Difference between revisions of "ESAT Bibliography Fa-Fi"
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[[Ian Ferguson|Ferguson, Ian]] 1968. Who’d be an actress in South Africa? ([[Maureen McAllister]]; [[Sandra Prinsloo]]) ''[[Teater SA]]'', 1(2):7-8. December. | [[Ian Ferguson|Ferguson, Ian]] 1968. Who’d be an actress in South Africa? ([[Maureen McAllister]]; [[Sandra Prinsloo]]) ''[[Teater SA]]'', 1(2):7-8. December. | ||
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[[Ian Ferguson|Ferguson, Ian]] 1969. [[Brian Brooke]]: doyen of South Africa’s entertainers. ''[[Teater SA]]'', 1(3):10-11. April. | [[Ian Ferguson|Ferguson, Ian]] 1969. [[Brian Brooke]]: doyen of South Africa’s entertainers. ''[[Teater SA]]'', 1(3):10-11. April. | ||
Revision as of 11:52, 4 April 2013
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Faasen, Cornelia 2009. Theatre as alternative historical narrative : a study of three plays : Ubu and the Truth Commission, Copenhagen and Ghetto . Unpublished master's thesis. Stellenbosch : University of Stellenbosch.
Facts about the founder (of the Alexander Theatre). 1960. Playtime, (142):2-3.
Fair play for the players? [Acting profession]. 1979. Scenaria, (13):3.
Falken, G. (ed). 2004. Inheriting the flame: new writing on community arts in South Africa. Cape Town: Arts and Media Access Centre (AMAC).
Farber, Yael: drama 2003. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 148-149.
Farmer, Anthony 1981. Thoughts on Applause. Scenaria, Special issue:33-35.
Farrow, Heather Lynn 1992. Local organizing and popular theatre : case studies from Namibia and South Africa. Unpublished master’s thesis. Carleton University.
Fatima Dike, in Herber, Avril 1979. Conversations: Some People, Some Place, Some Time South Africa. Johannesburg: Bateleur. 66-73.
Fatima Dike. 1985. Alpha, 23(4):1. May.
Faulkner, E.A.G. 1987. The application of drama in education methodology to the teaching of history to stds. 6 and 7 in white secondary schools in South Africa. Unpublished master’s thesis. Cape Town: University of Cape Town.
Fear and laughing In South Africa. 2001. Time Europe, 158(4):63.
February, Vernon 1981. Mind Your Colour: The Coloured' Stereotype in South African Literature. London: Kegan Paul International.
Federasie van Amateur-Toneelverenigings van Suid-Afrika 1952. Transvaalse provinsiale toneelfees. Helikon, 1(3):20-22. February.
Feldman, J. 1994. The power of one: biography. (Janet Suzman). Leadership, 13(4):122-126.
Ferguson, Ian 1968. Who’d be an actress in South Africa? (Maureen McAllister; Sandra Prinsloo) Teater SA, 1(2):7-8. December.
Ferguson, Ian 1969. Brian Brooke: doyen of South Africa’s entertainers. Teater SA, 1(3):10-11. April.
Ferguson, Ian 1978. Three profiles from the South African theatre: Pieter-Dirk Uys, Ken Leach, Robert Möhr. Theatre Quarterly, 7(28):87-94.
Ferguson, Ian 1993 South African theatre and the future of drama departments. South African Theatre Journal, 7(2):54-62.
Ferguson, Ian 1997a. Drie Susters Twee, deur Reza de Wet. Reviewed in: South African Theatre Journal, 11(1&2):313-321.
Ferguson, Ian 1997b. ’n Triomftog vir De Wet. Drie Susters Twee, deur Reza de Wet. Reviewed in: Insig, Februarie p. 31.
Ferrinho, H.M. 1973. Theatre as a process of communication for rural development. South African Journal of Agricultural Extension, 2:36-38.
Ferrino, H. 1980a. Community theatre. South African Outlook, 110:109-111. July.
Ferrino, H. 1980b. Community theatre. Social Work, 16:164-167.
Ferreira, Ethel Elizabeth 1981. Problematiek van die drama as verhoogstuk : met besondere verwysing na die Afrikaanse versdrama. Bloemfontein: Unpublished master’s thesis. University of the Orange Free State.
Ferreira, O.J.O. 2006. Anna Neethling-Pohl [1906-1992]: ’n huldeblyk in haar eeufeesjaar. South African Journal of Cultural Histroy, 20(2):42-54.
Ferreira-Ross, J.D. Dramatic space. Lantern, 31(4):2-7
Ferrocement provides solution for Playhouse reflectors. 1986. South African Construction World, 5(5) :38-41, 45.
ffrangcon-Davies and Marda Vanne team up. 1941. Forum, 4(7):29-30. March 24.
Fiasconaro, Gregorio 1982. I'd Do It All Again, edited by Hilary Rennie. Cape Town: Books of Africa.
Finestone-Praeg, Juanita 2007. Reflective (a)musings on 16 kinds of emptiness…: re-framing research for practice. South African Theatre Journal, 21:203-220.
Finestone-Praeg, Juanita 2010a. Body of questions, book of changes: event-texts from the butch performance work Ama-no-gawa. South African Theatre Journal, 24:279-297.
Finestone-Praeg, Juanita 2010b. Intimate revolts: some approaches towards pedagogy and performance training in Physical Theatre: In conversation with First Physical Theatre Company's Artistic Director: Gary Gordon. South African Theatre Journal, 24:29-40.
Finscham, G. 2002. Reappropriating Shakespeare. New Contrast, 30(1):113-121.
Fiona Fraser. 1961. Femina, 18. November 23.
Fiona Fraser. 1961. Sarie Marais, 13(6): 25. September 27.
First South African. (Dramatic criticism, Fatima Dike. 1977. Speak, 1(1):14-17. December.
Fischer, Bettina 1991. Athol Fugard's use of Bertolt Brecht as a source and influence. Johannesburg: Unpublished master’s thesis. Rand Afrikaans University.
Fischer, R.C. 1971. Nico Malan – the unconventional in our midst. Sigma, 6-10.
Fitzmaurice, Susan 1999. Aspects of Afrikaans in South African literature in English, in Cribb, T.J. (ed.). Imagined Commonwealths: Cambridge Essays on Commonwealth and International Literature in English. London: Macmillan.
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