Cardenio

Cardenio by William Shakespeare. Ostensibly Shakespeare's "lost play". The full title was The History of Cardenio, though it is often referred to simply as Cardenio.

History

It is a lost play, known to have been performed by The King's Men, a London theatre company, in 1613, (though some sources, such as the RSC website, aver that records show that a play by Shakespeare called Cardenna was performed at court in the winter of 1612). A play called The History of Cardenio , attributed to William Shakespeare and John Fletcher, was registered in a Stationers' Register entry of 1653 by the publisher and bookseller, Humphrey Moseley.

The content of the play is not known, but it was likely to have been based on an episode in Miguel de Cervantes' Don Quixote involving the character Cardenio, a young man who has been driven mad and lives in the Sierra Morena.

Adaptations and reconstructions

Over the years there have been a number of claims to have found the text, or of attempts to "reconstruct" the text. These include Lewis Theobald's Double Falshood and Charles Hamilton's The Second Maiden's Tragedy.

The Cardenio Project

The Cardenio Project is an ongoing experiment in cultural mobility. In 2003, Charles Mee, a playwright, and Stephen Greenblatt, an English professor, collaborated in the writing of a play, Cardenio, inspired by a lost play of Shakespeare's. The play was performed at the American Repertory Theatre in Cambridge, Massachusetts, in 2008. After the play had been drafted, Greenblatt contacted theater companies in different parts of the world and asked if they might be interested in reading the script and adapting it for a performance in their own cultural circumstances. With the aid of a generous grant from the Mellon Foundation, Greenblatt offered to pay for a translation of the play that he and Mee had written.

His only stipulation was that the play that would be eventually staged would not be a direct performance of this translated version. His interest, he explained, was in what happened when a story generated within one set of assumptions, preoccupations, constraints, and conventions was transmuted for performance in a very different world. Such a transmutation had taken place when the story of Cardenio, from Cervantes' Don Quixote, was adapted by Shakespeare and his collaborator Fletcher for the Jacobean stage. And another, more drastic transmutation had occurred when the surviving traces of this early seventeenth-century play had been taken up by Mee and Greenblatt as the starting point of their early twenty-first-century version.

Apart from the governing stipulation, no limits were set for the transformations, and no guidelines were given. This website brings together the text of Mee and Greenblatt's play and English translations of the versions produced in the countries involved in the experiment, along with clips and other related materials. It also includes the relevant chapters of Cervantes' Don Quixote and Lewis Theobald's play Double Falsehood, which Theobald claimed was based on the manuscript of Shakespeare and Fletcher's Cardenio.

Jane Taylor's South African collaborative work, After Cardenio is one of these projects.

Some Twentieth Century adaptations and reconstructions

In 2010 the RSC Chief Associate Director Gregory Doran tried to piece together Shakespeare's 'lost play' as part of the RSC 50th Birthday Season in the Swan Theatre, during winter 2011. It was performed under the title Cardenio. RSC Chief Associate Director Gregory Doran decided to try and piece together Shakespeare's 'lost play' as part of the RSC 50th Birthday Season in the Swan Theatre, during winter 2011.

In 2012 Indiana University and Purdue University-Indianapolis (IUPUI) theatre department staged the first professional, full-scale production of The History or Cardenio, as resurrected by Gary Taylor from Lewis Theobald's text. Drawing on a team of writers which included Cervantes, Shakespeare, Fletcher, Shelton and Lewis Theobald, his re-imagined Cardenio took his audience on a journey to 16th century Spain.

Cardenio in South Africa

2011: Jane Taylor directed and staged a collaborative work, After Cardenio, in 2011 at Hiddingh Campus’s historical Anatomy Lecture Theatre. It was created as part of The Cardenio Project and was a work of avant garde puppet theatre, which utilizes a vellum puppet made by South African sculptor Gavin Younge.

Writer/director: Jane Taylor, Creative collaborator: Aja Marneweck and the Paper Body Collective Puppet sculptor: Gavin Younge Sound design and composition: Julia Raynham Artist: Penny Siopis as anatomy artist CAST: Jemma Kahn as Anne Greene/Dorotea; Dylan Esbach as Dr Petty and Cardenio; Martin Kintu as primary puppeteer, and Printer, and Luscinda;; Rouxnet Brown as the Assistant, and warrior puppeteer; Jeroen Kranenburg as Town crier and Don Quixote