ESAT Bibliography Dis-Doz
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Dis koud hier [literary criticism, Braam van Wyk]. 1972. Staatsamptenaar, 52(3): 29-30. March.
Dissel, Jan 1945. Die toneel: Nuwe talent. 1 June:15.
Distiller, Natasha 2003. “Colonial Shakespeare”: report on the Shakespeare Society of Southern Africa’s tri-annual Shakespeare Congress. South African theatre journal, 17: 253-257.
Distiller, Natasha 2003. Shakespeare and race edited by Catherine M.S. Alexander and Stanley Wells. Reviewed in: Shakespeare in Southern Africa, 15:105-108. Distiller, Natasha 2003. Eds. Shakespeare and Race.. (Vol. 15).: p105
Distiller, Natasha 2003. South African Shakespeare: a model for understanding cultural transformation? (1). Shakespeare in Southern Africa, 15: 21-27.
Distiller, Natasha 2004. “We’re black, stupid”: uMabatha and the new South Africa on the world stage, in Distiller, Natasha & Steyn, Melissa (eds.). Under construction: ‘race’ and identity in South Africa today. Sandton: Heinemann. 149-162.
Distiller, Natasha 2003. Catherine M.S. Alexander and Stanley Wells Eds. Shakespeare and Race. Shakespeare in Southern Africa. (Vol. 15).: p105
Distiller, Natasha 2004. The ‘Zulu Macbeth’: the value of an ‘African Shakespeare’. Shakespeare survey, 57: 159-168.
Distiller Natasha 2005. A sign that history is happening: Shakespeare in 20th-century South African literature. Literature Compass. 2(1):
Distiller, Natasha 2005. South Africa, Shakespeare, and post-colonial culture. Lewiston, N.Y.: Edwin Mellen Press.
Dixon, Luke 2002. Foul papers in the township. Shakespeare in Southern Africa, 14: 25-26.
Dlamini, Hloniphile Prudence 2001. Drama used against abuse of women : an investigation. Pietermaritzburg: University of Natal. (MA (Drama Studies) thesis).
Dobie, B. 1977. Towards education for ‘acceptable speech’. Journal of education, 9(1): 23-32.
Dobie, B.A. Theory and practice in theatre craft. Teaterforum, 5(2) : 43-48.
Doke, C. M. 1936. Games, plays and dances of the Khomani Bushmen. Bantu studies 10.
Dommisse, Hermien, 1946. Conquest : the story of the Afrikaans professional theatre. In : South African panorama : introducing South Africa, her art, culture, and peoples. Johannesburg : Literary Guild.
Dommisse, Hermien 1951. Henrdik Hanekom: as ek terugdink. Helikon, 1(2): 10-13. December.
Dommisse, Hermien 1952. Afrikaanse toneelterminologie. Helikon, 1(3) – 1(4). February – April.
Dommisse, Hermien 1954. Empirisme en ons beroepstoneel. Ons eie boek, 20(4): 122-124.
Dommisse, Hermien 1955. Ons toneel: ‚n braakland. Standpunte. 9(3): 21-30.
Dommisse, Hermien 1957. Bedenkings en bespieëlings oor ons toneel. Standpunte, 9(5-6): 16-26.
Dommisse, Hermien 1978. Oop teaters – waarheen? Buurman, 9(1): 33-35. September.
Dommisse, Hermien 1989. Die Afrikaanse toneel: moet mens lag of huil? De Kat, 5(5): 108-109.
Dommisse, Hermien 1998. Voetspore [“Footprints”]. Cape Town: Human en Rousseau.
Dommisse, Hermien 2001. Long lourney of the heart. Pretoria: LAPA.
Dommisse, Jaqueline 1985. A women's theatre festival in South Africa: a documentation and analysis of the indigenous plays premièred at the Women’s Festival of Arts, Johannesburg, 1 April-11 May 1985. Johannesburg : University of the Witwatersrand.
Don, C.D. 1951. Footlights of long ago. Outspan, 50(1283): 41. September 29.
Donahue D. 2008. Blood kin. Publishers weekly, 255(3): 36.
Donaldson, Andrew 1996. Funny place, South Africa : so how come the comedy explosion? Style, 12(1): 86-88, 90, 92.
Dontsa, L. 1990. Contemporary political performing arts in South Africa. London: School of Oriental and African Studies. (Ph.D. thesis).
Doodsberig [Hendrik Hanekom].1952. Huisgenoot, 36(1559): 3. February 8.
Doodsberig. [Wena Naudé]. Unie, 75: 176. November.
Douglas, K. 1980. Drama in community education. South African outlook, 110: 111-112.
Doyle, J. 1984. Builders on schedule with presrige R56-m opera house. South African construction world, 3(9) : 58-68.
Click on the appropriate letters of the alphabet in the sub-list below.
Da-Daz Dea-Deu Dev-Dir Dis-Doz Dr-Dup Dur-Dz
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