johannesburg: [[Jacana Media]], 2009). |
| + | |||
| + | [[A.C. Partridge|Partridge, A.C.]] 1978. Actor and audience. ''[[Scenaria]]'', (8):30-31. | ||
| + | |||
| + | [[A. Partridge|Partridge, A.]] 1978. Modern theatre – introduction: the imponderables and the producer. ''[[Scenaria]]'', (8):38-39 | ||
| + | |||
| + | Pascal, Julia et al. 1984. Black dog. [collection of newspaper reviews for [[Barney Simon]]’s play]. ''London Theatre Record'', 4(18):757. Aug. 27. | ||
| + | |||
| + | [[Paul Slabolepszy]]: drama 1983. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 228. | ||
| + | |||
| + | [[D.A. Pauw|Pauw, D.A.]] 1974. ''[[Lusistrata]]'' van Arisophanes, vertaal deur J.P.J. van Rensburg. Reviewed in: ''[[Tydskrif vir Geesteswetenskappe]]'' 14(1): | ||
| + | |||
| + | [[Anna Magrieta Aletta Paynter|Paynter, Anna Magrieta Aletta]] 1987. Die subteks van die drama. Unpublished master’s thesis. University of the Witwatersrand. | ||
[[Brian Pearce|Pearce Brian]] 1997. A Shakespeare adaptation at the [[Courtyard Theatre]]. ''Shakespeare in Southern Africa'', 10:72. | [[Brian Pearce|Pearce Brian]] 1997. A Shakespeare adaptation at the [[Courtyard Theatre]]. ''Shakespeare in Southern Africa'', 10:72. | ||
| − | [[Brian Pearce|Pearce Brian]] 1998a. ''Antony and Cleopatra'' at the [[Elizabeth Sneddon Theatre]]. ''Shakespeare in Southern Africa'', 11:58. | + | [[Brian Pearce|Pearce Brian]] 1998a. ''[[Antony and Cleopatra]]'' at the [[Elizabeth Sneddon Theatre]]. ''Shakespeare in Southern Africa'', 11:58. |
| − | [[Brian Pearce|Pearce Brian]] 1998b. The director and the South African theatre. ''South African Theatre Journal'', 12(1&2):203-207. | + | [[Brian Pearce|Pearce Brian]] 1998b. The director and the South African theatre. ''[[South African Theatre Journal]]'', 12(1&2):203-207. |
| − | [[Brian Pearce|Pearce Brian]] 2000, Fifty years of drama at the University of Natal. ''South African Theatre Journal'', 14:99-201. | + | [[Brian Pearce|Pearce Brian]] 2000, Fifty years of drama at the [[University of Natal, Department of Speech and Drama|University of Natal]]. ''[[South African Theatre Journal]]'', 14:99-201. |
[[Brian Pearce|Pearce Brian]] 2001a. Editorial (Why study Shakespeare in South Africa?). ''Shakespeare in Southern Africa''. 13:iii. | [[Brian Pearce|Pearce Brian]] 2001a. Editorial (Why study Shakespeare in South Africa?). ''Shakespeare in Southern Africa''. 13:iii. | ||
| − | [[Brian Pearce|Pearce Brian]] 2001b. [[ | + | [[Brian Pearce|Pearce Brian]] 2001b. [[Elizabeth Sneddon]]. ''Shakespeare in Southern Africa'', 13:100.-101. |
| − | [[Brian Pearce|Pearce Brian]] 2001c. Life copying art: Performance as a means of inverting racial and social stereotypes. ''South African Theatre Journal'', 15:61-168. | + | [[Brian Pearce|Pearce Brian]] 2001c. Life copying art: Performance as a means of inverting racial and social stereotypes. ''[[South African Theatre Journal]]'', 15:61-168. |
[[Brian Pearce|Pearce Brian]] 2002a. Editorial. ''Shakespeare in Southern Africa'', 14:iii. | [[Brian Pearce|Pearce Brian]] 2002a. Editorial. ''Shakespeare in Southern Africa'', 14:iii. | ||
| − | [[Brian Pearce|Pearce Brian]] 2002b. Interview with [[ | + | [[Brian Pearce|Pearce Brian]] 2002b. Interview with [[Pieter Scholtz]], 17 March 2002. ''Shakespeare in Southern Africa'', 14:33-42. |
[[Brian Pearce|Pearce Brian]] 2003a. Editorial. ''Shakespeare in Southern Africa'', 15:iii. | [[Brian Pearce|Pearce Brian]] 2003a. Editorial. ''Shakespeare in Southern Africa'', 15:iii. | ||
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[[Brian Pearce|Pearce Brian]] 2003b. Prospero's African magic: a post-colonial production of ''The Tempest''. ''Shakespeare in Southern Africa'', 15:39-45. | [[Brian Pearce|Pearce Brian]] 2003b. Prospero's African magic: a post-colonial production of ''The Tempest''. ''Shakespeare in Southern Africa'', 15:39-45. | ||
| − | [[Brian Pearce|Pearce Brian]] 2003c. Reflections on theatre criticism. ''South African Theatre Journal'', 17:245-252. | + | [[Brian Pearce|Pearce Brian]] 2003c. Reflections on theatre criticism. ''[[South African Theatre Journal]]'', 17:245-252. |
| − | [[Brian Pearce|Pearce Brian]] 2003d. ''Twelfth Night'' directed by [[ | + | [[Brian Pearce|Pearce Brian]] 2003d. ''[[Twelfth Night]]'' directed by [[Paige Newmark]] for the [[Rhodes University Drama Department]], presented at Kingswood College, 28th June 2003. ''Shakespeare in Southern Africa'', 15:103. |
[[Brian Pearce|Pearce Brian]] 2004. "Editorial." ''Shakespeare in Southern Africa'', Jan. 2004: 1. | [[Brian Pearce|Pearce Brian]] 2004. "Editorial." ''Shakespeare in Southern Africa'', Jan. 2004: 1. | ||
| − | [[Brian Pearce|Pearce Brian]] 2005. Obituary: [[ | + | [[Brian Pearce|Pearce Brian]] 2005. Obituary: [[Elizabeth Sneddon]]. ''Shakespeare in Southern Africa'', 17: |
| + | |||
| + | [[Brian Pearce|Pearce Brian]] 2006. ''[[Twelfth Night]]''. ''Shakespeare in Southern Africa'', 18:64-66. | ||
| − | [[Brian Pearce|Pearce Brian]] | + | [[Brian Pearce|Pearce Brian]] 2007. ''[[Hamlet]]''/Hamlet deconstructed. ''Shakespeare in Southern Africa'', 19:82-83. |
| − | [[Brian Pearce|Pearce Brian]] | + | [[Brian Pearce|Pearce Brian]] 2009. ''Coriolanus'', [[Debbie Lütge]]: theatre review. ''Shakespeare in Southern Africa'', 21(1): 3-84. |
| − | [[Brian Pearce|Pearce Brian]] | + | [[Brian Pearce|Pearce Brian]]and Duffy, K. 2010. ''[[Hamlet]]'': Rational and Emotional Units of Meaning in |
| + | Four Soliloquies. ''Shakespeare In Southern Africa''. 22:21-28. | ||
[[E. Pearlman|Pearlman, E.]] 1997. The ‘unity of character’ and Shakespeare’s two Caskas. ''Shakespeare in Southern Africa'', 10:1-12. | [[E. Pearlman|Pearlman, E.]] 1997. The ‘unity of character’ and Shakespeare’s two Caskas. ''Shakespeare in Southern Africa'', 10:1-12. | ||
| − | [[N. Pearson|Pearson, N.]] 1967. Subject or child? : book review. ''Transvaal Educational News'', 63(5): 11. | + | [[N. Pearson|Pearson, N.]] 1967. Subject or child? : book review. ''Development Through Drama'' by Brian Way. Reviewed in: ''Transvaal Educational News'', 63(5): 11. |
| Line 89: | Line 112: | ||
Click on the appropriate letters of the alphabet in the sub-list below. | Click on the appropriate letters of the alphabet in the sub-list below. | ||
| − | [[ESAT Bibliography P-Pea|P-Pea]] [[ESAT Bibliography Peb-Ph|Peb-Ph]] [[ESAT Bibliography Pia-Pie|Pia-Pie]] [[ESAT Bibliography Pif-Po|Pif-Po]] [[ESAT Bibliography | + | [[ESAT Bibliography P-Pea|P-Pea]] [[ESAT Bibliography Peb-Ph|Peb-Ph]] [[ESAT Bibliography Pia-Pie|Pia-Pie]] [[ESAT Bibliography Pif-Po|Pif-Po]] [[ESAT Bibliography Pra-Pz|Pra-Pz]] |
To return to any other letter, click on the list below | To return to any other letter, click on the list below | ||
Latest revision as of 17:25, 1 February 2018
Click on the appropriate letters of the alphabet in the sub-list below.
P-Pea Peb-Ph Pia-Pie Pif-Po Pra-Pz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
P.G. du Plessis. 1985. Die Taalgenoot'', 54(11):18.
Pacey, Bett 2011. The role of arts festivals in developing and promoting street theatre in South Africa. South African Theatre Journal, 25(3):227-244.
Pacey, Bett 2011. Trends in Twenty-first Century African Theatre and Performance, edited by Kene Igweonu. Reviewed in: South African Theatre Journal, 25(3):248-251.
Pacey, Bett 2014. The emergence and recognition of moffies as popular entertainers in the Cape Minstrel Carnival. South African Theatre Journal, 27(2):111-124.
PACOFS’s Black Theatre Company – the Kopano Group. 1988. Scenaria, (88): 25-26.
PACT 1972 Decade. Pretoria: PACT
Die Paddas (The Frogs): a Greek comedy by Aristophanes. 1977. Scenaria, August/September: 35.
Pakendorf, Gunther 1994. Dubbele siening; Trits, deur Reza de Wet. Reviewed in: New Contrast, 22/4:109.
Pakendorf, Gunther 1997. Opperman se apokaliptiese geskiedenisstuk: Donkerland. New Contrast, 25(4):109.
Paller, Michael 1988. Visions of Mecca: Athol Fugard. Theater Week, 1(38):8-13. May 2.
Pappageorge, Amy Abbott 1991. South Africa in transform ation: a trigger script as an instrument for revolutionary change. Unpublished master’s thesis. Chapel Hill: University of North Carolina.
Parker, Aida & Linfield, Pauline 1951. Arid plain they say - but rain is on the way. (Michael McNeile, Durban) Outspan, 49(1265):49,77.
Parker, E. 1968. Gilt and velvet [Theatre in Port Elizabeth]. South African Panorama, 13(12): 46-49.
Parker, Zoë Ann 2001. Standing up for the nation : an investigation of stand-up comedy in South Africa post-1994, with specific reference to women, power and the body. Unpublished master’s thesis. Durban: University of Natal.
Parker, Zoë Ann 2002. Standing up for the nation: An inverstigation of stand-up comedy in South Africa post-1994 with specific reference to women’s power and the body. South African Theatre Journal, 16:8-29.
Parr, T. & Hahn, C. 1977a. Some thoughts on a deadly theatre. Speak, 1(1):22-25. December.
Parr, T. & Hahn, C. 1977b. Some thoughts on a deadly theatre. Discussion. Speak, 1(3):18-20. May-June.
Parsons, Coilin 2011. Wating for Godot, by Samuel Beckett. Reviewed in: Theatre Journal, 63(2):257-260. (The article reviews the play Waiting for Godot, by Samuel Beckett and directed by Damon Galgut and Sean Mathias, performed at The Little Theatre and The Fugard Theatre in Cape Town, South Africa on May 25, 2010 and July 29, 2010).
Parsons, Neil 1999. "Clicko": Franz Taaibosch, South African Bushman entertainer in England, France, Cuba, and the United States, 1908-1940, in Lindfors, Bernth (ed.). Africans on stage : studies in ethnological show business. Bloomington, Ind.: Indiana University Press. 203=227.
Parsons, Neil 2009. Clicko: The Wild Dancing Bushman (a biography of Franz Taibosh, better known as Clicko the Clown). Johannesburg: Jacana Media, 2009).
Partridge, A.C. 1978. Actor and audience. Scenaria, (8):30-31.
Partridge, A. 1978. Modern theatre – introduction: the imponderables and the producer. Scenaria, (8):38-39
Pascal, Julia et al. 1984. Black dog. [collection of newspaper reviews for Barney Simon’s play]. London Theatre Record, 4(18):757. Aug. 27.
Paul Slabolepszy: drama 1983. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 228.
Pauw, D.A. 1974. Lusistrata van Arisophanes, vertaal deur J.P.J. van Rensburg. Reviewed in: Tydskrif vir Geesteswetenskappe 14(1):
Paynter, Anna Magrieta Aletta 1987. Die subteks van die drama. Unpublished master’s thesis. University of the Witwatersrand.
Pearce Brian 1997. A Shakespeare adaptation at the Courtyard Theatre. Shakespeare in Southern Africa, 10:72.
Pearce Brian 1998a. Antony and Cleopatra at the Elizabeth Sneddon Theatre. Shakespeare in Southern Africa, 11:58.
Pearce Brian 1998b. The director and the South African theatre. South African Theatre Journal, 12(1&2):203-207.
Pearce Brian 2000, Fifty years of drama at the University of Natal. South African Theatre Journal, 14:99-201.
Pearce Brian 2001a. Editorial (Why study Shakespeare in South Africa?). Shakespeare in Southern Africa. 13:iii.
Pearce Brian 2001b. Elizabeth Sneddon. Shakespeare in Southern Africa, 13:100.-101.
Pearce Brian 2001c. Life copying art: Performance as a means of inverting racial and social stereotypes. South African Theatre Journal, 15:61-168.
Pearce Brian 2002a. Editorial. Shakespeare in Southern Africa, 14:iii.
Pearce Brian 2002b. Interview with Pieter Scholtz, 17 March 2002. Shakespeare in Southern Africa, 14:33-42.
Pearce Brian 2003a. Editorial. Shakespeare in Southern Africa, 15:iii.
Pearce Brian 2003b. Prospero's African magic: a post-colonial production of The Tempest. Shakespeare in Southern Africa, 15:39-45.
Pearce Brian 2003c. Reflections on theatre criticism. South African Theatre Journal, 17:245-252.
Pearce Brian 2003d. Twelfth Night directed by Paige Newmark for the Rhodes University Drama Department, presented at Kingswood College, 28th June 2003. Shakespeare in Southern Africa, 15:103.
Pearce Brian 2004. "Editorial." Shakespeare in Southern Africa, Jan. 2004: 1.
Pearce Brian 2005. Obituary: Elizabeth Sneddon. Shakespeare in Southern Africa, 17:
Pearce Brian 2006. Twelfth Night. Shakespeare in Southern Africa, 18:64-66.
Pearce Brian 2007. Hamlet/Hamlet deconstructed. Shakespeare in Southern Africa, 19:82-83.
Pearce Brian 2009. Coriolanus, Debbie Lütge: theatre review. Shakespeare in Southern Africa, 21(1): 3-84.
Pearce Brianand Duffy, K. 2010. Hamlet: Rational and Emotional Units of Meaning in Four Soliloquies. Shakespeare In Southern Africa. 22:21-28.
Pearlman, E. 1997. The ‘unity of character’ and Shakespeare’s two Caskas. Shakespeare in Southern Africa, 10:1-12.
Pearson, N. 1967. Subject or child? : book review. Development Through Drama by Brian Way. Reviewed in: Transvaal Educational News, 63(5): 11.
Click on the appropriate letters of the alphabet in the sub-list below.
P-Pea Peb-Ph Pia-Pie Pif-Po Pra-Pz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
