ESAT Bibliography Wem-Wil
Click on the appropriate letters of the alphabet in the sub-list below.
Waa-Wal Wam-Wel Wem-Wil Wim-Woo Wop-Wz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Wenzel, Jennifer 2005. Voices of spectral and textual ancestors: reading Tiyo Soga alongside H.I.E. Dhlomo's The Girl Who Killed to Save (1). Research in African Literatures, 36(1):51+.
Wenzel, Marita 2003. Appropriating space and transcending boundaries in The Africa House by Christina Lamb and Ways of Dying by Zakes Mda. Journal of Literary Studies, 19(3-4):316=330.
Wertheim, Albert 1986. The darkness of bondage, the freedom of light: Athol Fugard’s The Road to Mecca. Essays in Theatre, 5(1):15-25.
Wertheim, Albert 1987. The prison theatre and the theatre as prison: Athol Fugard’s The Island. Themes in Drama, 9:229-237.
Wertheim, Albert 1995. Euripides in South Africa: Medea and Demea. Comparative Drama, 29(3):334-347.
Wertheim, Albert 1996. The 1995 Grahamstown Festival. South African Theatre Journal, 10(1):94-100.
Wertheim, Albert 2000. The Dramatic Art of Athol Fugard: From South Africa to the World. Bloomington: Indiana University Press.
Wessels, I. 1976. Toegewyd en afgerond – dis Wilna. Sarie Marais, 27(23):109-111. May 5.
Wessels, I. 1978. Anna Neethling-Pohl, ‘n porttret. Sarie, 29(20):42-46. April 5.
Weston, L. 1954. They keep our theatre alive. Spotlight, 6-9. September.
Wetmore, Kevin J. 2002. The Athenian sun in an African sky : modern African adaptations of classical Greek tragedy. Jefferson, N. C.: McFarland.
Wetmore, Kevin J. 2005. Exits and Entrances, by Athol Fugard; Nothing But the Truth by John Kani. Reviewed in: Theatre Journal, 57(2):269-272.
Wetherell, Violet 1940. Wenke vir amateuropvoerings: hoe Leontine Sagan reperteer. Huisgenoot, 25(959):22. Augustus 9.
Whitaker, R. 1981. Dimoetes to Dimetos: the evolution of myth: (literary criticism of Fugard’s Dimetos). English Studies in Africa, 24:45-59.
Whales, R.D. 1974. Young playmakers. South African Panorama, 19(3):36-37. March.
White, L. 1982. Power and the Praise Poem. Journal of Southern African Studies, 9:1.
White, L. 1989. Poetic licence: oral poetry and history, in Barber, K. and de Moraes Farias, P.F. (eds.). Discourse and Its Disguises: The Interpretation of African Oral Texts. Birmingham: Birmingham University African Studies Series No. 1.
White, Landeg and Couzens, Tim 1984. Literature and Society in South Africa. Cape Town: Maskew Miller Longman.
Whitehouse, Audrey 1985. Port Elizabeth Shakespearean Festival: the first 25 years. Education and Culure, 8(3):8-10.
Wicomb, Wilmien & Cilliers, Paul 2004. Die soektog na die etiese moment in die teater. South African Theatre Journal, 18:159-183.
Wicomb, Zoë 2005. My name is HannaH: Arthur Nortje Memorial Lecture. (Kanna, hy kô Hystoe) English Academy Review, 22(1):
Wiehahn, R. 1964. Marionet aan die Muur, by H. de Klerk. Reviewed in: Tydskrif vir Geesteswetenskappe 4(3):
Wiehahn, R. 1982. Bartho Smit, in Perspektief en Profiel, edited by P.J. Nienaber. 5th ed. Johannesburg: Perskor.
Wilkens, Ivor and Strydom, Hans 1980. Die Super Afrikaners. Johannesburg: Ball.
Wilkinson J. 1999. 'The Sayings of Tsikinya-Chaka': Shakespeare in South Africa. Africa: Rivista Trimestrale di Studi e Documentazione dell'Istituto Italo-Africano, 54(2):193.
Wille, Franz 1992. Wir spielen Weiter. Theater Heute, 2:69-70.
Willems, Jos (ed.). 1966. Die H.B. Thom-teater, Universiteit van Stellenbosch. Stellenbosch: Pro Ecclesia.
Willemse, Hein 2012. Huldeblyk: Willie Adams (1951-2012). Tydskrif vir Letterkunde, 49(2}:160-162.
Willemsen, Jan 1946. Waarlik, Mnr Huguenet! Trek, 10(16):15.
Williams, Cecil 1951. Profile of Gwen Ffrangcon Davies. Trek, 15(12):6-7.
Williams, Clifford 1955. Theatre goes to the dorps. Milady, 19(7):24.
Williams, J.J. 1995. Report of the Arts and Culture Task Group presented to the Minister of Arts, Culture, Science and Technology. Critical Arts, 10(1):107.
Williams, Owen 1965. Theatre in South Africa. Contrast, 4(1) 59-68.
Williams, Owen 1969. Theatre fermenting. Times, 27 October:xvi.
Williams, Owen 1970. Boycitts, censorship, middle-class tastes are drawbacks of South African theatre. Cape Argus, 28 March.
Williams, Pat 2017. King Kong: Our Knot of Time and Music. Cape Town: Jonathan Ball Publishers.
Willoughby, Guy 1995. Abroad on the boards: a new-look Fiona Ramsay faces the international limelight. Style, 17(7): 64-67.
"Wilma Stockenström", in Herber, Avril 1979. Conversations: Some People, Some Place, Some Time South Africa. Johannesburg: Bateleur. 142-144.
Wilmot, A. and Chase, John Centlivres. 1869 History of the Colony of the Cape of Good Hope. ("From its discovery to the year 1819" by A. Wilmot; "From 1820 to 1868" by John Centlivres Chase). London: Longmans, Green Reader and Dyer/Cape Town: Juta and Co.
Wilmot, E. de B. 1951. Rep’s new theatre has everything. Outspan, 48(1274):22. July 27.
Click on the appropriate letters of the alphabet in the sub-list below.
Waa-Wal Wam-Wel Wem-Wil Wim-Woo Wop-Wz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
