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Ogude, N.A. & Rollnick, M. 1999. Addressing primary school science problems through materials developed by science educators and drama in education specialists. South African Journal of Education, 19(4): 251-256.

O’Hara, Glynis. 1998. iMumbo Jumbo. In: Vuka SA, January 31, 1998: 4.

Ohlhoff, H. 1978. En daar was lig – gedagtes oor Laat die kerse brand. Klasgids, 13(3-4): 5-9. November.

Ohloff, C.H.F. 1983. Dias (N.P. van Wyk Louw). Tydskrif vir letterkunde, 21(3): 138-145

Ojo-Ade, Femi 1996. Contemporary South African theatre and the complexities of commitment . African literature today, 20: 120-134.

OKAGBUE, OSITA. 1997. When the dead return: Play and seriousness in African masked performance. South African theatre journal, 11(1&2):89-107.

Olaiya, kolawole 2008. Deconstructing Apartheid's global gaze: death and resistance in Fugard et al.'s Sizwe Bansi Is dead. Global South, 2 (2): 75-91.

Olaniyan, T. (1995) Scars of conquest, masks of resistance: the invention of cultural identities in African, African-American and Carribean drama. New York: Oxford University Press.

Olaniyan, T. and Quayson, A. (2007) African literature: an anthology of criticism and theory. Malden, MA: Blackwell Publishings

 Olaniyan, Tejumola (ed.) African Drama and Performance. Bloomington, IN: 

OLANIYAN, TEJUMOLA. Scars of Conquest/Masks of Resistance: The invention of cultural identities in African, African-American and Caribbean Drama (Yvette Hutchison) South African theatre journal, 10(1):126-129.

Olaniyan__________ (2007) ‘Festivals, Ritual and Drama in Africa’. In Olaniyan and Quayson (eds.) African Literature: an anthology of criticism and theory. Malden, MA: Blackwell Publishing.

Old and new combine in modern theatre complex: bentonite plays major role in walling of the Durban Playhouse. 1983. Civil engineer and contractor, 17(5): 34-41.

Oliphant, A.W.1988. John Kani:combatant from the stage. Staffrider, 7(1): 54-61.

Oliphant, Andries W. 1989. Victor Shingwenyana: theatre and the struggle for unity. Staffrider, 8(3/4): 149-152.

Oliphant, Andries 1992. Isolate the enemy: community and conflict in popular theatre. South African theatre journal, 6(2): 18-29.

Olivier, Bert 1989. Simbolisme as werklikheidsbenadering: watter werklikheid? Tydskrif vir literatuurwetenskap, 5(3/4): 237-252.

Olivier, Fanie 1996. ‘n Fees sonder vonk. Insig, 08/96: 40.

Olivier, G. 1978. Vyf tekste vir beeldradio. [Literary criticism]. Standpunte, 31(2): 25-31. April.


Click on the appropriate letters of the alphabet in the sub-list below.

O-Od Oe-Ol Ol-Op Oq-Oz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance