ESAT Bibliography Da-Daz

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Dahms, E.K. 1983. Décor designer. My Career, 34:17-18.

Dalamba, Yolisa 2000. Towards an African Renaissance: Some thoughts on the Renaissance Conference September 28 & 29, 1998 and its future implications. Critical Arts,14(1):44.

Dalrymple, Lynn 1983. Ritual performance and theatre : with special reference to Zulu ceremonial. Unpublished master’s thesis. Durban: University of Natal.

Dalrymple, Lynn 1987a. Explorations in drama, theatre and education :a critique of theatre studies in South Africa. Unpublished doctoral dissertation. Durban: University of Natal.

Dalrymple, Lynn 1987b Some thoughts on identity, culture and the curriculum and the future of South African theatre. South African Theatre Journal, 1(2):20-51.

Dalrymple, Lynn 1989. Drama to the people :the challenge of the 1990's : an inaugural address delivered on 14 April 1992 at the University of Zululand. South Africa: University of Zululand.

Dalrymple, Lynn 1990. From ritual to rationality: a semiotic analysis of schooling rites. South African Theatre Journal, 4(1):119-147.

Dalrymple, Lynn 1992. Drama to the people: the challenge of the 1990’s. Kwa Dlangeswa: University of Zululand.

Dalrymple, Lynn & Mlungwana, J. 1993. AIDS: drama in the villages: health education in KwaNgwanase. Matlhasedi, 12(2):36-39.

Dalrymple, Lynn 1995a. Personal perspectives on three conferences: Researching drama and theatre in education (Exeter; Ilitha Arts Education (Grahamstown); Idea ’95: Reflections in the river (Brisbane). South African Theatre Journal, 9(2):137-146.

Dalrymple, Lynn 1995b. Researching drama and theatre in education in South Africa. South African Theatre Journal, 9(2):61-82.

Dalrymple, Lynn 2005. Drama Studies in the twenty-first century: dangers and opportunities. South African Theatre Journal, 19:157-170.

Dalrymple, Lynn 2006. Has it made a difference? Understanding and measuring the impact of applied theatre with young people in the South African context. Research in Drama Education, 11(2):201-218.

Dalrymple, Lynn and Tavener-Smith, Kieran 2013. Acting on HIV: using drama to create possibilities for change, edited by D. Francis. Reviewed in: Critical Arts, 27(4):454-458.

Daly, Samantha & Tobo, Ndabenhle Christopher 2010. The Centre for Creative Arts 12th JOMBA! contemporary dance experience: reflections and ruminations. South African Theatre Journal, 24:298-310.

Dam, J.K.L. & Mitchell, E. 1996. Valley Song, Athol Fugard: review. Time, 147(3).

Damane, M. 1974 Lithoko: Sotho praise-poems. Oxford: The Clarendon Press.

Daneel, Roeline 2008. Still evolving: the 14th Klein Karoo Nasionale Kunstefees. South African Theatre Journal, 22:193-197.

Dannhauser, D. 1985. Two decades of ‘magic’. South African Panorama, 30(5):32-35.

Darroll, L. 2004. Private investment in public space - redevelopment of the Theatre Precinct, Braamfontein : urban renewal. The Urban Green File, 9(3):28-31.

Daugherty J. 2001. A comparison of the use of space in Alfred Jarry's Ubu roi and Jane Taylor's Ubu and the Truth Commission, in Wilson, Rita & Von Maltzan, Carlotta (eds.). Spaces and Crossings: Essays on Literature and Culture in Africa and Beyond. New York, NY: Peter Lang. 349-361.

Davidoff, Terri 2006. Deconstructing Jay Pather’s location specific theatre: creating space for transformative dialogue. South African Theatre Journal, 20:128-149.

Davids, Nadia 2007. Inherited memories: performing the archive. Unpublished doctoral dissertation. Cape Town: University of Cape Town.

Davie, Elaine 1978. PACT playwork [children’s theatre]. Scenaria, December/January: 36-37.

Davies, Adriana 1978. Concrete cube: The Jail Diary of Albie Sachs. Reviewed in: Speak, 1(5):52-53.

Davis, C. 2013. "Fugard and the Three Crowns Series" in Creating Postcolonial Literature: African Writers and British Publishers, New York: Springer.[1]

Davis, G. 1991. Acting the drama of education. Educamus, 37(5): 45-46.

Davis, Geoffrey V. 1995. Theatre for a post-apartheid society. Journal of Commonwealth Literature, 30(1):5-21.

Davis, Geoffrey V. & Fuchs, Anne 1996a. ‘I will remain an African’: an interview with Maishe Maponya, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 183-192.

Davis, Geoffrey V. & Fuchs, Anne 1996b. ‘An interest in the making of things’: an interview with William Kentridge, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing.140-154.

Davis, Geoffrey V. & Fuchs, Anne 1996c. It’s time to have a South African culture: an interview with Ramolao Makhene, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 272-297.

Davis, Geoffrey V. & Fuchs, Anne (eds.) 1996d. Theatre and Change in South Africa. Amsterdam: Overseas Publishers Association.

Davis, Geoffrey V. & Fuchs, Anne 1996e. ‘This compost heap of a country’: an interview with Barney Simon, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 225-241.

Davis, Geoffrey V. (ed.). 1997. Beyond the Echoes of Soweto, Five Plays by Matsemela Manaka. The Netherlands: Harwood.

Davis, Geoffrey V. 1999a. Addressing the silences of the past: truth and reconciliation in post-apartheid theatre. South African Theatre Journal, 13(1&2):59-72.

Davis, Geoffrey V. 1999b. “Days of miracle and wonder”: Standard Bank National Arts Festival, Grahamstown, South Africa, July 3-13, 1997, in Fuchs, Anne. New Theatre in Francophone and Anglophone Africa: a selection of papers held at a conference in Mandelieu, 23-26 June, 1995. p.287-292.

Davis, Geoffrey V. 1999c. Of “undesirability”: the control of theatre in South Africa during the age of Apartheid, in Fuchs, Anne. New Theatre in Francophone and Anglophone Africa: a selection of papers held at a conference in Mandelieu, 23-26 June, 1995. p.183-208.

Davis, Geoffrey V. 1999d. Of “undesirability”: the control of theatre in South Africa during the age of Apartheid. Matatu: Journal for African Culture and Society, 20:183-208.

Davis, Geoffrey V. 2000. Addressing the silences of the past: truth and reconciliation in post-Apartheid theatre. South African Theatre Journal, 13(1-2):59-72.

Davis, Geoffrey V. 2002. “The critical and the dissident, the irreverent and the playful”: drama in the new South Africa, in Maufort, Marc & Bellarsi, Franca (eds.), Crucible of Cultures: Anglophone Drama at the Dawn of a New Millennium. Brussels. P.I.E. Peter Lang. 255-270.

Davis, Geoffrey V. 2003. Voices of Justice and Reason: Apartheid and Beyond in South African Literature. Amsterdam: Rodopi.

Davis, Geoffrey V. 2005. Role-play in South African Theatre, by H. Frank. Reviewed in: English in Africa, 32(2):253-258.

Davis, Geoffrey V. 2012. Performing South Africa's Truth Commission: Stages of Transition, by Catherine M. Cole. Reviewed in: Theatre Research International, 37(2):195-196.

Davis, Heloise Victoria 2012. Theatre as intervention tool in HIV/AIDS education with specific reference to “Lucky, the hero!” Unpublished master's thesis. Stellenbosch : Stellenbosch University.

Davis, I. 1983. Dramatist: Henry Hlope. Informa, 30(6):8-9.

Davis, L.E. 1979. That controversial opera house: (Pretoria Opera House). Construction in Southern Africa, 23(10):24-37. January.

Davis, L.E. 1980. Pretoria Opera House. Professional Builder, 4(1):13-15.

Davis, Myra 1987. Vuka: sharing the image. Critical Arts, 4(3):29-38.

Daymond, Margaret J. 1978a. Illyria located! Twelfth Night. Reviewed in: Speak, 1(2):19-21.

Daymond, Margaret J. 1978b. It's the system: a new Durban play which looks at human resposibility and human pain. Working Class Hero, by Kessie Govender. Reviewed in: Speak, 1(2):48-49.

Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret (eds.). 1984. “Momentum: On Recent South African Writing”. Pietermaritzburg: University of Natal Press.

Click on the appropriate letters of the alphabet in the sub-list below.

Da-Daz Dea-Deu Dev-Dir Dis-Doz Dr-Dup Dur-Dz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance