Difference between revisions of "Thespis"

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=Thespis: The theatre critic=
 
=Thespis: The theatre critic=
  
"[[Thespis]]" was the pseudonym of a number of theatre critics in South Africa.  
+
"[[Thespis]]" was taken as a pseudonym by a number of theatre critics in South Africa over the years.
  
 
In the 1850s someone wrote under this name for ''[[The Monitor]]'' in the Cape Town (e.g ).  
 
In the 1850s someone wrote under this name for ''[[The Monitor]]'' in the Cape Town (e.g ).  
  
 
+
In the 1940s-1950s a critic for the  ''[[Helikon]]'' wrote under this name. See for example the reviews of ''[[Much Ado about Nothing]]'' (''[[Helikon]]'' 1(2):13-14) and ''[[Deep are the Roots]]'' (''[[Helikon]]'', 1(2):114-15).  
In the 1940s-1950s a critic for the  ''[[Helikon]]'' wrote under this name, e.g. on ''[[Much Ado about Nothing]]'' (''[[Helikon]]'' 1(2):13-14) and ''[[Deep are the Roots]]'' (''[[Helikon]]'', 1(2):114-15).  
 
 
   
 
   
  

Revision as of 06:28, 20 March 2021

The name of the supposed founder of modern day theatre, is found BOTH as the name of a theatre and debating society in Paarl and as the pseudonym used by a Cape Town theatre critic


The original Thespis

[1].

Thespis: the theatre and debating society

The first Dutch language "Rederijkerskamer" or theatre and debating society in South Africa, established in the Paarl. Mentioned for the first time in a poem by J. Suasso de Lima entitled "De Paarl en 'Thespis' Rederijkers", dated 6 July 1858.

[TH, JH]

Sources

"Thespis" in Wikipedia[2].

Fletcher, 199*;

Du Toit, 1988

F.C.L. Bosman, 1980: pp.


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Thespis: The theatre critic

"Thespis" was taken as a pseudonym by a number of theatre critics in South Africa over the years.

In the 1850s someone wrote under this name for The Monitor in the Cape Town (e.g ).

In the 1940s-1950s a critic for the Helikon wrote under this name. See for example the reviews of Much Ado about Nothing (Helikon 1(2):13-14) and Deep are the Roots (Helikon, 1(2):114-15).


Sources

F.C.L. Bosman, 1928: pp. 402-3;


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