ESAT Bibliography Mde-Mes
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Mdlalose/Nkulumayo, N. 2009. Stories of old revisited. South African Labour Bulletin, 33(1):
Mduduzi Hlope: An analysis of theme in his plays. Reality, 15(6):10-12.
Meersman, Brent 2007. Democracy, capitalism and theatre in the new South Africa. South African Theatre Journal, 21:292-306.
Kruskal, Megan. 1985. Scenaria, (52):9-12.
Meet you at the Natal Playhouse. 1987. Lantern, 36(2):3-16.
Meihuizen, N.C.T. 2000. Mongane Wally Serote, in Scanlon, Paul A. (ed.). South African Writers. Detroit: Gale Group. 422-433.
Meij, A. 1988. “Dramaspel” ‘n Eksperiment gedoen by die Kleuterskool Fonteinbleau. Kleuterklanke, 13(1):31-33. June.
Meij, K. 1978. Is Laat die Kerse Brand te maklik? Klasgids, 13(3-4):9-10. November.
Meiring, Eben 1967. Toneel en werklikheid. Tydskrif vir Letterkunde, 5(4):18-21.
Meiring, E. 1990. Beckett en Fugard: Waiting for Godot en Boesman and Lena. Tydskrif vir Letterkunde, 28(4):111-116.
Meiring, M. 1980. Katinka Heyns: activist, innovator and perfectionist. Fair Lady, 16(7):98-102. November 5.
Meiring, Martie 1998. Fees, feestelik, feesteliker. Insig, 09/98:46.
Melpomene, pseud. 1950. The theatre world: review of 1950. Trek, 14(12):39.
Melpomene, pseud. 1952a. The standard of theatre: Cape Town theatre. Trek, 16(3):18.
Melpomene, pseud. 1952b. Theatre at the crossroad. Trek, 16(6):17.
Melpomene, pseud. 1952c. Theatre and economics. Trek, 16(8):7.
Meltzer, Lalou 1978. A response to this…(Replies to Nicolas-Fanourakis below). Speak, 1(2): 48-49.
Merand, Janis 1991. An evaluation of the 1989 popular theatre training programme run by the Community Arts Project. Unpublished honour’s thesis. Cape Town: University of Cape Town.
Merrington, Peter 1995. Heritage, Genealogy, and the Inventing of Union, South Africa 1910. Unpublished paper, conference 1995.
Merrington, Peter 1995. ‘Pageantry and Primitivism’: Dorothea Fairbridge and the Aesthetics of Union. Journal of Southern African Studies, 21:4.
Merrington, Peter 1996. Masques, monuments, and masons: The 1910 pageant of the Union of South Africa, in Nas, Loes& Wittenberg, Hermann (eds.). AUETSA 96 : proceedings of the conference of the Association of University English Teachers of South Africa, University of the Western Cape, 30 June-5 July 1996.
Merrington, Peter 1997. Masques, monuments and masons: the 1910 pageant of the Union of South Africa. Theatre Journal, 19(1):1-14.
Merrington, Peter 1998. Monuments and masons: the 1910 pageant of the Union of South Africa, in Bogaards, Winnifred M. (ed.). Literature of Region and Nation: Proceedings of the 6th International Literature of Region and Nation Conference, 2-7 August 1996. Saint John, NB University of New Brunswick. 278-299.
Merrington, Peter, 1999. State of the Union: The "New Pageantry" and the Performance of Identity in North America and South Africa, 1908-1910, Journal of Literary Studies 15 (1-2) (1999): 238-63.
Merrington, Peter, 2009. Loyal Memory: The Tercentenary in Colonial Cape Town. In The Shakespearean International Yearbook Volume 9: Special section, South African Shakespeare in the Twentieth Century. (Guest editor: Laurence Wright) 29-45.
Mersham, G. & Baker, G. 2002. Industrial theatre as a negotiated dramaturgy. South African Theatre Journal, 16:92-119.
Mervis, Margaret 1998a. The Captain’s Tiger. Reviewed in: Current Writing, 10(2):143-146.
Meskin, Tamar & Van der Walt, Tanya 2007. Approaching Macbeth through representation, participation and facilitation: a theatre-in-education ‘adventure’. South African Theatre Journal, 21:75-91.
Meskin, Tamar & Van der Walt, Tanya 2010. Photography, archaeology and representation: chronicles of conflict adn the architecture of action. South African Theatre Journal, 24:125-154.
Meskin, Tamar 2014. Shaggy by Anton Krueger and Pravasan Pillay reviewed by Tamar Meskin. South African Theatre Journal, 27(3):276-280.
Click on the appropriate letters of the alphabet in the sub-list below.
Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
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