ESAT Bibliography Mde-Mes
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Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
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Mduduzi Hlope – an analysis of theme in his plays. Reality, 15(6): 10-12.
Meersman, Brent 2007. Democracy, capitalism and theatre in the new South Africa. South African theatre journal, 21: 292-306.
Megan Kruskal. 1985. Scenaria, (52) : 9-12.
Meet you at the Natal Playhouse. 1987. Lantern, 36(2): 3-16. Meij, K. 1978. Is Laat die kerse brand te maklik? Klasgids, 13(3-4): 9-10. November. Meij, A. 1988. “Dramaspel” ‘n Eksperiment gedoen by die Kleuterskool Fonteinbleau. Kleuterklanke, 13(1): 31-33. June. Meiring, E. 1967. Toneel en werklikheid. Tydskrif vir letterkunde, 5(4): 18-21. Meiring, E. 1990. Beckett en Fugard: Waiting for Godot en Boesman and Lena. Tydskrif vir letterkunde, 28(4): 111-116. Meiring, Jean. 2002. Afrikaanse kunste en teater ondanks feeste aan’t sterf. In: Die Burger, March 2, 2002: 13.
Meiring, M. 1980. Katinka Heyns: activist, innovator and perfectionist. Fair lady, 16(7): 98-102. November 5.
Meiring, Martie. 1998. Fees, feestelik, feesteliker. Insig, 09/98: 46.
Melpomene, pseud. 1952a. Theatre at the crossroad. Trek, 16(6): 17. Melpomene, pseud. 1952b. Theatre and economics. Trek, 16(8): 7. Meltzer, Lalou 1978. A response to this…(Replies to Nicolas-Fanourakis below). Speak, 1(2): 48-49. Memela, Sandile. 1995. Life in jail is no fun, honest: play exposes brutality and waste in prisons. In: City Press, June 25, 1995: 34.
Memela, Sandile. 1995a. Change rolls in at arts council. In: City Press, November 5, 1995: 5.
Memela, Sandile. 1996. Chilling exposé of an all-too-common marital violence. In: City Press, August 11, 1996: 27.
Memela, Sandile. 1997. The agony of a queue – when waiting means survival. In: City Press, January 19, 1997: 24.
Memela, Sandile. 2000a. Memoir glosses over apartheid: production fails to capture realities of the past. In: Sowetan Sunday World, June 4, 2000: 4.
Memela, Sandile. 2000b. Broken promises of the liberators. In: Sowetan Sunday World, June 18, 2000: 4.
Memela, Sandile. 2000c. Aiming to heal old wounds. In: Sowetan Sunday World, June 18, 2000: 6.
Memela, Sandile. 2000d. Portraying black men as brutes. In: Sowetan Sunday World, July 23, 2000: 3.
Memela, Sandile. 2001. Taking stock of SA’s new rulers. In: City Press, November 4, 2001: 20.
Merand, Janis 1991. An evaluation of the 1989 popular theatre training programme run by the Community Arts Project. Cape Town: University of Cape Town. (B.Soc. Sc (Hons.) thesis).
Merrington, Peter 1996. Masques, Monuments, and Masons: The 1910 Pageant of the Union of South Africa. In; Wittenberg, Hermann (ed. and introd.); Nas, Loes (ed. and introd.) AUETSA 96, I-II: Southern African
Merrington, Peter 1997. Masques, monuments and masons: the 1910 pageant of the Union of South Africa. Theatre journal, 19(1): 1-14.
Merrington, Peter 1998. Monuments and masons: the 1910 pageant of the Union of South Africa. In Bogaards, Winnifred M. (ed.) Literature of Region and Nation: Proceedings of the 6th International Literature of Region and Nation Conference, 2-7 August 1996. Saint John, NB: Social Sciences and Humanities Research Council of Canada, with University of New Brunswick in Saint John. p. 278-299.
Mersham, G. & Baker, G. 2002. Industrial theatre as a negotiated dramaturgy. South African Theatre Journal, 16:92 – 119.
Mervis, Margaret 1998. Fiction for development: ZAKES Mda’s Ways of dying. Current writing, 10(1): 39-56.
Mervis, Margaret 1998. The captain’s tiger. Current writing, 10(2): 143-146.
Meskin, Tamar & Van der Walt, Tanya 2007. Approaching Macbeth through representation, participation and facilitation – a theatre-in-education ‘adventure’. South African theatre journal, 21: 75-91.
Click on the appropriate letters of the alphabet in the sub-list below.
Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
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