Difference between revisions of "ESAT Bibliography Thr-Toz"
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Three stages for Pretoria [[Opera House]]. 1971. ''Construction in Southern Africa'', 16(8):83-87. November. | Three stages for Pretoria [[Opera House]]. 1971. ''Construction in Southern Africa'', 16(8):83-87. November. | ||
− | [[Masebolai Cynthia Thubisi|Thubisi, Masebolai Cynthia]] 1991. Kgotlhang mo ditlhangweng le tsa Setswana. Unpublished master’s thesis. | + | [[Masebolai Cynthia Thubisi|Thubisi, Masebolai Cynthia]] 1991. ''Kgotlhang mo ditlhangweng le tsa Setswana''. Unpublished master’s thesis on [[Setswana]] literature. [[University of Bophuthatswana]]. |
− | [[Christopher Thurman|Thurman, Christopher]] 2006. 1956-2006: fifty years at [[Maynardville]]. ''Shakespeare in Southern Africa'', 18(2):57-61. | + | [[Christopher Thurman|Thurman, Christopher]] 2006. 1956-2006: fifty years at [[Maynardville]]. ''[[Shakespeare in Southern Africa]]'', 18(2):57-61. |
− | [[Christopher Thurman|Thurman, Christopher]] 2006. [[Antony Sher|Sher]] and Doran’s ''[[Titus Andronicus]]'' [1995]: importing Shakespeare, exporting South Africa. ''Shakespeare in Southern Africa'', 18(2):29-36. | + | [[Christopher Thurman|Thurman, Christopher]] 2006. [[Antony Sher|Sher]] and Doran’s ''[[Titus Andronicus]]'' [1995]: importing Shakespeare, exporting South Africa. ''[[Shakespeare in Southern Africa]]'', 18(2):29-36. |
− | [[Christopher Thurman|Thurman, Christopher]] 2008. ''[[Romeo and Juliet]]''. ''Shakespeare in Southern Africa'', 20:64-66. | + | [[Christopher Thurman|Thurman, Christopher]] 2008. ''[[Romeo and Juliet]]''. ''[[Shakespeare in Southern Africa]]'', 20:64-66. |
− | [[Christopher Thurman|Thurman, Christopher]] 2008. Shakespeare at the [[National Arts Festival]]: theatre review. ''Shakespeare in Southern Africa'', 20(4):63-64. | + | [[Christopher Thurman|Thurman, Christopher]] 2008. Shakespeare at the [[National Arts Festival]]: theatre review. ''[[Shakespeare in Southern Africa]]'', 20(4):63-64. |
− | [[Peter Thuynsma|Thuynsma, Peter]] 1987. Xhosa ntsomi: the language of gesture. ''English Academy Review'', (4):77–89. | + | [[Peter Thuynsma|Thuynsma, Peter]] 1987. Xhosa ntsomi: the language of gesture. ''[[English Academy Review]]'', (4):77–89. |
− | Tien jaar toegewyde toneelarbeid. 1943. ''Huisgenoot''. 28(1134):5. Desember 17. | + | Tien jaar toegewyde toneelarbeid. 1943. ''[[Huisgenoot]]''. 28(1134):5. Desember 17. |
The Time-image: [[William Kentridge]] interviewed by [[Cheryl Kaplan]]. 2005. ''PAJ: A Journal of Performance & Art'', 27(80):28-44. | The Time-image: [[William Kentridge]] interviewed by [[Cheryl Kaplan]]. 2005. ''PAJ: A Journal of Performance & Art'', 27(80):28-44. | ||
− | [[Peter Titlestad|Titlestad, Peter]] and [[Karina Sevenhuysen|Sevenhuysen, Karina]] 2007. ''[[The Struggle for Freedom]]'': Shakespeare on the Eastern Frontier. ''Shakespeare in Southern Africa'', 19(7):1-12. | + | [[Peter Titlestad|Titlestad, Peter]] and [[Karina Sevenhuysen|Sevenhuysen, Karina]] 2007. ''[[The Struggle for Freedom]]'': Shakespeare on the Eastern Frontier. ''[[Shakespeare in Southern Africa]]'', 19(7):1-12. |
− | To be or not to be : that is the question | + | "To be or not to be: that is the question" (air conditioning in the [[Natal Playhouse]]). 1985. ''South African Refrigeration & Airconditioning'', 1(3):10-12. |
+ | |||
+ | [[Barend J. Toerien|Toerien, Barend J.]] 1998. ''Afrikaans Literature in Translation''. Cape Town: [[Tafelberg]]. | ||
[[Pieter Toerien|Toerien]] hangs out dirty linen. 1977. ''[[Scenaria]]'', June/July : 15. | [[Pieter Toerien|Toerien]] hangs out dirty linen. 1977. ''[[Scenaria]]'', June/July : 15. | ||
− | Toeskouer ( | + | Toeskouer (pseudonym) 1960. Slag van die Kaapse Vlakte. ''[[Standpunte]]'', 14(2):4-13. |
− | [[Keyan Tomaselli|Tomaselli, Keyan]] 1981a. Black South African Theatre: Text and Context. ''English in Africa'', 8(1):51-58 | + | [[Keyan Tomaselli|Tomaselli, Keyan]] 1981a. Black South African Theatre: Text and Context. ''[[English in Africa]]'', 8(1):51-58 |
− | [[Keyan Tomaselli|Tomaselli, Keyan]] 1981b. Ilanga le so phonela abasebenzi: an example of the devolution of theatre from the laser to the candle. ''South African Labour Bulletin'', 6(7): | + | [[Keyan Tomaselli|Tomaselli, Keyan]] 1981b. Ilanga le so phonela abasebenzi: an example of the devolution of theatre from the laser to the candle. ''[[South African Labour Bulletin]]'', 6(7): |
− | [[Keyan Tomaselli|Tomaselli, Keyan]] 1981c. Semiotics of | + | [[Keyan Tomaselli|Tomaselli, Keyan]] 1981c. The Semiotics of Alternative Theatre in South Africa. ''[[Critical Arts]]'', 2(1):14-33. |
− | [[Keyan Tomaselli|Tomaselli, Keyan]] & [[Johan Muller|Muller, Johan]] 1987. Class, race, and oppression: metaphor and metonymy in ’Black’ South African theatre. ''Critical Arts'', 4(3):40-58. | + | [[Keyan Tomaselli|Tomaselli, Keyan]] & [[Johan Muller|Muller, Johan]] 1987. Class, race, and oppression: metaphor and metonymy in ’Black’ South African theatre. ''[[Critical Arts]]'', 4(3):40-58. |
[[Keyan Tomaselli|Tomaselli, Keyan]] 1987a. 'Culture' as theatre-going, 'arts' as buildings: a critique of 'difference' in a South African propaganda film. ''[[South African Theatre Journal]]'', 1(2):63-75. | [[Keyan Tomaselli|Tomaselli, Keyan]] 1987a. 'Culture' as theatre-going, 'arts' as buildings: a critique of 'difference' in a South African propaganda film. ''[[South African Theatre Journal]]'', 1(2):63-75. | ||
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Tomkins, Joanne 1995. “One point of sanity”: an interview with [[Barney Simon]]. ''[[South African Theatre Journal]]'', 9(2):83-96. | Tomkins, Joanne 1995. “One point of sanity”: an interview with [[Barney Simon]]. ''[[South African Theatre Journal]]'', 9(2):83-96. | ||
− | Tompkins, Joanne 2000. ''The Drama of South Africa : Plays, Pageants and Publics Since 1910'', by Loren Kruger. Reviewed in: ''Australasian Drama Studies'', (37):124-126. | + | [[Joanne Tompkins|Tompkins, Joanne]] 2000. ''The Drama of South Africa : Plays, Pageants and Publics Since 1910'', by Loren Kruger. Reviewed in: ''Australasian Drama Studies'', (37):124-126. |
− | Toneel en die publiek. 1950. ''Huisgenoot'', 34(1459):80. March 10. | + | Toneel en die publiek. 1950. ''[[Huisgenoot]]'', 34(1459):80. March 10. |
− | Toneel uit eie bodem? ''Ons Eie Boek'', 20(1):5-11. | + | Toneel uit eie bodem? ''[[Ons Eie Boek]]'', 20(1):5-11. |
− | Toneelfees op Krugersdorp (o.a. ''[[Nag het die Wind Gebring]]'', deur [[W.A. de Klerk]]). 1945. ''Filma'', 2(6):32. | + | Toneelfees op Krugersdorp (o.a. ''[[Nag het die Wind Gebring]]'', deur [[W.A. de Klerk]]). 1945. ''[[Filma]]'', 2(6):32. |
− | Toneelgeselskap se groot prestasie. 1944. ''Huisgenoot'', 28(1162):3. June 30. | + | Toneelgeselskap se groot prestasie. 1944. ''[[Huisgenoot]]'', 28(1162):3. June 30. |
[[Thain N.J. Torres|Torres, Thain N.J.]] 2000. Theatre: the art of human being: locating the cultural value of theatre in the Age of Broadcast Media and a retrospective paper on the process leading towards the 2000 performance involving eternity. Unpublished master’s thesis. Cape Town: University of Cape Town. | [[Thain N.J. Torres|Torres, Thain N.J.]] 2000. Theatre: the art of human being: locating the cultural value of theatre in the Age of Broadcast Media and a retrospective paper on the process leading towards the 2000 performance involving eternity. Unpublished master’s thesis. Cape Town: University of Cape Town. | ||
− | Towards a national theatre: the Ffrancon-Davies-Vanne Co. 1943. ''Playtime'', (36):15,21,24. | + | Towards a national theatre: the Ffrancon-Davies-Vanne Co. 1943. ''[[Playtime]]'', (36):15,21,24. |
− | |||
+ | ==Return to== | ||
Latest revision as of 06:38, 13 March 2024
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The list
Three playwrights 1988. (Wayne Robbins, Norman Coombes, Deon Opperman). South African Theatre Journal, 2(2):105-109.
Three stages for Pretoria Opera House. 1971. Construction in Southern Africa, 16(8):83-87. November.
Thubisi, Masebolai Cynthia 1991. Kgotlhang mo ditlhangweng le tsa Setswana. Unpublished master’s thesis on Setswana literature. University of Bophuthatswana.
Thurman, Christopher 2006. 1956-2006: fifty years at Maynardville. Shakespeare in Southern Africa, 18(2):57-61.
Thurman, Christopher 2006. Sher and Doran’s Titus Andronicus [1995]: importing Shakespeare, exporting South Africa. Shakespeare in Southern Africa, 18(2):29-36.
Thurman, Christopher 2008. Romeo and Juliet. Shakespeare in Southern Africa, 20:64-66.
Thurman, Christopher 2008. Shakespeare at the National Arts Festival: theatre review. Shakespeare in Southern Africa, 20(4):63-64.
Thuynsma, Peter 1987. Xhosa ntsomi: the language of gesture. English Academy Review, (4):77–89.
Tien jaar toegewyde toneelarbeid. 1943. Huisgenoot. 28(1134):5. Desember 17.
The Time-image: William Kentridge interviewed by Cheryl Kaplan. 2005. PAJ: A Journal of Performance & Art, 27(80):28-44.
Titlestad, Peter and Sevenhuysen, Karina 2007. The Struggle for Freedom: Shakespeare on the Eastern Frontier. Shakespeare in Southern Africa, 19(7):1-12.
"To be or not to be: that is the question" (air conditioning in the Natal Playhouse). 1985. South African Refrigeration & Airconditioning, 1(3):10-12.
Toerien, Barend J. 1998. Afrikaans Literature in Translation. Cape Town: Tafelberg.
Toerien hangs out dirty linen. 1977. Scenaria, June/July : 15.
Toeskouer (pseudonym) 1960. Slag van die Kaapse Vlakte. Standpunte, 14(2):4-13.
Tomaselli, Keyan 1981a. Black South African Theatre: Text and Context. English in Africa, 8(1):51-58
Tomaselli, Keyan 1981b. Ilanga le so phonela abasebenzi: an example of the devolution of theatre from the laser to the candle. South African Labour Bulletin, 6(7):
Tomaselli, Keyan 1981c. The Semiotics of Alternative Theatre in South Africa. Critical Arts, 2(1):14-33.
Tomaselli, Keyan & Muller, Johan 1987. Class, race, and oppression: metaphor and metonymy in ’Black’ South African theatre. Critical Arts, 4(3):40-58.
Tomaselli, Keyan 1987a. 'Culture' as theatre-going, 'arts' as buildings: a critique of 'difference' in a South African propaganda film. South African Theatre Journal, 1(2):63-75.
Tomaselli, Keyan 1987b. South African Theatre: Four Plays and an Introduction, edited by Temple Hauptfleisch & Ian Steadman. Reviewed in: South African Theatre Journal, 1(1):142-146.
Tomaselli, Keyan 1991. Popular Communication in South Africa: “Mapantsula” and its Context of Struggle. South African Theatre Journal, 5(1)46-60.
Tomkins, Joanne 1995. “One point of sanity”: an interview with Barney Simon. South African Theatre Journal, 9(2):83-96.
Tompkins, Joanne 2000. The Drama of South Africa : Plays, Pageants and Publics Since 1910, by Loren Kruger. Reviewed in: Australasian Drama Studies, (37):124-126.
Toneel en die publiek. 1950. Huisgenoot, 34(1459):80. March 10.
Toneel uit eie bodem? Ons Eie Boek, 20(1):5-11.
Toneelfees op Krugersdorp (o.a. Nag het die Wind Gebring, deur W.A. de Klerk). 1945. Filma, 2(6):32.
Toneelgeselskap se groot prestasie. 1944. Huisgenoot, 28(1162):3. June 30.
Torres, Thain N.J. 2000. Theatre: the art of human being: locating the cultural value of theatre in the Age of Broadcast Media and a retrospective paper on the process leading towards the 2000 performance involving eternity. Unpublished master’s thesis. Cape Town: University of Cape Town.
Towards a national theatre: the Ffrancon-Davies-Vanne Co. 1943. Playtime, (36):15,21,24.
Return to
Click on the appropriate letters of the alphabet in the sub-list below.
Taa-Taz Tea-Tho Thr-Toz Tra-Tz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance