Difference between revisions of "ESAT Bibliography Tea-Tho"

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Teater vir Kaapstad. 1946. Huisgenoot, 30(1260): 3. March 17.
+
Teater vir Kaapstad. 1946. ''Huisgenoot'', 30(1260):3. March 17.
  
Teizeira, A. 2007 Phyllis Klotz – founder of the Sibikwa Community Arts Project: no fake art. African connexion, 14(22): 34-35.
+
[[M.D. Teenstra|Teenstra, Marten Douwes]]. 1943. ''De vruchten mijner werkzaamheden'' (ed. [[F.C.L. Bosman]]). Kaapstad: Die Van Riebeeck-vereniging.  
  
Ten years of the Leonard Schach cockpit players. 1960. South African panorama, 5(7): 20-21. July.
+
[[A. Teizeira|Teizeira, A.]] 2007. [[Phyllis Klotz]] – founder of the [[Sibikwa Community Arts Project]]: no fake art. ''African Connexion'', 14(22):34-35.
  
Terblanche, Nic. 2003. The Performing Arts and Marketing: Concepts and challenges. South African theatre journal, 17: 153-176.
+
Ten years of [[National Theatre Organisation|National theatre]]. 1957. ''South Africana'', (8).
  
Terry P. 1982. Plact playwork. Scenaria, 30: 37-39. March.
+
Ten years of the [[Leonard Schach]] [[Cockpit Players]]. 1960. ''South African Panorama'', 5(7):20-21. July.
  
Terry Paddy 1982. John Norman. SAADYT Journal, 3(2): 3-7.
+
[[Erika Terblanche|Terblanche, Erika]] (2014)  [[Gerhard J. Beukes]] (1913–1998). ''[[LitNet]]'' (2014-08-21)
  
Terry, Paddy 1984. Drama education and South Africa. SAADYT Journal, 6(1): 19-63.
+
[[Nic Terblanche|Terblanche, Nic]] 2003. The Performing Arts and Marketing: Concepts and challenges. ''[[South African Theatre Journal]]'', 17:153-176.
  
Terry, Paddy 1993. At the market: ten lessons for second language learners. KYK: 0636018164 of 063601987X
+
Terblanche, Rian & Broodryk, Chris 2014. From the distributed self to the expanded self: gay identity and shifting subject–object positions in online and offline performance. ''[[South African Theatre Journal]]'', 27(1):42-60.
  
Theart, Hugo 2009. I.A.T.C. Colloquium – Amsterdam, 17-20 June 2009. South African theatre journal, 23: 235-240.
+
[[Paddy Terry|Terry Paddy]] 1982. [[John Norman]]. ''[[SAADYT Journal]]'', 3(2):3-7.
  
Theatre: an exciting season for Baxter ’83. 1983. Scenaria, (37): 32-34.
+
[[Paddy Terry|Terry, Paddy]] 1984. Drama education and South Africa. ''[[SAADYT Journal]]'', 6(1):19-63.
  
Theatre. [workshop in Dorkay House, Johannesburg]. 1963. Classic, 1(1): 64-66.
+
[[Hugo Theart|Theart, Hugo]] 2009. I.A.T.C. Colloquium – Amsterdam, 17-20 June 2009. ''[[South African Theatre Journal]]'', 23:235-240.
  
Theatre complex : the final stage. 1984. Construction Southern Africa, 29(8) : 30-33.
+
[[Hugo Theart|Theart, Francois Hugo]] 2013. Die funksies en vereistes van die resensiewese in ’n veranderende bedryf: teaterkritiek en die nuwe media. Unpublished master's thesis. Stellenbosch: Stellenbsoch University.
  
Theatre in the hills. 1973. Fiat lux, 8(5): 20-21.
+
Theatre: an exciting season for [[Baxter Theatre|Baxter]] ’83. 1983. ''[[Scenaria]]'', (37):32-34.
  
Theatre of the little people. [Puppet plays]. 1963. South Africfan panorama, 8(9): 32-33. September.
+
Theatre. [workshop in Dorkay House, Johannesburg]. 1963. ''Classic'', 1(1):64-66.
  
Theatre: quality calling audiences back. Forum. 4(34): 18.
+
Theatre beyond the apartheid imagination, in [[Andries Oliphant|Oliphant, Andries Walter]] (ed.). 1993. Culture and empowerment : debates, workshops, art and photography from the Zabalaza Festival. Johannesburg: COSAW Publishing. 116-129.
  
Theatres of South Africa, no 11: Etienne Rousseau Theatre. 1979. Scenaria, (11) : 26-27.
+
Theatre complex : the final stage. 1984. ''Construction Southern Africa'', 29(8):30-33.
  
Theatres of South Africa, no 12 : the Space. 1979. Scenaria, (12): 22-23.
 
  
Theatres of South Africa, no 13: Civic Theatre, Vereeniging. 1979. Scenaria, (13): 36-37.
+
[[Theatre for Africa]]. (n.d.) ''The Complete Plays of Nicholas Ellenbogen and Theatre for Africa'' (4 volumes). Claremont, Cape Town.  
  
Theatrical masterpiece – Alexander Theatre: leading project. 2007. Leading architecture and design, 25(7/8): 6-8, 10, 13-15.
+
The theatre in South Africa: comprehensive survey of English, Afrikaans and Black theatre. 1977/78. ''Theatre Quarterly'', 7:43-95.
  
Theron, Francois Alwyn  1991. Die bydrae van Wena Naudé tot die Afrikaanse toneel en rolprent. Pretoria: Universiteit van Pretoria. (MA (Dramakunde) thesis).
+
Theatre in the hills. 1973. ''Fiat Lux'', 8(5):20-21.
  
Theron, Ida 1942. Voor die tentoonstelling. Eendrag. 14(62): 7-11. September.
+
Theatre of the little people. [Puppet plays]. 1963. ''South African Panorama'', 8(9):32-33. September.
  
Theron, W. 2007. Voetligte en applous, deur D. Botha Reviewed in: Tydskrif vir geesteswetenskappe, 47(2): 279-280.
+
Theatre: quality calling audiences back. ''Forum'', 4(34):18.
  
Theys, L. Take off for theatre at Black schools. Informa, 31(9): 11-12.
+
Theatres of South Africa, no 11: [[Etienne Rousseau Theatre]]. 1979. ''[[Scenaria]]'', (11):26-27.
  
Thobakgale, Raphehli Michael 2005. Khuetso ya O.K. Matsepe go bangwadi ba Sepedi.
+
Theatres of South Africa, no 12: The [[Space]]. 1979. ''[[Scenaria]]'', (12):22-23.
Subjects: Northern Sotho drama. (Onvolledig, Univ?)
 
  
 +
Theatres of South Africa, no 13: [[Civic Theatre]], Vereeniging. 1979. ''[[Scenaria]]'', (13):36-37.
  
Thomas, Ceridwen 1990. A dream of people. Plays and players, (441): 7-9.
+
Theatrical masterpiece – [[Alexander Theatre]]: leading project. 2007. ''Leading Architecture and Design'', 25(7/8):6-8, 10, 13-15.
  
Thomas, J. 1985. Dorothy Ann Gould : waking up in the dream factory. Fair lady, 20(12) : 98-101. June 26.
+
[[Chinua Thelwell|Thelwell, Chinua]]. 2012. ''Nothing Now Goes Down But Burnt Cork: Blackface Minstrelsy and Ethnic Impersonation in South Africa'', Proquest, Umi Dissertation Publishing.
  
Thomson, C. 1988. All the world’s a stage. Neon, 8(54): 56-58.
+
[[Chinua Thelwell|Thelwell, Chinua]]. 2013. "The young men must blacken their faces": The Blackface Minstrel Show in Preindustrial South Africa. ''The Drama Review'' (1988-) Vol. 57, No. 2, "Routes of Blackface": Special Issue (Summer 2013), pp. 66-85 (20 pages)
  
Thomson, H. 1989. An examination of the use of role playas a teaching strategy and learning mediumin speech and drama and selected school subjects. Durban: University of Natal. (MA thesis).
+
[[Chinua Thelwell|Thelwell, Chinua]] (ed). 2016. ''Theater and Cultural Politics for a New World''. Routledge
  
 +
[[Chinua Thelwell|Thelwell, Chinua]] (ed). 2020. ''Exporting Jim Crow: Blackface Minstrelsy in South Africa and Beyond''. University of Massachusetts Press.
 +
 +
[[A. Theron|Theron, A.]] 1974. ''[[Germanicus]]'': [[N.P. van Wyk Louw]]: lettere en sosiale wetenskappe. ''Unie'', 68(5):
 +
 +
[[Francois Alwyn Theron|Theron, Francois Alwyn]] 1991. Die bydrae van [[Wena Naudé]] tot die Afrikaanse toneel en rolprent. Unpublished master’s thesis. Pretoria: University of Pretoria.
 +
 +
[[Ida Theron|Theron, Ida]] 1942. Voor die tentoonstelling. ''Eendrag'', 14(62):7-11. September.
 +
 +
[[Woutrine Theron|Theron, Woutrine]] 2007. ''Voetligte en Applous'', deur [[Danie Botha]]. Reviewed in: ''[[Tydskrif vir Geesteswetenskappe]]'', 47(2): 279-280.
 +
 +
Thespis (pseud.) 1951. ''Much Ado about Nothing'' in die nuwe [[Johannesburg Repertory Theatre|Reps-Teater]] opgevoer. ''Helikon'', 1(2):13-14.
 +
 +
Thespis (pseud.) 1951. ''Deep are the Roots'' - Biblioteekteater. ''Helikon'', 1(2):114-15.
 +
 +
[[L. Theys|Theys, L.]] Take off for theatre at Black schools. ''Informa'', 31(9):11-12.
 +
 +
''Thirty Years of Drama Training [1974- ]''. 2011. Pretoria: Department of Drama, Tshwane University of Technology.
 +
 +
[[Ceridwen Thomas|Thomas, Ceridwen]] 1990. A dream of people. ''Plays and Players'', (441):7-9.
 +
 +
[[J. Thomas|Thomas, J.]] 1985. [[Dorothy Ann Gould]]: waking up in the dream factory. ''Fair Lady'', 20(12):98-101. June 26.
 +
 +
[[C. Thomson|Thomson, C.]] 1988. All the world’s a stage.  ''Neon'', 8(54):56-58.
 +
 +
[[H. Thomson|Thomson, H.]] 1989. An examination of the use of role playas a teaching strategy and learning medium in speech and drama and selected school subjects. Unpublished master’s thesis. Durban: University of Natal.
 +
 +
[[Suzette Jane Thpmson|Thompson, Suzette Jane]] 1987. Image, form and theme in the plays of [[Athol Fugard]]. Unpublished doctoral dissertation. Crawley, WA: University of Western Australia.
  
Thompson, Suzette Jane 1987. Image, form and theme in the plays of Athol Fugard. University of Western Australia. (D.Phil. thesis).
 
  
  

Latest revision as of 06:33, 6 October 2022

Click on the appropriate letters of the alphabet in the sub-list below.

Taa-Taz Tea-Tho Thr-Toz Tra-Tz

To return to any other letter, click on the list below

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Return to A Bibliography of South African South African Theatre and Performance


Teater vir Kaapstad. 1946. Huisgenoot, 30(1260):3. March 17.

Teenstra, Marten Douwes. 1943. De vruchten mijner werkzaamheden (ed. F.C.L. Bosman). Kaapstad: Die Van Riebeeck-vereniging.

Teizeira, A. 2007. Phyllis Klotz – founder of the Sibikwa Community Arts Project: no fake art. African Connexion, 14(22):34-35.

Ten years of National theatre. 1957. South Africana, (8).

Ten years of the Leonard Schach Cockpit Players. 1960. South African Panorama, 5(7):20-21. July.

Terblanche, Erika (2014) Gerhard J. Beukes (1913–1998). LitNet (2014-08-21)

Terblanche, Nic 2003. The Performing Arts and Marketing: Concepts and challenges. South African Theatre Journal, 17:153-176.

Terblanche, Rian & Broodryk, Chris 2014. From the distributed self to the expanded self: gay identity and shifting subject–object positions in online and offline performance. South African Theatre Journal, 27(1):42-60.

Terry Paddy 1982. John Norman. SAADYT Journal, 3(2):3-7.

Terry, Paddy 1984. Drama education and South Africa. SAADYT Journal, 6(1):19-63.

Theart, Hugo 2009. I.A.T.C. Colloquium – Amsterdam, 17-20 June 2009. South African Theatre Journal, 23:235-240.

Theart, Francois Hugo 2013. Die funksies en vereistes van die resensiewese in ’n veranderende bedryf: teaterkritiek en die nuwe media. Unpublished master's thesis. Stellenbosch: Stellenbsoch University.

Theatre: an exciting season for Baxter ’83. 1983. Scenaria, (37):32-34.

Theatre. [workshop in Dorkay House, Johannesburg]. 1963. Classic, 1(1):64-66.

Theatre beyond the apartheid imagination, in Oliphant, Andries Walter (ed.). 1993. Culture and empowerment : debates, workshops, art and photography from the Zabalaza Festival. Johannesburg: COSAW Publishing. 116-129.

Theatre complex : the final stage. 1984. Construction Southern Africa, 29(8):30-33.


Theatre for Africa. (n.d.) The Complete Plays of Nicholas Ellenbogen and Theatre for Africa (4 volumes). Claremont, Cape Town.

The theatre in South Africa: comprehensive survey of English, Afrikaans and Black theatre. 1977/78. Theatre Quarterly, 7:43-95.

Theatre in the hills. 1973. Fiat Lux, 8(5):20-21.

Theatre of the little people. [Puppet plays]. 1963. South African Panorama, 8(9):32-33. September.

Theatre: quality calling audiences back. Forum, 4(34):18.

Theatres of South Africa, no 11: Etienne Rousseau Theatre. 1979. Scenaria, (11):26-27.

Theatres of South Africa, no 12: The Space. 1979. Scenaria, (12):22-23.

Theatres of South Africa, no 13: Civic Theatre, Vereeniging. 1979. Scenaria, (13):36-37.

Theatrical masterpiece – Alexander Theatre: leading project. 2007. Leading Architecture and Design, 25(7/8):6-8, 10, 13-15.

Thelwell, Chinua. 2012. Nothing Now Goes Down But Burnt Cork: Blackface Minstrelsy and Ethnic Impersonation in South Africa, Proquest, Umi Dissertation Publishing.

Thelwell, Chinua. 2013. "The young men must blacken their faces": The Blackface Minstrel Show in Preindustrial South Africa. The Drama Review (1988-) Vol. 57, No. 2, "Routes of Blackface": Special Issue (Summer 2013), pp. 66-85 (20 pages)

Thelwell, Chinua (ed). 2016. Theater and Cultural Politics for a New World. Routledge

Thelwell, Chinua (ed). 2020. Exporting Jim Crow: Blackface Minstrelsy in South Africa and Beyond. University of Massachusetts Press.

Theron, A. 1974. Germanicus: N.P. van Wyk Louw: lettere en sosiale wetenskappe. Unie, 68(5):

Theron, Francois Alwyn 1991. Die bydrae van Wena Naudé tot die Afrikaanse toneel en rolprent. Unpublished master’s thesis. Pretoria: University of Pretoria.

Theron, Ida 1942. Voor die tentoonstelling. Eendrag, 14(62):7-11. September.

Theron, Woutrine 2007. Voetligte en Applous, deur Danie Botha. Reviewed in: Tydskrif vir Geesteswetenskappe, 47(2): 279-280.

Thespis (pseud.) 1951. Much Ado about Nothing in die nuwe Reps-Teater opgevoer. Helikon, 1(2):13-14.

Thespis (pseud.) 1951. Deep are the Roots - Biblioteekteater. Helikon, 1(2):114-15.

Theys, L. Take off for theatre at Black schools. Informa, 31(9):11-12.

Thirty Years of Drama Training [1974- ]. 2011. Pretoria: Department of Drama, Tshwane University of Technology.

Thomas, Ceridwen 1990. A dream of people. Plays and Players, (441):7-9.

Thomas, J. 1985. Dorothy Ann Gould: waking up in the dream factory. Fair Lady, 20(12):98-101. June 26.

Thomson, C. 1988. All the world’s a stage. Neon, 8(54):56-58.

Thomson, H. 1989. An examination of the use of role playas a teaching strategy and learning medium in speech and drama and selected school subjects. Unpublished master’s thesis. Durban: University of Natal.

Thompson, Suzette Jane 1987. Image, form and theme in the plays of Athol Fugard. Unpublished doctoral dissertation. Crawley, WA: University of Western Australia.




Click on the appropriate letters of the alphabet in the sub-list below.

Taa-Taz Tea-Tho Thr-Toz Tra-Tz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance