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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
  
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==The list==
  
  
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[[Anton Krueger|Krueger, Anton]] 2000. Imprisoned by Conviction. ''[[Scrutiny 2]]'', 5(2):59-62.
  
[[Anton Krueger|Krueger, Anton]] 2003. The drama of hunting and healing: interpreting the rituals of the San. ''South African Theatre Journal'', 17:65-78.
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[[Anton Krueger|Krueger, Anton]] 2003. The drama of hunting and healing: interpreting the rituals of the San. ''[[South African Theatre Journal]]'', 17:65-78.
  
[[Anton Krueger|Krueger, Anton]] 2006a. Intuition/intellect: sex/sensibility. ''South African Theatre Journal'', 20:233-251.
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[[Anton Krueger|Krueger, Anton]] 2006a. Intuition/intellect: sex/sensibility. ''[[South African Theatre Journal]]'', 20:233-251.
  
[[Anton Krueger|Krueger, Anton]] 2006b. On the wild, essential energies of the forest: an interview with [[Bailey, Brett|Brett Bailey]]. ''South African Theatre Journal'', 20:323-332.
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[[Anton Krueger|Krueger, Anton]] 2006b. On the wild, essential energies of the forest: an interview with [[Brett Bailey]]. ''[[South African Theatre Journal]]'', 20:323-332.
  
[[Anton Krueger|Krueger, Anton]] 2007. Performing transformations of identity: ‘ethnic’ nationalisms and syncretic theatre in post-apatheid South Africa. ''English Academy Review'', 24(1):51-60.
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[[Anton Krueger|Krueger, Anton]] 2007. Performing transformations of identity: ‘ethnic’ nationalisms and syncretic theatre in [[post-apartheid]] South Africa. ''[[English Academy Review]]'', 24(1):51-60.
  
[[Anton Krueger|Krueger, Anton]] 2008. Experiments in freedom : representations of identity in new South African drama ; an investigation into identity formations in some post-apartheid play-texts published in English by South African writers, from 1994-2007. Unpublished doctoral dissertation. Pretoria: University of Pretoria.
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[[Anton Krueger|Krueger, Anton]] 2008. ''Experiments in freedom : representations of identity in new [[South African]] drama ; an investigation into identity formations in some post-apartheid play-texts published in English by South African writers, from 1994-2007''. Unpublished doctoral dissertation. Pretoria: [[University of Pretoria]][http://repository.up.ac.za/handle/2263/29095?show=full].
  
[[Anton Krueger|Krueger, Anton]] 2010. ''In Freedom: Explorations of Identity in New South African Drama''. Newcastle upon Tyne, UK : Cambridge Scholars Pub
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[[Anton Krueger|Krueger, Anton]] 2010. Celebrations of the Spirit of Tragedy: The Dionysian Theatre of [[Brett Bailey]].227-250. ''Positions:Contemporary Artists in South Africa''. Ed:
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Matthew Krouse & Peter Anders. Johannesburg:[[Jacana Media]] & Hamburg: Steidl (In German Translation).
  
[[Alet Kruger|Kruger, Alet]] 2000. Lexical cohesion and register variation in translation : ''[[The Merchant of Venice]]'' in Afrikaans. Unpublished doctoral dissertation. Pretoria: University of South Africa.
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[[Anton Krueger|Krueger, Anton]] 2010. ''Experiments In Freedom: Explorations of Identity in New South African Drama''. Newcastle upon Tyne, UK : Cambridge Scholars Publishing.
  
[[Alet Kruger|Kruger, Alet]] 2004. The role of discoursce markers in an Afrikaans stage translation of ''[[The Merchant of Venice]]''. ''Journal of Literary Studies'', 20(3-4):302-334.
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[[Anton Krueger|Krueger, Anton]] 2010. Fashionably Ethnic: Individuality and heritage in [[Greig Coetzee]]'s ''[[Happy Natives]]''. ''Current Writing'', 22(1):43-58.
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[[Anton Krueger|Krueger, Anton]] 2010. Keeping it in the family: incest, repression and the fear of the hybrid in [[Reza de Wet]]'s English plays (e.g. ''[[Concealment]]''). ''Literator'', 31(2):45-60.
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[[Anton Krueger|Krueger, Anton]] 2011. A white man in exile: the failure of masculinity in [[Athol Fugard]]'s ''[[Sorrows and Rejoicings]]''. ''[[South African Theatre Journal]]'', 25(2):119-128.
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[[Anton Krueger|Krueger, Anton]] 2011. Die moderne self as toneelpop in ''[[Woyzeck on the Highveld]]''. ''Literator'',  32 (2)
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[[Anton Krueger|Krueger, Anton]] 2012a. The implacable grandeur of the stranger: ruminations on fear and familiarity in ''[[Die Vreemdeling]]''. ''[[South African Theatre Journal]]'', 26(3):303-310.
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[[Anton Krueger|Krueger, Anton]] 2012b. ''[[The Pump Room]]'', by [[Allan Kolski Horwitz]]. Reviewed in: ''[[South African Theatre Journal]]'', 26(1):100-102.
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[[Anton Krueger|Krueger, Anton]] and [[Zoë Reeve|Reeve, Zoë]] 2015. Spectacles of Participation, Performing amaXhosa Authenticity at the [[National Arts Festival]] of South Africa. In: [[Greg Homann|Homann, Greg]] and [[Marc Maufort|Maufort, Marc]] (Eds). 2015. ''New territories : theatre, drama, and performance in Post-apartheid South Africa''. Bruxelles : P.I.E. Peter Lang: pp. 289-316.
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[[Alet Kruger|Kruger, Alet]] 1996. "Bless thee, Bottom, bless thee! Thou art translated!" The Shakespearean phase in South Africa: a socio-cultural perspective. ''[[Journal of Literary Studies]]'', 12:408-428.
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[[Alet Kruger|Kruger, Alet]] 2000. Lexical cohesion and register variation in translation : ''[[The Merchant of Venice]]'' in Afrikaans. Unpublished doctoral dissertation. Pretoria: [[University of South Africa]].
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[[Alet Kruger|Kruger, Alet]] 2004a. The role of discourse markers in an Afrikaans stage translation of ''[[The Merchant of Venice]]''. ''Journal of Literary Studies'', 20(3-4):302-334.
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[[Alet Kruger|Kruger, Alet]] 2004b. Shakespeare in Afrikaans: a corpus-based study of involvement in different registers of drama translation, ''Language Matters'', 35(1):
  
 
[[C. Kruger|Kruger, C.]] et al. 2005. Communication skills for medical/dental students at the University of Pretoria: lessons learnt from a two-year study using a forum theatre method: original research. ''S.A. Family Practice'', 47(6):60-65.
 
[[C. Kruger|Kruger, C.]] et al. 2005. Communication skills for medical/dental students at the University of Pretoria: lessons learnt from a two-year study using a forum theatre method: original research. ''S.A. Family Practice'', 47(6):60-65.
  
[[J.A. Krüger|Krüger, J.A.]] 2009. ''[[The Cherry Orchard]]'' transposed to contemporary South Africa: space and identity in cultural contexts. Unpublished master’s thesis.  Potchefstroom: Pothchefstroom University for Christian Higher Education.
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[[J.A. Krüger|Krüger, J.A.]] 2009. ''[[The Cherry Orchard]]'' transposed to contemporary South Africa: space and identity in cultural contexts. Unpublished master’s thesis.  Potchefstroom: [[Pothchefstroom University for Christian Higher Education]].
  
[[J.J. Kruger|Kruger, J.J.]] 1948. Anna van die amateurs. ([[Neethling-Pohl, Anna|Anna Neethling-Pohl]]). ''Huisgenoot'', 32(1368):29. June 11.
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[[J.A. Krüger|Krüger, J.A.]] 2009. Fourie bevraagteken skeefgetrekte waardes rondom ewige jeugdigheid. ''[[Jasmyn]]'', by [[Pieter Fourie]]. Reviewed in: ''Literator'', 30(2):
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[[J.J. Kruger|Kruger, J.J.]] 1948. Anna van die amateurs. ([[Anna Neethling-Pohl]]). ''Huisgenoot'', 32(1368):29. June 11.
  
[[Jaco Kruger|Kruger, Jaco]] 2000. [[Mitambo]]: Venda dance theatre. ''South African Theatre Journal'', 14:73-96.
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[[Jaco Kruger|Kruger, Jaco]] 2000. [[Mitambo]]: Venda dance theatre. ''[[South African Theatre Journal]]'', 14:73-96.
  
 
[[Johanna Martiena Katriena Kruger|Kruger, Johanna Martiena Katriena]] 1982. Die “Hoër mag” in die drama met spesiale verwysing na Nederlands en Afrikaans. Unpublished master’s thesis.  Johannesburg: University of the Witwatersrand.
 
[[Johanna Martiena Katriena Kruger|Kruger, Johanna Martiena Katriena]] 1982. Die “Hoër mag” in die drama met spesiale verwysing na Nederlands en Afrikaans. Unpublished master’s thesis.  Johannesburg: University of the Witwatersrand.
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[[Lida Krüger|Krüger, Lida]]. 2020. "Winterbach’s Spyt and Scholtz’s production: An expression of a postmodern impasse", ''[[Tydskrif vir Letterkunde]]''  57(2)
  
 
[[Loren Kruger|Kruger, Loren]] 1991. Apartheid on display: South Africa performs for New York. ''Diaspora'', 1(2):191-208.
 
[[Loren Kruger|Kruger, Loren]] 1991. Apartheid on display: South Africa performs for New York. ''Diaspora'', 1(2):191-208.
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[[Loren Kruger|Kruger, Loren]] 1993. Staging South Africa: ''Theatre and Cultural Struggle in South Africa'', by [[Robert Kavanagh]]; ''Playing The Market: The Market Theatre, Johannesburg: 1976-1986'', by [[Anne Fuchs]]; ''Drama and the South African State'', by [[Martin Orkin]]. Reviewed in: ''Transition'', 59:120-129.
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[[Loren Kruger|Kruger, Loren]] 1994. Placing "New Africans" in the "Old" South Africa: drama, modernity, and racial identities in Johannesburg, circa 1935. ''Modernism/Modernity'', 1(2):113-131.
  
 
[[Loren Kruger|Kruger, Loren]] 1994. So what’s new?: women and theater in the new South Africa. ''Theater Magazine'', 25(3):46-54.
 
[[Loren Kruger|Kruger, Loren]] 1994. So what’s new?: women and theater in the new South Africa. ''Theater Magazine'', 25(3):46-54.
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[[Loren Kruger|Kruger, Loren]] 1995a. [[National Arts Festival]]. ''Theatre Journal'', 47(1):123.
 
[[Loren Kruger|Kruger, Loren]] 1995a. [[National Arts Festival]]. ''Theatre Journal'', 47(1):123.
  
[[Loren Kruger|Kruger, Loren]] 1995b. New Africans, neo-colonial theatre and “an African national dramatic movement”. ''South African Theatre Journal'', 9(1):29-51.
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[[Loren Kruger|Kruger, Loren]] 1995b. New Africans, neo-colonial theatre and “an African national dramatic movement”. ''[[South African Theatre Journal]]'', 9(1):29-51.
  
 
[[Loren Kruger|Kruger, Loren]] 1995c. ‘That fluctuating movement of national consciousness’: protest, publicity, and post-colonial theatre in South Africa, in [[J. Ellen Gainor|Gainor, J. Ellen]] (ed.). ''Imperialism and Theatre''. London: Routledge. 148-163.
 
[[Loren Kruger|Kruger, Loren]] 1995c. ‘That fluctuating movement of national consciousness’: protest, publicity, and post-colonial theatre in South Africa, in [[J. Ellen Gainor|Gainor, J. Ellen]] (ed.). ''Imperialism and Theatre''. London: Routledge. 148-163.
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[[Loren Kruger|Kruger, Loren]] 1996a. Acting Africa. ''Theatre Research International'', 21(2):132-140.
 
[[Loren Kruger|Kruger, Loren]] 1996a. Acting Africa. ''Theatre Research International'', 21(2):132-140.
  
[[Loren Kruger|Kruger, Loren]] 1996b. New African drama and national representation in South Africa: notes from the 1930s to the present moment, in [[Janelle Reinelt|Reinelt, Janelle]] (ed.). ''Crucibles of Crisis: Performing Social Change''. Ann Arbor MI: University of Michigan Press. 123-141.
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[[Loren Kruger|Kruger, Loren]] 1996b. ''Lights and Shadows. The Autobiography of [[Leontine Sagan]]''. Johannesburg: Witwatersrand University Press.
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[[Loren Kruger|Kruger, Loren]] 1996c. New African drama and national representation in South Africa: notes from the 1930s to the present moment, in [[Janelle Reinelt|Reinelt, Janelle]] (ed.). ''Crucibles of Crisis: Performing Social Change''. Ann Arbor MI: University of Michigan Press. 123-141.
  
 
[[Loren Kruger|Kruger, Loren]] 1997a. An die Nachgeborenen (to future generations). ''Theater der Zeit'', 1997 Yearbook: 25-27.
 
[[Loren Kruger|Kruger, Loren]] 1997a. An die Nachgeborenen (to future generations). ''Theater der Zeit'', 1997 Yearbook: 25-27.
  
[[Loren Kruger|Kruger, Loren]] 1997b. The drama of country and city: tribalization, urbanization and theatre under apartheid. ''Journal of Southern African Studies'', 23(4):565.
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[[Loren Kruger|Kruger, Loren]] 1997b. The drama of country and city: tribalization, urbanization and theatre under apartheid. ''Journal of Southern African Studies'', 23(4):565-584.
  
[[Loren Kruger|Kruger, Loren]] 1999a. ''The Drama of South Africa: Plays, Pageants and Publics Since 1910''. London: Routledge.
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[[Loren Kruger|Kruger, Loren]] 1998. ''An die Nachgeborenen': Or Marginalia to a history of political theatre in South Africa', ''Brecht Yearbook/Das Brecht-Jahrbuch'', 23:25-27.
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[[Loren Kruger|Kruger, Loren]] 1999a. ''The Drama of South Africa: Plays, Pageants and Publics Since 1910''. London: [[Routledge]].
  
 
[[Loren Kruger|Kruger, Loren]] 1999b. Theater for development and TV nation: notes on an educational soap opera in South Africa. ''Research in African Literatures'', 30:106-126.
 
[[Loren Kruger|Kruger, Loren]] 1999b. Theater for development and TV nation: notes on an educational soap opera in South Africa. ''Research in African Literatures'', 30:106-126.
  
[[Loren Kruger|Kruger, Loren]] 1999c. ''Theatre and Society in South Africa: Reflections in a Fractured Mirror'', by [[Hauptfleisch, Temple|Temple Hauptfleisch]]; ''Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama'', by [[Balme, Christopher B.Christopher B. Balme]]. Reviewed in:  ''Research in African Literatures'', 30(4):212-215.
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[[Loren Kruger|Kruger, Loren]] 1999c. ''Theatre and Society in South Africa: Reflections in a Fractured Mirror'', by [[Temple Hauptfleisch]]; ''Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama'', by [[Christopher B. Balme]]. Reviewed in:  ''Research in African Literatures'', 30(4):212-215.
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[[Loren Kruger|Kruger, Loren]] 2000. ''Four Plays'', by [[Zakes Mda]]. Reviewed in: ''Theatre Journal'', 52(2):298-300.
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[[Loren Kruger|Kruger, Loren]] 2000. Making sense of sensation: enlightenment, embodiment, and the end(s) of modern drama. ''Modern Drama'', 43:543-566.
  
 
[[Loren Kruger|Kruger, Loren]] 2001. Theatre, crime and the edgy city in post-apartheid Johannesburg. ''Theatre Journal'', 53(2):223-252.
 
[[Loren Kruger|Kruger, Loren]] 2001. Theatre, crime and the edgy city in post-apartheid Johannesburg. ''Theatre Journal'', 53(2):223-252.
  
[[Loren Kruger|Kruger, Loren]]  2002. Acting Africa, in [[Frances Harding|Harding, Frances]] (ed.). ''The Performance Arts in Africa: A Reader''. London: Routledge. 29-77.
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[[Loren Kruger|Kruger, Loren]]  2002. Acting Africa, in [[Frances Harding|Harding, Frances]] (ed.). ''The Performance Arts in Africa: A Reader''. London: Routledge. 69-77.
  
[[Loren Kruger|Kruger, Loren]] 2002. Introduction: Scarcity, conspicuous consumption, and performance in South Africa. ''Theatre Research International'', 27(3):231.
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[[Loren Kruger|Kruger, Loren]] 2002. Scarcity, conspicuous consumption, and performance in South Africa. ''Theatre Research International'', 27:231-242.
  
[[Loren Kruger|Kruger, Loren]] 2003. Making sense of sensation: enlightenment, embodiment, and the end(s) of modern drama. ''Modern Drama'', 46:80-101
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[[Loren Kruger|Kruger, Loren]] 2004. ''Post-Imperial Brecht: Politics and Performance, East and South''. Cambridge: Cambridge University Press.
  
 
[[Loren Kruger|Kruger, Loren]] 2004. Theatre for development and TV nation: notes on educational soap opera in South Africa, in [[John Conteh-Morgan|Conteh-Morgan, John]] & [[Tejumola Olaniyan|Olaniyan, Tejumola]] (eds.). ''African Drama and Performance''. Bloomington: Indiana University Press. 155-175.
 
[[Loren Kruger|Kruger, Loren]] 2004. Theatre for development and TV nation: notes on educational soap opera in South Africa, in [[John Conteh-Morgan|Conteh-Morgan, John]] & [[Tejumola Olaniyan|Olaniyan, Tejumola]] (eds.). ''African Drama and Performance''. Bloomington: Indiana University Press. 155-175.
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[[Loren Kruger|Kruger, Loren]] 2008. [[National Arts Festival]]. ''Theatre Journal'', 60(1):117-120.
 
[[Loren Kruger|Kruger, Loren]] 2008. [[National Arts Festival]]. ''Theatre Journal'', 60(1):117-120.
  
[[Loren Kruger|Kruger, Loren]] 2009. Cascoland: interventions in public space, Drill Hall, Johannesburg, ''South Africa. Theatre Journal'', 61(1):147-148.
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[[Loren Kruger|Kruger, Loren]] 2009. Cascoland: interventions in public space, Drill Hall, Johannesburg, South Africa. ''Theatre Journal'', 61(1):147-148.
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[[Loren Kruger|Kruger, Loren]] 2010. ''[[Foreplay]]'', by [[Mpumelelo Paul Grootboom]]. Reviewed in: ''Theatre Journal'', 62(3):453-454.
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[[Loren Kruger|Kruger, Loren]] 2012. On the Tragedy of the Commoner: Elektra, Orestes, and others
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in South Africa. ''Comparative Drama'', 46(3):355-377.
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[[Loren Kruger|Kruger, Loren]] 2013. ''Imagining the Edgy City: Writing, Performing, and Building Johannesburg''. Oxford University Press.
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[[Loren Kruger|Kruger, Loren]]. 2014. Performance, Production and Other Spatio-temporal Practices in the Edgy City. In Vicki Ann Cremona,  Rikard Hoogland, [[Gay Morris]] and Wilmar Sauter (eds).  ''Playing Culture: Conventions and Extensions of Performance''. Amsterdam:  Rodopi.
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[[Loren Kruger|Kruger, Loren]]. 2020. ''A Century of South African Theatre''. London: Methuen Drama[https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.bloomsbury.com%2Fuk%2Fa-century-of-south-african-theatre-9781350008021%2F&data=02%7C01%7C%7Cd6c7777f709947fcf31c08d79dbf1809%7Ca6fa3b030a3c42588433a120dffcd348%7C0%7C0%7C637151317517510619&sdata=yujFCatdVC0Y%2B64jnOnFL9eNyGP0mW1UJi0loOJshqA%3D&reserved=0].
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[[Marie Kruger|Kruger, M.S.]] 1987. Poppespel - 'n Ondersoek na die historiese ontwikkeling, die spelbeginsels, karakter en gebruiksmoontlikhede van die toneelpop. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
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[[Marie Kruger|Kruger, M.S.]] 1997. Tradisionele elemente en kontemporêre tendense in die pantomime: 'n teater-historiese ondersoek. Unpublished doctoral dissertation. Stellenbosch: University of Stellenbosch.
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[[Marie Kruger|Kruger, Marie]] 2000. English pantomime: reflections on a dynamic tradition. ''[[South African Theatre Journal]]'', 14:146-173.
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[[Marie Kruger|Kruger, Marie]] 2003. Pantomime in South Africa: the British tradition and the local flavour. ''[[South African Theatre Journal]]'', 17:129-152.
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[[Marie Kruger|Kruger, Marie]] 1995. The “Tambootie Plays”, by [[Pieter Scholtz]]. Reviewed in:  ''[[South African Theatre Journal]]'', 9(1):118-126.
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[[Marie Kruger|Kruger, Marie]] 2006. The power of double vision: tradition and social intervention in African puppet performance. ''New Theatre Quarterly'', 22(4):324-336.
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[[Marie Kruger|Kruger, Marie]] 2007. Puppets in education and development in Africa: the puppet’s dual nature and sign systems in action. ''[[South African Theatre Journal]]'', 21:64-74.
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[[Marie Kruger|Kruger, Marie]] 2008. Puppets in educational entertainment in South Africa: comments on a number of long-term projects. ''[[South African Theatre Journal]]'', 22:25-43.
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[[Marie Kruger|Kruger, Marie]] 2011. Puppets and adult entertainment in South Africa: a tale of a tentative start, evolving prejudices, new and lost opportunities, and a fresh momentum. ''[[South African Theatre Journal]]'', 25(1):13-34.
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[[Marie Kruger|Kruger, Marie]] 2012. South African adult puppetry: tracing the roots of contemporary eclectic puppetry. ''[[South African Theatre Journal]]'', 26(2):172-184.
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[[Martinette Kruger|Kruger, Martinette]] and [[Melville Saayman|Saayman, Melville]] 2012. The question is not whether to promote or not to promote, but rather when to promote. ''[[South African Theatre Journal]]'', 26(1):2-21.
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[[Nellie Kruger|Kruger, Nellie]] 1951a. Huidige [[Nasionale Toneelorganisasie|N.T.O.]] toer – ''[[Die Vrek]]'' en ''[[The Cocktail Party]]''. ''Helikon'', 1(1):17-19. October.
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[[Nellie Kruger|Kruger, Nellie]] 1951b. [[Nasionale Toneelorganisasie]] reis met ''[[Die Vrek]]''. ''Staatsamptenaar'', 31(5):36-39. May.
  
Kruger, M.S. 1997. Poppespel - 'n Ondersoek na die historiese ontwikkeling, die spelbeginsels, karakter en gebruiksmoontlikhede van die toneelpop. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
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[[Nellie Kruger|Kruger, Nellie]] 1951c. [[Nasionale Toneelorganisasie]]  word al meer ’n kultuurkrag. ''Lantern'', 1:150-151. June.
  
Kruger, M.S. 1997. Tradisionele elemente en kontemporêre tendense in die pantomime: 'n teater-historiese ondersoek. Unpublished doctoral dissertation. Stellenbosch: University of Stellenbosch.
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[[Nellie Kruger|Kruger, Nellie]] 1951d. Die toneelskrywers. ''[[Helikon]]'', 1(1):17-18. August
  
Kruger, Marie. 2000. English pantomime: reflections on a dynamic tradition. South African Theatre Journal, 14:146-173.
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[[Nellie Kruger|Kruger, Nellie]] 1952a. Jongste aktiwiteite van die [[Nasionale Toneelorganisasie|N.T.O.]] ''Lantern'', 2:294-298.
  
Kruger, Marie 2003. Pantomime in South Africa: the British tradition and the local flavour. South African Theatre Journal, 17:129-152.
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[[Nellie Kruger|Kruger, Nellie]] 1952b [[Nasionale Toneelorganisasie|N.T.O.]] en die [[Van Riebeeck Fees]]. ''Inspan'', 11(5):22. February.
  
Kruger, Marie 1995. The “Tambootie Plays”, by Pieter Scholtz. Reviewed in:  South African Theatre Journal, 9(1):118-126.
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[[Nellie Kruger|Kruger, Nellie]] 1952c. Ons toneel en die stigting van die [[Nasionale Toneelorganisasie]]. ''Helikon'', 1(3): 29-34. February.
  
Kruger, Marie 2006. The power of double vision: tradition and social intervention in African puppet performance. New Theatre Quarterly, 22(4):324-336.
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[[Nellie Kruger|Kruger, Nellie]] 1952d. 'n Toneelfees soos nog nooit tevore nie: [[Nasionale Toneelorganisasie|N.T.O.]] voed die vertroue. (Opvoerings van ''[[The Dam]]'', ''[[The Ball at the Castle]]'', ''[[Die Jaar van die Vuuros]]'' en ''[[As Ons Twee Eers Getroud Is]]''). ''Helikon'', 1(5):92-100.  
  
Kruger, Marie 2007. Puppets in education and development in Africa: the puppet’s dual nature and sign systems in action. South African Theatre Journal, 21:64-74.
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[[Nellie Kruger|Kruger, Nellie]] 1952e. Vier prysdramas vir die [[Van Riebeeck Fees]] aangebied: die [[Nasionale Toneelorganisasie]] bereik ’n hoogtepunt. ''Lantern'', 1:520-523. May.
  
Kruger, Marie 2008. Puppets in educational entertainment in South Africa: comments on a number of long-term projects. South African Theatre Journal, 22:25-43.
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[[Nellie Kruger|Kruger, Nellie]] 1952f. ''[[Die Vrek]]'' het die meeste geld ingebring: na vyf jaar kan [[Nasionale Toneelorganisasie|N.T.O.]] roem op prestasies. ''Huisgenoot'', 37(1588):22-24. August 29.
  
Kruger, N. 1951a. Huidige N.T.O.-toer – “Die Vrek” en “Cocktail party”. Helikon, 1(1):17-19. October.
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[[Nellie Kruger|Kruger, Nellie]] 1952g. ''[[Die Vrek]]'', ''[[The Cocktail Party]]'' en die [[Nasionale Toneelorganisasie]] se planne vir 1952. ''Lantern'', 1:520-523. May
  
Kruger, N. 1951b. Nasionale toneelorganissasie reis met “Die Vrek”. Staatsamptenaar, 31(5):36-39. May.
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[[Nellie Kruger|Kruger, Nellie]] 1953. [[Harry Ligoff]]: NTO-Beligtingsingenieur. ''Helikon'', 2(9):25-26.
  
Kruger, N. 1951c. Nasionale toneelorganisasie word al meer ’n kultuurkrag. Lantern, 1:150-151. June.
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[[Nellie Kruger|Kruger, Nellie]] 1953. [[Nasionale Toneelorganisasie|N.T.O.]] bied Molière en Shakespeare aan. ''Staatsamptenaar'', 33(6):44-45.
  
Kruger, N. 1952a. Jongste aktiwiteite van die N.T.O. Lantern, 2:294-298.
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[[Nellie Kruger|Kruger, Nellie]] 1954. Ere-penning aan [[Wena Naudé]]. ''Helikon'', 4(16):29-30.
  
Kruger, N. 1952b N.T.O. en die Van Riebeeck-fees. Inspan, 11(5):22. February.
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[[Nellie Kruger|Kruger, Nellie]] 1954. Die [[Hogarth Puppets|Hogarth marionette]]. ''Helikon'', 3(14):129.
  
Kruger, N. 1952c. Ons toneel en die stigting van die Nasionale toneelorganisasie. Helikon, 1(3): 29-34. February.
+
[[Nellie Kruger|Kruger, Nellie]] 1954. [[Nasionale Toneelorganisasie]]. ''Staatsamptenaar'', 34(12):63.
  
Kruger, N. 1952d. Toneelfees soos nog nooit tevore nie: N.T.O. voed die vertroue. (Opvoerings van “The Dam”, “The Ball at the Castle”, Die Jaar van die Vuuros” en “As Ons Twee Eers Getroud Is”). Helikon, 1(5):92-100. June.
+
[[Nellie Kruger|Kruger, Nellie]] 1955. Vanjaar se verskeidenheid deur die [[Nasionale Toneelorganisasie|N.T.O.]] aangebied. ''[[Die Taalgenoot]]'', 24(4):16-17.
  
Kruger, N. 1952e. Vier prysdramas vir die Van Riebeeck-fees aangebied: die Nasionale toneelorganisasie bereik ’n hoogtepunt. Lantern, 1:520-523. May.
+
[[Nellie Kruger|Kruger, Nellie]] 1956. [[Nasionale Toneelorganisasie|N.T.O.]] bied aan nege stukke in een jaar. ''Lantern'', 5:282-286. February.
  
Kruger, N. 1952f. “Vrek” het die meeste geld ingebring: na vyf jaar kan N.T.O. roem op prestasies. Huisgenoot, 37(1588):22-24. August 29.
+
[[Nellie Kruger|Kruger, Nellie]] 1957a. Eerste stadskouburg in Suid-Afrika deur [[Nasionale Toneelorganisasie|N.T.O.]] geopen. ''Taalgenoot'', 26(11):16-18.
  
Kruger, N. 1952g. “Vrek”, “The Cockatail party” en die Nasionale toneelorganisasie se planne vir 1952. Lantern, 1:520-523. May.
+
[[Nellie Kruger|Kruger, Nellie]] 1957b. [[Nasionale Toneelorganisasie|N.T.O.]] het op sy beste stukke die meeste verloor. ''Huisgenoot'', 4(1852):6-7. September 16.
  
Kruger, N. 1953. N.T.O. bied Molière en Shakespeare aan. Staatsamptenaar, 33(6):44-45.
+
[[Nellie Kruger|Kruger, Nellie]] 1957. Ten years of [[Nasionale Toneelorganisasie|national theatre]] ''South African Panorama'', 2(4):.
  
Kruger, N. 1954. Nasionale toneelorganisasie. Staatsamptenaar, 34(12):63.
+
[[Nellie Kruger|Kruger, Nellie]] 1957c Tiende verjaardag van [[Nasionale Toneelorganisasie|N.T.O.]] ''Lantern'', 7:72-76. October.
  
Kruger, N. 1955. Vanjaar se verskeidenheid deur die N.T.O. aangebied. Taalgenoot, 24(4):16-17.
+
[[Nellie Kruger|Kruger, Nellie]] 1958a. Molière's ''[[Les Fourberies de Scapin|Scapin]]'' in Afrikaans. ''South African Panorama'', 3(4):32-33.
  
Kruger, N. 1956. N.T.O. bied aan nege stukke in een jaar. Lantern, 5:282-286. February.
+
[[Nellie Kruger|Kruger, Nellie]] 1958. [[Nasionale Toneelorganisasie|N.T.O.]] in die eerste halfjaar. ''Lantern'', 7(4):375-383.
  
Kruger, N. 1957a. Eerste stadskouburg in Suid-Afrika deur N.T.O. geopen. Taalgenoot, 26(11):16-18.
+
[[Nellie Kruger|Kruger, Nellie]] 1958a. [[Nasionale Toneelorganisasie|N.T.O.]] ''Lantern'', 8:182-188. December.
  
Kruger, N. 1957b. N.T.O. het op sy beste stukke die meeste verloor. Huisgenoot 4(1852):6-7. September 16.
+
[[Nellie Kruger|Kruger, Nellie]] 1958b. Pioneers of the Afrikaans theatre: the Hanekoms ([[Hendrik Hanekom]], [[Mathilde Hanekom]]). ''South African Panorama'', 3(3):34-36.
  
Kruger, N. 1957c Tiende verjaardag van N.T.O. Lantern, 7:72-76. October.
+
[[Nellie Kruger|Kruger, Nellie]] 1959a. [[Nasionale Toneelorganisasie]] . ''Staatsamptenaar'', 34(12):63.
  
Kruger, N. 1958a. N.T.O. Lantern, 8:182-188. December.
+
[[Nellie Kruger|Kruger, Nellie]] 1959b. [[Nasionale Toneelorganisasie]] . ''Lantern'', 9:192-197.
  
Kruger, N. 1958b. Pioneers of the Afrikaans theatre: the Hanekoms. South African Panorama, 3(3):34-36.
+
[[Nellie Kruger|Kruger, Nellie]] 1960. Present-day dramas give [[Nasionale Toneelorganisasie|national theatre]] its latest successes. ''South African Panorama'', 5(3):28-29.
  
Kruger, N. 1959a. Nasionale toneelorganisasie. Staatsamptenaar, 34(12):63.
+
[[Nellie Kruger|Kruger, Nellie]] 1961. 1960 was ‘n groot jaar vir die [[Nasionale Toneelorganisasie|N.T.O.]] ''Lantern'', 10:280-287.
  
Kruger, N. 1959b. Nasionale toneelorganisasie. Lantern, 9:192-197.
+
[[Rayne Kruger|Kruger, Rayne]] & [[Gerald McKnight|McKnight, Gerald]] 1944. A National theatre: South Africa's great cultural need. ''Libertas'', 4(6):18-37. (Theatre history; Amateur theatre; [[FATSSA]])
  
Kruger, N. 1961. 1960 was ‘n groot jaar vir die N.T.O. Lantern, 10:280-287.
+
[[Sheila B. Kunnel|Kunnel, Sheila B.]] 1949. There's lots of fun in starting amateur theatricals in a small town. ''Outspan'', 45(1152):21. March 25.
  
Kunst in Südafrika: Schauspiel, Oper, Ballett, Musik. 1967. Afrika-Post, 14(1):56-61.
+
Kunst in Südafrika: Schauspiel, Oper, Ballett, Musik. 1967. ''Afrika-Post'', 14(1):56-61.
  
Kunst in Zuid-Afrika. 1969. Pretoria: Departement van Inligting.
+
''Kunst in Zuid-Afrika''. 1969. Pretoria: Departement van Inligting.
  
Kuschlik, Taubie 1946. South African audiences have become more alive to the living theatre. Outspan. 391(1013):47-49. July 26.
+
[[Taubie Kushlick|Kushlick, Taubie]] 1946. South African audiences have become more alive to the living theatre. ''Outspan'', 391(1013):47-49. July 26.
  
Kwetana , W.M. 1984. Unyawo Alunampumlo (by Z.R. Gqomo. Literary criticism). South African Journal of African Languages, supplement 2:87-97.
+
[[W.M. Kwetana|Kwetana , W.M.]] 1984. ''[[Unyawo Alunampumlo]]'' (by [[Z.R. Gqomo]]. Literary criticism). ''South African Journal of African Languages'', supplement 2:87-97.
  
  

Latest revision as of 17:36, 5 January 2024

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The list

Krueger, Anton 2000. Imprisoned by Conviction. Scrutiny 2, 5(2):59-62.

Krueger, Anton 2003. The drama of hunting and healing: interpreting the rituals of the San. South African Theatre Journal, 17:65-78.

Krueger, Anton 2006a. Intuition/intellect: sex/sensibility. South African Theatre Journal, 20:233-251.

Krueger, Anton 2006b. On the wild, essential energies of the forest: an interview with Brett Bailey. South African Theatre Journal, 20:323-332.

Krueger, Anton 2007. Performing transformations of identity: ‘ethnic’ nationalisms and syncretic theatre in post-apartheid South Africa. English Academy Review, 24(1):51-60.

Krueger, Anton 2008. Experiments in freedom : representations of identity in new South African drama ; an investigation into identity formations in some post-apartheid play-texts published in English by South African writers, from 1994-2007. Unpublished doctoral dissertation. Pretoria: University of Pretoria[1].

Krueger, Anton 2010. Celebrations of the Spirit of Tragedy: The Dionysian Theatre of Brett Bailey.227-250. Positions:Contemporary Artists in South Africa. Ed: Matthew Krouse & Peter Anders. Johannesburg:Jacana Media & Hamburg: Steidl (In German Translation).

Krueger, Anton 2010. Experiments In Freedom: Explorations of Identity in New South African Drama. Newcastle upon Tyne, UK : Cambridge Scholars Publishing.

Krueger, Anton 2010. Fashionably Ethnic: Individuality and heritage in Greig Coetzee's Happy Natives. Current Writing, 22(1):43-58.

Krueger, Anton 2010. Keeping it in the family: incest, repression and the fear of the hybrid in Reza de Wet's English plays (e.g. Concealment). Literator, 31(2):45-60.

Krueger, Anton 2011. A white man in exile: the failure of masculinity in Athol Fugard's Sorrows and Rejoicings. South African Theatre Journal, 25(2):119-128.

Krueger, Anton 2011. Die moderne self as toneelpop in Woyzeck on the Highveld. Literator, 32 (2)

Krueger, Anton 2012a. The implacable grandeur of the stranger: ruminations on fear and familiarity in Die Vreemdeling. South African Theatre Journal, 26(3):303-310.

Krueger, Anton 2012b. The Pump Room, by Allan Kolski Horwitz. Reviewed in: South African Theatre Journal, 26(1):100-102.

Krueger, Anton and Reeve, Zoë 2015. Spectacles of Participation, Performing amaXhosa Authenticity at the National Arts Festival of South Africa. In: Homann, Greg and Maufort, Marc (Eds). 2015. New territories : theatre, drama, and performance in Post-apartheid South Africa. Bruxelles : P.I.E. Peter Lang: pp. 289-316.

Kruger, Alet 1996. "Bless thee, Bottom, bless thee! Thou art translated!" The Shakespearean phase in South Africa: a socio-cultural perspective. Journal of Literary Studies, 12:408-428.

Kruger, Alet 2000. Lexical cohesion and register variation in translation : The Merchant of Venice in Afrikaans. Unpublished doctoral dissertation. Pretoria: University of South Africa.

Kruger, Alet 2004a. The role of discourse markers in an Afrikaans stage translation of The Merchant of Venice. Journal of Literary Studies, 20(3-4):302-334.

Kruger, Alet 2004b. Shakespeare in Afrikaans: a corpus-based study of involvement in different registers of drama translation, Language Matters, 35(1):

Kruger, C. et al. 2005. Communication skills for medical/dental students at the University of Pretoria: lessons learnt from a two-year study using a forum theatre method: original research. S.A. Family Practice, 47(6):60-65.

Krüger, J.A. 2009. The Cherry Orchard transposed to contemporary South Africa: space and identity in cultural contexts. Unpublished master’s thesis. Potchefstroom: Pothchefstroom University for Christian Higher Education.

Krüger, J.A. 2009. Fourie bevraagteken skeefgetrekte waardes rondom ewige jeugdigheid. Jasmyn, by Pieter Fourie. Reviewed in: Literator, 30(2):

Kruger, J.J. 1948. Anna van die amateurs. (Anna Neethling-Pohl). Huisgenoot, 32(1368):29. June 11.

Kruger, Jaco 2000. Mitambo: Venda dance theatre. South African Theatre Journal, 14:73-96.

Kruger, Johanna Martiena Katriena 1982. Die “Hoër mag” in die drama met spesiale verwysing na Nederlands en Afrikaans. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.

Krüger, Lida. 2020. "Winterbach’s Spyt and Scholtz’s production: An expression of a postmodern impasse", Tydskrif vir Letterkunde 57(2)

Kruger, Loren 1991. Apartheid on display: South Africa performs for New York. Diaspora, 1(2):191-208.

Kruger, Loren 1993. Staging South Africa: Theatre and Cultural Struggle in South Africa, by Robert Kavanagh; Playing The Market: The Market Theatre, Johannesburg: 1976-1986, by Anne Fuchs; Drama and the South African State, by Martin Orkin. Reviewed in: Transition, 59:120-129.

Kruger, Loren 1994. Placing "New Africans" in the "Old" South Africa: drama, modernity, and racial identities in Johannesburg, circa 1935. Modernism/Modernity, 1(2):113-131.

Kruger, Loren 1994. So what’s new?: women and theater in the new South Africa. Theater Magazine, 25(3):46-54.

Kruger, Loren 1995a. National Arts Festival. Theatre Journal, 47(1):123.

Kruger, Loren 1995b. New Africans, neo-colonial theatre and “an African national dramatic movement”. South African Theatre Journal, 9(1):29-51.

Kruger, Loren 1995c. ‘That fluctuating movement of national consciousness’: protest, publicity, and post-colonial theatre in South Africa, in Gainor, J. Ellen (ed.). Imperialism and Theatre. London: Routledge. 148-163.

Kruger, Loren 1995d. The uses of nostalgia: drama, history and liminal moments in South Africa. Modern Drama, 38(1):60-70.

Kruger, Loren 1996a. Acting Africa. Theatre Research International, 21(2):132-140.

Kruger, Loren 1996b. Lights and Shadows. The Autobiography of Leontine Sagan. Johannesburg: Witwatersrand University Press.

Kruger, Loren 1996c. New African drama and national representation in South Africa: notes from the 1930s to the present moment, in Reinelt, Janelle (ed.). Crucibles of Crisis: Performing Social Change. Ann Arbor MI: University of Michigan Press. 123-141.

Kruger, Loren 1997a. An die Nachgeborenen (to future generations). Theater der Zeit, 1997 Yearbook: 25-27.

Kruger, Loren 1997b. The drama of country and city: tribalization, urbanization and theatre under apartheid. Journal of Southern African Studies, 23(4):565-584.

Kruger, Loren 1998. An die Nachgeborenen': Or Marginalia to a history of political theatre in South Africa', Brecht Yearbook/Das Brecht-Jahrbuch, 23:25-27.

Kruger, Loren 1999a. The Drama of South Africa: Plays, Pageants and Publics Since 1910. London: Routledge.

Kruger, Loren 1999b. Theater for development and TV nation: notes on an educational soap opera in South Africa. Research in African Literatures, 30:106-126.

Kruger, Loren 1999c. Theatre and Society in South Africa: Reflections in a Fractured Mirror, by Temple Hauptfleisch; Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama, by Christopher B. Balme. Reviewed in: Research in African Literatures, 30(4):212-215.

Kruger, Loren 2000. Four Plays, by Zakes Mda. Reviewed in: Theatre Journal, 52(2):298-300.

Kruger, Loren 2000. Making sense of sensation: enlightenment, embodiment, and the end(s) of modern drama. Modern Drama, 43:543-566.

Kruger, Loren 2001. Theatre, crime and the edgy city in post-apartheid Johannesburg. Theatre Journal, 53(2):223-252.

Kruger, Loren 2002. Acting Africa, in Harding, Frances (ed.). The Performance Arts in Africa: A Reader. London: Routledge. 69-77.

Kruger, Loren 2002. Scarcity, conspicuous consumption, and performance in South Africa. Theatre Research International, 27:231-242.

Kruger, Loren 2004. Post-Imperial Brecht: Politics and Performance, East and South. Cambridge: Cambridge University Press.

Kruger, Loren 2004. Theatre for development and TV nation: notes on educational soap opera in South Africa, in Conteh-Morgan, John & Olaniyan, Tejumola (eds.). African Drama and Performance. Bloomington: Indiana University Press. 155-175.

Kruger, Loren 2007. "White cities", "diamond Zulus", and the "African contribution to human advancement": African modernities and the world’s fairs. TDR, 51(3):19-45.

Kruger, Loren 2008. Letter from Johannesburg: performance and urban fabrics in the inner city. Theater, 38(1):4-17.

Kruger, Loren 2008. National Arts Festival. Theatre Journal, 60(1):117-120.

Kruger, Loren 2009. Cascoland: interventions in public space, Drill Hall, Johannesburg, South Africa. Theatre Journal, 61(1):147-148.

Kruger, Loren 2010. Foreplay, by Mpumelelo Paul Grootboom. Reviewed in: Theatre Journal, 62(3):453-454.

Kruger, Loren 2012. On the Tragedy of the Commoner: Elektra, Orestes, and others in South Africa. Comparative Drama, 46(3):355-377.

Kruger, Loren 2013. Imagining the Edgy City: Writing, Performing, and Building Johannesburg. Oxford University Press.

Kruger, Loren. 2014. Performance, Production and Other Spatio-temporal Practices in the Edgy City. In Vicki Ann Cremona, Rikard Hoogland, Gay Morris and Wilmar Sauter (eds). Playing Culture: Conventions and Extensions of Performance. Amsterdam: Rodopi.

Kruger, Loren. 2020. A Century of South African Theatre. London: Methuen Drama[2].

Kruger, M.S. 1987. Poppespel - 'n Ondersoek na die historiese ontwikkeling, die spelbeginsels, karakter en gebruiksmoontlikhede van die toneelpop. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.

Kruger, M.S. 1997. Tradisionele elemente en kontemporêre tendense in die pantomime: 'n teater-historiese ondersoek. Unpublished doctoral dissertation. Stellenbosch: University of Stellenbosch.

Kruger, Marie 2000. English pantomime: reflections on a dynamic tradition. South African Theatre Journal, 14:146-173.

Kruger, Marie 2003. Pantomime in South Africa: the British tradition and the local flavour. South African Theatre Journal, 17:129-152.

Kruger, Marie 1995. The “Tambootie Plays”, by Pieter Scholtz. Reviewed in: South African Theatre Journal, 9(1):118-126.

Kruger, Marie 2006. The power of double vision: tradition and social intervention in African puppet performance. New Theatre Quarterly, 22(4):324-336.

Kruger, Marie 2007. Puppets in education and development in Africa: the puppet’s dual nature and sign systems in action. South African Theatre Journal, 21:64-74.

Kruger, Marie 2008. Puppets in educational entertainment in South Africa: comments on a number of long-term projects. South African Theatre Journal, 22:25-43.

Kruger, Marie 2011. Puppets and adult entertainment in South Africa: a tale of a tentative start, evolving prejudices, new and lost opportunities, and a fresh momentum. South African Theatre Journal, 25(1):13-34.

Kruger, Marie 2012. South African adult puppetry: tracing the roots of contemporary eclectic puppetry. South African Theatre Journal, 26(2):172-184.

Kruger, Martinette and Saayman, Melville 2012. The question is not whether to promote or not to promote, but rather when to promote. South African Theatre Journal, 26(1):2-21.

Kruger, Nellie 1951a. Huidige N.T.O. toer – Die Vrek en The Cocktail Party. Helikon, 1(1):17-19. October.

Kruger, Nellie 1951b. Nasionale Toneelorganisasie reis met Die Vrek. Staatsamptenaar, 31(5):36-39. May.

Kruger, Nellie 1951c. Nasionale Toneelorganisasie word al meer ’n kultuurkrag. Lantern, 1:150-151. June.

Kruger, Nellie 1951d. Die toneelskrywers. Helikon, 1(1):17-18. August

Kruger, Nellie 1952a. Jongste aktiwiteite van die N.T.O. Lantern, 2:294-298.

Kruger, Nellie 1952b N.T.O. en die Van Riebeeck Fees. Inspan, 11(5):22. February.

Kruger, Nellie 1952c. Ons toneel en die stigting van die Nasionale Toneelorganisasie. Helikon, 1(3): 29-34. February.

Kruger, Nellie 1952d. 'n Toneelfees soos nog nooit tevore nie: N.T.O. voed die vertroue. (Opvoerings van The Dam, The Ball at the Castle, Die Jaar van die Vuuros en As Ons Twee Eers Getroud Is). Helikon, 1(5):92-100.

Kruger, Nellie 1952e. Vier prysdramas vir die Van Riebeeck Fees aangebied: die Nasionale Toneelorganisasie bereik ’n hoogtepunt. Lantern, 1:520-523. May.

Kruger, Nellie 1952f. Die Vrek het die meeste geld ingebring: na vyf jaar kan N.T.O. roem op prestasies. Huisgenoot, 37(1588):22-24. August 29.

Kruger, Nellie 1952g. Die Vrek, The Cocktail Party en die Nasionale Toneelorganisasie se planne vir 1952. Lantern, 1:520-523. May

Kruger, Nellie 1953. Harry Ligoff: NTO-Beligtingsingenieur. Helikon, 2(9):25-26.

Kruger, Nellie 1953. N.T.O. bied Molière en Shakespeare aan. Staatsamptenaar, 33(6):44-45.

Kruger, Nellie 1954. Ere-penning aan Wena Naudé. Helikon, 4(16):29-30.

Kruger, Nellie 1954. Die Hogarth marionette. Helikon, 3(14):129.

Kruger, Nellie 1954. Nasionale Toneelorganisasie. Staatsamptenaar, 34(12):63.

Kruger, Nellie 1955. Vanjaar se verskeidenheid deur die N.T.O. aangebied. Die Taalgenoot, 24(4):16-17.

Kruger, Nellie 1956. N.T.O. bied aan nege stukke in een jaar. Lantern, 5:282-286. February.

Kruger, Nellie 1957a. Eerste stadskouburg in Suid-Afrika deur N.T.O. geopen. Taalgenoot, 26(11):16-18.

Kruger, Nellie 1957b. N.T.O. het op sy beste stukke die meeste verloor. Huisgenoot, 4(1852):6-7. September 16.

Kruger, Nellie 1957. Ten years of national theatre South African Panorama, 2(4):.

Kruger, Nellie 1957c Tiende verjaardag van N.T.O. Lantern, 7:72-76. October.

Kruger, Nellie 1958a. Molière's Scapin in Afrikaans. South African Panorama, 3(4):32-33.

Kruger, Nellie 1958. N.T.O. in die eerste halfjaar. Lantern, 7(4):375-383.

Kruger, Nellie 1958a. N.T.O. Lantern, 8:182-188. December.

Kruger, Nellie 1958b. Pioneers of the Afrikaans theatre: the Hanekoms (Hendrik Hanekom, Mathilde Hanekom). South African Panorama, 3(3):34-36.

Kruger, Nellie 1959a. Nasionale Toneelorganisasie . Staatsamptenaar, 34(12):63.

Kruger, Nellie 1959b. Nasionale Toneelorganisasie . Lantern, 9:192-197.

Kruger, Nellie 1960. Present-day dramas give national theatre its latest successes. South African Panorama, 5(3):28-29.

Kruger, Nellie 1961. 1960 was ‘n groot jaar vir die N.T.O. Lantern, 10:280-287.

Kruger, Rayne & McKnight, Gerald 1944. A National theatre: South Africa's great cultural need. Libertas, 4(6):18-37. (Theatre history; Amateur theatre; FATSSA)

Kunnel, Sheila B. 1949. There's lots of fun in starting amateur theatricals in a small town. Outspan, 45(1152):21. March 25.

Kunst in Südafrika: Schauspiel, Oper, Ballett, Musik. 1967. Afrika-Post, 14(1):56-61.

Kunst in Zuid-Afrika. 1969. Pretoria: Departement van Inligting.

Kushlick, Taubie 1946. South African audiences have become more alive to the living theatre. Outspan, 391(1013):47-49. July 26.

Kwetana , W.M. 1984. Unyawo Alunampumlo (by Z.R. Gqomo. Literary criticism). South African Journal of African Languages, supplement 2:87-97.



Click on the appropriate letters of the alphabet in the sub-list below.

K-Kem Ken-Kez Kh-Kl Kn-Kro Kru-Kz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance