Difference between revisions of "Nicholas Ellenbogen"
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He has written a short story called ''The Colt of Gamkaskloof'' and in 2022 [[Footprint Press]] published Ellenbogen's first novel, ''A Vet, Three Mares and a hound called Max'' ([[Footprint Press]]), the story of the harrowing journey and dramatic relocation of pure-bred Arab mares from war-torn Poland to a safe haven, in what was then Rhodesia. The story describes the experiences of the vet who leads the operation and his bush encounters while training the horses and their offspring for their eventual return to participate in events in Europe. | He has written a short story called ''The Colt of Gamkaskloof'' and in 2022 [[Footprint Press]] published Ellenbogen's first novel, ''A Vet, Three Mares and a hound called Max'' ([[Footprint Press]]), the story of the harrowing journey and dramatic relocation of pure-bred Arab mares from war-torn Poland to a safe haven, in what was then Rhodesia. The story describes the experiences of the vet who leads the operation and his bush encounters while training the horses and their offspring for their eventual return to participate in events in Europe. | ||
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| + | ===Film and TV=== | ||
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| + | He adapted his play ''[[A Nativity]]'' as a film called ''[[The Angel, the Bicycle and the Chinaman's Finger]]'' in 1992. | ||
= Awards, etc = | = Awards, etc = | ||
Revision as of 06:41, 14 October 2022
Nicholas Ellenbogen (19**-) is an actor, director, manager, author and playwright.
Contents
Biography
He was born in Bulawayo in Southern Rhodesia (now Zimbabwe),
His training included drama at the University of Cape Town Drama Department, as well as courses at the London School of Economics and the National Film School.
He is married to Liz Ellenbogen (néé Liz Szymczak), an actress and teacher. They have three children, including theatre-maker Luke Ellenbogen.
Career
He joined NAPAC, where he became the artistic director and founded the Loft Theatre Company in 1985. At this stage he began exploring the specific style of improvisatory and mimetic theatre with Ellis Pearson, Brendan Grealy and others. In 1989 he and his wife Liz Szymczak founded Theatre for Africa, to use improvisational and mimetic principles in a theatre aimed at eco-issues. They travelled extensively with productions focused on conservation, inter alia giving private performances for the British Royal Family in Balmoral Castle and for the US State Department.
He founded the Amstel Playwright of the Year Award in 198*, managing it for 18 years.
In 19* he moved to Cape Town to open a series of theatre venues. He first set up a tiny bucket-seat theatre at the Olympia Café in Cape Town, followed by the Kalk Bay Theatre, which he created by transforming an old church building into a two-level restaurant and performance venue. His third venture was to convert the old Muizenberg post office near Cape Town into an 84-seat amphitheatre which he called the Post Box Theatre. The most recent is The Rosebank in Cape Town, opened in 2013 and funded by his life-long friend, Alexander McCall- Smith.
Contribution to SA theatre, film, media and/or performance
One of the leading exponents of the improvisational method in South Africa, Ellenbogen has over the years developed a specific style of improvisatory and mimetic theatre and became a driving figure behind the establishment of the Fringe at the Grahamstown Festival.
His environmental work with plays such as Elephant of Africa, Horn of Sorrow and Guardians of Eden has had a particularly significant impact on the international regulation of the ivory trade.
In addition to this, he has simultaneously managed to capitalize on the popular success of his entertaining physical style of satiric comedy, particularly in the series of Raiders plays, which he performed at the Grahamstown Festival for a record breaking 30 years and more.
As performer
He was an active formal actor in the 1970s and early 1980s, appearing in works such as Pygmalion (CAPAB 1975), The Playboy of the Western World (CAPAB, 1976), Tom Stoppard’s Travesties (1978), A Murder is Announced (1978), Michael Frayn’s Clouds (1979), The Unvarnished Truth (1979), Jumpers (1980), Jimmy Righteous (1981), Zeyda, or A Pedlar's Progress (1981), Precious Remnants (1983).
He gradually also developed a knack for improvisational theatremaking, inter alia helping to devise and perform A Touch of 1900s (The Space ,197*) and An Arabian Night (Market Theatre 197*), before founding and beginning his renowned work with the Loft Theatre Company (1985) and Theatre for Africa (1989).
As actor he appeared in many of the works, and most notably wrote, directed and performed leading roles in most of his Raiders plays (see below).
He returned to formal acting with an award-winning performance in Twelfth Night at Maynardville in 2006.
As director
He tended to direct most of his own plays himself. However, as well as those plays, he also directed works by other authors for various companies. Among them are Aggie's Pitch (NAPAC 1986), The Royal Hunt of the Sun (1988), Richard III (1988), Cinderella for Theatre for Africa at the Wits University Theatre in 1991.
As playwright
He is an incredibly prolific playwright and playmaker, often working with others or improvising work with the cast.
A number of the influential plays written/developed by Nicholas Ellenbogen and Theatre for Africa were published by Theatre for Africa as The Complete Works of Nicholas Ellenbogen and Theatre for Africa (a collection in in four volumes, collated by Ellenbogen and his wife Liz Szymczak). Also contains information on his theories about theatre and his working process. (See the entry on the collection for a listing of the plays.)
Another collection of two plays published by Theatre for Africa, Nicholas Ellenbogen's Horn of Sorrow and Elephant of Africa, also contains a biography of Ellenbogen, a history of Theatre for Africa, a full listing of his plays up to 2003, commentaries by colleagues and diverse other educational notes and tools. (See the entry.)
Some of his works have also been included in volumes of South African plays, e.g. Drama for a New South Africa, edited by David Graver (1999).
The plays
Ellenbogen and various colleagues and casts actually created far more works than those listed in the "Complete Works" publication. In 2003 schools collection Ellenbogen and Szymczak provide a more comprehensive listing, grouping the work into five broad categories and then listing them there alphabetically within each category.
We use approximately the same categorization below.
For details about the individual works, the author(s)/theatremakers and production record, click on the title to see the individual entry
The Nature group (ecological plays)
Beef for Buffalo (with Luke Ellenbogen and Nhlanhla Mavundla)
Kloof Eagle (with Madoda Ncayiyana)
Kukweta (with Raymond Kasawaya)
The Stork's Promise (with Nhlanhla Mavundla
Valley of the Elephants (with Luke Ellenbogen and Nhlanhla Mavundla)
Working for Water (with Nhlanhla Mavundla and Renier Keyser)
The Raiders Series
Raiders of the Lost Aardvark (with Ellis Pearson)
Raiders II (with Ellis Pearson)
The Return of the Son of the Lost aardvark (with Andrew Buckland and Ellis Pearson)
Not the Raiders, but The Temple of Boom (with Stephen Jennings)
Raiders V (with James Ngcobo)
Raiders of the Lost Count (with Tex Texeira, Patrick Mofokeng and Nhlanhla Mavundla)
Raiders of the Broken Heart (with Matthew Roberts and Raymond Kasawaya)
Raiders of the Scarlet Pimpernel (with Andrew Brent)
Raiders of the Freudian Slip (with Luke Ellenbogen and Andrew Brent)
Raiders of Queenie Solomon's Mines (with Andrew Brent)
Raiders of Potty Harry (with Liz Szymczak and Nhlanhla Mavundla)
Raiders of the Last Stand (with Jody Abrahams)
The Nuka Moya Group
Other plays
The Adventures of Wingnut (with James Ngcobo)
Calitzdorp Passion (with Renier Keyser)
The Captain, the Corporal and the Courtesan
The Diaries of Diesel du Toit I
The Diaries of Diesel du Toit II
Hamba Kahle (with Ellis Pearson and Andrew Buckland)
Melody Brothers (aka iChristmans Box)
Obie in Review (with Godfrey Johnson)
Musical collages
African Songbirds (with Nhlanhla Mavundla)
Heart of Africa (with Neill Solomon)
Late Night Live at Olympia (with Du Preez Strauss)
Of Birds and Beasts (compiled by Rowan Mentis)
Spirit of the Lake (with Toby Gough)
Other writing
He has written a short story called The Colt of Gamkaskloof and in 2022 Footprint Press published Ellenbogen's first novel, A Vet, Three Mares and a hound called Max (Footprint Press), the story of the harrowing journey and dramatic relocation of pure-bred Arab mares from war-torn Poland to a safe haven, in what was then Rhodesia. The story describes the experiences of the vet who leads the operation and his bush encounters while training the horses and their offspring for their eventual return to participate in events in Europe.
Film and TV
He adapted his play A Nativity as a film called The Angel, the Bicycle and the Chinaman's Finger in 1992.
Awards, etc
Besides his personal awards for acting, Nicholas Ellenbogen and Theatre for Africa have received numerous forms of recognition over the years, including Command Performances for royalty and international leaders and performances at conferences and similar events. (See entries on individual plays as well as the entry on Theatre for Africa.)
Among the most prominent awards have been:
1990: An AA Life Vita Award for Horn of Sorrow
1991: A Nativity nominated for the Dawie Malan Award for best South African Play; Horn of Sorrow and Kloof Eagle awarded the Edinburgh Scotsman Fringe First Award; Ellenbogen receives an award from the World Wildlife Fund (WWF)[1] for his exceptional contribution to environmental conservation.
1995: Theatre for Africa receives the WWF's Award for Innovative Environmental Education
1996: Guardians of Eden receives the Herald Angel Award, the Edinburgh Scotsman Fringe First Award and The Secretary's Open Forum Certificate of Appreciation (on behalf of the USA State Department).
2006: Ellenbogen received a Fleur du Cap Award for best supporting actor for his role in Twelfth Night at Maynardville.
2014: Ellenbogen honoured with the Fleur de Cap Lifetime Achievement Award.
Sources
SACD 1977/78; 1978/79; 1979/80.
Nicholas Ellenbogen and Liz Szymczak (eds). 2003. Nicholas Ellenbogen's Horn of Sorrow and Elephant of Africa. Cape Town: Theatre for Africa.
Nicholas Ellenbogen and Liz Szymczak (eds). 2003. Nicholas Ellenbogen: Horing van Hartseer en Olifant van Afrika. Cape Town: Theatre for Africa.
Theatre for Africa. (n.d.) The Complete Works of Nicholas Ellenbogen and Theatre for Africa Claremont, Cape Town.
Veronica Baxter and James Aitchison. 2006. The playful theatre of Nicholas Ellenbogen. 1985–1990. In South African Theatre Journal Vol 20: pp. 48-64.[2]
"Nicholas Ellenbogen" In: IMDb[3]
Percy Tucker. 1997. Just the Ticket. My 50 Years in Show Business. Johannesburg: Witwatersrand University Press.
Alexander Matthews. 2014. Work/Life: Nicholas Ellenbogen – Playwright. An interview posted on Aerodrome[4] on 28 Jan 2014 at http://aerodrome.co.za/worklife-nicholas-ellenbogen-playwright/. Accessed: 6 September, 2017.
Various entries in the NELM catalogue.
https://www.hermanusfynarts.co.za/artist/nicolas-ellenbogen/
https://www.hermanusfynarts.co.za/event/vet-three-mares-hound-called-max-2/
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