Difference between revisions of "ESAT Bibliography Pia-Pie"
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[[Michael Picardie|Picardie, Michael]] 1999. A comparative perspective on two plays by South African women ([[Gcina Mhlope]], [[Fatima Dike]]). ''Contemporary Theatre Review'', 9(2):39-50. | [[Michael Picardie|Picardie, Michael]] 1999. A comparative perspective on two plays by South African women ([[Gcina Mhlope]], [[Fatima Dike]]). ''Contemporary Theatre Review'', 9(2):39-50. | ||
| − | [[Michael Picardie|Picardie, Michael]] 2009. The drama and theatre of two South African plays under apartheid. Unpublished | + | [[Michael Picardie|Picardie, Michael]] 2009. ''The drama and theatre of two South African plays under apartheid''. Unpublished master's thesis. Aberystwyth: Aberystwyth University. |
| − | [[ | + | [[Michael Picardie|Picardie, Michael]]. 2014. ''Towards a philosophy of theatre inspired by Aristotle’s poetics and post-structuralist aesthetics in relation to three South African plays''. Unpublished Ph.D. Thesis, University of South Wales. |
| − | [[B. Pienaar|Pienaar, B.]] 1985. | + | [[B. Pienaar|Pienaar, B.]] 1985. Deon: hoe yswind sy gesig verlam het ([[Deon van Zyl]]). ''[[Huisgenoot]]'', 12-13. Oktober 17. |
| − | [[ | + | [[B. Pienaar|Pienaar, B.]] 1985. Mooie Amanda: pyn agter die glimlag ([[Amanda Strydom]]). ''[[Huisgenoot]]'', 14-15. Julie 25. |
| − | [[ | + | [[Hans Pienaar|Pienaar, Hans]] 1999. Die Engelse [[KKNK]]... ''[[Insig]]'', 08/99: 41. |
| − | [[Léonie Pienaar|Pienaar, Léonie]] 1941. Toneelonderrig in die skool. ''Huisgenoot'', 26(1029):23. Desember 12. | + | [[L. Pienaar|Pienaar, L.]] 1951. Gebrek aan dramaturge. ''[[Helikon]]'', 1(1):12-14. |
| + | |||
| + | [[L. Pienaar|Pienaar, L.]] 1952. Dramaturg en die regisseur. ''[[Helikon]]'', 1(3):88-91. | ||
| + | |||
| + | [[Léonie Pienaar|Pienaar, Léonie]] 1941. Toneelonderrig in die skool. ''[[Huisgenoot]]'', 26(1029):23. Desember 12. | ||
[[Samantha Pienaar|Pienaar, Samantha]] 1997. ''Fitting the Word to the Action: An Ethnographic Journey Into Theatre'', by [[Neilesh Bose]]. Reviewed in: ''[[South African Theatre Journal]]'', 11(1&2):323-324. | [[Samantha Pienaar|Pienaar, Samantha]] 1997. ''Fitting the Word to the Action: An Ethnographic Journey Into Theatre'', by [[Neilesh Bose]]. Reviewed in: ''[[South African Theatre Journal]]'', 11(1&2):323-324. | ||
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[[Samantha Pienaar|Pienaar, Samantha]] 2002. ''Songs of the Women Migrants: Performance and Identity in South Africa'', by [[Deborah James]]. Reviewed in: ''[[South African Theatre Journal]]'', 16:228-229. | [[Samantha Pienaar|Pienaar, Samantha]] 2002. ''Songs of the Women Migrants: Performance and Identity in South Africa'', by [[Deborah James]]. Reviewed in: ''[[South African Theatre Journal]]'', 16:228-229. | ||
| − | [[Pieter-Dirk Uys]], in Herber, Avril 1979. ''Conversations: Some People, Some Place, Some Time South Africa''. Johannesburg: Bateleur. 90-96. | + | [[Pieter-Dirk Uys]], in Herber, Avril 1979. ''Conversations: Some People, Some Place, Some Time South Africa''. Johannesburg: [[Bateleur Press]]. 90-96. |
[[Pieter-Dirk Uys]], in Watterson, Lore (ed.). 2009. ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 214-215. | [[Pieter-Dirk Uys]], in Watterson, Lore (ed.). 2009. ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 214-215. | ||
| + | |||
| + | [[Annel Pieterse|Pieterse, Annel]] 2014. ''Polanski and Perception: The Psychology of Seeing and the Cinema of Roman Polanski'', by David Caputo. Reviewed in: ''[[South African Theatre Journal]]'', 27)2:151-155. | ||
[[Henning Pieterse|Pieterse, Henning]] 1991. ''[[Die Keiser]]'' – ‘n teksontledingstrategie. ''[[Tydskrif vir Letterkunde]]'', 29(2):112-135. | [[Henning Pieterse|Pieterse, Henning]] 1991. ''[[Die Keiser]]'' – ‘n teksontledingstrategie. ''[[Tydskrif vir Letterkunde]]'', 29(2):112-135. | ||
Latest revision as of 09:35, 4 July 2015
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Picardie, Michael 1999. A comparative perspective on two plays by South African women (Gcina Mhlope, Fatima Dike). Contemporary Theatre Review, 9(2):39-50.
Picardie, Michael 2009. The drama and theatre of two South African plays under apartheid. Unpublished master's thesis. Aberystwyth: Aberystwyth University.
Picardie, Michael. 2014. Towards a philosophy of theatre inspired by Aristotle’s poetics and post-structuralist aesthetics in relation to three South African plays. Unpublished Ph.D. Thesis, University of South Wales.
Pienaar, B. 1985. Deon: hoe yswind sy gesig verlam het (Deon van Zyl). Huisgenoot, 12-13. Oktober 17.
Pienaar, B. 1985. Mooie Amanda: pyn agter die glimlag (Amanda Strydom). Huisgenoot, 14-15. Julie 25.
Pienaar, Hans 1999. Die Engelse KKNK... Insig, 08/99: 41.
Pienaar, L. 1951. Gebrek aan dramaturge. Helikon, 1(1):12-14.
Pienaar, L. 1952. Dramaturg en die regisseur. Helikon, 1(3):88-91.
Pienaar, Léonie 1941. Toneelonderrig in die skool. Huisgenoot, 26(1029):23. Desember 12.
Pienaar, Samantha 1997. Fitting the Word to the Action: An Ethnographic Journey Into Theatre, by Neilesh Bose. Reviewed in: South African Theatre Journal, 11(1&2):323-324.
Pienaar, Samantha 1997. Interculturalism and South African Indian Fusion Dance, by Suria Govender. Reviewed in: South African Theatre Journal, 11(1&2):322.
Pienaar, Samantha 1998. Alien Bodies: Representations of Modernity,’ Race’ and Nation In Early Modern Dance, by Ramsay Burt. Reviewed in: South African Theatre Journal, 12(1&2):262-265.
Pienaar, Samantha 2002. Songs of the Women Migrants: Performance and Identity in South Africa, by Deborah James. Reviewed in: South African Theatre Journal, 16:228-229.
Pieter-Dirk Uys, in Herber, Avril 1979. Conversations: Some People, Some Place, Some Time South Africa. Johannesburg: Bateleur Press. 90-96.
Pieter-Dirk Uys, in Watterson, Lore (ed.). 2009. Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 214-215.
Pieterse, Annel 2014. Polanski and Perception: The Psychology of Seeing and the Cinema of Roman Polanski, by David Caputo. Reviewed in: South African Theatre Journal, 27)2:151-155.
Pieterse, Henning 1991. Die Keiser – ‘n teksontledingstrategie. Tydskrif vir Letterkunde, 29(2):112-135.
Pietersen Dudley 1999. Patterns of change; audience, attendance, and music at the 1994 Grahamstown Festival. Contemporary Theatre Review, 9(2):61-70.
Pietersen, Issaac Dudley 1998. South African drama and theories of the apocalypse. Unpublished master’s thesis. Bellville: University of the Western Cape.
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P-Pea Peb-Ph Pia-Pie Pif-Po Pra-Pz
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