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| − | + | <small>__NOTOC__ | |
| − | ''''' | + | '''The Encyclopaedia of South African Theatre, Film, Media and Performance''' ('''ESAT''') is an [[Open access|open-access]], online record of theatre, film, media and performance in South Africa — its history, forms, people and places. |
| − | ''Founding editor: | + | ''Founding editor: [[Temple Hauptfleisch]]. A project of the [[University of Stellenbosch]] Drama Department.'' |
| − | + | ---- | |
| + | == Start here == | ||
| − | + | * '''[[The ESAT Entries|Browse all entries]]''' — over 25,500 entries, grouped into sixteen categories. | |
| + | * '''Search''' — use the search box at the top right of the page (or press Alt+F) to jump straight to a person, play, venue or company. | ||
| − | + | ''The encyclopaedia holds over 25,500 full entries. Since its launch in 2011 the main page has been viewed over 2.3 million times, and its articles over 127 million times.'' | |
| − | ==' | + | == What's New? == |
| − | < | + | <big>June 2026 — New entries: people, plays, companies and venues</big> |
| − | + | Fifty new entries have been added to ESAT this month, spanning four centuries of South African theatre history. | |
| − | + | Among the new personality entries, [[Pieter Madibuseng Odendaal]] (19**–) is a bilingual Afrikaans and English poet, playwright and educator whose multilingual drama ''[[Droomwerk]]'' won the 2021 ATKV-Woordveertjie and was nominated for the Hertzog Prize. [[Adrian van Wyk]] (19**–), who has also performed as "Diff", is a Cape Town–based performance poet, filmmaker and cultural historian, documented here for the first time. Two historical figures have also been added: [[Vivienne Adley]], a Durban-born singer and actress who performed widely in the mid-twentieth century; and [[Thomas Barrow-Dowling]] (1861–1926), a British-born organist and choirmaster who made a significant contribution to musical life in South Africa. | |
| − | + | On the plays side, ''[[The Scarlet Pimpernel]]'', the 1903 adventure drama by Baroness Orczy, and ''[[The Prisoner of Zenda]]'', Edward Rose's 1895 adaptation of Anthony Hope's novel, both have new entries documenting their South African performance histories. New SA work is represented by ''[[What the Water Remembers]]'', a | |
| − | + | <big>May 2026 — New contributors</big> | |
| + | : Volunteers [[Martin Botha]], [[Riaan Oppelt]], [[Annel Pieterse]] and [[Kevin Turner]] have joined the editorial team. See [[Contributing to ESAT]] to find out how to help. | ||
| − | < | + | <big> May 2025 — The ESAT archive finds a home</big> |
| + | : ESAT's growing collection of programmes, posters, photographs and texts is now the [[Performing Arts Research Collection]] (PARC) at the [[Africa Open Institute]], University of Stellenbosch, with [[Esther Marie Pauw]] appointed as its first administrator. | ||
| − | + | <big> March 2025 — ESAT recognised at the Fleur du Cap Theatre Awards</big> | |
| + | : At the 60th [[Fleur du Cap Theatre Awards]], founding editor [[Temple Hauptfleisch]] received the Lifetime Achievement Award for his career documenting South African theatre and for establishing ESAT. | ||
| − | + | == About ESAT == | |
| − | + | ESAT grew out of research by the Centre for South African Theatre Research between 1979 and 1987, continued at the [[University of Stellenbosch]] from 1988, and opened to the public online in 2011. It documents the evolution, history and forms of theatre, film, media and performance in South Africa. | |
| − | + | It is built openly — edited by a team of research editors and written by contributors around the world — and is deliberately structured like a printed encyclopaedia, with an index of entries grouped into sixteen categories. | |
| − | + | ''The main focus is on pre-21st-century theatre, film, media and performance. ESAT is a work in progress and, by its nature, will always be incomplete and subject to occasional error.'' | |
| + | For the full history, aims and list of editors, see [[About ESAT]]. | ||
| − | + | == Finding your way around == | |
| − | + | ; Search | |
| + | : Type a name, title or keyword into the search box (top right, or Alt+F) and press Enter. | ||
| − | + | ; Browse the index | |
| + | : Go to [[The ESAT Entries]] for the full list of sixteen categories, each managed by a research editor. | ||
| − | + | ; Follow the links | |
| + | : Links shown in red mark entries not yet written. Click one, then choose "What links here" under Tools to find related mentions elsewhere in the encyclopaedia. | ||
| − | + | '''Good to know:''' ESAT focuses on [[The main focus is on pre-21st-century theatre, film, media and performance|pre-21st-century performance]], is [[It is work in progress and thus subject to error on occasion|a work in progress]], follows a [[Policy regarding offensive language and terminology|policy on historical and offensive terminology]], and [[ESAT is not an archival facility|is not itself an archival facility]]. | |
| − | + | == Contributing to ESAT == | |
| − | + | ESAT is always growing, and all researchers, artists and interested readers are welcome to help expand, correct and update it. To find out how, see [[Contributing to ESAT]]. | |
| − | + | == Copyright and referencing == | |
| − | + | ESAT is an [[Open access|open-access]] publication. Although its content is [[Copyright|copyrighted]] to ESAT and the [[University of Stellenbosch]], it may be freely used for academic and artistic purposes, provided the use is clearly referenced and attributed to the ''Encyclopaedia of South African Theatre, Film, Media and Performance'' (ESAT), including the URL of the entry used. | |
| − | + | == Contact the editors == | |
| − | + | ; Postal | |
| − | + | : The Editor: ESAT, Department of Drama, University of Stellenbosch, Private Bag X1, Matieland 7602, South Africa. | |
| − | + | ; E-mail | |
| − | + | : [mailto:satj@sun.ac.za satj@sun.ac.za] | |
| − | + | ; Fax | |
| − | + | : +27 21 882 9141 | |
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Revision as of 21:46, 23 June 2026
The Encyclopaedia of South African Theatre, Film, Media and Performance (ESAT) is an open-access, online record of theatre, film, media and performance in South Africa — its history, forms, people and places.
Founding editor: Temple Hauptfleisch. A project of the University of Stellenbosch Drama Department.
Start here
- Browse all entries — over 25,500 entries, grouped into sixteen categories.
- Search — use the search box at the top right of the page (or press Alt+F) to jump straight to a person, play, venue or company.
The encyclopaedia holds over 25,500 full entries. Since its launch in 2011 the main page has been viewed over 2.3 million times, and its articles over 127 million times.
What's New?
June 2026 — New entries: people, plays, companies and venues
Fifty new entries have been added to ESAT this month, spanning four centuries of South African theatre history.
Among the new personality entries, Pieter Madibuseng Odendaal (19**–) is a bilingual Afrikaans and English poet, playwright and educator whose multilingual drama Droomwerk won the 2021 ATKV-Woordveertjie and was nominated for the Hertzog Prize. Adrian van Wyk (19**–), who has also performed as "Diff", is a Cape Town–based performance poet, filmmaker and cultural historian, documented here for the first time. Two historical figures have also been added: Vivienne Adley, a Durban-born singer and actress who performed widely in the mid-twentieth century; and Thomas Barrow-Dowling (1861–1926), a British-born organist and choirmaster who made a significant contribution to musical life in South Africa.
On the plays side, The Scarlet Pimpernel, the 1903 adventure drama by Baroness Orczy, and The Prisoner of Zenda, Edward Rose's 1895 adaptation of Anthony Hope's novel, both have new entries documenting their South African performance histories. New SA work is represented by What the Water Remembers, a
May 2026 — New contributors
- Volunteers Martin Botha, Riaan Oppelt, Annel Pieterse and Kevin Turner have joined the editorial team. See Contributing to ESAT to find out how to help.
May 2025 — The ESAT archive finds a home
- ESAT's growing collection of programmes, posters, photographs and texts is now the Performing Arts Research Collection (PARC) at the Africa Open Institute, University of Stellenbosch, with Esther Marie Pauw appointed as its first administrator.
March 2025 — ESAT recognised at the Fleur du Cap Theatre Awards
- At the 60th Fleur du Cap Theatre Awards, founding editor Temple Hauptfleisch received the Lifetime Achievement Award for his career documenting South African theatre and for establishing ESAT.
About ESAT
ESAT grew out of research by the Centre for South African Theatre Research between 1979 and 1987, continued at the University of Stellenbosch from 1988, and opened to the public online in 2011. It documents the evolution, history and forms of theatre, film, media and performance in South Africa.
It is built openly — edited by a team of research editors and written by contributors around the world — and is deliberately structured like a printed encyclopaedia, with an index of entries grouped into sixteen categories.
The main focus is on pre-21st-century theatre, film, media and performance. ESAT is a work in progress and, by its nature, will always be incomplete and subject to occasional error.
For the full history, aims and list of editors, see About ESAT.
Finding your way around
- Search
- Type a name, title or keyword into the search box (top right, or Alt+F) and press Enter.
- Browse the index
- Go to The ESAT Entries for the full list of sixteen categories, each managed by a research editor.
- Follow the links
- Links shown in red mark entries not yet written. Click one, then choose "What links here" under Tools to find related mentions elsewhere in the encyclopaedia.
Good to know: ESAT focuses on pre-21st-century performance, is a work in progress, follows a policy on historical and offensive terminology, and is not itself an archival facility.
Contributing to ESAT
ESAT is always growing, and all researchers, artists and interested readers are welcome to help expand, correct and update it. To find out how, see Contributing to ESAT.
Copyright and referencing
ESAT is an open-access publication. Although its content is copyrighted to ESAT and the University of Stellenbosch, it may be freely used for academic and artistic purposes, provided the use is clearly referenced and attributed to the Encyclopaedia of South African Theatre, Film, Media and Performance (ESAT), including the URL of the entry used.
Contact the editors
- Postal
- The Editor: ESAT, Department of Drama, University of Stellenbosch, Private Bag X1, Matieland 7602, South Africa.
- satj@sun.ac.za
- Fax
- +27 21 882 9141