(19**-2***). Actress. ***
She was married to John Wright for a while, and directed some of his puppet productions.
In England she took ballet lessons with Miriam Kirsch. She and Lionel Bowman formed a partnership and danced trios with Patricia Hussey, winning first prize at many Eisteddfods.
She also worked as stage manager, i.a. on 'Moonlight Flitting (at the Whitehall Theatre, 1938),
She performed for the Gwen ffrangçon-Davies / Marda Vanne Company which presented seasons of plays during the war years (between 1941 and 1946) at The Standard Theatre. Later she worked for Pieter Toerien, CAPAB and other companies in Cape Town.
During the 1960s she worked in Britain at various theatres.She has made many television appearances in the UK.
Contribution to SA theatre, film, media and/or performance
She has appeared in Heartbreak House (1942), Mourning Becomes Electra (Hofmeyr Theatre, 1942), Martine (1943), Flare Path (1943-4), Milestones (1944), The Merry Wives of Windsor (1945), The Wind of Heaven (1946), A Month in the Country (1946), Black Limelight (1948), Ring Round the Moon (Brian Brooke Company, 1953), Johnny Belinda (Brian Brooke Company, 1954), Bell, Book and Candle (1956), The Rainmaker (Cockpit Players, 1956), Separate Tables (Cockpit Players, 1958), The Matchmaker (Cockpit Players, 1958).
Other productions include Suite in Three Keys (1968), The Apple Cart (NAPAC, 1968), The Importance of Being Earnest (NAPAC circa 1968), Proposals and Disposals a programme of her own devising (NAPAC, 1968), Crime on Goat Island (NAPAC, 1969), The School for Scandal (1958 and 1969).
She had roles in Present Laughter (CAPAB, 1974 and 1987), Arms and the Man (CAPAB, 1977), A Delicate Balance (1978), Tartuffe (CAPAB, 1978), Wholly Matrimony (1979), Dear Liar (1981), Uncle Vanya (1982).
Tucker, 1997: 13.
Vertolkende Kunste, HSRC. 1972.
John Zachariah Diutlwileng Ntsepe. 2009. The life and career of South African pianist and teacher Lionel Bowman (1919-2006)
J.P. Wearing. 2014. The London Stage 1930-1939: A Calendar of Productions, Performers, and Personnel, p. 716 
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