ESAT Bibliography Tea-Tho

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Teater vir Kaapstad. 1946. Huisgenoot, 30(1260):3. March 17.

Teenstra, Marten Douwes. 1943. De vruchten mijner werkzaamheden (ed. F.C.L. Bosman). Kaapstad: Die Van Riebeeck-vereniging.

Teizeira, A. 2007. Phyllis Klotz – founder of the Sibikwa Community Arts Project: no fake art. African Connexion, 14(22):34-35.

Ten years of National theatre. 1957. South Africana, (8).

Ten years of the Leonard Schach Cockpit Players. 1960. South African Panorama, 5(7):20-21. July.

Terblanche, Erika (2014) Gerhard J. Beukes (1913–1998). LitNet (2014-08-21)

Terblanche, Nic 2003. The Performing Arts and Marketing: Concepts and challenges. South African Theatre Journal, 17:153-176.

Terblanche, Rian & Broodryk, Chris 2014. From the distributed self to the expanded self: gay identity and shifting subject–object positions in online and offline performance. South African Theatre Journal, 27(1):42-60.

Terry Paddy 1982. John Norman. SAADYT Journal, 3(2):3-7.

Terry, Paddy 1984. Drama education and South Africa. SAADYT Journal, 6(1):19-63.

Theart, Hugo 2009. I.A.T.C. Colloquium – Amsterdam, 17-20 June 2009. South African Theatre Journal, 23:235-240.

Theart, Francois Hugo 2013. Die funksies en vereistes van die resensiewese in ’n veranderende bedryf: teaterkritiek en die nuwe media. Unpublished master's thesis. Stellenbosch: Stellenbsoch University.

Theatre: an exciting season for Baxter ’83. 1983. Scenaria, (37):32-34.

Theatre. [workshop in Dorkay House, Johannesburg]. 1963. Classic, 1(1):64-66.

Theatre beyond the apartheid imagination, in Oliphant, Andries Walter (ed.). 1993. Culture and empowerment : debates, workshops, art and photography from the Zabalaza Festival. Johannesburg: COSAW Publishing. 116-129.

Theatre complex : the final stage. 1984. Construction Southern Africa, 29(8):30-33.

Theatre for Africa. (n.d.) The Complete Plays of Nicholas Ellenbogen and Theatre for Africa (4 volumes). Claremont, Cape Town.

The theatre in South Africa: comprehensive survey of English, Afrikaans and Black theatre. 1977/78. Theatre Quarterly, 7:43-95.

Theatre in the hills. 1973. Fiat Lux, 8(5):20-21.

Theatre of the little people. [Puppet plays]. 1963. South African Panorama, 8(9):32-33. September.

Theatre: quality calling audiences back. Forum, 4(34):18.

Theatres of South Africa, no 11: Etienne Rousseau Theatre. 1979. Scenaria, (11):26-27.

Theatres of South Africa, no 12: The Space. 1979. Scenaria, (12):22-23.

Theatres of South Africa, no 13: Civic Theatre, Vereeniging. 1979. Scenaria, (13):36-37.

Theatrical masterpiece – Alexander Theatre: leading project. 2007. Leading Architecture and Design, 25(7/8):6-8, 10, 13-15.

Thelwell, Chinua. 2012. Nothing Now Goes Down But Burnt Cork: Blackface Minstrelsy and Ethnic Impersonation in South Africa, Proquest, Umi Dissertation Publishing.

Thelwell, Chinua. 2013. "The young men must blacken their faces": The Blackface Minstrel Show in Preindustrial South Africa. The Drama Review (1988-) Vol. 57, No. 2, "Routes of Blackface": Special Issue (Summer 2013), pp. 66-85 (20 pages)

Thelwell, Chinua (ed). 2016. Theater and Cultural Politics for a New World. Routledge

Thelwell, Chinua (ed). 2020. Exporting Jim Crow: Blackface Minstrelsy in South Africa and Beyond. University of Massachusetts Press.

Theron, A. 1974. Germanicus: N.P. van Wyk Louw: lettere en sosiale wetenskappe. Unie, 68(5):

Theron, Francois Alwyn 1991. Die bydrae van Wena Naudé tot die Afrikaanse toneel en rolprent. Unpublished master’s thesis. Pretoria: University of Pretoria.

Theron, Ida 1942. Voor die tentoonstelling. Eendrag, 14(62):7-11. September.

Theron, Woutrine 2007. Voetligte en Applous, deur Danie Botha. Reviewed in: Tydskrif vir Geesteswetenskappe, 47(2): 279-280.

Thespis (pseud.) 1951. Much Ado about Nothing in die nuwe Reps-Teater opgevoer. Helikon, 1(2):13-14.

Thespis (pseud.) 1951. Deep are the Roots - Biblioteekteater. Helikon, 1(2):114-15.

Theys, L. Take off for theatre at Black schools. Informa, 31(9):11-12.

Thirty Years of Drama Training [1974- ]. 2011. Pretoria: Department of Drama, Tshwane University of Technology.

Thomas, Ceridwen 1990. A dream of people. Plays and Players, (441):7-9.

Thomas, J. 1985. Dorothy Ann Gould: waking up in the dream factory. Fair Lady, 20(12):98-101. June 26.

Thomson, C. 1988. All the world’s a stage. Neon, 8(54):56-58.

Thomson, H. 1989. An examination of the use of role playas a teaching strategy and learning medium in speech and drama and selected school subjects. Unpublished master’s thesis. Durban: University of Natal.

Thompson, Suzette Jane 1987. Image, form and theme in the plays of Athol Fugard. Unpublished doctoral dissertation. Crawley, WA: University of Western Australia.

Click on the appropriate letters of the alphabet in the sub-list below.

Taa-Taz Tea-Tho Thr-Toz Tra-Tz

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Return to A Bibliography of South African South African Theatre and Performance