ESAT Bibliography Mop-Mot
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Moreno, J.J. 1985. Musical psychodrama. South African Journal of Music Therapy, 3(4):12.
Morgensen-Lindsay, Annissa Marie 1998. Post-apartheid Fugard: cross-generation attachment in select plays by Athol Fugard. Unpublished doctoral dissertation. Bowling Green, OH: Bowling Green University.
Morkel, Toni 2010. An interview with Sylvaine Strike. South African Theatre Journal, 24:201-208.
Moropa, C.K. 1986. Art of drama in ‘intsomi’ narration. South African Journal of African Languages, 6(2):91-93.
Morris, Gay 1989a. Drama: Action and Interaction: A Collection of Plays and Activities, by Walter Greyvenstein. Reviewed in: South African Theatre Journal, 3(2:133-137.
Morris, Gay 1989b. A critical biography of Rosalie van der Gucht : investigating her contribution to education in South Africa with special reference to speech and drama. Unpublished master’s thesis. Cape Town: University of Cape Town.
Morris, Gay 1989c. Theatrical possibilities of the traditional Xhosa iintomsi: what do they offer here and now? South African Theatre Journal, 3(2):91-99.
Morris, Gay 1994. Catcalls from the soul: cabaret’s power to liberate. South African Theatre Journal, 8(2):109-124.
Morris, Gay 2002a. Reconsidering theatre-making in South Africa: a study of theatre in education in Cape schools. Theatre Research International, 27:289-305.
Morris, Gay 2002b. Theatre in education in Cape schools: reflections on South African theatre making practices. South African Theatre Journal, 16:120 – 136.
Morris, Gay 2005. Practising role play: learning through experience. South African Theatre Journal, 19:58-71.
Morris, Gay 2006. Considering directors and directing in South African theatre. South African Theatre Journal, 20:11-29.
Morris, Gay 2007. Townships, identity and collective theatre making by young South Africans. South African Theatre Journal, 21:166-179.
Morris, Gay 2008. Institutional arrangements of theatre in the Cape: the case of township theatre. South African Theatre Journal, 22:102-118.
Morris, Gay 2012. Theatre and Citizenship: The History of a Practice, by David Wiles. Reviewed in South African Theatre Journal, 26(1):98-100.
Morris, Gay. 2014. Playing with Change: Repetition and Innovation in Township Performance. In Vicki Ann Cremona, Rikard Hoogland, Gay Morris and Wilmar Sauter (eds). Playing Culture: Conventions and Extensions of Performance. Amsterdam: Rodopi.
Morris, Patricia & Pieter-Dirk Uys 1988. Cry freemandela and don’t be such a fool. Index on censorship, 17:22-24.
Morris, Ronald W. 1942. A glimpse at the Afrikaans theatre. Playtime, (28):4-5,19,20.
Morrison, F.E. 1987. Die drama: ’n herbesinning. Lyra Academica, 2(1):41-49.
Mosala, Bernadette 1973. Theatre in Soweto. Journal of Commonwealth Literature, 8(1):63-68.
Moses, A. 2009. Totsiens, juffrou Trudie: huldeblyk. Die Huisgenoot, 26(609):16-17. February 12.
Most modern opera house in the world (Nico Malan). 1970. Construction in Southern Africa, 15(2):69-79.
Mother Earth (Yvonne Bryceland). 1978. Scenaria, December/January: 35.
Mothiba, Kwena Frans 2005. Ntshuthelele : terama ya go se bapalege. Unpublished master’s thesis. Pretoria: University of Pretoria.
Moto, Segopotše Godfrey 1988. Plot in Northern Sotho drama with special reference to C.K. Nchabeleng’s works. Unpublished master’s thesis. Pietersburg: University of the North.
Click on the appropriate letters of the alphabet in the sub-list below.
Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
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