ESAT Bibliography Hau

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Haughton, Gavin 1956. What's wrong with the theatre? Sound, 1(4):10.

Haupt, Adam 1997. AIDS Education Through Theatre: Case Studies From Uganda, by Marion Frank. Reviewed in: South African Theatre Journal, 11(1&2):309-312.

Hauptfleisch, Gaerin & Bain, Keith 1998. Brecht 2001: A photo essay. Chris Vorster directs Bertolt Brecht’s first play, Baal. South African Theatre Journal, 12(1&2):212-227

Hauptfleisch, Gaerin & Toerien, Francois 1996. Klein Karoo Nasionale Kunstefees 1996. South African Theatre Journal, 10(1):101-106.

Hauptfleisch, Temple 1972. Greek dramatic conventions in modern drama. Unpublished master’s thesis. Pretoria: University of South Africa.

Hauptfleisch, Temple 1978. The play as communication : a study of the language of drama. Unpublished doctoral dissertation. Pretoria: University of South Africa.

Hauptfleisch, Temple 1980. Theatre research in South Africa. Critical Arts, 1(3) :11-22.

Hauptfleisch, Temple 1982a. André Huguenet en die Suid-Afrikaanse teater. Lantern, 31(4):8-23.

Hauptfleisch, Temple, Viljoen, Wilma & Van Greunen, Celeste (comps.). 1982b. Athol Fugard. A Source Guide. Johannesburg: Ad Donker.

Hauptfleisch, Temple 1983a. Taalvariasie op die verhoog: enkele gedagtes na aanleiding van Afrikaanse voorbeelde, in Claassen, G.N. & Van Rensburg, M.C.J. (eds.). Taalverskeidenheid: ʼn Blik op die Spektrum van Ttaalvariasie in Afrikaans. Pretoria: Academica. 63-79.

Hauptfleisch, Temple, Van Rooyen, Eunice & Cornelissen, Annette 1983b. Thoughts on theatre in South Africa during 1981: a review of some trends. Teaterforum, 4(1):54-76.

Hauptfleisch, Temple 1984a. Die magiese kring: skepping, herskepping en resepsie in die teater, in Malan, Charles (ed.) Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater. Johannesburg: Perskor. 36-50.

Hauptfleisch, Temple 1984b. South Africa: A Laboratory For Theatre Research: research address. Pretoria: Human Sciences Research Council.

Hauptfleisch, Temple & Steadman, Ian (eds.). 1984c. South African Theatre: Four Plays and an Introduction. Pretoria: HAUM Educational.

Hauptfleisch, Temple 1984d. Theatre research: some thoughts on a new discipline. Teaterforum, 5(1):66-79.

Hauptfleisch, Temple 1984e. Towards A Methodology For Theatre Research: A South African Perspective. Pretoria: Human Sciences Research Council.

Hauptfleisch, Temple (ed.). 1985a. The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press.

Hauptfleisch, Temple 1985b. Dramaturg en dialek : enkele gedagtes oor dramatiese dialoog. Teaterforum, 6(1):46-72.

Hauptfleisch, Temple 1985c. South Africa: a laboratory for theatre research. Communicatio, 11(2):38-44.

Hauptfleisch, Temple, Viljoen, Wilma & Cornelissen, Annette 1985d. South African theatre today: a look at the year 1981, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 131-140.

Hauptfleisch, Temple 1986a. The Market Theatre. Lantern, 35(4) :79-80.

Hauptfleisch, Temple 1986b. Die nuwe drama. De Kat, 1(11):22-23.

Hauptfleisch, Temple et al. 1986c. Research On South African Literature and Race Relations: Report on a Seminar held by CENSAL, Johannesburg, 25 May, 1986.. Pretoria: Human Sciences Research Council.

Hauptfleisch, Temple 1987a. Aspekte Van Die Nuwe Drama, deur André P. Brink. Reviewed in: South African Theatre Journal, 1(2):87-89.

Hauptfleisch, Temple 1987b. Beyond street theatre and festival: the forms of South African theatre. Maske und Kothurn. 33(1-2):175-188.

Hauptfleisch, Temple 1987c. The Concise Oxford Companion to the Theatre, edited by Phyllis Hartnoll. Reviewed in: South African Theatre Journal, 1(2):94-95.

Hauptfleisch, Temple 1987d. Report for PACT: 1987. A summary interpretation of theatre attendance data in the CESAT data-base. Pretoria: HSRC (Confidential report).

Hauptfleisch, Temple 1987e. Theatre and Cultural Struggle in South Africa, by Robert Kavanagh. Reviewed in: South African Theatre Journal, 1(1):138-141.

Hauptfleisch, Temple 1988a. From the Savoy to Soweto: The shifting paradigm in South African theatre. South African Theatre Journal, 2(1):35-63.

Hauptfleisch, Temple 1988b. To capture the moment passing: the work of the Centre for South African Theatre Research. Opvoeding en Kultuuur, 11(2):17. June.

Hauptfleisch, Temple 1988c. The International Symposium on Popular Entertainment as a reflection of national identity. South African Theatre Journal, 2(2):76-80.

Hauptfleisch, Temple 1988d. Multilingual theatre and apartheid society (1970-1987), in Bauer, Roger & Fokkema, Douwe (eds.). Proceedings of the XIIth congress of the International Comparative Literature Association : 1988, Munich = Actes du XIIe congrès de l'Association internationale de littérature comparée. München : Iudicium

Hauptfleisch, Temple 1988e. Shakespeare Against Apartheid, by Martin Orkin. Reviewed in: South African Theatre Journal, 2(2):115-119.

Hauptfleisch, Temple 1988f. Theatre alive! The Baxter Story, 1977-1987, by Brian Barrow & Yvonne Williams-Short. Reviewed in: South African Theatre Journal, 2(2):112-114.

Hauptfleisch, Temple 1989a. Citytalk, theatretalk: dialect, dialogue and multilingual theatre in South Africa. English in Africa, 16(1):71-91.

Hauptfleisch, Temple 1989b. Of actors, academics and the making of theatre (editorial). South African Theatre Journal, 3(1):1-2.

Hauptfleisch, Temple 1989c. Sjampanje vir Ontbyt, deur Hennie Aucamp. Reviewed in: South African Theatre Journal, 3(2):126-128.

Hauptfleisch, Temple 1989d. Spelers op soek na ‘n konteks. Afrikaans en die nuwe paradigma in die teater. Stilet, 1(1):29-50.

Hauptfleisch, Temple 1990a. 'n Brommer in die Boord, deur Hennie Aucamp. Reviewed in: South African Theatre Journal, 4(2):107-108.

Hauptfleisch, Temple 1990b. Donderdag se Mense, deur Pieter Fourie. Reviewed in: South African Theatre Journal, 4(2):108-109.

Hauptfleisch, Temple 1990c. Some thoughts on the future of performance- and theatre research in a “New South Africa” (editorial). South African Theatre Journal, 4(1):6-11.

Hauptfleisch, Temple 1990d. Stille Nag, by Deon Opperman. Reviewed in: South African Theatre Journal, 4(2):109-111.

Hauptfleisch, Temple 1991a. Athol Fugard: the image, the word and the ‘carnal reality’, in Robert L. Ross (ed.). International Literature in English: Essays on the Major Writers. New York: Garland Publishing. 607-620.

Hauptfleisch, Temple 1991b. Of performers, performances and performance theory (editorial). South African Theatre Journal, 5(2):1-2.

Hauptfleisch, Temple 1991c. SATJ co-editor Temple Hauptfleisch talks to Richard Schechner during his visit to the Western Cape in August 1990. South African Theatre Journal, 5(2):15-21.

Hauptfleisch, Temple 1991. Theatre and television, edited by Robert L. Erenstein. Reviewed in: South African Theatre Journal, 5(1):127-131.

Hauptfleisch, Temple 1992a. Alles op die Spel deur George Weideman. Reviewed in: South African Theatre Journal, 6(1):88-90.

Hauptfleisch, Temple 1992b. Alternative dreams: recent South African playwriting in English. Chapman, Michael, Gardner, Colin & Mphahlele, Es’kia (eds.). Perspectives on South African English Literature. Johannesburg: Ad Donker. 403-421.

Hauptfleisch, Temple 1992c. Athol Fugard. A Bibliography, by John Read. Reviewed in: South African Theatre Journal, 6(2):93-94.

Hauptfleisch, Temple 1992d. Post-colonial criticism, performance theory and the evolving forms of South African theatre. South African Theatre Journal, 6(2):64-83.

Hauptfleisch, Temple & Hutchison, Yvette 1992e. The social relevance of play (editorial). South African Theatre Journal, 6(1):1-3.

Hauptfleisch, Temple 1992f. Syncretism, hybridism and crossover theatre in a multicultural community: theatremaking in (a new) South Africa. ASSAPH Section C: Studies in the Theatre, 8:161-176.

Hauptfleisch, Temple 1992g. Vrystaat-trilogie, deur Reza de Wet. Reviewed in: South African Theatre Journal, 6(1):85-87.

Hauptfleisch, Temple 1993a. African Theatre and Film: An International Conference, University of Toronto. South African Theatre Journal, 7(2):101-104.

Hauptfleisch, Temple 1993b. Crossover theatre: New trends in theatremaking in South Africa, in Assaph: Studies in Theatre Vol 9.

Hauptfleisch, Temple 1993c. Die dramaturg as towenaar, in Trits by Reza de Wet. Pretoria: HAUM-Literêr. 9-19.

Hauptfleisch, Temple 1993d. Drie eenakters: Kombuis Blues, Kopstukke en 'n Koffer in die Kas, deur Jeanne Goosen. Reviewed in: South African Theatre Journal, 7(2):132-134.

Hauptfleisch, Temple 1994a. Editorial. South African Theatre Journal, 8(1):1-2.

Hauptfleisch, Temple 1994b. The Search for a Cultural Identity: A Personal Odyssey, by Muthal Naidoo and In the Shadow of the Shah: The Indic Contribution to our Developing South African Culture, by Dennis Schauffer. Reviewed in: South African Theatre Journal, 8(1):88-90.

Hauptfleisch, Temple 1995a. The company you keep: subversive thoughts on the impact of the playwright and the performer New Theatre Quarterly, 11(44):322-332.

Hauptfleisch, Temple 1995b. Editorial. South African Theatre Journal, 9(1):1-2.

Hauptfleisch, Temple 1996a. The Distance Remains and Other Plays, edited by Robin Malan. Reviewed in: South African Theatre Journal, 10(1):118-119.

Hauptfleisch, Temple 1996b. General Editorial. South African Theatre Journal, 10(2):7-8.

Hauptfleisch, Temple 1996c. More Market Plays, edited by John Kani. Reviewed in: South African Theatre Journal, 10(1):117-118.

Hauptfleisch, Temple 1996d. Open Space: Six Contemporary Plays from Africa, edited by Yvette Hutchison and Kole Omotoso. Reviewed in: South African Theatre Journal, 10(1):118.

Hauptfleisch, Temple 1996e. The (re)canonization of South African theatre; thoughts on four play collections. South African Theatre Journal, 10(1):115-119.

Hauptfleisch, Temple 1996f. South Africa Plays, edited by Stephen Gray. Reviewed in: South African Theatre Journal, 10(1):116-117.

Hauptfleisch, Temple & Kruger, Marie 1997a. South Africa, in Rubin, Don (ed.). The World Encyclopaedia of Contemporary Theatre. Vol. 3: Africa. London: Routledge. 268-297.

Hauptfleisch, Temple 1997b. Taylor se grootste rol. Grafskrif: Mavis Taylor. Insig, December:40.

Hauptfleisch, Temple 1997c. Theatre and Society in South Africa: Reflections in a Fractured Mirror. Pretoria: Van Schaik.

Hauptfleisch, Temple 1998. The Flag is Flying: A Very Personal History of Theatre in the Old South Africa, by Leonard Schach. Reviewed in: South African Theatre Journal, 12(1&2):257-261.

Hauptfleisch, Temple, Huismans, Anja & Finestone Juanita 1999. Unwilling champion: an interview with Reza de Wet. Contemporary Theatre Review, 9(1):53-63.

Hauptfleisch, Temple 2000. In defense of theatre research: An audit revisited (editorial). South African Theatre Journal, 14:8-17.

Hauptfleisch, Temple 2001a. The Eventification of Afrikaans culture - some thoughts on the Klein Karoo Nasionale Kunstefees (KKNK). South African Theatre Journal, 15:169-176.

Hauptfleisch, Temple 2001b. FIRT/IFTR 2000 Regional Congress – Theatre: Sound Space, Visual Space. South African Theatre Journal, 15:153-157.

Hauptfleisch, Temple 2001c. Homegrown theory for a new theatre (editorial). South African Theatre Journal, 15:5-6.

Hauptfleisch, Temple 2002a. "Oh go play somewhere - and stop bothering us!": On the (ir)relevance of theatre and the performing arts in economic society. New Agenda, (6):68-77.

Hauptfleisch, Temple 2002b. A Response to the XIV IFTR/FIRT Conference on Theatre and Cultural Memory. South African Theatre Journal, 16:185-189.

Hauptfleisch, Temple 2003. The cultural bazaar: thoughts on festival culture after a visit to the 2003 Klein Karoo Nasionale Kunstefees (KKNK) in Oudtshoorn. South African Theatre Journal, 17:258-275.

Hauptfleisch, Temple 2004. Eventification: utilizing the theatrical system to frame the event, in Cremona, Vicky Ann ... [et al.]; IFTR/FIRT Theatrical Event Working Group. Theatrical Events: Borders, Dynamics, Frames. Amsterdam: Rodopi. 279-302.

Hauptfleisch, Temple 2005a. Artistic output, arts research and the rating of the theatre practitioner as researcher-some responses to the N.R.F. rating system after the first three years. South African Theatre Journal, 18:9-34.

Hauptfleisch, Temple 2005b. Dramatic learning spaces: a South African research conference. University of KwaZulu-Natal, Pietermaritzburg, 23-25 April 2004. South African Theatre Journal, 18:279-284.

Hauptfleisch, Temple 2005c. Südafrikanisches Theater – Entwicklungen und Strömungen von Vergangenheit bis Gegenwart, in Arndt, S. & Berndt, K. (eds.). Kreatives Afrika: SchriftstellerInnen über Literatur, Theater und Gesellschaft: eine Festschrift für Eckhard Breitinger. Wuppertal: Peter Hammer Verlag. 91-116.

Hauptfleisch, Temple 2006. Eventifying identity: festivals in South Africa and the search for cultural identity. New Theatre Quarterly, 22(2):181-198.

Hauptfleisch, Temple 2007a. Editorial. South African Theatre Journal, 21:8-10.

Hauptfleisch, Temple 2007b. Festivals as eventifying systems, in Hauptfleisch, Lev-Aladgem, Martin, Sauter, and Schoenmakers (Eds.), 2007. 39-47.

Hauptfleisch, Temple 2007c. In search of the rainbow: The Little Karoo Nationatal Arts Festival and the search for cultural identity in South Africa, in Hauptfleisch, Lev-Aladgem, Martin, Sauter, and Schoenmakers (Eds.), 2007. 79-96.

Hauptfleisch, Temple 2007d. The seismology of theatre: tracing the shock waves of a theatrical event in society. South African Theatre Journal, 21: 253-271.

Hauptfleisch, Temple 2007e. Some major trends of past developments, in Arndt, Susan & Berndt, Katrin (eds.). Words and Worlds: African Writing, Theatre and Society; A Commemorative Publication in Honour of Eckhard Breitinger. Trenton, NJ : Africa World Press. 57-75.

Hauptfleisch, Temple, Shulamith Lev-Aladgem, Jacqueline Martin, Willmar Sauter and Henri Schoenmakers (Eds) 2007. Festivalising! Theatrical Events, Politics and Culture. Amsterdam, Rodopi.

Hauptfleisch, Temple 2008. Introduction, in Migliarisi, Anna (ed.). Stanislavsky and Directing. Theory, Practice and Influence. Toronto: Legas.

Hauptfleisch, Temple 2009. Die dramaturg as dromer, in De Wet, Reza. Die Blou Uur. Kaapstad: Maskew Miller Longman.

Hauptfleisch, Temple 2009. Rating the theatre practioner: A South African case-study, in Riley, Shannon Rose. Mapping Landscapes for Performance as Research: Scholarly Acts and Creative Cartographies. New York: Palgrave-Macmillan. 42-50.

Hauptfleisch, Temple 2010. Tipping points in the history of academic theatre and performance studies in South Africa. Theatre Research International, 35(3):275-287.

Hauptfleisch, Temple and Du Preez, Petrus 2010. Special Editorial - The long way here and the road ahead. South African Theatre Journal, 24:8-9.

Hauptfleisch, Temple 2011 Foreword, in Igweonu, Kene (ed.). Trends in Twenty-First Century African Theatre and Performance. Amsterdam/New York, NY Rodopi.

Hauptfleisch, Temple 2011. From trance dance to PaR: Theatre and performance studies in South Africa, in Igweonu, Kene (ed.). Trends in Twenty-First Century African Theatre and Performance. Amsterdam, Rodopi. 171-190.

Hauptfleisch, Temple and Van Lill, Hilda 2011. Ibsen on the Platteland: The First Professional Production of A Doll’s House (1929) in Afrikaans, in Fischer-Lichte, Erika, Gronau, Barbara & Weiler, Christine (eds.). Global Ibsen: Performing Multiple Modernities. New York & London:Routledge, 19-38.

Hauptfleisch, Temple 2011a. SATJ: The first 25 years. South African Theatre Journal, 25(1):1-4.

Hauptfleisch, Temple 2011b. "Theater and performance", in Johnson, Krista & Jacobs, Sean (eds.). Encyclopedia of South Africa. Boulder Colorado: Lynne Rienner Publishers.

Hauptfleisch, Temple 2012. Obituary: Reza de Wet (1952-2012). South African Theatre Journal, 26(1):1.

Click on the appropriate letters of the alphabet in the sub-list below.

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