Difference between revisions of "The Garden at the Threshold"
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− | by [[Percy Baneshik]]. A one-act play written in 1951 | + | ''[[The Garden at the Threshold]]'' is a one-act play by [[Percy Baneshik]]. |
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+ | A one-act play written in 1951 that won the [[Van Riebeek Tercentenary award]]. | ||
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+ | The play, subtitled "An Historical Fiction in One Act", is based upon an incident when Van Riebeeck took in an English sea-captain, so that he could recover from scurvy. It uses the incident to explore English/[[Afrikaner]]([[Dutch]]) relationships and exposes the misconceptions and prejudices that influence communication between two people. | ||
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+ | Published in ''[[Eleven One-Act Plays]]'', edited by [[A.D. Dodd]] and [[F.O. Quinn]] (Cape Town: [[Juta]] and Company, 1965). Later also published in ''[[Four South African One-act Plays]]'' (ed [[D.R. Beeton]], pub. [[Nasou]], 1973) and ''[[South African Focus 2]]'' (ed [[S. Gosher]] and [[H. Houghton-Hawksley]], pub. [[Hodder]] and [[Stoughton]], 1987). | ||
Performed by [[CAPAB]]'s Theatre-Go-Round in 1967 directed by [[Roger Dwyer]] in a double bill with ''[[The Happy Journey]]''. | Performed by [[CAPAB]]'s Theatre-Go-Round in 1967 directed by [[Roger Dwyer]] in a double bill with ''[[The Happy Journey]]''. |
Revision as of 11:22, 25 May 2023
The Garden at the Threshold is a one-act play by Percy Baneshik.
A one-act play written in 1951 that won the Van Riebeek Tercentenary award.
The play, subtitled "An Historical Fiction in One Act", is based upon an incident when Van Riebeeck took in an English sea-captain, so that he could recover from scurvy. It uses the incident to explore English/Afrikaner(Dutch) relationships and exposes the misconceptions and prejudices that influence communication between two people.
Published in Eleven One-Act Plays, edited by A.D. Dodd and F.O. Quinn (Cape Town: Juta and Company, 1965). Later also published in Four South African One-act Plays (ed D.R. Beeton, pub. Nasou, 1973) and South African Focus 2 (ed S. Gosher and H. Houghton-Hawksley, pub. Hodder and Stoughton, 1987).
Performed by CAPAB's Theatre-Go-Round in 1967 directed by Roger Dwyer in a double bill with The Happy Journey.
Sources
Press clippings held by NELM: [Collection: DICKERSON, Beth]: 2009. 61. 2. 14.
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