Difference between revisions of "ESAT Bibliography Fa-Fi"
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | ||
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| + | Return to [[Main Page]] | ||
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| + | [[Cornelia Faasen|Faasen, Cornelia]] 2009. Theatre as alternative historical narrative : a study of three plays : ''Ubu and the Truth Commission'', ''Copenhagen'' and ''Ghetto'' . Unpublished master's thesis. Stellenbosch : University of Stellenbosch. | ||
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| + | Facts about the founder (of the [[Alexander Theatre]]). 1960. ''Playtime'', (142):2-3. | ||
Fair play for the players? [Acting profession]. 1979. ''[[Scenaria]]'', (13):3. | Fair play for the players? [Acting profession]. 1979. ''[[Scenaria]]'', (13):3. | ||
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| + | [[Graham Falken|Falken, G.]] (ed). 2004. Inheriting the flame: new writing on community arts in South Africa. Cape Town: [[Arts and Media Access Centre]] ([[AMAC]]). | ||
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| + | [[Yael Farber|Farber, Yael]]: drama 2003. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 148-149. | ||
[[Anthony Farmer|Farmer, Anthony]] 1981. Thoughts on ''Applause''. ''[[Scenaria]]'', Special issue:33-35. | [[Anthony Farmer|Farmer, Anthony]] 1981. Thoughts on ''Applause''. ''[[Scenaria]]'', Special issue:33-35. | ||
[[Heather Lynn Farrow|Farrow, Heather Lynn]] 1992. Local organizing and popular theatre : case studies from Namibia and South Africa. Unpublished master’s thesis. Carleton University. | [[Heather Lynn Farrow|Farrow, Heather Lynn]] 1992. Local organizing and popular theatre : case studies from Namibia and South Africa. Unpublished master’s thesis. Carleton University. | ||
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| + | [[Fatima Dike]], in Herber, Avril 1979. ''Conversations: Some People, Some Place, Some Time South Africa''. Johannesburg: Bateleur. 66-73. | ||
[[Fatima Dike]]. 1985. ''Alpha'', 23(4):1. May. | [[Fatima Dike]]. 1985. ''Alpha'', 23(4):1. May. | ||
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[[Vernon February|February, Vernon]] 1981. ''Mind Your Colour: The Coloured' Stereotype in South African Literature''. London: Kegan Paul International. | [[Vernon February|February, Vernon]] 1981. ''Mind Your Colour: The Coloured' Stereotype in South African Literature''. London: Kegan Paul International. | ||
| − | [[Federasie van Amateur-Toneelverenigings van Suid-Afrika]] 1952. Transvaalse provinsiale toneelfees. ''Helikon'', 1(3):20-22. February. | + | [[FATSSA|Federasie van Amateur-Toneelverenigings van Suid-Afrika]] 1952. Transvaalse provinsiale toneelfees. ''Helikon'', 1(3):20-22. February. |
[[J. Feldman|Feldman, J.]] 1994. The power of one: biography. ([[Janet Suzman]]). ''Leadership'', 13(4):122-126. | [[J. Feldman|Feldman, J.]] 1994. The power of one: biography. ([[Janet Suzman]]). ''Leadership'', 13(4):122-126. | ||
| − | [[Ian Ferguson|Ferguson, Ian]] | + | [[Ian Ferguson|Ferguson, Ian]] 1968a. Sterf aan die waarheid. ''Die Dans van die Reier'', by Hugo Claus. Reviewed in: ''[[Teater SA]]'', 1(2):9-10. |
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| + | [[Ian Ferguson|Ferguson, Ian]] 1968b. Who’d be an actress in South Africa? ([[Maureen McAllister]]; [[Sandra Prinsloo]]) ''[[Teater SA]]'', 1(2):7-8. December. | ||
| − | [[Ian Ferguson|Ferguson, Ian]] 1969. [[Brian Brooke]]: doyen of South Africa’s entertainers. ''Teater | + | [[Ian Ferguson|Ferguson, Ian]] 1969. [[Brian Brooke]]: doyen of South Africa’s entertainers. ''[[Teater SA]]'', 1(3):10-11. April. |
| − | [[Ian Ferguson|Ferguson, Ian]] 1978. Three profiles from the South African theatre: [[Pieter-Dirk Uys]], [[Ken | + | [[Ian Ferguson|Ferguson, Ian]] 1978. Three profiles from the South African theatre: [[Pieter-Dirk Uys]], [[Ken Leach]], [[Robert Möhr]]. ''Theatre Quarterly'', 7(28):87-94. |
[[Ian Ferguson|Ferguson, Ian]] 1993 South African theatre and the future of drama departments. ''[[South African Theatre Journal]]'', 7(2):54-62. | [[Ian Ferguson|Ferguson, Ian]] 1993 South African theatre and the future of drama departments. ''[[South African Theatre Journal]]'', 7(2):54-62. | ||
| − | [[Ian Ferguson|Ferguson, Ian]] 1997a. ''Drie Susters Twee'', deur [[Reza de Wet]]. Reviewed in: ''[[South African Theatre Journal]]'', 11(1&2):313-321. | + | [[Ian Ferguson|Ferguson, Ian]] 1997a. ''[[Drie Susters Twee]]'', deur [[Reza de Wet]]. Reviewed in: ''[[South African Theatre Journal]]'', 11(1&2):313-321. |
| − | [[Ian Ferguson|Ferguson, Ian]] 1997b. ’n Triomftog vir [[Reza de Wet|De Wet]]. ''Drie Susters Twee'', deur [[Reza de Wet]]. Reviewed in: ''Insig'', Februarie p. 31. | + | [[Ian Ferguson|Ferguson, Ian]] 1997b. ’n Triomftog vir [[Reza de Wet|De Wet]]. ''[[Drie Susters Twee]]'', deur [[Reza de Wet]]. Reviewed in: ''Insig'', Februarie p. 31. |
[[H.M. Ferrinho|Ferrinho, H.M.]] 1973. Theatre as a process of communication for rural development. ''South African Journal of Agricultural Extension'', 2:36-38. | [[H.M. Ferrinho|Ferrinho, H.M.]] 1973. Theatre as a process of communication for rural development. ''South African Journal of Agricultural Extension'', 2:36-38. | ||
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Ferrocement provides solution for [[Natal Playhouse|Playhouse]] reflectors. 1986. ''South African Construction World'', 5(5) :38-41, 45. | Ferrocement provides solution for [[Natal Playhouse|Playhouse]] reflectors. 1986. ''South African Construction World'', 5(5) :38-41, 45. | ||
| − | [[Gwen | + | [[Gwen ffrangçon-Davies|ffrangcon-Davies]] and [[Marda Vanne]] team up. 1941. ''Forum'', 4(7):29-30. March 24. |
[[Gregorio Fiasconaro|Fiasconaro, Gregorio]] 1982. ''I'd Do It All Again'', edited by [[Hilary Rennie]]. Cape Town: Books of Africa. | [[Gregorio Fiasconaro|Fiasconaro, Gregorio]] 1982. ''I'd Do It All Again'', edited by [[Hilary Rennie]]. Cape Town: Books of Africa. | ||
[[Juanita Finestone-Praeg|Finestone-Praeg, Juanita]] 2007. Reflective (a)musings on 16 kinds of emptiness…: re-framing research for practice. ''[[South African Theatre Journal]]'', 21:203-220. | [[Juanita Finestone-Praeg|Finestone-Praeg, Juanita]] 2007. Reflective (a)musings on 16 kinds of emptiness…: re-framing research for practice. ''[[South African Theatre Journal]]'', 21:203-220. | ||
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| + | [[Juanita Finestone-Praeg|Finestone-Praeg, Juanita]] 2010a. Body of questions, book of changes: event-texts from the butch performance work ''[[Ama-no-gawa]]''. ''[[South African Theatre Journal]]'', 24:279-297. | ||
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| + | [[Juanita Finestone-Praeg|Finestone-Praeg, Juanita]] 2010b. Intimate revolts: some approaches towards pedagogy and performance training in Physical Theatre: In conversation with [[First Physical Theatre Company]]'s Artistic Director: [[Gary Gordon]]. ''[[South African Theatre Journal]]'', 24:29-40. | ||
[[G. Finscham|Finscham, G.]] 2002. Reappropriating Shakespeare. ''New Contrast'', 30(1):113-121. | [[G. Finscham|Finscham, G.]] 2002. Reappropriating Shakespeare. ''New Contrast'', 30(1):113-121. | ||
| − | [[ | + | [[Fiona Fraser]]. 1961. ''Femina'', 18. November 23. |
| − | [[ | + | [[Fiona Fraser]]. 1961. ''Sarie Marais'', 13(6): 25. September 27. |
First South African. (Dramatic criticism, [[Fatima Dike]]. 1977. ''Speak'', 1(1):14-17. December. | First South African. (Dramatic criticism, [[Fatima Dike]]. 1977. ''Speak'', 1(1):14-17. December. | ||
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[[Susan Fitzmaurice|Fitzmaurice, Susan]] 1999. Aspects of Afrikaans in South African literature in English, in Cribb, T.J. (ed.). ''Imagined Commonwealths: Cambridge Essays on Commonwealth and International Literature in English''. London: Macmillan. | [[Susan Fitzmaurice|Fitzmaurice, Susan]] 1999. Aspects of Afrikaans in South African literature in English, in Cribb, T.J. (ed.). ''Imagined Commonwealths: Cambridge Essays on Commonwealth and International Literature in English''. London: Macmillan. | ||
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | ||
| + | |||
| + | |||
| + | Return to [[The ESAT Entries]] | ||
| + | |||
| + | Return to [[Main Page]] | ||
Latest revision as of 17:12, 4 April 2013
Click on the appropriate letters of the alphabet in the sub-list below.
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Return to The ESAT Entries
Return to Main Page
Faasen, Cornelia 2009. Theatre as alternative historical narrative : a study of three plays : Ubu and the Truth Commission, Copenhagen and Ghetto . Unpublished master's thesis. Stellenbosch : University of Stellenbosch.
Facts about the founder (of the Alexander Theatre). 1960. Playtime, (142):2-3.
Fair play for the players? [Acting profession]. 1979. Scenaria, (13):3.
Falken, G. (ed). 2004. Inheriting the flame: new writing on community arts in South Africa. Cape Town: Arts and Media Access Centre (AMAC).
Farber, Yael: drama 2003. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 148-149.
Farmer, Anthony 1981. Thoughts on Applause. Scenaria, Special issue:33-35.
Farrow, Heather Lynn 1992. Local organizing and popular theatre : case studies from Namibia and South Africa. Unpublished master’s thesis. Carleton University.
Fatima Dike, in Herber, Avril 1979. Conversations: Some People, Some Place, Some Time South Africa. Johannesburg: Bateleur. 66-73.
Fatima Dike. 1985. Alpha, 23(4):1. May.
Faulkner, E.A.G. 1987. The application of drama in education methodology to the teaching of history to stds. 6 and 7 in white secondary schools in South Africa. Unpublished master’s thesis. Cape Town: University of Cape Town.
Fear and laughing In South Africa. 2001. Time Europe, 158(4):63.
February, Vernon 1981. Mind Your Colour: The Coloured' Stereotype in South African Literature. London: Kegan Paul International.
Federasie van Amateur-Toneelverenigings van Suid-Afrika 1952. Transvaalse provinsiale toneelfees. Helikon, 1(3):20-22. February.
Feldman, J. 1994. The power of one: biography. (Janet Suzman). Leadership, 13(4):122-126.
Ferguson, Ian 1968a. Sterf aan die waarheid. Die Dans van die Reier, by Hugo Claus. Reviewed in: Teater SA, 1(2):9-10.
Ferguson, Ian 1968b. Who’d be an actress in South Africa? (Maureen McAllister; Sandra Prinsloo) Teater SA, 1(2):7-8. December.
Ferguson, Ian 1969. Brian Brooke: doyen of South Africa’s entertainers. Teater SA, 1(3):10-11. April.
Ferguson, Ian 1978. Three profiles from the South African theatre: Pieter-Dirk Uys, Ken Leach, Robert Möhr. Theatre Quarterly, 7(28):87-94.
Ferguson, Ian 1993 South African theatre and the future of drama departments. South African Theatre Journal, 7(2):54-62.
Ferguson, Ian 1997a. Drie Susters Twee, deur Reza de Wet. Reviewed in: South African Theatre Journal, 11(1&2):313-321.
Ferguson, Ian 1997b. ’n Triomftog vir De Wet. Drie Susters Twee, deur Reza de Wet. Reviewed in: Insig, Februarie p. 31.
Ferrinho, H.M. 1973. Theatre as a process of communication for rural development. South African Journal of Agricultural Extension, 2:36-38.
Ferrino, H. 1980a. Community theatre. South African Outlook, 110:109-111. July.
Ferrino, H. 1980b. Community theatre. Social Work, 16:164-167.
Ferreira, Ethel Elizabeth 1981. Problematiek van die drama as verhoogstuk : met besondere verwysing na die Afrikaanse versdrama. Bloemfontein: Unpublished master’s thesis. University of the Orange Free State.
Ferreira, O.J.O. 2006. Anna Neethling-Pohl [1906-1992]: ’n huldeblyk in haar eeufeesjaar. South African Journal of Cultural Histroy, 20(2):42-54.
Ferreira-Ross, J.D. Dramatic space. Lantern, 31(4):2-7
Ferrocement provides solution for Playhouse reflectors. 1986. South African Construction World, 5(5) :38-41, 45.
ffrangcon-Davies and Marda Vanne team up. 1941. Forum, 4(7):29-30. March 24.
Fiasconaro, Gregorio 1982. I'd Do It All Again, edited by Hilary Rennie. Cape Town: Books of Africa.
Finestone-Praeg, Juanita 2007. Reflective (a)musings on 16 kinds of emptiness…: re-framing research for practice. South African Theatre Journal, 21:203-220.
Finestone-Praeg, Juanita 2010a. Body of questions, book of changes: event-texts from the butch performance work Ama-no-gawa. South African Theatre Journal, 24:279-297.
Finestone-Praeg, Juanita 2010b. Intimate revolts: some approaches towards pedagogy and performance training in Physical Theatre: In conversation with First Physical Theatre Company's Artistic Director: Gary Gordon. South African Theatre Journal, 24:29-40.
Finscham, G. 2002. Reappropriating Shakespeare. New Contrast, 30(1):113-121.
Fiona Fraser. 1961. Femina, 18. November 23.
Fiona Fraser. 1961. Sarie Marais, 13(6): 25. September 27.
First South African. (Dramatic criticism, Fatima Dike. 1977. Speak, 1(1):14-17. December.
Fischer, Bettina 1991. Athol Fugard's use of Bertolt Brecht as a source and influence. Johannesburg: Unpublished master’s thesis. Rand Afrikaans University.
Fischer, R.C. 1971. Nico Malan – the unconventional in our midst. Sigma, 6-10.
Fitzmaurice, Susan 1999. Aspects of Afrikaans in South African literature in English, in Cribb, T.J. (ed.). Imagined Commonwealths: Cambridge Essays on Commonwealth and International Literature in English. London: Macmillan.
Click on the appropriate letters of the alphabet in the sub-list below.
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Return to The ESAT Entries
Return to Main Page
