Difference between revisions of "Péter Louis van Dijk"
| Line 1: | Line 1: | ||
(1953-) Music director, composer. | (1953-) Music director, composer. | ||
| − | == Biography == | + | == Biography and career == |
| + | |||
| + | Born in Rotterdam. Relocated with his family to Cape Town when he was a child. | ||
| + | He attended Athlone Boys High School and as a teenager took piano lessons. | ||
| + | In 1984, he joined [[CAPAB]] as assistant music manager, and from 1986 he pursued a freelance career as a composer. He subsequently went on to teach in high schools in the western cape, as well as at the [[University of Cape Town]] and the [[University of the Western Cape]]. In 1998, he was appointed senior lecturer in Composition and Musicology at [[Rhodes University]]. | ||
| + | He relocated to Port Elizabeth in 2003, and joined the faculty of the [[Nelson Mandela Metropolitan University]]. | ||
| + | |||
| + | In November 2009, van Dijk was diagnosed with Parkinson's disease. | ||
== Training == | == Training == | ||
| − | B.Mus. | + | |
| + | B.Mus (at the [[South African College of Music]] at the [[University of Cape Town]]). | ||
| + | He obtained a Teacher's Licentiate Diploma from Trinity College London. | ||
| + | He received his Doctoral degree from [[UCT]] in 2004. | ||
| + | In 2016, he was the resident composer at th Johannesburg International Mozart Festival. | ||
== Career == | == Career == | ||
| Line 14: | Line 25: | ||
He composed the operettas (presented by [[UCT Opera Company]]): | He composed the operettas (presented by [[UCT Opera Company]]): | ||
| + | * ''[[The Contract]]'' (1973) | ||
* ''[[Die Noodsein]]'' (1975) | * ''[[Die Noodsein]]'' (1975) | ||
| − | + | ||
He composed for several works on commission for [[CAPAB]], including | He composed for several works on commission for [[CAPAB]], including | ||
* ''[[The Fall of the House of Usher]]'' | * ''[[The Fall of the House of Usher]]'' | ||
| − | * ''[[Francis]]'' | + | * ''[[Francis]]'' (1985) |
| − | * ''[[A Midsummer Night's Dream]]'' | + | * ''[[Fiela se Kind]]'' (1986) |
| + | * ''[[Twelfth Night]]'' (at [[Maynardville]], 1990) | ||
| + | * ''[[A Midsummer Night's Dream]]'' (1994) | ||
Works for [[Cape Town Opera]]: | Works for [[Cape Town Opera]]: | ||
| Line 26: | Line 40: | ||
* ''[[Macbeth]]'' (directed by [[Brett Bailey]]) (2001), van Dijk 'Africanised' the score. | * ''[[Macbeth]]'' (directed by [[Brett Bailey]]) (2001), van Dijk 'Africanised' the score. | ||
* ''[[earthdiving]]'' (2003) (a techno-opera composed by [[Mokale Koapeng]] with [[Péter Louis van Dijk]] and [[Martin Phipps]], with text by [[Nancy Duigud]] and [[Nan Hamilton]]). | * ''[[earthdiving]]'' (2003) (a techno-opera composed by [[Mokale Koapeng]] with [[Péter Louis van Dijk]] and [[Martin Phipps]], with text by [[Nancy Duigud]] and [[Nan Hamilton]]). | ||
| + | * ''[[Mandela Trilogy]]'' | ||
| + | |||
| + | Other works include: | ||
| + | ''[[Out of Time]]'' (2010) | ||
===As musical director=== | ===As musical director=== | ||
| − | * ''[[Fiela se Kind]]'' | + | * ''[[Fiela se Kind]]'' (1986) |
== Awards, etc == | == Awards, etc == | ||
| Line 36: | Line 54: | ||
[[Wayne Muller]]. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis. | [[Wayne Muller]]. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis. | ||
| + | |||
| + | [[Keith Moss]]. 2017. ''The complete works of Péter Louis van Dijk''. [[University of Pretoria]]. Unpublished DMus thesis. | ||
Go to [[South African Theatre/Bibliography]] | Go to [[South African Theatre/Bibliography]] | ||
Revision as of 18:54, 28 February 2024
(1953-) Music director, composer.
Contents
Biography and career
Born in Rotterdam. Relocated with his family to Cape Town when he was a child. He attended Athlone Boys High School and as a teenager took piano lessons. In 1984, he joined CAPAB as assistant music manager, and from 1986 he pursued a freelance career as a composer. He subsequently went on to teach in high schools in the western cape, as well as at the University of Cape Town and the University of the Western Cape. In 1998, he was appointed senior lecturer in Composition and Musicology at Rhodes University. He relocated to Port Elizabeth in 2003, and joined the faculty of the Nelson Mandela Metropolitan University.
In November 2009, van Dijk was diagnosed with Parkinson's disease.
Training
B.Mus (at the South African College of Music at the University of Cape Town). He obtained a Teacher's Licentiate Diploma from Trinity College London. He received his Doctoral degree from UCT in 2004. In 2016, he was the resident composer at th Johannesburg International Mozart Festival.
Career
Since 1984 he was assistant Music Manager at CAPAB.
Contribution to SA theatre, film, media and/or performance
As composer
He composed the operettas (presented by UCT Opera Company):
- The Contract (1973)
- Die Noodsein (1975)
He composed for several works on commission for CAPAB, including
- The Fall of the House of Usher
- Francis (1985)
- Fiela se Kind (1986)
- Twelfth Night (at Maynardville, 1990)
- A Midsummer Night's Dream (1994)
Works for Cape Town Opera:
- Macbeth (directed by Brett Bailey) (2001), van Dijk 'Africanised' the score.
- earthdiving (2003) (a techno-opera composed by Mokale Koapeng with Péter Louis van Dijk and Martin Phipps, with text by Nancy Duigud and Nan Hamilton).
- Mandela Trilogy
Other works include: Out of Time (2010)
As musical director
- Fiela se Kind (1986)
Awards, etc
Sources
Fiela se Kind theatre programme, 1986.
Wayne Muller. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis.
Keith Moss. 2017. The complete works of Péter Louis van Dijk. University of Pretoria. Unpublished DMus thesis.
Go to South African Theatre/Bibliography
Return to
Return to ESAT Personalities V
Return to South African Theatre Personalities
Return to The ESAT Entries
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