Difference between revisions of "ESAT Bibliography Hut"

From ESAT
Jump to navigation Jump to search
 
(14 intermediate revisions by 2 users not shown)
Line 1: Line 1:
 
Click on the appropriate letters of the alphabet in the sub-list below.  
 
Click on the appropriate letters of the alphabet in the sub-list below.  
  
−
[[ESAT Bibliography H-Hat|H-Hat]] [[ESAT Bibliography Hau|Hau]] [[ESAT Bibliography Haw-Her|Haw-Her]] [[ESAT Bibliography Hes-Hol|Hes-Hol]] [[ESAT Bibliography Hom-How|Hom-How]] [[ESAT Bibliography Hug-Hun|Hug-Hun]] [[ESAT Bibliography Hut|Hut]] [[ESAT Bibliography Hy-Hz|Hy-Hz]]
+
[[ESAT Bibliography H-Hat|H-Hat]] [[ESAT Bibliography Hau|Hau]] [[ESAT Bibliography Haw-Her|Haw-Her]] [[ESAT Bibliography Hes-Hol|Hes-Hol]] [[ESAT Bibliography Hom-How|Hom-How]] [[ESAT Bibliography Hua-Hun|Hua-Hun]] [[ESAT Bibliography Huo-Huz|Huo-Huz]] [[ESAT Bibliography Hy-Hz|Hy-Hz]]
  
 
To return to any other letter, click on the list below
 
To return to any other letter, click on the list below
Line 9: Line 9:
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
  
 +
 +
 +
 +
 +
[[Christopher Hurst|Hurst, Christopher]] 2009. Workshopped plays in a South African correction centre : negotiating social relations through theatre. Unpublished doctoral dissertation. Durban: University of KwaZulu-Natal.
  
 
[[Yvette Hutchison|Hutchison, Yvette]] 1991. ''Playabout: Ten One-Act Plays'', by [[Sue Scott]] and [[Patrick Delahunty]]. Reviewed in: ''[[South African Theatre Journal]]'', 5(2):113-115.
 
[[Yvette Hutchison|Hutchison, Yvette]] 1991. ''Playabout: Ten One-Act Plays'', by [[Sue Scott]] and [[Patrick Delahunty]]. Reviewed in: ''[[South African Theatre Journal]]'', 5(2):113-115.
  
−
[[Yvette Hutchison|Hutchison, Yvette]] 1994a. ''Learning by Performing Arts:  From Indigenous to Endogenous Cultural Development'', by Kees Epskamp. Reviewed in: ''[[South African Theatre Journal]]'', 8(1):84-87.
+
[[Yvette Hutchison|Hutchison, Yvette]] 1994. Masks today:  mediators of a complex reality. ''[[South African Theatre Journal]]'', 8(1):45-62.
  
−
[[Yvette Hutchison|Hutchison, Yvette]] 1994b. Masks today: mediators of a complex reality. ''[[South African Theatre Journal]]'', 8(1):45-62.
+
[[Yvette Hutchison|Hutchison, Yvette]] 1995a. ''Plays for Young Africa'', (2 volumes), by [[Pieter Scholtz]]. Reviewed in: ''[[South African Theatre Journal]]'', 9(1):126-128.
  
−
[[Yvette Hutchison|Hutchison, Yvette]] 1995a. ''African Literature in South Africa:  Towards a Renaissance Conference'', by [[A. Huismans]] and [[R. Marais]]. Reviewed in: ''[[South African Theatre Journal]]'', 9(1):96-99.
+
[[Yvette Hutchison|Hutchison, Yvette]], [[Anja Huismans|Huismans, Anja]] & [[Rahila Marais|Marais, Rahila]] 1995b. Report on ''African Literature in South Africa:  Towards a Renaissance Conference, Cape Town, 24-25 February 1995''. ''[[South African Theatre Journal]]'', 9(1):96-99.
  
−
[[Yvette Hutchison|Hutchison, Yvette]] 1995. ''Plays for Young Africa'', (2 volumes), by [[Pieter Scholtz]]. Reviewed in: ''[[South African Theatre Journal]]'', 9(1):126-128.
+
[[Yvette Hutchison|Hutchison, Yvette]] 1996a. “Access to rather than ownership of”:  South African theatre history and theory at a crossroads. ''[[South African Theatre Journal]]'', 10(1): 35-47.
  
−
[[Yvette Hutchison|Hutchison, Yvette]] 1996a. “Access to rather than ownership of”:  South African theatre history and theory at a crossroads. ''[[South African Theatre Journal]]'', 10(1): 35-47.
+
[[Yvette Hutchison|Hutchison, Yvette]] 1996b. An introductory placing of South African theatre in the African context. ''Journal of Literary Studies'', 12(4):470-486.
  
−
[[Yvette Hutchison|Hutchison, Yvette]] 1996b.  ''Politics and Performance: Theatre, Poetry and Song in Southern Africa'', by [[Liz Gunner]]. Reviewed in: ''[[South African Theatre Journal]]'', 10(1):125-126.
+
[[Yvette Hutchison|Hutchison, Yvette]] 1996c.  ''Politics and Performance: Theatre, Poetry and Song in Southern Africa'', by [[Liz Gunner]]. Reviewed in: ''[[South African Theatre Journal]]'', 10(1):125-126.
  
−
[[Yvette Hutchison|Hutchison, Yvette]] 1996c. ''Scars of Conquest/Masks of Resistance : The Invention of Cultural Identities in African, African-American and Caribbean Drama'', by [[Tejumola Olaniyan]].  Reviewed in: ''[[South African Theatre Journal]]'', 10(1):126-129.
+
[[Yvette Hutchison|Hutchison, Yvette]] 1996d. ''Scars of Conquest/Masks of Resistance : The Invention of Cultural Identities in African, African-American and Caribbean Drama'', by [[Tejumola Olaniyan]].  Reviewed in: ''[[South African Theatre Journal]]'', 10(1):126-129.
  
−
[[Yvette Hutchison|Hutchison, Yvette]] 1996d.  Theories of drama, theatre and performance in Africa (editorial). ''[[South African Theatre Journal]]'', 10(1):1-2.
+
[[Yvette Hutchison|Hutchison, Yvette]] 1996e.  Theories of drama, theatre and performance in Africa (editorial). ''[[South African Theatre Journal]]'', 10(1):1-2.
  
 
[[Yvette Hutchison|Hutchison, Yvette]] 1997. ''Theatre and Drama in Francophone Africa'', by John Conteh-Morgan. Reviewed in: ''[[South African Theatre Journal]]'', 11(1&2):290-292.
 
[[Yvette Hutchison|Hutchison, Yvette]] 1997. ''Theatre and Drama in Francophone Africa'', by John Conteh-Morgan. Reviewed in: ''[[South African Theatre Journal]]'', 11(1&2):290-292.
  
−
[[Yvette Hutchison|Hutchison, Yvette]] 1999a. ''Black South African Women: An Anthology of Plays'', by [[Kathy A. Perkins]]. Reviewed in: ''[[South African Theatre Journal]]'', 13:206-208.
+
[[Yvette Hutchison|Hutchison, Yvette]] 1999a. ''Black South African Women: An Anthology of Plays'', by [[Kathy A. Perkins]]. Reviewed in: ''[[South African Theatre Journal]]'', 13:206-209.
  
 
[[Yvette Hutchison|Hutchison, Yvette]] 1999b. Memory is a weapon:  the uses of history and myth in selected post-1960 Kenyan, Nigerian and South African plays. Unpublished doctoral dissertation. Stellenbsosch: University of Stellenbosch.
 
[[Yvette Hutchison|Hutchison, Yvette]] 1999b. Memory is a weapon:  the uses of history and myth in selected post-1960 Kenyan, Nigerian and South African plays. Unpublished doctoral dissertation. Stellenbsosch: University of Stellenbosch.
Line 54: Line 59:
 
[[Yvette Hutchison|Hutchison, Yvette]] 2008. ''Theatre, Performance and New Media in Africa'', edited by Susan Arndt, Eckhard Breitinger & Marek Spitczok von Brisinski. Reviewed in: ''[[South African Theatre Journal]]'', 22:210-211.
 
[[Yvette Hutchison|Hutchison, Yvette]] 2008. ''Theatre, Performance and New Media in Africa'', edited by Susan Arndt, Eckhard Breitinger & Marek Spitczok von Brisinski. Reviewed in: ''[[South African Theatre Journal]]'', 22:210-211.
  
 +
[[Yvette Hutchison|Hutchison, Yvette]] 2010a. ''[[Handspring Puppet Company]]'', edited by [[Jane Taylor]]. Reviewed in: [[Yvette Hutchison|Hutchison, Yvette]] (ed.). ''African Theatre: Histories 1850-1950''. Woodbridge, Suffolk: Jamrs Currey. 168-170.
 +
 +
[[Yvette Hutchison|Hutchison, Yvette]] 2010b. Post-1990s verbatim theatre in South Africa : exploring an African concept of "truth", in Martin, Carol (ed.). ''Dramaturgy of the Real on the World Stage''. Basingstoke [England] ; New York : Palgrave Macmillan. 61-71.
 +
 +
[[Yvette Hutchison|Hutchison, Yvette]] 2013. Review: Kene Igweonu (ed), Foreword by [[Temple Hauptfleisch]], ''Trends in Twenty First century African Theatre and Performance'', in ''African Theatre'' 11: Festivals:147-150.
  
  
Line 61: Line 71:
 
Click on the appropriate letters of the alphabet in the sub-list below.  
 
Click on the appropriate letters of the alphabet in the sub-list below.  
  
−
[[ESAT Bibliography H-Hat|H-Hat]] [[ESAT Bibliography Hau|Hau]] [[ESAT Bibliography Haw-Her|Haw-Her]] [[ESAT Bibliography Hes-Hol|Hes-Hol]] [[ESAT Bibliography Hom-How|Hom-How]] [[ESAT Bibliography Hug-Hun|Hug-Hun]] [[ESAT Bibliography Hut|Hut]] [[ESAT Bibliography Hy-Hz|Hy-Hz]]
+
[[ESAT Bibliography H-Hat|H-Hat]] [[ESAT Bibliography Hau|Hau]] [[ESAT Bibliography Haw-Her|Haw-Her]] [[ESAT Bibliography Hes-Hol|Hes-Hol]] [[ESAT Bibliography Hom-How|Hom-How]] [[ESAT Bibliography Hua-Hun|Hua-Hun]] [[ESAT Bibliography Huo-Huz|Huo-Huz]] [[ESAT Bibliography Hy-Hz|Hy-Hz]]
  
 
To return to any other letter, click on the list below
 
To return to any other letter, click on the list below

Latest revision as of 11:19, 22 April 2013

Click on the appropriate letters of the alphabet in the sub-list below.

H-Hat Hau Haw-Her Hes-Hol Hom-How Hua-Hun Huo-Huz Hy-Hz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance



Hurst, Christopher 2009. Workshopped plays in a South African correction centre : negotiating social relations through theatre. Unpublished doctoral dissertation. Durban: University of KwaZulu-Natal.

Hutchison, Yvette 1991. Playabout: Ten One-Act Plays, by Sue Scott and Patrick Delahunty. Reviewed in: South African Theatre Journal, 5(2):113-115.

Hutchison, Yvette 1994. Masks today: mediators of a complex reality. South African Theatre Journal, 8(1):45-62.

Hutchison, Yvette 1995a. Plays for Young Africa, (2 volumes), by Pieter Scholtz. Reviewed in: South African Theatre Journal, 9(1):126-128.

Hutchison, Yvette, Huismans, Anja & Marais, Rahila 1995b. Report on African Literature in South Africa: Towards a Renaissance Conference, Cape Town, 24-25 February 1995. South African Theatre Journal, 9(1):96-99.

Hutchison, Yvette 1996a. “Access to rather than ownership of”: South African theatre history and theory at a crossroads. South African Theatre Journal, 10(1): 35-47.

Hutchison, Yvette 1996b. An introductory placing of South African theatre in the African context. Journal of Literary Studies, 12(4):470-486.

Hutchison, Yvette 1996c. Politics and Performance: Theatre, Poetry and Song in Southern Africa, by Liz Gunner. Reviewed in: South African Theatre Journal, 10(1):125-126.

Hutchison, Yvette 1996d. Scars of Conquest/Masks of Resistance : The Invention of Cultural Identities in African, African-American and Caribbean Drama, by Tejumola Olaniyan. Reviewed in: South African Theatre Journal, 10(1):126-129.

Hutchison, Yvette 1996e. Theories of drama, theatre and performance in Africa (editorial). South African Theatre Journal, 10(1):1-2.

Hutchison, Yvette 1997. Theatre and Drama in Francophone Africa, by John Conteh-Morgan. Reviewed in: South African Theatre Journal, 11(1&2):290-292.

Hutchison, Yvette 1999a. Black South African Women: An Anthology of Plays, by Kathy A. Perkins. Reviewed in: South African Theatre Journal, 13:206-209.

Hutchison, Yvette 1999b. Memory is a weapon: the uses of history and myth in selected post-1960 Kenyan, Nigerian and South African plays. Unpublished doctoral dissertation. Stellenbsosch: University of Stellenbosch.

Hutchison, Yvette 1999c. Present trends in South African theatre, in Smit, J.A. (ed.). The Dancing Dwarf From the Land of Spirits. Durban: CSSALL. 119-130.

Hutchison, Yvette 1999d. The seductive dance between history and literature: The Moremi legend by historian Samuel Johnson and playwrights Duro Ladipo and Femi Osofisan. South African Theatre Journal, 13(1&2):32-47.

Hutchison, Yvette 2000. Township Plays, Port Elizabeth Plays and Interior Plays, by Athol Fugard. (3 volumes re-published in 2000). Reviewed in: South African Theatre Journal, 14:225-229.

Hutchison, Yvette 2002a. African Theatre and the Unmaking of Colonial Marginality, by Bhekizizwe Peterson. Reviewed in: South African Theatre Journal, 16:244-247.

Hutchison, Yvette 2002b. Beyond the Echoes of Soweto: Five Plays, by Matsemela Manaka; Born in the RSA: Four Workshopped Plays, by Barney Simon; Ubu and the Truth Commission, by Jane Taylor. Reviewed in: Banham, Martin, Gibbs, James & Osofisan, Femi (eds.).; Plastow, Jane (reviews ed.), African theatre. Women. Oxford: James Curry. 158-161.

Hutchison, Yvette 2003. Barney Simon: brokering cultural interventions. Contemporary Theatre Review, 13(3): 4-15.

Hutchison, Yvette 2004a. Memory and desire in South Africa: the museum as space for performing cultural identity? In Banham, Martin, Gibbs, James & Osofisan, Femi (eds.). African Theatre: Southern Africa. Oxford: James Currey. p. 51-67.

Hutchison, Yvette 2004b. South African theatre, in Banham, Martin (ed.). A History of Theatre in Africa. Cambridge: Cambridge University Press. 312-379.

Hutchison, Yvette 2005. Truth or bust: consensualising a historic narrative or provoking through theatre. The place of the personal narrative in the Truth and Reconciliation Commission. Contemporary Theatre Review, 15(3):354-362.

Hutchison, Yvette 2008. Theatre, Performance and New Media in Africa, edited by Susan Arndt, Eckhard Breitinger & Marek Spitczok von Brisinski. Reviewed in: South African Theatre Journal, 22:210-211.

Hutchison, Yvette 2010a. Handspring Puppet Company, edited by Jane Taylor. Reviewed in: Hutchison, Yvette (ed.). African Theatre: Histories 1850-1950. Woodbridge, Suffolk: Jamrs Currey. 168-170.

Hutchison, Yvette 2010b. Post-1990s verbatim theatre in South Africa : exploring an African concept of "truth", in Martin, Carol (ed.). Dramaturgy of the Real on the World Stage. Basingstoke [England] ; New York : Palgrave Macmillan. 61-71.

Hutchison, Yvette 2013. Review: Kene Igweonu (ed), Foreword by Temple Hauptfleisch, Trends in Twenty First century African Theatre and Performance, in African Theatre 11: Festivals:147-150.



Click on the appropriate letters of the alphabet in the sub-list below.

H-Hat Hau Haw-Her Hes-Hol Hom-How Hua-Hun Huo-Huz Hy-Hz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

Retrieved from "https://esat.sun.ac.za/index.php?title=ESAT_Bibliography_Hut&oldid=40640"