Difference between revisions of "Rosalie van der Gucht"

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(1907/8-1985) Hugely popular and influential speech teacher, lecturer  and director who made an enormous contribution to South African theatre in the post- World War II period. Born in Britain, trained at **,  she came to South Africa as part of a teacher exchange programme between Britain and South Africa in the 1940s. Settling in Cape Town she taught at [[Peffer's Drama School]] and also taught speech and elocution at the [[University of Cape Town Drama Department|University of Cape Town]]. Made her debut as an actress at the [[Little Theatre]] in [[Costa Couvara]]’s 1942 production of ''[[Arsenic and Old Lace]]'' with [[Geraldine Jordi]]. This production played to the highest accolades and won a sterling review in [[Ivor Jones]]’s column in the ''Cape Argus''. She was also seen in ''[[The Glass Menagerie]]'' (1949), **. In 1946 she became head of the [[University of Cape Town Drama Department|UCT]]'s Department of Speech and Drama, a role she fulfilled till 1971, when she was succeeded by [[Robert Mohr]]. In 19* she was made professor.** In the early 1950s she was invited to establish a branch of Evans and Tilley's [[Children's Theatre Incorporated]] in Cape Town. Van der Gucht however differed in policy from her northern colleagues, for she wanted to harness the educational possibilities to those of entertainment, promoting simplicity of presentation and participation by the audience, rather than passive observation of spectacle. Her productions (e.g. ''[[Arena Entertainment]]'', ''[[Let's Make an Opera]]'' and [[Brian Way]]'s ''[[Pinocchio]]'', adapted by [[Gretel Mills]]) all made use of informal arena-style staging and audience participation which influenced the action of the play. These radically different ideas about the nature and practice of theatre for young audiences and complications in funding the Cape Town branch caused problems and led Van der Gucht to form an independent Organisation called [[Theatre for Youth]] in 1956, which utilized her students at the [[University of Cape Town Drama Department|University of Cape Town]] rather than professional performers. Retired in 1971. In 197* she directed ''[[Three's Company]]'' at [[The Space]].  
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VAN DER GUCHT, Rosalie (1907/8-1985) Hugely popular and influential speech teacher, lecturer  and director who made an enormous contribution to South African theatre in the post- World War II period.
  
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VAN DER GUCHT, Rosalie. Actress who went on to become head (and later Professor) of the [[University of Cape Town Drama Department|University of Cape Town]]’s Speech and Drama Department. She starred in ''[[The Glass Menagerie]]'' by Tennessee Williams which was staged at the [[Little Theatre]] by [[Leonard Schach]] in 1948. Cast also included [[Rosemary Kirkcaldy]]. She directed [[Noël Coward]]’s ''[[Blithe Spirit]]'' for [[PACT]] in 1977. She directed the [[Baxter Theatre]] production of Aleksei Arbuzov’s [[Old-World]] starring [[Zoë Randall]] and [[John Carson]] at the [[Leonard Rayne Theatre]] in 1984. She died in 1985.  
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== Biography ==
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Born in Britain, trained at **,  she came to South Africa as part of a teacher exchange programme between Britain and South Africa in the 1940s.
  
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V/D GUCHT, Rosalie Prof was the driving force behind entertainment for children in the Cape. She had her training at the [[Grahamstown Training College]] in 1940. In 1942 she was appointed as an asst to [[Ruth Peffers]] who founded the Speech & Drama Dept at [[University of Cape Town Drama Department|UCT]].  Her drama teaching was directly related to the syllabus & linked all the other arts. Similar projects were tackled by her in conjunction with [[George Feldsman]], a Coloured headmaster at a little school in Chapel St.  
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She died in 1985.
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=== Youth ===
 +
 
 +
=== Training ===
 +
She had her training at the [[Grahamstown Training College]] in 1940.
 +
 
 +
=== Career ===
 +
In 1942 she was appointed as an assistant to [[Ruth Peffers]] who founded the Speech and Drama Department at [[University of Cape Town Drama Department|UCT]].  Her drama teaching was directly related to the syllabus and linked all the other arts. Similar projects were tackled by her in conjunction with [[George Feldsman]], a Coloured headmaster at a little school in Chapel Steet. She was the driving force behind entertainment for children in the Cape.
 +
 
 +
In 1946 she became head of the [[University of Cape Town Drama Department|UCT]]'s Department of Speech and Drama, a role she fulfilled till 1971, when she was succeeded by [[Robert Mohr]]. In 19* she was made professor.**
 +
 
 +
In the early 1950s she was invited to establish a branch of Evans and Tilley's [[Children's Theatre Incorporated]] in Cape Town. Van der Gucht however differed in policy from her northern colleagues, for she wanted to harness the educational possibilities to those of entertainment, promoting simplicity of presentation and participation by the audience, rather than passive observation of spectacle. Her productions (e.g. ''[[Arena Entertainment]]'', ''[[Let's Make an Opera]]'' and [[Brian Way]]'s ''[[Pinocchio]]'', adapted by [[Gretel Mills]]) all made use of informal arena-style staging and audience participation which influenced the action of the play. These radically different ideas about the nature and practice of theatre for young audiences and complications in funding the Cape Town branch caused problems and led Van der Gucht to form an independent Organisation called [[Theatre for Youth]] in 1956, which utilized her students at the [[University of Cape Town Drama Department|University of Cape Town]] rather than professional performers.
 +
 
 +
She retired from UCT in 1971, after which she concentrated on freelance professional directing. During this period she directed all Chekov’s major works for [[CAPAB]] and [[PACOFS]].
 +
 
 +
 
 +
==Contribution to SA theatre, film, media and/or performance==
 +
During her time at UCT she directed many plays at the [[Little Theatre]] and for other groups ranging from Greek tragedy to contemporary works.
 +
 
 +
She made her debut as an actress at the [[Little Theatre]] in [[Costa Couvara]]’s 1942 production of ''[[Arsenic and Old Lace]]'' with [[Geraldine Jordi]]. This production played to the highest accolades and won a sterling review in [[Ivor Jones]]’s column in the ''Cape Argus''. She starred as Amanda in ''[[The Glass Menagerie]]'' by Tennessee Williams which was staged at the [[Little Theatre]] by [[Leonard Schach]] in 1948. Cast also included Rosemary Kirkcaldy.
 +
 
 +
In 1974 she directed ''[[Three's Company]]'' at [[The Space]]. She directed [[Noël Coward]]’s ''[[Blithe Spirit]]'' for [[PACT]] in 1977.
 +
 
 +
For the [[Baxter Theatre]] she directed ''[[Delicate Balance]]'', ''[[Beecham]]'' and ''[[The Importance of Being Oscar]]''. She directed Aleksei Arbuzov’s ''[[Old-World]]'' starring [[Zoë Randall]] and [[John Carson]] at the [[Leonard Rayne Theatre]] in 1984.
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 +
== Awards, etc ==
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In 1970 she won the Three Leaf Award for her productions of [[Three Sisters]] and [[The Crucible]].
  
 
== Sources ==
 
== Sources ==
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See De Beer, 19**; Inskip, 197*; Morris, 19**, Astbury, 1979; Tucker, 1997
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''The Importance of Being Oscar'' programme notes, 1984.
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See: [[ESAT Bibliography I|Inskip]] 1972, [[ESAT Bibliography Ar-Az|Astbury]] 1979. [[ESAT Bibliography Mop-Mot|Morris]] 1989, [[ESAT Bibliography Dea-Deu|De Beer]] 1995, [[ESAT Bibliography Tra-Tz|Tucker]], 1997.
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== Return to ==
  
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Return to [[ESAT Personalities V]]
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Return to [[ESAT Personalities V]]  
  
 
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]
 
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]
 +
 +
Return to [[The ESAT Entries]]
  
 
Return to [[Main Page]]
 
Return to [[Main Page]]

Revision as of 17:42, 26 November 2015

VAN DER GUCHT, Rosalie (1907/8-1985) Hugely popular and influential speech teacher, lecturer and director who made an enormous contribution to South African theatre in the post- World War II period.

Biography

Born in Britain, trained at **, she came to South Africa as part of a teacher exchange programme between Britain and South Africa in the 1940s.

She died in 1985.

Youth

Training

She had her training at the Grahamstown Training College in 1940.

Career

In 1942 she was appointed as an assistant to Ruth Peffers who founded the Speech and Drama Department at UCT. Her drama teaching was directly related to the syllabus and linked all the other arts. Similar projects were tackled by her in conjunction with George Feldsman, a Coloured headmaster at a little school in Chapel Steet. She was the driving force behind entertainment for children in the Cape.

In 1946 she became head of the UCT's Department of Speech and Drama, a role she fulfilled till 1971, when she was succeeded by Robert Mohr. In 19* she was made professor.**

In the early 1950s she was invited to establish a branch of Evans and Tilley's Children's Theatre Incorporated in Cape Town. Van der Gucht however differed in policy from her northern colleagues, for she wanted to harness the educational possibilities to those of entertainment, promoting simplicity of presentation and participation by the audience, rather than passive observation of spectacle. Her productions (e.g. Arena Entertainment, Let's Make an Opera and Brian Way's Pinocchio, adapted by Gretel Mills) all made use of informal arena-style staging and audience participation which influenced the action of the play. These radically different ideas about the nature and practice of theatre for young audiences and complications in funding the Cape Town branch caused problems and led Van der Gucht to form an independent Organisation called Theatre for Youth in 1956, which utilized her students at the University of Cape Town rather than professional performers.

She retired from UCT in 1971, after which she concentrated on freelance professional directing. During this period she directed all Chekov’s major works for CAPAB and PACOFS.


Contribution to SA theatre, film, media and/or performance

During her time at UCT she directed many plays at the Little Theatre and for other groups ranging from Greek tragedy to contemporary works.

She made her debut as an actress at the Little Theatre in Costa Couvara’s 1942 production of Arsenic and Old Lace with Geraldine Jordi. This production played to the highest accolades and won a sterling review in Ivor Jones’s column in the Cape Argus. She starred as Amanda in The Glass Menagerie by Tennessee Williams which was staged at the Little Theatre by Leonard Schach in 1948. Cast also included Rosemary Kirkcaldy.

In 1974 she directed Three's Company at The Space. She directed Noël Coward’s Blithe Spirit for PACT in 1977.

For the Baxter Theatre she directed Delicate Balance, Beecham and The Importance of Being Oscar. She directed Aleksei Arbuzov’s Old-World starring Zoë Randall and John Carson at the Leonard Rayne Theatre in 1984.

Awards, etc

In 1970 she won the Three Leaf Award for her productions of Three Sisters and The Crucible.

Sources

The Importance of Being Oscar programme notes, 1984.

See: Inskip 1972, Astbury 1979. Morris 1989, De Beer 1995, Tucker, 1997.


Return to

Return to ESAT Personalities V

Return to South African Theatre Personalities

Return to The ESAT Entries

Return to Main Page

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