Difference between revisions of "ESAT Bibliography Pif-Po"
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | ||
| − | + | ==The list== | |
Piling and diaphragm wall complete at [[Natal Playhouse]] site. 1983. ''South African Construction World'', 2(1):22-27 | Piling and diaphragm wall complete at [[Natal Playhouse]] site. 1983. ''South African Construction World'', 2(1):22-27 | ||
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[[Karoly Pinter|Pinter, Karoly]] 1987. Some technical notes on [[Janet Suzman|Suzman]]’s ''[[Othello]]''. ''Shakespeare in Southern Africa'', 1:71. | [[Karoly Pinter|Pinter, Karoly]] 1987. Some technical notes on [[Janet Suzman|Suzman]]’s ''[[Othello]]''. ''Shakespeare in Southern Africa'', 1:71. | ||
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| + | [[Jill Planche|Planche, Jill]] 2019. ''The Larger Stages: The 'Becoming Minor' of South African Theatres'' Unpublished PhD thesis, Faculty of Humanities, Brock University | ||
| + | St. Catharines, Ontario. | ||
Plans for the 1960 festival of Union. 1959. ''South Africana'', (13). | Plans for the 1960 festival of Union. 1959. ''South Africana'', (13). | ||
Latest revision as of 09:11, 21 May 2024
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The list
Piling and diaphragm wall complete at Natal Playhouse site. 1983. South African Construction World, 2(1):22-27
Pillay, Charles Moghamberry 1991. A consideration of the relationship between religious ritual and theatre : with special reference to Hindu forms of worship. Unpublished master’s thesis. Durban: University of Natal.
Pillay, Kriben 1998. Finding an identity: South African Indian theatre in Spain. South African Theatre Journal, 12(1&2):178-184.
Pillay, Kriben 1998. The emperor’s new clothes: An exercise in virtual reality – Reflections on the Colston Symposium: New approaches to theatre studies and performance analysis. South African Theatre Journal, 12(1&2):185-190.
Pillay, Kribendiren 1999. Non-dualism: a theoretical and experiential perspective for the practice of educational drama and theatre. Unpublished doctoral dissertation. Durban: University of Durban-Westville.
Pincus, D. 1971. Hair today – still hair tomorrow. Personality, 45-49. January 29.
Pinter, Karoly 1987. Some technical notes on Suzman’s Othello. Shakespeare in Southern Africa, 1:71.
Planche, Jill 2019. The Larger Stages: The 'Becoming Minor' of South African Theatres Unpublished PhD thesis, Faculty of Humanities, Brock University St. Catharines, Ontario.
Plans for the 1960 festival of Union. 1959. South Africana, (13).
Plant, G.W. & Joss, A. 1984. Ground water control for a deep level basement (Natal Playhouse). South African Construction World, 2(12):26-33.
Plaston: DNS-Kind. [Literary criticism]. 1974. Tydskrif vir Geesteswetenskappe, 14:223-226. September.
Plastow, Jane 1999. Theatre and Society in South Africa: Reflections in a Fractured Mirror, by Temple Hauptfleisch. Reviewed in: Theatre Research International, 24(3):297-298.
Plastow, Jane 2000. South African Theatre As/And Intervention, edited by Marcia Blumberg & Dennis Walder. Reviewed in: Modern Drama, 43:653-656.
Plastow, Jane 2012. Trends in Twenty-First-Century African Theatre and Performance, edited by Kene Igweonu. Reviewed in: New Theatre Quarterly, 28(2):203-204.
Platter, E. 1985. Liz Dick behind the screen. Fair Lady, 20(6):46-49. April 3.
The play produced by André Huguenet. 1942. Playtime, (25):15.
Plays and piracy: a discussion. 1965. Contrast, 3(4):53-62.
Plays without critics. 1947. Libertas, 7(3):68-69.
Podbrey, Maurice 1998. Grahamstad se wyedoek. Insig, 08/98:40.
Polatinsky, A. 2009. MacBeki – a farce to be reckoned with, Pieter-Dirk Uys: theatre review. Shakespeare in Southern Africa, 21(1):81-83.
Ponelis, Karlien 2001. Die invloed van die Plautiniese klug op die moderne klug. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Pope, M. 1959. Greek drama: ancestor of our own. Lantern, 9:48-50. September.
Popova, Vlada 2005. Youth development through intercultural performance: a case study from Wesbank Arts and Culture Group, South Africa. Unpublished master’s thesis. Bellville: University of the Western Cape.
Popular theatre. [health education]. 1979. Link, 15-16. September-December.
Port Elizabeth Opera House. 1986. Architect & Builder, 14-17, April.
Porter, Alfred 1971. Open air theatre. Looking Back, 11(4):120-123.
Porter, Alfred 1973. Port Elizabeth: a city of culture? Looking Back, 13(1):20-26.
Post, Robert M. ** Victims in the writing of Athol Fugard. ** 3-17.
Post, Robert M. 1990. Racism in Athol Fugard's Master Harold... and the boys. World Literature Written in English, 30(1):102.
Postcolonial drama in performance and history: South Africa, in Worthen, W.B. (ed.). The Harcourt Brace Anthology of Drama, 3rd ed. Fort Worth: Harcourt College Publishers. 1211-1214.
Potgieter, Brenda 1980. Beweging vir toneelspelers. Teaterforum, 1(1):34-36.
Powers, D. 2010. A Midsummer Night's Raiders: theatre reviews (A review of A midsummer night's raiders, the latest offering in Nicholas and Luke Ellenbogen's Raiders series, directed by Andrew Brent and performed at the Baxter Theatre, Cape Town, during August and September, 2009. Shakespeare in Southern Africa, 22:49-50.
Poynton, R. 2006. Improvisational theatre – free stuff – gifts everywhere: business theatre. Convergence, 7(1):40-43.
Poynton, R. 2006b. Improvisational theatre. Part 3 – and thereby hangs a tale : business theatre. Convergence, 7(2):42-45.
Poynton, R. 2007. Show up and listen : armchair MBA : future knowledge. HR Future, 8(4):51-52.
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