Difference between revisions of "ESAT Bibliography Kn-Kro"
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[[Natalie Knight|Knight, Natalie]] 1974. Theatre scene ([[Adam Leslie Theatre]]). ''Artlook'', 7(2):26-28. February. | [[Natalie Knight|Knight, Natalie]] 1974. Theatre scene ([[Adam Leslie Theatre]]). ''Artlook'', 7(2):26-28. February. | ||
| − | [[Natalie Knight|Knight, Natalie]] 1975. Experimental theatre. ([[Arena Theatre]]). ''South African Panorama'', 20(4):4-5. April. | + | [[Natalie Knight|Knight, Natalie]] 1975. Experimental theatre. ([[Arena Theatre]]). ''[[South African Panorama]]'', 20(4):4-5. April. |
[[Natalie Knight|Knight, Natalie]] 1976. 50 years of Afrikaans drama. ''Artlook'', 9(1):34-35. February-March. | [[Natalie Knight|Knight, Natalie]] 1976. 50 years of Afrikaans drama. ''Artlook'', 9(1):34-35. February-March. | ||
| − | [[Natalie Knight|Knight, Natalie]] 1976. [[Market Theatre]] complex. ''Lantern'', 25:64-71. June. | + | [[Natalie Knight|Knight, Natalie]] 1976. The [[Market Theatre]] complex. ''[[Lantern]]'', 25:64-71. June. |
| − | [[Natalie Knight|Knight, Natalie]] 1976. Sparkling theatre scene. ''South African Panorama'', 21(11):30-35. November. | + | [[Natalie Knight|Knight, Natalie]] 1976. Sparkling theatre scene. ''[[South African Panorama]]'', 21(11):30-35. November. |
[[Natalie Knight|Knight, Natalie]] 1977. The future of the theatre ([[SAITT]] symposium). ''[[Scenaria]]'', June/July: 36-39. | [[Natalie Knight|Knight, Natalie]] 1977. The future of the theatre ([[SAITT]] symposium). ''[[Scenaria]]'', June/July: 36-39. | ||
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[[Cathy Knox|Knox, Cathy]] 1986. [[Reza de Wet]] : dark laughter. ''Fair Lady'', 21(18):74-79. October 15. | [[Cathy Knox|Knox, Cathy]] 1986. [[Reza de Wet]] : dark laughter. ''Fair Lady'', 21(18):74-79. October 15. | ||
| − | [[Cathy Knox|Knox, Cathy]] 1997. [[James Whyle]]'s production of [King Lear] at the 1998 Standard Bank [[National Arts Festival]]. ''Shakespeare in Southern Africa'', 10(70). | + | [[Cathy Knox|Knox, Cathy]] 1997. [[James Whyle]]'s production of ''[[King Lear]]'' at the 1998 Standard Bank [[National Arts Festival]]. ''Shakespeare in Southern Africa'', 10(70). |
[[Peter Knox-Shaw|Knox-Shaw, Peter]] 1988. Under a waning moon: ''[[Twelfth Night]]'' at [[Maynardville]]. ''Shakespeare in Southern Africa'', 2:96-99. | [[Peter Knox-Shaw|Knox-Shaw, Peter]] 1988. Under a waning moon: ''[[Twelfth Night]]'' at [[Maynardville]]. ''Shakespeare in Southern Africa'', 2:96-99. | ||
| − | [[ | + | [[Blaise Koch|Koch, Blaise]] 2002. ''In, Around, Through and Out: An Actor's Life''. Cape Town: Spearhead/New Africa Books. |
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| + | [[Ingmar Koch|Koch, Ingmar]]. 1997. Het Ochtendgloren boven Kaapstad. Nederlandse Rederijkers in Zuid-Afrika in ''[[Tydskrif vir Nederlands en Afrikaans]]'' 4, 162−202.[https://www.scribd.com/document/17660561/Het-ochtendgloren-boven-Kaapstad-Nederlandse-rederijkers-in-Zuid-Afrika] | ||
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| + | Kock, Levina Jacoba 1997. The drama of ''[[Senkatana]]'' by S.M. Mofekeng: a speech act exploration. Unpublished doctoral dissertation. Pretoria: University of South Africa. | ||
[[Gerhardus P. Koekemoer|Koekemoer, Gerhardus P.]] 2008. Lighting design in an African context. Unpublished master’s thesis. Pretoria: Tshwane University of Technology. | [[Gerhardus P. Koekemoer|Koekemoer, Gerhardus P.]] 2008. Lighting design in an African context. Unpublished master’s thesis. Pretoria: Tshwane University of Technology. | ||
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[[Adrian Kohler|Kohler, Adrian]] 2001. Episodes: an installation of puppets from seven productions over sixteen years by the [[Handspring Puppet Company]] . Grahamstown: The Albany Museum. | [[Adrian Kohler|Kohler, Adrian]] 2001. Episodes: an installation of puppets from seven productions over sixteen years by the [[Handspring Puppet Company]] . Grahamstown: The Albany Museum. | ||
| − | [[Phyllis Konya|Konya, Phyllis]] 1960. The position has improved. (Theatre scene in Pretoria) ''Playtime'', (146):22. | + | [[Phyllis Konya|Konya, Phyllis]] 1960. The position has improved. (Theatre scene in Pretoria) ''[[Playtime]]'', (146):22. |
| − | [[Phyllis Konya|Konya, Phyllis]] 1985. The Federation of Amateur Theatrical Societies of Southern Africa [[FATSSA]]: 1938-1960), in [[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[ | + | [[Phyllis Konya|Konya, Phyllis]] 1985. The Federation of Amateur Theatrical Societies of Southern Africa [[FATSSA]]: 1938-1960), in [[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[P.P.B. Breytenbach]]''. Johannesburg: The Limelight press. 61-64. |
[[Walter Köppe|Köppe, Walter]] 1994. ''[[Trits]]'': ''[[Mis]]'', ''[[Mirakel]]'', ''[[Drif]]'', deur [[Reza de Wet]]. Reviewed in: ''[[South African Theatre Journal]]'', 8(1):91-93. | [[Walter Köppe|Köppe, Walter]] 1994. ''[[Trits]]'': ''[[Mis]]'', ''[[Mirakel]]'', ''[[Drif]]'', deur [[Reza de Wet]]. Reviewed in: ''[[South African Theatre Journal]]'', 8(1):91-93. | ||
| − | [[R.C. Krause|Krause, R.C.]] 1963. Intimate theatre for East London. ''South African Panorama'', 8(6):6-7. | + | [[R.C. Krause|Krause, R.C.]] 1963. Intimate theatre for East London. ''[[South African Panorama]]'', 8(6):6-7. |
[[N. Kraai|Kraai, N.]] 1973. Black theatre. ''PET Newsletter'', 1:11-12. | [[N. Kraai|Kraai, N.]] 1973. Black theatre. ''PET Newsletter'', 1:11-12. | ||
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[[J.J. Kriek|Kriek, J.J.]] 1987. The future of the performing arts in South Africa. ''[[Scenaria]]'', 81:11-12. | [[J.J. Kriek|Kriek, J.J.]] 1987. The future of the performing arts in South Africa. ''[[Scenaria]]'', 81:11-12. | ||
| − | [[D. Krige|Krige, D.]] 1966. Hekse laat die ogies rek. ''Huisgenoot'', 42(2287):22-24. | + | [[D. Krige|Krige, D.]] 1966. Hekse laat die ogies rek. ''[[Huisgenoot]]'', 42(2287):22-24. |
[[Uys Krige|Krige, Uys]] 1946. Servicemen have a broader outlook on life called the new South Africanism. ''Outspan''. 39(998):17-19. April 12. | [[Uys Krige|Krige, Uys]] 1946. Servicemen have a broader outlook on life called the new South Africanism. ''Outspan''. 39(998):17-19. April 12. | ||
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Kroll, J. 1986. Cry the beloved country (South Africa’s black theater). ''Newsweek'', 108:85. September 22. | Kroll, J. 1986. Cry the beloved country (South Africa’s black theater). ''Newsweek'', 108:85. September 22. | ||
| − | [[J. Kromhout|Kromhout, J.]] 1958. [[Dirk Richard]] tot dusver. ''Helikon'', 8(28):36-38. | + | [[J. Kromhout|Kromhout, J.]] 1958. [[Dirk G. Richard]] tot dusver. ''[[Helikon]]'', 8(28):36-38. |
[[M. Kromhout|Kromhout, M.]] 1988. Kontekstuele vrae oor ''[[Dias]]''. ''Klasgids'', 23(3):112-120. | [[M. Kromhout|Kromhout, M.]] 1988. Kontekstuele vrae oor ''[[Dias]]''. ''Klasgids'', 23(3):112-120. | ||
Latest revision as of 10:24, 26 June 2020
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Knight, Natalie 1972a. Magda Hanekom, mother of Afrikaans theatre. Artlook, 5(10):32-35. October.
Knight, Natalie 1972b. One year at the Arena. Artlook, 5(8):32-33. August.
Knight, Natalie 1973a. Academy Theatre: the theatre of laughter. Artlook, 6(5):36-37. May.
Knight, Natalie 1973b. Muriel Alexander and her theatre. Artlook, 6(1):30-31. January.
Knight, Natalie 1974. Theatre scene (Adam Leslie Theatre). Artlook, 7(2):26-28. February.
Knight, Natalie 1975. Experimental theatre. (Arena Theatre). South African Panorama, 20(4):4-5. April.
Knight, Natalie 1976. 50 years of Afrikaans drama. Artlook, 9(1):34-35. February-March.
Knight, Natalie 1976. The Market Theatre complex. Lantern, 25:64-71. June.
Knight, Natalie 1976. Sparkling theatre scene. South African Panorama, 21(11):30-35. November.
Knight, Natalie 1977. The future of the theatre (SAITT symposium). Scenaria, June/July: 36-39.
Knight, Natalie 2006. Sarah Sylvia – a personal recollection. Jewish Affairs, 61(4):19-22.
Knox, Cathy 1982. John Slemon: the players’ king. Fair Lady, 17(23):138-143. August 11.
Knox, Cathy 1985. Work is a four-letter word that Fiona Ramsay uses with relish. Fair Lady, 20(13):56-59. July 10.
Knox, Cathy 1986. Reza de Wet : dark laughter. Fair Lady, 21(18):74-79. October 15.
Knox, Cathy 1997. James Whyle's production of King Lear at the 1998 Standard Bank National Arts Festival. Shakespeare in Southern Africa, 10(70).
Knox-Shaw, Peter 1988. Under a waning moon: Twelfth Night at Maynardville. Shakespeare in Southern Africa, 2:96-99.
Koch, Blaise 2002. In, Around, Through and Out: An Actor's Life. Cape Town: Spearhead/New Africa Books.
Koch, Ingmar. 1997. Het Ochtendgloren boven Kaapstad. Nederlandse Rederijkers in Zuid-Afrika in Tydskrif vir Nederlands en Afrikaans 4, 162−202.[1]
Kock, Levina Jacoba 1997. The drama of Senkatana by S.M. Mofekeng: a speech act exploration. Unpublished doctoral dissertation. Pretoria: University of South Africa.
Koekemoer, Gerhardus P. 2008. Lighting design in an African context. Unpublished master’s thesis. Pretoria: Tshwane University of Technology.
Koekemoer, Kaye 2006. "... we must not hold our fears..." : a case study exploring the use of group drama therapy as a therapeutic intervention with children and adolescents living in poverty. Unpublished master’s thesis. Stellenbsoch: University of Stellenbsoch.
Koen, R. 1971. Kruik se kragtoer. Sarie Marais, 23(4):28-37. August 25.
Kohler, Adrian 2001. Episodes: an installation of puppets from seven productions over sixteen years by the Handspring Puppet Company . Grahamstown: The Albany Museum.
Konya, Phyllis 1960. The position has improved. (Theatre scene in Pretoria) Playtime, (146):22.
Konya, Phyllis 1985. The Federation of Amateur Theatrical Societies of Southern Africa FATSSA: 1938-1960), in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 61-64.
Köppe, Walter 1994. Trits: Mis, Mirakel, Drif, deur Reza de Wet. Reviewed in: South African Theatre Journal, 8(1):91-93.
Krause, R.C. 1963. Intimate theatre for East London. South African Panorama, 8(6):6-7.
Kraai, N. 1973. Black theatre. PET Newsletter, 1:11-12.
Kriek, J.J. 1987. The future of the performing arts in South Africa. Scenaria, 81:11-12.
Krige, D. 1966. Hekse laat die ogies rek. Huisgenoot, 42(2287):22-24.
Krige, Uys 1946. Servicemen have a broader outlook on life called the new South Africanism. Outspan. 39(998):17-19. April 12.
Kroll, J. 1974. Beloved country: Serpent Players Theater Company. Newsweek, 84:98. 2 Dec.
Kroll, J. 1984. The Road to Mecca, by Athol Fugard. Reviewed in: Newsweek, 103:85+ 28 May.
Kroll, J. 1986. Cry the beloved country (South Africa’s black theater). Newsweek, 108:85. September 22.
Kromhout, J. 1958. Dirk G. Richard tot dusver. Helikon, 8(28):36-38.
Kromhout, M. 1988. Kontekstuele vrae oor Dias. Klasgids, 23(3):112-120.
Krouse, Matthew 1996. My life in the theatre of war: the development of an alternative consciousness, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 101-114.
Krowitz, Nicole 1998. The theatrical rehearsal process : ego relations, the individual and the group. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.
Click on the appropriate letters of the alphabet in the sub-list below.
K-Kem Ken-Kez Kh-Kl Kn-Kro Kru-Kz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
