Difference between revisions of "Don César de Bazan"

Latest revision as of 05:43, 25 March 2021

Don César de Bazan is a French melodrama in five acts by Dumanoir (Philippe-François Pinel, 1806-1865)[1] and Adolphe d'Ennery (1811 – 1899)[2].

The original text

The play was apparently a commissioned work, deriving from performances of the tragedy Ruy Blas[3] by Victor Hugo (1802–1885)[4] (1838), a work which had many subsequent imitators and adaptations.

In this case, a secondary character named "Don César de Bazan", played by Frédérick Lemaitre for a number of years, led to a commission for a new melodrama by that name, written to provide Lemaitre with a lead role of his own. The play was thus was written by in 1844 and produced by Frédérick Lemaître on 30 July 1844 at the Théâtre de la Porte-Saint-Martin. This French adaptation was in itself also imitated or adapted over the years.

Translations and adaptations

A French opéra comique in four acts by Jules Massenet , entitled Don César de Bazan, said to be based on Ruy Blas by Victor Hugo was composed , to a French libretto by Adolphe d'Ennery, Philippe-François Pinel "Dumanoir" and Jules Chantepie, and first performed at the Opéra-Comique in Paris on 30 November 1872. (The involvement of Dumanoir and d'Ennery does suggest that the “libretto” may have in fact been their 1844 play.)

English versions

Three English versions of the French play all appeared in 1844-5:

The first was by Gilbert Abbott a'Beckett (1811-1856) and Mark Lemon (1809-1870), entitled Don Caesar de Bazan (a drama in three acts), and had its première at the Princess's Theatre, London, on October 8th, 1844. Published in London by T. H. Lacy. In 1878 the a'Beckett and Lemon version was produced as The Comedy of Don Caesar de Bazan by Edwin Booth, and published by Winter under this title.

Caesar de Bazan, or Love and Honour a drama, in three acts (or alternatively also called Don Caesar de Bazan, or Love and Honour, Don Caesar de Bazan, or The Dancing Girl from Madrid, or simply Don Caesar de Bazan) by Benjamin Webster and Dion Boucicault (1820-1890)[5]. (It is sometimes credited to Dion Boucicault only.) This premièred at The Adelphi on 14 October, 1844 and printed by W.S. Johnson.

The third English version of the story was by Charles Mathews (1803–1878) and entitled Match for a King. It was first done at the Haymarket in 1844.

An operatic version

Maritana (also known as Maritana, or Don Caesar de Bazan), a three act opera including both spoken dialogue and some recitatives, was composed by William Vincent Wallace (1812 – 1865)[6], with a libretto by Edward Fitzball (1792–1873)[7]. The opera premiered at the Theatre Royal, Drury Lane on 15 November 1845.

Burlesque versions of the opera

Two burlesques, both playing on the title "Maritana", were written and performed in the 19th century:

Mary Turner by William Brough was specifically written for Steele and Norton's Christy's Minstrels,

Mary Turner, or The Wicious Willin and Wictorious Wirtue by F.C. Burnand (1867)

For South African performances of the burlesques, see entries on Mary Turner.

Performance history in South Africa

1851: The Webster and Boucicault version was performed under the title Don Caesar de Bazan, or Love and Honour was performed in the Garrison Theatre by the English Amateur Company on Wednesday 3 December, with a farce, Thimble Rig (Buckstone), as afterpiece. The performance was in aid of "(S)ufferers by the Kaffir War" (i.e. the border war taking place on the eastern border of the Cape Province).

1852: The Webster and Boucicault version was performed as Don Caesar de Bazan, or Love and Honour in the Garrison Theatre by the Amateur Company on Tuesday 13 April and again on 21 April. It was one of three fundraisers done for the survivors of the troop ship Birkenhead. The Thumping Legacy (Morton) was played as afterpiece.

1857: The Webster and Boucicault version was performed as Don Caesar de Bazan by Sefton Parry and his company in the Harrington Street Theatre, Cape Town on 5 October, with The Good for Nothing (Buckstone). Repeated on 12 October, with an unknown farce.

1857: The Webster and Boucicault version was performed as Don Caesar de Bazan by the Boscawen Amateurs (officers of H.M.S. Boscawen) in "a suitable place" in Simonstown on 29 June, with Box and Cox (Morton). The lead of "Don Caesar" was played by W.R. Jeffreys and the performances were in aid of the Free Schools. Repeated on 7 July, this time with Grimshaw, Bagshaw and Bradshaw (Morton).

1857: On 11 February 1859, while the H.M.S. Boscawen was in Table Bay, the Boscawen Amateurs (officers of H.M.S. Boscawen) put on a third performance of Don Caesar de Bazan in the Harrington Street Theatre, Cape Town, with The Rose of Amiens, or Our Wife (Morton). The officers were supported by Mrs Delmaine, Miss Delmaine and Miss Rowlands, as well as a number of local amateurs. W.R Jeffreys was the star once more, while the rest of the cast included R. Wells, C.B. Sevecke, J.R.F. Fullarton, T.A. de Waal, C.T. Layton, C.R. Smith, W.S. Brown, W.H. Maxwell and J.C. Plow.

1860: The Webster and Boucicault version (now announced as Don Caesar de Bazan, or The Dancing Girl from Madrid) was performed by Sefton Parry and his company in the Theatre Royal in Harrington Street, Cape Town, on 28 May, with Nursery Chickweed (Williams) and a Spanish dance ("La Yolta Arragonaise") by Miss Powell.

1862: The Webster and Boucicault version was performed as Don Caesar de Bazan by Mrs Clara Tellett and her company in the Theatre Royal in Harrington Street, Cape Town, on 28 November, with That Blessed Baby (Moore).

1869: Wallace and Fitzball's opera performed as Maritana, or Don Caesar de Bazan in the Mutual Hall, Cape Town by the Miranda-Harper Company on 28 September, 3 October.

1869: Act 4 of the opera Maritana performed in the Mutual Hall, Cape Town by the Miranda-Harper Company on 26 October, with acts 2 and 3 of La Somnambula (Moncrieff) and act 4 of Il Trovatore (Verdi).

1874: The Webster and Boucicault version was performed as Don Caesar de Bazan in the Mutual Hall, Cape Town by Disney Roebuck and his company, with The Laughing Hyena (Webster) on 23 and 24 February.

1875: The Webster and Boucicault version was performed as Don Caesar de Bazan in the Bijou Theatre, Cape Town by Disney Roebuck and his company, with Act 5 of Richard III (Shakespeare) on 5 June.

1875: Performed as part of the repertoire of the Harvey-Turner Opera Company when it visited the goldfields in Johannesburg and Cape Town. The other works listed include Faust, Il Trovatore, The Bohemian Girl, Lobgesang and Stabat Mater.

1887: The opera Maritana performed in the Opera House Cape Town by the Searelle Opera Company, as part of their repertoire while on an 8 month tour of the country under the auspices of the Wheeler Brothers. Blanche Fenton scored a personal triumph as "Lazarillo" in the piece, and the evening also included an interlude between acts 2 and 3 (the visiting Hungarian violinist Eduard Remenyi (1828-1898)[8] playing his own fantasia[9] on "The Huguenots").

1893: The opera Maritana performed in the Opera House Cape Town by the Lyric Opera Company, as part of their repertoire while touring the country at the time.

1899: Performed and taken on a tour the South African cities and towns by the visiting Arthur Rousbey Grand English Opera Company, under the management of Frank de Jong and Herbert Flemming, appearing in Cape Town's Opera House in the second half of the year.

Sources

http://www.worldcat.org/title/caesar-de-bazan-or-love-and-honour-a-drama-in-three-acts/oclc/29787286

https://en.wikipedia.org/wiki/Ruy_Blas

http://archive.org/stream/comedydoncaesar00lemogoog/comedydoncaesar00lemogoog_djvu.txt

https://en.wikipedia.org/wiki/Victor_Hugo

http://en.wikipedia.org/wiki/Don_C%C3%A9sar_de_Bazan

https://en.wikipedia.org/wiki/Adolphe_d'Ennery

https://en.wikipedia.org/wiki/Dumanoir

http://fr.wikipedia.org/wiki/Don_C%C3%A9sar_de_Bazan_(pi%C3%A8ce_de_th%C3%A9%C3%A2tre)

http://www.victorianweb.org/mt/boucicault/pva233.html

http://en.wikisource.org/wiki/Mathews,_Charles_James_(DNB00)

http://www.musicweb-international.com/classrev/2012/Mar12/Wallace_Maritana_866030809.htm#ixzz5vVbUeSre

https://en.wikipedia.org/wiki/William_Vincent_Wallace

https://en.wikipedia.org/wiki/Edward_Fitzball

https://en.wikipedia.org/wiki/Maritana

D.C. Boonzaier. 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1923. (Reprinted in Bosman 1980: pp. 374-439.)

F.C.L. Bosman, 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [10]: pp. 401-3, 420

F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp.59-63, 79, 91, 132, 164, 247-8, 312, 313, 324, 385, 398, 407

William Groom. 1899-1900. Drama in Cape Town. Cape Illustrated Magazine, 10(4): 478-481, 517-520, 547-552, 580-584, 640-643, 670-672, 706-708.

Go to ESAT Bibliography

Return to

Return to PLAYS I: Original SA plays

Return to PLAYS II: Foreign plays

Return to PLAYS III: Collections

Return to PLAYS IV: Pageants and public performances

Return to South African Festivals and Competitions

Return to The ESAT Entries

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@@ Line 1: / Line 1: @@
-''[[Don César de Bazan]]'' is a French melodrama in five acts by Dumanoir (Philippe-François Pinel, 1806-1865) and  Adolphe d'Ennery (1811 – 1899).
+''[[Don César de Bazan]]'' is a French melodrama in five acts by Dumanoir (Philippe-François Pinel, 1806-1865)[https://en.wikipedia.org/wiki/Dumanoir] and  Adolphe d'Ennery (1811 – 1899)[https://en.wikipedia.org/wiki/Adolphe_d'Ennery].
 == The original text ==
-The play was written in 1844 and produced by Frédérick Lemaître on 30 July 1844 at the Théâtre de la Porte-Saint-Martin.
+The play was apparently a commissioned work, deriving from performances of the tragedy ''[[Ruy Blas]]''[https://en.wikipedia.org/wiki/Ruy_Blas] by Victor Hugo (1802–1885)[https://en.wikipedia.org/wiki/Victor_Hugo] (1838), a work which had many subsequent imitators and adaptations.
-The play derived from performances of Victor Hugo’s drama ''[[Ruy Blas]]'', which had had its first performance in Paris at the Théâtre de la Renaissance on November 8, 1838, and had many subsequent imitators and adaptations.
+In this case, a secondary character named "Don César de Bazan", played by  Frédérick Lemaitre for a number of years, led to a commission for a new melodrama by that name, written to provide Lemaitre with a lead role of his own. The play was thus was written by in 1844 and produced by Frédérick Lemaître on 30 July 1844 at the Théâtre de la Porte-Saint-Martin. This French adaptation was in itself also imitated or adapted over the years.
-In this case, a secondary character named Don César de Bazan, played by  Frédérick Lemaitre for a number of years, led to a commission for a new melodrama by that name, written to provide Lemaitre with a lead role of his own.
+==Translations and adaptations==
-==Translations and adaptations==
+A French opéra comique in four acts by Jules Massenet , entitled ''[[Don César de Bazan]]'', said to be based on  ''[[Ruy Blas]]'' by Victor Hugo was composed , to a French libretto by Adolphe d'Ennery, Philippe-François Pinel "Dumanoir" and Jules Chantepie, and first performed at the Opéra-Comique in Paris on 30 November 1872. (The involvement of  Dumanoir and d'Ennery does suggest that the “libretto” may have in fact been their 1844 play.)
+===English versions===
+'''Three English versions of the French play all appeared in 1844-5:'''
+The first was by Gilbert Abbott a'Beckett (1811-1856) and Mark Lemon (1809-1870), entitled '''''[[Don Caesar de Bazan]]''''' (a drama in three acts), and had its première at the Princess's Theatre, London, on October 8th, 1844. Published in London by  T. H. Lacy. In 1878 the a'Beckett and Lemon version was produced as '''''[[The Comedy of Don Caesar de Bazan]]''''' by Edwin Booth, and published by Winter under this title.
+'''''[[Caesar de Bazan, or Love and Honour]]''''' a drama, in three acts (or alternatively also called '''''[[Don Caesar de Bazan, or Love and Honour]]''''', '''''[[Don Caesar de Bazan, or The Dancing Girl from Madrid]]''''', or simply '''''[[Don Caesar de Bazan]]''''') by  Benjamin Webster and Dion Boucicault (1820-1890)[https://en.wikipedia.org/wiki/Dion_Boucicault]. (It is sometimes credited to Dion Boucicault only.) This premièred at The Adelphi on 14 October, 1844 and printed by W.S. Johnson.
+The third English version of the story was by Charles Mathews (1803–1878) and entitled '''''[[Match for a King]]'''''. It was first done at the Haymarket in 1844.
+===An operatic version===
-A French opéra comique in four acts by Jules Massenet , entitled ''[[Don César de Bazan]]'', said to be based on  ''[[Ruy Blas]]'' by Victor Hugo, was composed , to a French libretto by Adolphe d'Ennery, Philippe-François Pinel "Dumanoir" and Jules Chantepie, and first performed at the Opéra-Comique in Paris on 30 November 1872. (The involvement of  Dumanoir and d'Ennery does suggest that the “libretto” may have in fact been their 1844 play.)
+'''''[[Maritana]]''''' (also known as '''''[[Maritana, or Don Caesar de Bazan]]'''''), a three act opera including both spoken dialogue and some recitatives, was composed by William Vincent Wallace (1812 – 1865)[https://en.wikipedia.org/wiki/William_Vincent_Wallace], with a libretto by Edward Fitzball (1792–1873)[https://en.wikipedia.org/wiki/Edward_Fitzball]. The opera premiered at the Theatre Royal, Drury Lane on 15 November 1845.
-'''Three English versions of the play all appeared in 1844:'''
+===Burlesque versions of the opera===
-The first was by Gilbert Abbott a'Beckett (1811-1856) and Mark Lemon (1809-1870), entitled ''[[Don Caesar de Bazan]]'' (a drama in three acts), and had its première at the Princess's Theatre, London, on October 8th, 1844. Published in London by  T. H. Lacy.
+Two burlesques, both playing on the title "Maritana", were written and performed in the 19th century:
-''[[Caesar de Bazan, or Love and Honour]]'' a drama, in three acts (or alternatively also called ''[[Don Caesar de Bazan, or Love and Honour]]'') by  Benjamin Webster and Dion Boucicault. (It is sometimes credited to Dion Boucicault only.) This premièred at The Adelphi on 14 October, 1844.
+'''''[[Mary Turner]]''''' by William Brough was specifically written for [[Steele and Norton's Christy's Minstrels]],
-The third English version of the story was by Charles Mathews (1803–1878) and entitled ''[[Match for a King]]''. It was first done at the Haymarket in 1844.
+'''''[[Mary Turner, or The Wicious Willin and Wictorious Wirtue]]''''' by F.C. Burnand (1867)
-In 1878 the a'Beckett and Lemon version was produced as ''[[The Comedy of Don Caesar de Bazan]]'' by Edwin Booth, and published by Winter under this title.
+'''For South African performances of the burlesques, see entries on ''[[Mary Turner]]'''''.
 == Performance history in South Africa ==
-: The Webster and Boucicault version called ''[[Caesar de Bazan, or Love and Honour]]'' was performed in the [[Garrison Theatre]] by the [[Garrison Players|Amateur Company]] on Wednesday 3 December, with a farce,  ''[[Thimble Rig]]'' (Buckstone), as afterpiece. The performance was in aid of "(S)ufferers by the Kaffir War" (i.e. the border war taking place on the eastern border of the Cape Province).
+: The Webster and Boucicault version was performed under the title ''[[Don Caesar de Bazan, or Love and Honour]]'' was performed in the [[Garrison Theatre]] by the [[English Amateur Company]] on Wednesday 3 December, with a farce,  ''[[Thimble Rig]]'' (Buckstone), as afterpiece. The performance was in aid of "(S)ufferers by the Kaffir War" (i.e. the border war taking place on the eastern border of the Cape Province).
+: The Webster and Boucicault version was performed as ''[[Don Caesar de Bazan, or Love and Honour]]'' in the [[Garrison Theatre]] by the [[Garrison Players|Amateur Company]] on Tuesday 13 April and again on 21 April. It was one of three fundraisers done for the survivors of the troop ship ''Birkenhead''. ''[[A Thumping Legacy|The Thumping Legacy]]'' (Morton) was played as afterpiece.
+: The Webster and Boucicault version was performed as ''[[Don Caesar de Bazan]]'' by [[Sefton Parry]] and his company in the [[Harrington Street Theatre]], Cape Town on 5 October, with ''[[The Good for Nothing]]'' (Buckstone). Repeated on 12 October, with an unknown farce.
+: The Webster and Boucicault version was performed as ''[[Don Caesar de Bazan]]'' by the [[Boscawen Amateurs]] (officers of H.M.S. Boscawen) in "a suitable place" in Simonstown on 29 June,  with ''[[Box and Cox]]'' (Morton). The lead of "Don Caesar" was played by [[W.R. Jeffreys]] and the performances were in aid of the Free Schools. Repeated on 7 July, this time with ''[[Grimshaw, Bagshaw and Bradshaw]]'' (Morton).
+: On 11 February 1859, while the H.M.S. Boscawen was in Table Bay,  the [[Boscawen Amateurs]] (officers of H.M.S. Boscawen) put on a third performance of ''[[Don Caesar de Bazan]]'' in the [[Harrington Street Theatre]], Cape Town, with ''[[The Rose of Amiens, or Our Wife]]'' (Morton). The officers were supported by [[Mrs Delmaine]], [[Miss Delmaine]] and [[Miss Rowlands]], as well as a number of local [[amateur]]s. [[W.R Jeffreys]]  was the star once more, while the rest of the cast included [[R. Wells]], [[C.B. Sevecke]], [[J.R.F. Fullarton]], [[T.A. de Waal]], [[C.T. Layton]], [[C.R. Smith]], [[W.S. Brown]], [[W.H. Maxwell]] and [[J.C. Plow]].
+: The Webster and Boucicault version (now announced as ''[[Don Caesar de Bazan, or The Dancing Girl from Madrid]]'') was performed  by [[Sefton Parry]] and his company in the [[Theatre Royal]] in Harrington Street, Cape Town, on 28 May, with ''[[Nursery Chickweed]]'' (Williams) and a Spanish dance ("La Yolta Arragonaise")  by [[Miss Powell]].
+: The Webster and Boucicault version was performed  as ''[[Don Caesar de Bazan]]''  by Mrs [[Clara Tellett]] and her company in the [[Theatre Royal]] in Harrington Street, Cape Town, on 28 November, with ''[[That Blessed Baby]]'' (Moore).
+: Wallace and Fitzball's opera performed as ''[[Maritana, or Don Caesar de Bazan]]'' in the [[Mutual Hall]], Cape Town by the [[Miranda-Harper Company]] on 28 September, 3 October.
+: Act 4 of the opera ''[[Maritana]]'' performed in the [[Mutual Hall]], Cape Town by the [[Miranda-Harper Company]] on 26 October, with acts 2 and 3 of ''[[La Somnambula]]'' (Moncrieff) and act 4 of ''[[Il Trovatore]]'' (Verdi).
-: The Webster and Boucicault version was performed in the [[Garrison Theatre]] by the [[Garrison Players|Amateur Company]] on Tuesday 13 April and again on 21 April. It was one of three fundraisers done for the survivors of the troop ship ''Birkenhead''. ''[[A Thumping Legacy|The Thumping Legacy]]'' (Morton) was played as afterpiece.
+: The Webster and Boucicault version was performed  as ''[[Don Caesar de Bazan]]''  in the [[Mutual Hall]], Cape Town by  [[Disney Roebuck]] and his company, with ''[[The Laughing Hyena]]'' (Webster) on 23 and 24 February.
+: The Webster and Boucicault version was performed  as ''[[Don Caesar de Bazan]]''  in the [[Bijou Theatre]], Cape Town by [[Disney Roebuck]] and his company, with Act 5 of ''[[Richard III]]'' (Shakespeare) on 5 June.
+: Performed as part of the repertoire of the [[Harvey-Turner Opera Company]] when it visited the goldfields in Johannesburg  and Cape Town. The other works listed include ''[[Faust]]'', ''[[Il Trovatore]]'', ''[[The Bohemian Girl]]'', ''[[Lobgesang]]'' and ''[[Stabat Mater]]''.
+: The opera ''[[Maritana]]'' performed in the [[Opera House]] Cape Town by the [[Searelle Opera Company]], as part of their repertoire while on an 8 month tour of the country under the auspices of the [[Wheeler Brothers]]. [[Blanche Fenton]] scored a personal triumph as "Lazarillo" in the piece, and the evening also included an interlude between acts 2 and 3 (the visiting Hungarian violinist Eduard Remenyi (1828-1898)[https://en.wikipedia.org/wiki/Ede_Rem%C3%A9nyi] playing his own fantasia[https://en.wikipedia.org/wiki/Fantasia_(music)#:~:text=A%20fantasia%20(Italian%3A%20%5Bfanta%CB%88zi%CB%90a,of%20any%20strict%20musical%20form] on "[[The Huguenots]]").
+: The opera ''[[Maritana]]'' performed in the [[Opera House]] Cape Town by the [[Lyric Opera Company]], as part of their repertoire while touring the country at the time.
+: Performed and taken on a tour the South African cities and towns by the visiting [[Arthur Rousbey Grand English Opera Company]],  under the management of [[Frank de Jong]] and [[Herbert Flemming]], appearing in Cape Town's [[Opera House]] in the second half of the year.
 == Sources ==
 http://www.worldcat.org/title/caesar-de-bazan-or-love-and-honour-a-drama-in-three-acts/oclc/29787286
+https://en.wikipedia.org/wiki/Ruy_Blas
 http://archive.org/stream/comedydoncaesar00lemogoog/comedydoncaesar00lemogoog_djvu.txt
+https://en.wikipedia.org/wiki/Victor_Hugo
 http://en.wikipedia.org/wiki/Don_C%C3%A9sar_de_Bazan
+https://en.wikipedia.org/wiki/Adolphe_d'Ennery
+https://en.wikipedia.org/wiki/Dumanoir
 http://fr.wikipedia.org/wiki/Don_C%C3%A9sar_de_Bazan_(pi%C3%A8ce_de_th%C3%A9%C3%A2tre)
@@ Line 43: / Line 91: @@
 http://en.wikisource.org/wiki/Mathews,_Charles_James_(DNB00)
-[[F.C.L. Bosman]], 1928: pp. 401-3,
+http://www.musicweb-international.com/classrev/2012/Mar12/Wallace_Maritana_866030809.htm#ixzz5vVbUeSre
+https://en.wikipedia.org/wiki/William_Vincent_Wallace
+https://en.wikipedia.org/wiki/Edward_Fitzball
+https://en.wikipedia.org/wiki/Maritana
+[[D.C. Boonzaier]]. 1923. "My playgoing days – 30 years in the history of the Cape Town stage",  in ''SA Review'', 9 March and 24 August 1923. (Reprinted in [[F.C.L. Bosman|Bosman]] 1980: pp. 374-439.)
+[[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika'', Deel I: 1652-1855. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 401-3, 420
+[[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika'', Deel II, 1856-1912. Pretoria: [[J.L. van Schaik]]: pp.59-63, 79, 91, 132, 164, 247-8, 312, 313, 324, 385, 398, 407
+[[William Groom]]. 1899-1900. Drama in Cape Town. ''Cape Illustrated Magazine'', 10(4): 478-481, 517-520, 547-552, 580-584, 640-643, 670-672, 706-708.
 Go to [[ESAT Bibliography]]

Difference between revisions of "Don César de Bazan"

Latest revision as of 05:43, 25 March 2021

Contents

The original text

Translations and adaptations

English versions

An operatic version

Burlesque versions of the opera

Performance history in South Africa

Sources

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