ESAT Bibliography Dis-Doz
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Dis koud hier (literary criticism, Braam van Wyk). 1972. Staatsamptenaar, 52(3):29-30.
Dissel, Jan 1946. Die toneel: nuwe talent. Trek, 1 June:15.
Distiller, Natasha 2003. “Colonial Shakespeare”: report on the Shakespeare Society of Southern Africa’s tri-annual Shakespeare Congress. South African Theatre Journal, 17:253-257.
Distiller, Natasha 2003. Shakespeare and Race edited by Catherine M.S. Alexander and Stanley Wells. Reviewed in: Shakespeare in Southern Africa, 15:105-108.
Distiller, Natasha 2003. South African Shakespeare: a model for understanding cultural transformation? (1). Shakespeare in Southern Africa, 15:21-27.
Distiller, Natasha 2004. “We’re black, stupid”: uMabatha and the new South Africa on the world stage, in Distiller, Natasha & Steyn, Melissa (eds.). Under Construction: ‘Race’ and Identity in South Africa Today. Sandton: Heinemann. 149-162.
Distiller, Natasha 2004. The ‘Zulu Macbeth’: the value of an ‘African Shakespeare’. Shakespeare Survey, 57:159-168.
Distiller, Natasha 2005. A sign that history is happening: Shakespeare in 20th-century South African literature. Literature Compass. 2(1):
Distiller, Natasha 2005. South Africa, Shakespeare, and Post-colonial Culture. Lewiston, N.Y.: Edwin Mellen Press.
Dixon, Luke 2002. Foul papers in the township. Shakespeare in Southern Africa, 14:25-26.
Dlamini, Hloniphile Prudence 2001. Drama used against abuse of women : an investigation. Unpublished master’s thesis. Pietermaritzburg: University of Natal.
Dobie, B. 1977. Towards education for ‘acceptable speech’. Journal of Education, 9(1):23-32.
Dobie, B. 1984. Theory and practice in theatre craft. Teaterforum, 5(2):43-48.
Doke, C. M. 1936. Games, plays and dances of the Khomani Bushmen. Bantu Studies, 10.
Dommisse, Hermien 1946. Conquest : the story of the Afrikaans professional theatre, in Rose, B.W. & Greenlees, M. (eds.). South African Panorama : Introducing South Africa, Her Art, Culture, and Peoples. Johannesburg : Literary Guild.
Dommisse, Hermien 1951. Henrdik Hanekom: as ek terugdink. Helikon, 1(2):10-13. December.
Dommisse, Hermien 1952. Afrikaanse toneelterminologie. Helikon, 1(3) – 1(4). February – April.
Dommisse, Hermien 1954. Empirisme en ons beroepstoneel. Ons Eie Boek, 20(4):122-124.
Dommisse, Hermien 1955. Ons toneel: ‘n braakland. Standpunte. 9(3):21-30.
Dommisse, Hermien 1957. Bedenkings en bespieëlings oor ons toneel. Standpunte, 9(5-6):16-26.
Dommisse, Hermien 1978. Oop teaters – waarheen? Buurman, 9(1):33-35. September.
Dommisse, Hermien 1989. Die Afrikaanse toneel: moet mens lag of huil? De Kat, 5(5):108-109.
Dommisse, Hermien 1998. Voetspore. Cape Town: Human & Rousseau.
Dommisse, Hermien 2001. Long Journey of The Heart. Pretoria: LAPA.
Dommisse, Jaqueline 1985. A Women's Theatre Festival in South Africa: a documentation and analysis of the indigenous plays premièred at the Women’s Festival of Arts, Johannesburg, 1 April-11 May 1985. Johannesburg : University of the Witwatersrand.
Don, Charles D. 1951. Footlights of long ago. Outspan, 50(1283):41. September 29.
Donahue D. 2008. Blood kin. Publishers Weekly, 255(3):36.
Donaldson, Andrew 1996. Funny place, South Africa : so how come the comedy explosion? Style, 12(1):86-88, 90, 92.
Dontsa, L. 1990. Contemporary political performing arts in South Africa. Unpublished doctoral dissertation. London: School of Oriental and African Studies.
Doodsberig (Hendrik Hanekom).1952. Huisgenoot, 36(1559):3. February 8.
Doodsberig. (Wena Naudé). Unie, 75:176. November.
Douglas, K. 1980. Drama in community education. South African Outlook, 110:111-112.
Doyle, J. 1984. Builders on schedule with presrige R56-m opera house. South African Construction World, 3(9):58-68.
Click on the appropriate letters of the alphabet in the sub-list below.
Da-Daz Dea-Deu Dev-Dir Dis-Doz Dr-Dup Dur-Dz
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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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