Difference between revisions of "ESAT Bibliography Bry-By"
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| − | [[Margot Bryant|Bryant, Margot]] 1978. South Africa’s greatest theatrical partnership. ([[ | + | [[Margot Bryant|Bryant, Margot]] 1978. South Africa’s greatest theatrical partnership. ([[Leonard Rayne]] & [[Freda Godfrey]]). ''Mafeking Mail'', 1(5):6-8. May. |
| − | [[Margot Bryant|Bryant, Margot]] 1979. ''Born To Act: The Story of [[ | + | [[Margot Bryant|Bryant, Margot]] 1979. ''Born To Act: The Story of [[Freda Godfrey]]''. Johannesburg: Donker. |
[[Yvonne Bryceland|Bryceland, Yvonne]] 1977. [Acting]. ''Speak'', 1(1):26-27. December. | [[Yvonne Bryceland|Bryceland, Yvonne]] 1977. [Acting]. ''Speak'', 1(1):26-27. December. | ||
| Line 25: | Line 25: | ||
[[Kobus Burger|Burger, Kobus]] 1999. Feestyd! ''Insig'', 10/99:58. | [[Kobus Burger|Burger, Kobus]] 1999. Feestyd! ''Insig'', 10/99:58. | ||
| − | [[R. Burgers|Burgers, R.]] 1975. En toe wen [[ | + | [[R. Burgers|Burgers, R.]] 1975. En toe wen [[Trix Pienaar]] die Oscar. ''Sarie Marais'', 27(10):24-27. November 5. |
| − | [[Michael Burke}Burke, Michael]] 1984. Baxter’s first pantomine Alladin. ''Scenaria'', (41):7. | + | [[Michael Burke}Burke, Michael]] 1984. Baxter’s first pantomine Alladin. ''[[Scenaria]]'', (41):7. |
| − | [[Michael Burke}Burke, Michael]] 1987a. | + | [[Michael Burke}Burke, Michael]] 1987a. [[PACOFS]]’s Hello Dolly. ''[[Scenaria]]'', (75):39-41. |
| − | [[Michael Burke}Burke, Michael]] 1987b. Pact’s Pirates and Student prince. ''Scenaria'', (72):27-31. | + | [[Michael Burke}Burke, Michael]] 1987b. Pact’s Pirates and Student prince. ''[[Scenaria]]'', (72):27-31. |
| − | [[Michael Burke}Burke, Michael]] 1988. Pointers for pantomime. ''Scenaria'', (95):33-35. | + | [[Michael Burke}Burke, Michael]] 1988. Pointers for pantomime. ''[[Scenaria]]'', (95):33-35. |
[[Mary Burnett|Burnett, Mary]] 1984. Ten years of cultural growth; the [[1820 Foundation]]. ''Lantern'', 33(2):68-77. | [[Mary Burnett|Burnett, Mary]] 1984. Ten years of cultural growth; the [[1820 Foundation]]. ''Lantern'', 33(2):68-77. | ||
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[[S. Burnett|Burnett, S.]] 2007. Betting on bums on seats – the business of theatres. ''Financial Mail'', 190(11):72-73. Mar 23. | [[S. Burnett|Burnett, S.]] 2007. Betting on bums on seats – the business of theatres. ''Financial Mail'', 190(11):72-73. Mar 23. | ||
| − | [[Hilary Burns|Burns, Hilary]] 2002a. The long road home: [[ | + | [[Hilary Burns|Burns, Hilary]] 2002a. The long road home: [[Athol Fugard]] and his collaborators. ''New Theatre Quarterly'', 18(3):234-242. |
[[Hilary Burns|Burns, Hilary]] 2002b. The [[Market Theatre]] of Johannesburg in the New South Africa. ''New Theatre Quarterly'', 18(4):359-374. | [[Hilary Burns|Burns, Hilary]] 2002b. The [[Market Theatre]] of Johannesburg in the New South Africa. ''New Theatre Quarterly'', 18(4):359-374. | ||
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[[Nefertiti Burton|Burton, Nefertiti]] 2001. Coastal reflections (social commentary in South African theater). ''American Theatre'', 18(6):78-81. | [[Nefertiti Burton|Burton, Nefertiti]] 2001. Coastal reflections (social commentary in South African theater). ''American Theatre'', 18(6):78-81. | ||
| − | [[Neil Butcher|Butcher, Neil]] 1992. [[ | + | [[Neil Butcher|Butcher, Neil]] 1992. [[Herbert Dhlomo]] in perspective. ''[[South African Theatre Journal]]'', 6(2):49-63. |
[[Mbongiseni Buthelezi|Buthelezi, Mbongiseni]] & [[Christopher Hurst|Hurst, Christopher]] 2003. A Brazilian theatre model meets Zulu performance conventions: Westville prison – the case in point. ''Current Writing'',15(1):123-134. | [[Mbongiseni Buthelezi|Buthelezi, Mbongiseni]] & [[Christopher Hurst|Hurst, Christopher]] 2003. A Brazilian theatre model meets Zulu performance conventions: Westville prison – the case in point. ''Current Writing'',15(1):123-134. | ||
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[[Guy Butler|Butler, Guy]] 1984. A search for synthesis,in [[Margaret J. Daymand|Daymond, Margaret J.]], [[Johan Jacobs|Jacobs, Johan]] & [[Margaret Lenta|Lenta, Margaret]] 1984. ''Momentum: On Recent South African Writing''. Pietermaritzburg: University of Natal Press. 6-10. | [[Guy Butler|Butler, Guy]] 1984. A search for synthesis,in [[Margaret J. Daymand|Daymond, Margaret J.]], [[Johan Jacobs|Jacobs, Johan]] & [[Margaret Lenta|Lenta, Margaret]] 1984. ''Momentum: On Recent South African Writing''. Pietermaritzburg: University of Natal Press. 6-10. | ||
| − | [[Bywoners]] [theatrical company]: another milestone in Afrikaans theatre. 1981. ''Scenaria'', (24):9-10. | + | [[Bywoners]] [theatrical company]: another milestone in Afrikaans theatre. 1981. ''[[Scenaria]]'', (24):9-10. |
Revision as of 11:45, 9 March 2011
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Bryant, Margot 1978. South Africa’s greatest theatrical partnership. (Leonard Rayne & Freda Godfrey). Mafeking Mail, 1(5):6-8. May.
Bryant, Margot 1979. Born To Act: The Story of Freda Godfrey. Johannesburg: Donker.
Bryceland, Yvonne 1977. [Acting]. Speak, 1(1):26-27. December.
Bughwan, Devi 1984. The designing of undergraduate courses in drama. Teaterforum, 5(1):37-55. May.
André Buitendag|Buitendag, André 1992. Educational direction: pedagogic considerations in youth theatre. Unpublished master’s thesis. Pretoria: University of Pretoria.
Bunguzana, W.M. 1990. Space in Xhosa drama : a study of 2 texts. Unpublished honour’s thesis. Bloemfontein : University of the Orange Free State.
Burger, Kobus 1999. Feestyd! Insig, 10/99:58.
Burgers, R. 1975. En toe wen Trix Pienaar die Oscar. Sarie Marais, 27(10):24-27. November 5.
[[Michael Burke}Burke, Michael]] 1984. Baxter’s first pantomine Alladin. Scenaria, (41):7.
[[Michael Burke}Burke, Michael]] 1987a. PACOFS’s Hello Dolly. Scenaria, (75):39-41.
[[Michael Burke}Burke, Michael]] 1987b. Pact’s Pirates and Student prince. Scenaria, (72):27-31.
[[Michael Burke}Burke, Michael]] 1988. Pointers for pantomime. Scenaria, (95):33-35.
Burnett, Mary 1984. Ten years of cultural growth; the 1820 Foundation. Lantern, 33(2):68-77.
Burnett, S. 2007. Betting on bums on seats – the business of theatres. Financial Mail, 190(11):72-73. Mar 23.
Burns, Hilary 2002a. The long road home: Athol Fugard and his collaborators. New Theatre Quarterly, 18(3):234-242.
Burns, Hilary 2002b. The Market Theatre of Johannesburg in the New South Africa. New Theatre Quarterly, 18(4):359-374.
Burton, Nefertiti 2001. Coastal reflections (social commentary in South African theater). American Theatre, 18(6):78-81.
Butcher, Neil 1992. Herbert Dhlomo in perspective. South African Theatre Journal, 6(2):49-63.
Buthelezi, Mbongiseni & Hurst, Christopher 2003. A Brazilian theatre model meets Zulu performance conventions: Westville prison – the case in point. Current Writing,15(1):123-134.
Butler, Brendan 1984. Drama in education vs the theatricality of schooling. SAADYT Journal, 5(2):4-15.
Butler, Guy 1984. A search for synthesis,in Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret 1984. Momentum: On Recent South African Writing. Pietermaritzburg: University of Natal Press. 6-10.
Bywoners [theatrical company]: another milestone in Afrikaans theatre. 1981. Scenaria, (24):9-10.
Click on the appropriate letters of the alphabet in the sub-list below.
B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By
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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
