Percy Baneshik

Percy Baneshik born Percival Leon Baneshik, (6th November, 1915-1999) Critic, author, broadcast producer and playwright. An auto-didact, he became one of the most esteemed, articulate and influential music, film and theatre critics in the country. When the African Broadcasting Company started broadcasting in the 1930s, he was appointed Assistant News Editor and, known as “Uncle Percy,” started the “Children's Hour”. When the South African Broadcasting Corporation was later formed, he continued in the same position. He worked for a number of Johannesburg newspapers, notably The Star. He was the chief columnist for the Rand Daily Mail from 1962 till 1964 and an Executive member of the SA PEN Centre. He was an Assistant Editor in charge of the Arts and Entertainments section and dramatic critic, of the Sunday Chronicle in Johannesburg. Between 1947-48 he served as a Radio Officer with the Food and Agricultural Organisation (FAO) of the United Nations in Washington DC, USA.

Contribution to SA theatre, film, media and/or performance

Baneshik also wrote a number of one act plays, many of them performed at the FATSSA play festivals by the East Rand Theatre Club, including Elizabeth Wears a Wig (1945, published 1947) and The Garden at the Threshold (the Van Riebeeck Festival play) (1951, published 1965) and Hole in the Heart’’, a radio presentation about a heart operation which was broadcast all over the world. Full-lenth plays include Mr. Midas (Library Theatre, 1945)and the musical Eureka (with music by Bertha Egnos, produced at the Johannesburg Civic Theatre, 1968), *. Baneshik is also the author of radio features entitled Fugue for South African Voices (1952) and Portrait of Sammy Marks (1958). * Also wrote an ode to the Johannesburg REPS which was read by Muriel Alexander during the inaugural ceremony of the new Johannesburg REPS Theatre which opened in Johannesburg on the 7th of November 1951. Wrote As scriptwriter produced many features for radio.

According to G.J. Joubert Percy Baneshik of The Star, is a fine stylist capable of informed evaluation at all times. His reviews maintain a consistently high standard, with hardly any fluctuation of critical perspective. Stimulation and development of the public's interest in, and knowledge of the theatre are the most commendable feature of his reviews.