Difference between revisions of "ESAT Bibliography Da-Daz"
| (26 intermediate revisions by 2 users not shown) | |||
| Line 9: | Line 9: | ||
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | ||
| − | |||
| − | |||
| − | Dahms, E.K. | + | [[E.K. Dahms|Dahms, E.K.]] 1983. Décor designer. ''My Career'', 34:17-18. |
| − | Dalamba, Yolisa | + | [[Yolisa Dalamba|Dalamba, Yolisa]] 2000. Towards an African Renaissance: Some thoughts on the Renaissance Conference September 28 & 29, 1998 and its future implications. ''Critical Arts'',14(1):44. |
| − | Dalrymple, Lynn 1983. Ritual performance and theatre : with special reference to Zulu ceremonial. Unpublished master’s thesis. Durban: University of Natal. | + | [[Lynn Dalrymple|Dalrymple, Lynn]] 1983. Ritual performance and theatre : with special reference to Zulu ceremonial. Unpublished master’s thesis. Durban: University of Natal. |
[[Lynn Dalrymple|Dalrymple, Lynn]] 1987a. Explorations in drama, theatre and education :a critique of theatre studies in South Africa. Unpublished doctoral dissertation. Durban: University of Natal. | [[Lynn Dalrymple|Dalrymple, Lynn]] 1987a. Explorations in drama, theatre and education :a critique of theatre studies in South Africa. Unpublished doctoral dissertation. Durban: University of Natal. | ||
| − | [[Lynn Dalrymple|Dalrymple, Lynn]] 1987b Some thoughts on identity, culture and the curriculum and the future of South African theatre. South African Theatre Journal, 1(2):20-51. | + | [[Lynn Dalrymple|Dalrymple, Lynn]] 1987b Some thoughts on identity, culture and the curriculum and the future of South African theatre. ''[[South African Theatre Journal]]'', 1(2):20-51. |
[[Lynn Dalrymple|Dalrymple, Lynn]] 1989. Drama to the people :the challenge of the 1990's : an inaugural address delivered on 14 April 1992 at the University of Zululand. South Africa: University of Zululand. | [[Lynn Dalrymple|Dalrymple, Lynn]] 1989. Drama to the people :the challenge of the 1990's : an inaugural address delivered on 14 April 1992 at the University of Zululand. South Africa: University of Zululand. | ||
| − | [[Lynn Dalrymple|Dalrymple, Lynn]] 1990. From ritual to rationality: a semiotic analysis of schooling rites. South African Theatre Journal, 4(1):119-147. | + | [[Lynn Dalrymple|Dalrymple, Lynn]] 1990. From ritual to rationality: a semiotic analysis of schooling rites. ''[[South African Theatre Journal]]'', 4(1):119-147. |
[[Lynn Dalrymple|Dalrymple, Lynn]] 1992. Drama to the people: the challenge of the 1990’s. Kwa Dlangeswa: University of Zululand. | [[Lynn Dalrymple|Dalrymple, Lynn]] 1992. Drama to the people: the challenge of the 1990’s. Kwa Dlangeswa: University of Zululand. | ||
| − | [[Lynn Dalrymple|Dalrymple, Lynn]] & Mlungwana, J. 1993. AIDS: drama in the villages: health education in KwaNgwanase. Matlhasedi, 12(2):36-39. | + | [[Lynn Dalrymple|Dalrymple, Lynn]] & [[J. Mlungwana|Mlungwana, J.]] 1993. AIDS: drama in the villages: health education in KwaNgwanase. ''Matlhasedi'', 12(2):36-39. |
| − | [[Lynn Dalrymple|Dalrymple, Lynn]] 1995a. Personal perspectives on three conferences: Researching drama and theatre in education (Exeter; Ilitha Arts Education (Grahamstown); Idea ’95: Reflections in the river (Brisbane). South African Theatre Journal, 9(2):137-146. | + | [[Lynn Dalrymple|Dalrymple, Lynn]] 1995a. Personal perspectives on three conferences: Researching drama and theatre in education (Exeter; Ilitha Arts Education (Grahamstown); Idea ’95: Reflections in the river (Brisbane). ''[[South African Theatre Journal]]'', 9(2):137-146. |
| − | [[Lynn Dalrymple|Dalrymple, Lynn]] 1995b. Researching drama and theatre in education in South Africa. South African Theatre Journal, 9(2):61-82. | + | [[Lynn Dalrymple|Dalrymple, Lynn]] 1995b. Researching drama and theatre in education in South Africa. ''[[South African Theatre Journal]]'', 9(2):61-82. |
| − | [[Lynn Dalrymple|Dalrymple, Lynn]] | + | [[Lynn Dalrymple|Dalrymple, Lynn]] 2005. Drama Studies in the twenty-first century: dangers and opportunities. ''[[South African Theatre Journal]]'', 19:157-170. |
| − | + | [[Lynn Dalrymple|Dalrymple, Lynn]] 2006. Has it made a difference? Understanding and measuring the impact of applied theatre with young people in the South African context. ''Research in Drama Education'', 11(2):201-218. | |
| − | + | [[Lynn Dalrymple|Dalrymple, Lynn]] and [[Kieran Tavener-Smith|Tavener-Smith, Kieran]] 2013. ''Acting on HIV: using drama to create possibilities for change'', edited by D. Francis. Reviewed in: ''[[Critical Arts]]'', 27(4):454-458. | |
| − | + | [[Samantha Daly|Daly, Samantha]] & [[Ndabenhle Christopher Tobo|Tobo, Ndabenhle Christopher]] 2010. The [[Centre for Creative Arts]] 12th JOMBA! contemporary dance experience: reflections and ruminations. ''[[South African Theatre Journal]]'', 24:298-310. | |
| − | + | Dam, J.K.L. & Mitchell, E. 1996. ''[[Valley Song]]'', [[Athol Fugard]]: review. ''Time'', 147(3). | |
| − | + | [[M. Damane|Damane, M.]] 1974 ''Lithoko: Sotho praise-poems''. Oxford: The Clarendon Press. | |
| − | + | [[Roeline Daneel|Daneel, Roeline]] 2008. Still evolving: the 14th [[KKNK|Klein Karoo Nasionale Kunstefees]]. ''[[South African Theatre Journal]]'', 22:193-197. | |
| − | + | [[D. Dannhauser|Dannhauser, D.]] 1985. Two decades of ‘magic’. ''South African Panorama'', 30(5):32-35. | |
| − | + | [[L. Darroll|Darroll, L.]] 2004. Private investment in public space - redevelopment of the Theatre Precinct, Braamfontein : urban renewal. ''The Urban Green File'', 9(3):28-31. | |
| − | [[ | + | [[J. Daugherty|Daugherty J.]] 2001. A comparison of the use of space in Alfred Jarry's Ubu roi and [[Jane Taylor]]'s ''[[Ubu and the Truth Commission]]'', in [[Rita Wilson|Wilson, Rita]] & [[Carlotta von Maltzan|Von Maltzan, Carlotta]] (eds.). ''Spaces and Crossings: Essays on Literature and Culture in Africa and Beyond''. New York, NY: Peter Lang. 349-361. |
| − | |||
| − | [[ | + | [[Terri Davidoff|Davidoff, Terri]] 2006. Deconstructing [[Jay Pather]]’s location specific theatre: creating space for transformative dialogue. ''[[South African Theatre Journal]]'', 20:128-149. |
| − | [[ | + | [[Nadia Davids|Davids, Nadia]] 2007. Inherited memories: performing the archive. Unpublished doctoral dissertation. Cape Town: University of Cape Town. |
| − | [[ | + | [[Elaine Davie|Davie, Elaine]] 1978. [[PACT]] playwork [children’s theatre]. ''[[Scenaria]]'', December/January: 36-37. |
| − | [[ | + | [[Adriana Davies|Davies, Adriana]] 1978. Concrete cube: ''[[The Jail Diary of Albie Sachs]]''. Reviewed in: ''Speak'', 1(5):52-53. |
| − | [[ | + | [[C. Davis|Davis, C.]] 2013. "Fugard and the Three Crowns Series" in ''Creating Postcolonial Literature: African Writers and British Publishers'', New York: Springer.[https://books.google.co.za/books?id=VOKIXdIQO9gC&pg=PT152&lpg=PT152&dq=Hello+and+Goodbye+(Three+Crowns)&source=bl&ots=25fTa1RR7R&sig=ACfU3U2T8J1K-T0fXMydSPbkXuuMVrsCuA&hl=en&sa=X&ved=2ahUKEwil7YXr-ZDhAhWHnhQKHSwABPQQ6AEwE3oECAQQAQ#v=onepage&q=Hello%20and%20Goodbye%20(Three%20Crowns)&f=false] |
| − | |||
| − | |||
| − | [[ | + | [[G. Davis|Davis, G.]] 1991. Acting the drama of education. ''Educamus'', 37(5): 45-46. |
| − | [[Geoffrey V. Davis|Davis, Geoffrey V.]] | + | [[Geoffrey V. Davis|Davis, Geoffrey V.]] 1995. Theatre for a post-apartheid society. ''Journal of Commonwealth Literature'', 30(1):5-21. |
| − | [[Geoffrey V. Davis|Davis, Geoffrey V.]] | + | [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] 1996a. ‘I will remain an African’: an interview with [[Isaiah Maishe Maponya|Maishe Maponya]], in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 183-192. |
| − | [[Geoffrey V. Davis|Davis, Geoffrey V.]] | + | [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] 1996b. ‘An interest in the making of things’: an interview with [[William Kentridge]], in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing.140-154. |
| − | [[Geoffrey V. Davis|Davis, Geoffrey V.]] | + | [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] 1996c. It’s time to have a South African culture: an interview with [[Ramolao Makhene]], in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 272-297. |
| − | Davis, I. 1983. Dramatist: Henry Hlope. Informa, 30(6):8-9. | + | [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.) 1996d. ''Theatre and Change in South Africa''. Amsterdam: Overseas Publishers Association. |
| + | |||
| + | [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] 1996e. ‘This compost heap of a country’: an interview with [[Barney Simon]], in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 225-241. | ||
| + | |||
| + | [[Geoffrey V. Davis|Davis, Geoffrey V.]] (ed.). 1997. ''Beyond the Echoes of Soweto, Five Plays by [[Matsemela Manaka]]''. The Netherlands: Harwood. | ||
| + | |||
| + | [[Geoffrey V. Davis|Davis, Geoffrey V.]] 1999a. Addressing the silences of the past: truth and reconciliation in post-apartheid theatre. ''[[South African Theatre Journal]]'', 13(1&2):59-72. | ||
| + | |||
| + | [[Geoffrey V. Davis|Davis, Geoffrey V.]] 1999b. “Days of miracle and wonder”: Standard Bank [[National Arts Festival]], Grahamstown, South Africa, July 3-13, 1997, in [[Anne Fuchs|Fuchs, Anne]]. ''New Theatre in Francophone and Anglophone Africa: a selection of papers held at a conference in Mandelieu, 23-26 June, 1995''. p.287-292. | ||
| + | |||
| + | [[Geoffrey V. Davis|Davis, Geoffrey V.]] 1999c. Of “undesirability”: the control of theatre in South Africa during the age of Apartheid, in [[Anne Fuchs|Fuchs, Anne]]. ''New Theatre in Francophone and Anglophone Africa: a selection of papers held at a conference in Mandelieu, 23-26 June, 1995''. p.183-208. | ||
| + | |||
| + | [[Geoffrey V. Davis|Davis, Geoffrey V.]] 1999d. Of “undesirability”: the control of theatre in South Africa during the age of Apartheid. ''Matatu: Journal for African Culture and Society'', 20:183-208. | ||
| + | |||
| + | [[Geoffrey V. Davis|Davis, Geoffrey V.]] 2000. Addressing the silences of the past: truth and reconciliation in post-Apartheid theatre. ''[[South African Theatre Journal]]'', 13(1-2):59-72. | ||
| + | |||
| + | [[Geoffrey V. Davis|Davis, Geoffrey V.]] 2002. “The critical and the dissident, the irreverent and the playful”: drama in the new South Africa, in [[Marc Maufort| Maufort, Marc]] & [[Franca Bellarsi|Bellarsi, Franca]] (eds.), ''Crucible of Cultures: Anglophone Drama at the Dawn of a New Millennium''. Brussels. P.I.E. Peter Lang. 255-270. | ||
| + | |||
| + | [[Geoffrey V. Davis|Davis, Geoffrey V.]] 2003. ''Voices of Justice and Reason: Apartheid and Beyond in South African Literature''. Amsterdam: Rodopi. | ||
| + | |||
| + | [[Geoffrey V. Davis|Davis, Geoffrey V.]] 2005. ''Role-play in South African Theatre'', by [[H. Frank]]. Reviewed in: ''English in Africa'', 32(2):253-258. | ||
| + | |||
| + | [[Geoffrey V. Davis|Davis, Geoffrey V.]] 2012. ''Performing South Africa's [[The Truth and Reconciliation Commission|Truth Commission]]: Stages of Transition'', by Catherine M. Cole. Reviewed in: ''Theatre Research International'', 37(2):195-196. | ||
| + | |||
| + | [[Vicky Davis|Davis, Heloise Victoria]] 2012. Theatre as intervention tool in HIV/AIDS education with specific reference to “Lucky, the hero!” Unpublished master's thesis. Stellenbosch : Stellenbosch University. | ||
| + | |||
| + | [[I. Davis|Davis, I.]] 1983. Dramatist: [[Henry Hlope]]. ''Informa'', 30(6):8-9. | ||
| + | |||
| + | [[L.E. Davis|Davis, L.E.]] 1979. That controversial opera house: ([[Pretoria Opera House]]). ''Construction in Southern Africa'', 23(10):24-37. January. | ||
| + | |||
| + | [[L.E. Davis|Davis, L.E.]] 1980. [[Pretoria Opera House]]. ''Professional Builder'', 4(1):13-15. | ||
| + | |||
| + | [[Myra Davis|Davis, Myra]] 1987. ''[[Vuka]]'': sharing the image. ''Critical Arts'', 4(3):29-38. | ||
| + | |||
| + | [[Margaret J. Daymond|Daymond, Margaret J.]] 1978a. Illyria located! ''Twelfth Night''. Reviewed in: Speak, 1(2):19-21. | ||
| + | |||
| + | [[Margaret J. Daymond|Daymond, Margaret J.]] 1978b. It's the system: a new Durban play which looks at human resposibility and human pain. ''[[Working Class Hero]]'', by [[Kessie Govender]]. Reviewed in: ''Speak'', 1(2):48-49. | ||
| + | |||
| + | [[Margaret J. Daymond|Daymond, Margaret J.]], [[Johan Jacobs|Jacobs, Johan]] & [[Margaret Lenta|Lenta, Margaret]] (eds.). 1984. “Momentum: On Recent South African Writing”. Pietermaritzburg: University of Natal Press. | ||
| − | |||
| − | |||
| − | |||
| − | |||
Latest revision as of 16:59, 20 March 2019
Click on the appropriate letters of the alphabet in the sub-list below.
Da-Daz Dea-Deu Dev-Dir Dis-Doz Dr-Dup Dur-Dz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Dahms, E.K. 1983. Décor designer. My Career, 34:17-18.
Dalamba, Yolisa 2000. Towards an African Renaissance: Some thoughts on the Renaissance Conference September 28 & 29, 1998 and its future implications. Critical Arts,14(1):44.
Dalrymple, Lynn 1983. Ritual performance and theatre : with special reference to Zulu ceremonial. Unpublished master’s thesis. Durban: University of Natal.
Dalrymple, Lynn 1987a. Explorations in drama, theatre and education :a critique of theatre studies in South Africa. Unpublished doctoral dissertation. Durban: University of Natal.
Dalrymple, Lynn 1987b Some thoughts on identity, culture and the curriculum and the future of South African theatre. South African Theatre Journal, 1(2):20-51.
Dalrymple, Lynn 1989. Drama to the people :the challenge of the 1990's : an inaugural address delivered on 14 April 1992 at the University of Zululand. South Africa: University of Zululand.
Dalrymple, Lynn 1990. From ritual to rationality: a semiotic analysis of schooling rites. South African Theatre Journal, 4(1):119-147.
Dalrymple, Lynn 1992. Drama to the people: the challenge of the 1990’s. Kwa Dlangeswa: University of Zululand.
Dalrymple, Lynn & Mlungwana, J. 1993. AIDS: drama in the villages: health education in KwaNgwanase. Matlhasedi, 12(2):36-39.
Dalrymple, Lynn 1995a. Personal perspectives on three conferences: Researching drama and theatre in education (Exeter; Ilitha Arts Education (Grahamstown); Idea ’95: Reflections in the river (Brisbane). South African Theatre Journal, 9(2):137-146.
Dalrymple, Lynn 1995b. Researching drama and theatre in education in South Africa. South African Theatre Journal, 9(2):61-82.
Dalrymple, Lynn 2005. Drama Studies in the twenty-first century: dangers and opportunities. South African Theatre Journal, 19:157-170.
Dalrymple, Lynn 2006. Has it made a difference? Understanding and measuring the impact of applied theatre with young people in the South African context. Research in Drama Education, 11(2):201-218.
Dalrymple, Lynn and Tavener-Smith, Kieran 2013. Acting on HIV: using drama to create possibilities for change, edited by D. Francis. Reviewed in: Critical Arts, 27(4):454-458.
Daly, Samantha & Tobo, Ndabenhle Christopher 2010. The Centre for Creative Arts 12th JOMBA! contemporary dance experience: reflections and ruminations. South African Theatre Journal, 24:298-310.
Dam, J.K.L. & Mitchell, E. 1996. Valley Song, Athol Fugard: review. Time, 147(3).
Damane, M. 1974 Lithoko: Sotho praise-poems. Oxford: The Clarendon Press.
Daneel, Roeline 2008. Still evolving: the 14th Klein Karoo Nasionale Kunstefees. South African Theatre Journal, 22:193-197.
Dannhauser, D. 1985. Two decades of ‘magic’. South African Panorama, 30(5):32-35.
Darroll, L. 2004. Private investment in public space - redevelopment of the Theatre Precinct, Braamfontein : urban renewal. The Urban Green File, 9(3):28-31.
Daugherty J. 2001. A comparison of the use of space in Alfred Jarry's Ubu roi and Jane Taylor's Ubu and the Truth Commission, in Wilson, Rita & Von Maltzan, Carlotta (eds.). Spaces and Crossings: Essays on Literature and Culture in Africa and Beyond. New York, NY: Peter Lang. 349-361.
Davidoff, Terri 2006. Deconstructing Jay Pather’s location specific theatre: creating space for transformative dialogue. South African Theatre Journal, 20:128-149.
Davids, Nadia 2007. Inherited memories: performing the archive. Unpublished doctoral dissertation. Cape Town: University of Cape Town.
Davie, Elaine 1978. PACT playwork [children’s theatre]. Scenaria, December/January: 36-37.
Davies, Adriana 1978. Concrete cube: The Jail Diary of Albie Sachs. Reviewed in: Speak, 1(5):52-53.
Davis, C. 2013. "Fugard and the Three Crowns Series" in Creating Postcolonial Literature: African Writers and British Publishers, New York: Springer.[1]
Davis, G. 1991. Acting the drama of education. Educamus, 37(5): 45-46.
Davis, Geoffrey V. 1995. Theatre for a post-apartheid society. Journal of Commonwealth Literature, 30(1):5-21.
Davis, Geoffrey V. & Fuchs, Anne 1996a. ‘I will remain an African’: an interview with Maishe Maponya, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 183-192.
Davis, Geoffrey V. & Fuchs, Anne 1996b. ‘An interest in the making of things’: an interview with William Kentridge, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing.140-154.
Davis, Geoffrey V. & Fuchs, Anne 1996c. It’s time to have a South African culture: an interview with Ramolao Makhene, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 272-297.
Davis, Geoffrey V. & Fuchs, Anne (eds.) 1996d. Theatre and Change in South Africa. Amsterdam: Overseas Publishers Association.
Davis, Geoffrey V. & Fuchs, Anne 1996e. ‘This compost heap of a country’: an interview with Barney Simon, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 225-241.
Davis, Geoffrey V. (ed.). 1997. Beyond the Echoes of Soweto, Five Plays by Matsemela Manaka. The Netherlands: Harwood.
Davis, Geoffrey V. 1999a. Addressing the silences of the past: truth and reconciliation in post-apartheid theatre. South African Theatre Journal, 13(1&2):59-72.
Davis, Geoffrey V. 1999b. “Days of miracle and wonder”: Standard Bank National Arts Festival, Grahamstown, South Africa, July 3-13, 1997, in Fuchs, Anne. New Theatre in Francophone and Anglophone Africa: a selection of papers held at a conference in Mandelieu, 23-26 June, 1995. p.287-292.
Davis, Geoffrey V. 1999c. Of “undesirability”: the control of theatre in South Africa during the age of Apartheid, in Fuchs, Anne. New Theatre in Francophone and Anglophone Africa: a selection of papers held at a conference in Mandelieu, 23-26 June, 1995. p.183-208.
Davis, Geoffrey V. 1999d. Of “undesirability”: the control of theatre in South Africa during the age of Apartheid. Matatu: Journal for African Culture and Society, 20:183-208.
Davis, Geoffrey V. 2000. Addressing the silences of the past: truth and reconciliation in post-Apartheid theatre. South African Theatre Journal, 13(1-2):59-72.
Davis, Geoffrey V. 2002. “The critical and the dissident, the irreverent and the playful”: drama in the new South Africa, in Maufort, Marc & Bellarsi, Franca (eds.), Crucible of Cultures: Anglophone Drama at the Dawn of a New Millennium. Brussels. P.I.E. Peter Lang. 255-270.
Davis, Geoffrey V. 2003. Voices of Justice and Reason: Apartheid and Beyond in South African Literature. Amsterdam: Rodopi.
Davis, Geoffrey V. 2005. Role-play in South African Theatre, by H. Frank. Reviewed in: English in Africa, 32(2):253-258.
Davis, Geoffrey V. 2012. Performing South Africa's Truth Commission: Stages of Transition, by Catherine M. Cole. Reviewed in: Theatre Research International, 37(2):195-196.
Davis, Heloise Victoria 2012. Theatre as intervention tool in HIV/AIDS education with specific reference to “Lucky, the hero!” Unpublished master's thesis. Stellenbosch : Stellenbosch University.
Davis, I. 1983. Dramatist: Henry Hlope. Informa, 30(6):8-9.
Davis, L.E. 1979. That controversial opera house: (Pretoria Opera House). Construction in Southern Africa, 23(10):24-37. January.
Davis, L.E. 1980. Pretoria Opera House. Professional Builder, 4(1):13-15.
Davis, Myra 1987. Vuka: sharing the image. Critical Arts, 4(3):29-38.
Daymond, Margaret J. 1978a. Illyria located! Twelfth Night. Reviewed in: Speak, 1(2):19-21.
Daymond, Margaret J. 1978b. It's the system: a new Durban play which looks at human resposibility and human pain. Working Class Hero, by Kessie Govender. Reviewed in: Speak, 1(2):48-49.
Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret (eds.). 1984. “Momentum: On Recent South African Writing”. Pietermaritzburg: University of Natal Press.
Click on the appropriate letters of the alphabet in the sub-list below.
Da-Daz Dea-Deu Dev-Dir Dis-Doz Dr-Dup Dur-Dz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
